Kantor istvan (28 Ergebnisse)

Paperback. Zustand: New. Istvan Kantor's Jeremiad is an autobiographic assemblage of text and images, composed from short segments of semi-fictional episodes from the author's life, from rhapsodic curtain-raisers to revolutionary manifestos via machine-beat poetry, Neoist propaganda flyers, film scripts, essays, protest songs, performance documents, and sketches.…

Zustand: New.

Zustand: New. Brand New.

Zustand: As New. Unread book in perfect condition.

Soft cover. Zustand: New. 1st Edition. Signed by Istavan Kantor(Monty Cantsin) with additional art doodling on the title page(s). We will request additional shipping costs after your order for this specific book based on actual shipping costs to your destination. Currently media mail within the US is $4.82 plus 67 cents for packaging for a total of $5.49. This will not slow down the shipping of the book.Thank you for understanding. E. F. Higgins III (illustrator). Signed by Author(s).…

Paperback. Zustand: New. Istvan Kantor's Jeremiad is an autobiographic assemblage of text and images, composed from short segments of semi-fictional episodes from the author's life, from rhapsodic curtain-raisers to revolutionary manifestos via machine-beat poetry, Neoist propaganda flyers, film scripts, essays, protest songs, performance documents, and sketches.…

Soft cover. Zustand: Very Good. 1st Edition. 125. Pages. Illustrated throughout. A very good plus clean copy.

Paperback. 315p., 4.5x7 inch pictorial wraps; as New. Creative biography/novel/interviews about the Lower East Side mail artist Ed Higgins III and his circle.

Paperback. Zustand: Very Good. The book has been read, but is in excellent condition. Pages are intact and not marred by notes or highlighting. The spine remains undamaged.

Paperback. 263p., pictorial wraps, as new. Biographic novel.

Zustand: New.

Paperback. Zustand: As New. Hero in Art ? The Vanished Traces of Richard Hambleton (2020) by Istvan Kantor ? Autonomedia ? As New Condition Some artists put their work in galleries. Richard Hambleton put his on walls in dark streets and allowed rain, demolition, other graffiti artists and New York City itself to decide how long it remained there. Which, from an investment point of view, was perhaps not the most efficient approach. In Hero in Art ? The Vanished Traces of Richard Hambleton , artist and writer Istvan Kantor tells the turbulent story of one of the great figures of the early New York street-art underground: a contemporary of the scene that produced Keith Haring and Jean-Michel Basquiat, but a considerably darker and more elusive presence. Hambleton became famous for his sinister Shadowman figures ? rough black human silhouettes painted suddenly onto walls, alleys and doorways, often positioned so that they appeared to be lurking, falling, fighting or preparing to do something that would probably justify crossing the street. He also created the provocative Image Mass Murder works, placing painted outlines and splashes resembling crime scenes in public spaces. It was street art before street art acquired respectable galleries, auction estimates, branded trainers and people drinking complimentary prosecco while discussing its authenticity. The original works belonged to the city. And the city was not particularly interested in conservation. Walls were demolished. Paint faded. Buildings were renovated. New graffiti went over old graffiti. Hambleton?s figures appeared, frightened or intrigued passers-by, and gradually vanished back into the urban landscape from which they had emerged. Hence the title: The Vanished Traces of Richard Hambleton . Kantor is not observing all this from the comfortable distance of an art historian who arrived decades later with an archive and several footnotes. Also known as Monty Cantsin , Kantor was himself an artist, founder of Neoism and an early friend of Hambleton. His book is described by the publisher as a biographic novel , combining personal recollection with the memories of others to construct a deliberately immediate account of Hambleton?s life, art and surrounding underground culture. Consequently this is not merely the familiar tale of a Great Artist progressing efficiently from youthful promise to gallery representation, international acclaim and tasteful retrospective. Hambleton?s trajectory was considerably messier. There was fame. There was obscurity. There was artistic brilliance. There were drugs. There were dealers, collectors, friends, enemies, admirers and the complicated machinery by which something created partly in opposition to the established art world eventually becomes extremely valuable within the established art world. Capitalism is remarkably patient in these matters. Give it enough time and even anti-establishment graffiti can acquire an auction catalogue. The book captures the strange contradiction at the heart of Hambleton?s career. Here was an artist associated with work deliberately placed in uncontrolled public space, whose images were temporary almost by definition, yet whose reputation continued to grow after many of the physical works had disappeared. The art vanished. The artist became more famous. Which is either wonderfully poetic or extremely inconvenient asset management. Hambleton emerged from the explosive visual culture of New York?s East Village and Lower East Side in the early 1980s , when abandoned buildings, deteriorating neighbourhoods and urban surfaces became part of a new artistic territory. Kantor portrays this world from within rather than treating it as a picturesque historical movement safely preserved behind museum glass. The result is part biography, part memoir, part underground art history and part portrait of a particular New York that has itself largely disappeared. It is also a story about the mythology of the artist. We rather enjoy the romantic image of the uncompromising outsider: rejecting convention, living dangerously, producing work without concern for money or respectability and refusing to participate properly in polite society. The difficulty is that actually being that person can be considerably less glamorous than reading about one afterwards. Kantor does not present Hambleton?s life as an uninterrupted procession of heroic artistic rebellion. The darker elements are very much present, including addiction, instability and the destructive side of a life lived far beyond sensible operating limits. The publisher itself describes the story in terms of Hambleton?s ?falls and rises, highs and lows?, and that instability is central to the book. So despite the word Hero in the title, this is not straightforward hero worship. It is about talent and self-destruction, recognition and disappearance, artistic independence and the unavoidable question of what happens when the rebellious underground becomes valuable enough for the mainstream to start collecting it. There is something especially fitting about a book on Hambleton being published by Autonomedia , itself associated with radical and countercultural writing rather than the polished coffee-table end of art publishing. This is not simply Here Are Some Lovely Pictures of Street Art . It is about the people, circumstances, ideas and chaos surrounding the work. Published in 2020 , Hero in Art therefore offers both a portrait of Richard Hambleton and a window into a period when street art was still something one might encounter unexpectedly on a derelict building rather than purchase as a limited-edition print with insured delivery. This copy is in As New condition , creating the pleasing contradiction of an exceptionally tidy book about an artist whose working environment frequently consisted of crumbling walls, abandoned buildings, nighttime streets and paint applied before anybody could object. ISBN 9781570273667 . Ideal for collectors of contemporary art bo.…

Soft cover. Zustand: New. 1st Edition. Signed by Istavan Kantor(Monty Cantsin) with additional art doodling on the title page(s). E. F. Higgins III (illustrator). Signed by Author(s).

Zustand: New.

Zustand: New.

Zustand: New.

Paperback. Zustand: New. Istvan Kantor's Jeremiad is an autobiographic assemblage of text and images, composed from short segments of semi-fictional episodes from the author's life, from rhapsodic curtain-raisers to revolutionary manifestos via machine-beat poetry, Neoist propaganda flyers, film scripts, essays, protest songs, performance documents, and sketches.…

Soft cover. Zustand: Very Good -. Soft cover book in very good- condition. Light wear and small crease to wraps. Interior pages bright, unmarked. Overall remains a very nice copy. Questions welcome. We ship internationally from the United States and Canada every week. If buying internationally, please be aware that additional charges may apply for heavier books. We guarantee a safe, quick, and secure transaction. 10+ years in online bookselling experience. …

Paperback. Zustand: New. Istvan Kantor's Jeremiad is an autobiographic assemblage of text and images, composed from short segments of semi-fictional episodes from the author's life, from rhapsodic curtain-raisers to revolutionary manifestos via machine-beat poetry, Neoist propaganda flyers, film scripts, essays, protest songs, performance documents, and sketches.…

Soft cover. Zustand: Near Fine. First Edition First Printing. Documents, in words & photographs, the origins & evolution of the legendary Rivington School on New York's Lower East Side, created by a disparate band of "street artists, sculptors, welders, performers, noise bands, trouble makers, & Neoists" who took over abandoned buildings & lots & transformed them into magical new spaces for artistic expression. Because it was unpermitted, the city of New York, was constantly dismantling the School's work. Though WorldCat lists a British edition from 2016, there is no mention of this edition in this book. At the least, it is the FIRST American edition, First Printing, from 2020, & only 11 copies of either edition are located worldwide (5/24). Large softcover quarto (9" x 12") has glossy black./white/gray/red decorative wrappers, in 288 pages. Condition is Near Fine, with extremely mild edgewear. Else, completely clean & bright, binding strong & straight, pages white & unmarked, colors vivid. Our photos depict the Exact book you will receive, never "stock" images of books we don't actually have! Same day shipping on all orders received Weekdays by 2 pm (Pacific time); later orders, weekends & holidays ship very next business day. Tsuchiya, Toyo (illustrator). …

Paris. Directeur: Michel Surya. Un volume 21x15cm broché de 260 pages. Bon état. Livres.

Revue trimestrielle. Ivry-sur-Seine, rédacteur en chef : Henri Deluy. Comité de rédaction : Olivier Cadiot, Emmanuel Hocquard, Bernard Vargaftig, Charles Dobzynski, Pierre Lartigue, Jacques Roubaud, Lionel Ray, Alain Lance, etc. Un volume 13x21cm broché de 290 pages. Bon état. 100 pages consacrées à Francis Ponge. Fondée au début des années 1950 à Marseille par Gérald Neveu, Action poétique est une des revues de poésie de la seconde moitié du XXème siècle en France qui connut la plus grande longévité. Animée par Henri Deluy, de 1958 jusqu'à sa dernière livraison en 2012 (210 numéros), Action poétique inscrit la poésie dans le champ théorique de la création française : désir de changer le monde, de s?ouvrir à lui, à travers des traductions défricheuses, et d?interroger la langue qui permet de lui donner forme. "Une des plus vastes encyclopédies de la poésie, couvrant tous les âges, tous les pays, de Gilgamesh à la poésie multimédia." (Jean-Yves Lacroix, Catalogue Revues, janvier 2019, p.4). Livres.…

Soft cover. Zustand: Very Good. Two Neoist manifestos and a covering insult from Hungarian born, Canadian-based artist Istvan Kantor. 'Thus Spoke Monty Cantsin?' is 14 pages and stapled at corner with a 'Fuck Neoism Now' sticker and dated January 1991. 'How to Supersede Neoism?' is 8 leaves stapled at corner with a 'Resistance is our Business!' sticker and is undated. Covering letter/insult to previous owner, 'Nomen Est Omen', has a yellow symbol drawn over it is thick felt tip and is dated July 15 1992. In a brown envelope which also includes a one page photocopy of 'Critics Praise Stewart Home! Addendum to Smile Magazine#11'. Light horizontal crease through all, staples starting to rust. Photographs available on request. All books dispatched same or next working day in robust packaging.…

HARDCOVER. Zustand: New. 1st Edition. Large 8vo in colour printed flexible stiff card covers, 123pp, numerous illustrations in text, etc. The covers are deliberately inverted - as issued. CD in pocket at rear. Text in English throughout . [CONDITION: NEW copy, CD as new (slight ripple to printed paper on the front board - clearly a minor production flaw) ] . __To see more of our Art Monographs etc type DbbARTIST in the Keywords search box . . We always ship in STRONG PROTECTIVE CARD PARCELS.…

Soft cover. Zustand: Very Good. First Edition. Small 4to. Perfect bound with illustrated covers in black and white. Inscribed and dated with locale in three differently-coloured inks, by Istvan Kantor (Monty Cantsin), to Canadian writer Greg Gatenby. Covers a little scuffed around the edges and corners, with some glued paper residue along the fore-edge of the front cover. Black and white illustrations throughout. Signed by Author(s).…

Soft cover. Zustand: Near Fine. Paperback original. Includes work by Monty Cantsin, Istvan Kantor, and Cassandra Sung-Hyan. Inscribed by Istvan Kantor to Canadian writer Greg Gatenby: "To Greg. Remember the future! It's always 6 o'clock. Your immortal friend, Istvan Kantor Monty Kantsin, Amen!" The inscription is surrounded by flicks in ink which he told Greg represented sub-atomic particles. As for the "immortal friend"- Greg and Kantor had just met for the first time at the opening. Corners lightly bumped, otherwise a fine copy. Signed by Author(s).…

8vo. pp. 78. b/w illus. wrs. (bit rubbed & scuffed). Edition limited to 1,000 printed copies.

Zustand: Sehr gut. Offsetdruck orig. beschrieben, durchgestrichen, gestempelt (neoist research project), signiert, datiert von Monty Cantsin (István Kántor). Istvan Kantor / Monty Cantsin / "Amen!" (in Budapest) ist ein ungarischstämmiger kanadischer Performance- und Videokünstler, Begründer des Neoismus. Er erhielt in 2004 den Governor General's Award in visual and media arts, einen der höchsten Kunstpreise in Kanada. Size: Folio quer. Von Autor und Illustrator signiert.…