Junko aono (34 Ergebnisse)
Sprache: Englisch
Verlag: The Tokyo Shimbun / NHK, 2007
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In den WarenkorbPaperback. Zustand: Very Good. The Tokyo Shimbun / NHK, 2007. 240 pages; 2 essays; 94 catalogued works illustrated in color; additional text illustrations. Some English, largely Japanese text. Pictorial Wrapper (softcover). Very Good. 4to. Exhibition Catalogue.
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Paperback. Zustand: new. Paperback. Is it possible to talk about Dutch art after 1680 outside the prevailing critical framework of the age of decline? Although an increasing number of studies are being published on the art and society of this period, genre painting of this era continues to be dismissed as an uninspired repetitio…n of the art of the second and third quarters of the seventeenth century, known as the Dutch Golden Age.,In this stunningly illustrated study, Aono reconsiders the long-dismissed genre painting from 1680-1750. Grounded in close analysis of a range of paintings and primary sources, this study illuminates the main features of genre painting, highlighting the ways in which these elements related to the painters' close connections to, on the one hand, collectors, and on the other, to classicism, one of the dominant artistic styles of that time., Three case studies, richly supplemented by a catalogue of 29 selected painters and their work, offer the first clear picture of the genre painting of the period while providing new insights into painters' activities, collectors' tastes and the contemporary art market.|In this stunningly illustrated study, Junko Aono reconsiders the long-dismissed genre painting from 1680-1750. In this stunningly illustrated study, Junko Aono reconsiders the long-dismissed genre painting from 1680-1750. Shipping may be from multiple locations in the US or from the UK, depending on stock availability.
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Paperback. Zustand: New. Is it possible to talk about Dutch art after 1680 outside the prevailing critical framework of the age of decline? Although an increasing number of studies are being published on the art and society of this period, genre painting of this era continues to be dismissed as an uninspired repetition of the ar…t of the second and third quarters of the seventeenth century, known as the Dutch Golden Age.,In this stunningly illustrated study, Aono reconsiders the long-dismissed genre painting from 1680-1750. Grounded in close analysis of a range of paintings and primary sources, this study illuminates the main features of genre painting, highlighting the ways in which these elements related to the painters' close connections to, on the one hand, collectors, and on the other, to classicism, one of the dominant artistic styles of that time., Three case studies, richly supplemented by a catalogue of 29 selected painters and their work, offer the first clear picture of the genre painting of the period while providing new insights into painters' activities, collectors' tastes and the contemporary art market. In this stunningly illustrated study, Junko Aono reconsiders the long-dismissed genre painting from 1680-1750.
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Paperback. Zustand: New. Is it possible to talk about Dutch art after 1680 outside the prevailing critical framework of the age of decline? Although an increasing number of studies are being published on the art and society of this period, genre painting of this era continues to be dismissed as an uninspired repetition of the ar…t of the second and third quarters of the seventeenth century, known as the Dutch Golden Age.,In this stunningly illustrated study, Aono reconsiders the long-dismissed genre painting from 1680-1750. Grounded in close analysis of a range of paintings and primary sources, this study illuminates the main features of genre painting, highlighting the ways in which these elements related to the painters' close connections to, on the one hand, collectors, and on the other, to classicism, one of the dominant artistic styles of that time., Three case studies, richly supplemented by a catalogue of 29 selected painters and their work, offer the first clear picture of the genre painting of the period while providing new insights into painters' activities, collectors' tastes and the contemporary art market. In this stunningly illustrated study, Junko Aono reconsiders the long-dismissed genre painting from 1680-1750.
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Paperback. Zustand: new. Paperback. Is it possible to talk about Dutch art after 1680 outside the prevailing critical framework of the age of decline? Although an increasing number of studies are being published on the art and society of this period, genre painting of this era continues to be dismissed as an uninspired repetitio…n of the art of the second and third quarters of the seventeenth century, known as the Dutch Golden Age.,In this stunningly illustrated study, Aono reconsiders the long-dismissed genre painting from 1680-1750. Grounded in close analysis of a range of paintings and primary sources, this study illuminates the main features of genre painting, highlighting the ways in which these elements related to the painters' close connections to, on the one hand, collectors, and on the other, to classicism, one of the dominant artistic styles of that time., Three case studies, richly supplemented by a catalogue of 29 selected painters and their work, offer the first clear picture of the genre painting of the period while providing new insights into painters' activities, collectors' tastes and the contemporary art market.|In this stunningly illustrated study, Junko Aono reconsiders the long-dismissed genre painting from 1680-1750. In this stunningly illustrated study, Junko Aono reconsiders the long-dismissed genre painting from 1680-1750. Shipping may be from our UK warehouse or from our Australian or US warehouses, depending on stock availability.
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Zustand: New. Junko Aono is professor of Art History, at Meiji Gakuin Univeristy, Tokyo, Japan and received her PhD on Dutch genre painting 1680-1750 from the University of Amsterdam in 2011. Her publications include articles in major scientific magazines, such as Oud Ho.
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Paperback. Zustand: New. Is it possible to talk about Dutch art after 1680 outside the prevailing critical framework of the age of decline? Although an increasing number of studies are being published on the art and society of this period, genre painting of this era continues to be dismissed as an uninspired repetition of the ar…t of the second and third quarters of the seventeenth century, known as the Dutch Golden Age.,In this stunningly illustrated study, Aono reconsiders the long-dismissed genre painting from 1680-1750. Grounded in close analysis of a range of paintings and primary sources, this study illuminates the main features of genre painting, highlighting the ways in which these elements related to the painters' close connections to, on the one hand, collectors, and on the other, to classicism, one of the dominant artistic styles of that time., Three case studies, richly supplemented by a catalogue of 29 selected painters and their work, offer the first clear picture of the genre painting of the period while providing new insights into painters' activities, collectors' tastes and the contemporary art market. In this stunningly illustrated study, Junko Aono reconsiders the long-dismissed genre painting from 1680-1750.
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Taschenbuch. Zustand: Neu. Neuware - Is it possible to talk about Dutch art after 1680 outside the prevailing critical framework of the age of decline Although an increasing number of studies are being published on the art and society of this period, genre painting of this era continues to be dismissed as an uninspired repetitio…n of the art of the second and third quarters of the seventeenth century, known as the Dutch Golden Age.,In this stunningly illustrated study, Aono reconsiders the long-dismissed genre painting from 1680-1750. Grounded in close analysis of a range of paintings and primary sources, this study illuminates the main features of genre painting, highlighting the ways in which these elements related to the painters' close connections to, on the one hand, collectors, and on the other, to classicism, one of the dominant artistic styles of that time., Three case studies, richly supplemented by a catalogue of 29 selected painters and their work, offer the first clear picture of the genre painting of the period while providing new insights into painters' activities, collectors' tastes and the contemporary art market.|In this stunningly illustrated study, Junko Aono reconsiders the long-dismissed genre painting from 1680-1750.
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Paperback. Zustand: new. Paperback. Is it possible to talk about Dutch art after 1680 outside the prevailing critical framework of the age of decline? Although an increasing number of studies are being published on the art and society of this period, genre painting of this era continues to be dismissed as an uninspired repetitio…n of the art of the second and third quarters of the seventeenth century, known as the Dutch Golden Age.,In this stunningly illustrated study, Aono reconsiders the long-dismissed genre painting from 1680-1750. Grounded in close analysis of a range of paintings and primary sources, this study illuminates the main features of genre painting, highlighting the ways in which these elements related to the painters' close connections to, on the one hand, collectors, and on the other, to classicism, one of the dominant artistic styles of that time., Three case studies, richly supplemented by a catalogue of 29 selected painters and their work, offer the first clear picture of the genre painting of the period while providing new insights into painters' activities, collectors' tastes and the contemporary art market.|In this stunningly illustrated study, Junko Aono reconsiders the long-dismissed genre painting from 1680-1750. In this stunningly illustrated study, Junko Aono reconsiders the long-dismissed genre painting from 1680-1750. Shipping may be from our Sydney, NSW warehouse or from our UK or US warehouse, depending on stock availability.
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Paperback. Zustand: New. Is it possible to talk about Dutch art after 1680 outside the prevailing critical framework of the age of decline? Although an increasing number of studies are being published on the art and society of this period, genre painting of this era continues to be dismissed as an uninspired repetition of the ar…t of the second and third quarters of the seventeenth century, known as the Dutch Golden Age.,In this stunningly illustrated study, Aono reconsiders the long-dismissed genre painting from 1680-1750. Grounded in close analysis of a range of paintings and primary sources, this study illuminates the main features of genre painting, highlighting the ways in which these elements related to the painters' close connections to, on the one hand, collectors, and on the other, to classicism, one of the dominant artistic styles of that time., Three case studies, richly supplemented by a catalogue of 29 selected painters and their work, offer the first clear picture of the genre painting of the period while providing new insights into painters' activities, collectors' tastes and the contemporary art market. In this stunningly illustrated study, Junko Aono reconsiders the long-dismissed genre painting from 1680-1750.
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Verlag: Amsterdam University Press, 2015
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