Keith arnatt (20 Ergebnisse)

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Soft cover. Zustand: Good. 1st Edition. 40pp., 15 color plates plus one full-spread installation view, biography, exhibitions list, bibliography, collections list. Lightly browned edges. Minor foxing to free front endpaper. Covers rubbed with slight edge wear and creasing. Some adhesive sticker residue to back cover.(BH) 10/24.

- Softcover
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Zustand: Good. Paperback, illustrated with numerous photographs in colour, 4to.

Sprache: Englisch
Verlag: The British Council (Visual Arts publications), 1992
- Softcover
Anbieter: GREENSLEEVES BOOKS, Oxford, Vereinigtes KönigreichGREENSLEEVES BOOKS
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Paperback. Zustand: Very Good. 0863551440. British Council, bright clean copy, Professional booksellers since 1981.
Verlag: The British Council Visual Arts Publications, 1992
- Softcover
Anbieter: Hopton Books, Ludlow, SHROP, Vereinigtes KönigreichHopton Books
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In den WarenkorbPaperback. Zustand: Very Good. Interior is almost as new. Some marks on the end papers and light shelf wear on the cover.

- Softcover
Anbieter: A Good Read, Toronto, ON, KanadaA Good Read
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Paperback. Zustand: Fine. A Good Read ships from Toronto and Niagara Falls, NY - customers outside of North America please allow two to three weeks for delivery. ; 8vo 8" - 9" tall; 45 pages.
Weitere BilderVerlag: Karsten Schubert & Richard Saltoun, London, 2009
- Softcover
- Erstausgabe
Anbieter: David Bunnett Books, London, Vereinigtes KönigreichDavid Bunnett Books
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In den WarenkorbSOFTCOVER. Zustand: AS NEW. Zustand des Schutzumschlags: Issued without a dustjacket. 1st Edition. 4to in stiff card covers, 30pp on glossy art paper, colour plates, sepia illustrations in text, etc. one of 750 copies . [CONDITION: A well preserved AS NEW unmarked copy ] . __To see more of our Art Monographs etc type DbbARTIST i…n the Keywords search box . . We always ship in STRONG PROTECTIVE CARD PARCELS.

- Softcover
Anbieter: Buckle's Books, Cambridge, Vereinigtes KönigreichBuckle's Books
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paperback. Zustand: Very Good. Paperback. Slight darkening to edges otherwise no damage, internally clean. Very good condition.
Weitere BilderI'm a Real Photographer: Keith Arnatt Photographs 1974-2002
Grafik, Clare; Arnatt, Keith; Hurn, David [Photographer]; Rogers, Brett [Foreword];
- Hardcover
- Erstausgabe
Anbieter: Coffee Cat Books, Chapel Hill, NC, USACoffee Cat Books
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hardcover. Zustand: VERY GOOD. First Edition, Thus. Chris Boot, 2009. Keith Arnatt. You Bastard! You Ate The Last of my Crackers. Published to coincide with the exhibition I'm A Real Photographer at The Photographers' Gallery, 28 June-26 August 2007, and subsequently at the Glynn Vivian Art Gallery, Swansea, Wales, 19 January-30… March 2008. Text and photographs/ illustrations clean and unmarked, no highlighting, creasing, underlining or writing. Decorative boards, Hard Cover, no DJ as issued. Clean and bright, some light edge &shelf wear. No rips, tears or stains. 8 1/2 x 9 1/2". Ships quickly and with care. I'm a Real Photographer Keith Arnatt Photographs 1974-2002 is a monograph showcasing 19 photographic series by Keith Arnatt, featuring subjects ranging from everyday objects to personal moments with humor and depth. This collection, accompanied by essays from David Hurn, Brett Rogers, and Clare Grafik, explores photography?s conventions and its relationship to art history.

Verlag: The British Council, London, 1991
- Softcover
- Erstausgabe
Anbieter: David Bunnett Books, London, Vereinigtes KönigreichDavid Bunnett Books
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In den WarenkorbSOFTCOVER. Zustand: Fine. 1st Edition. Large Folio size in colour printed stiff card covers, 5pp text plus 9 full page and very finely printed colour photos. Dual text in English and Portuguese . [CONDITION: An extremely well preserved almost AS NEW copy (minute speck of shelf rub to cover corner tips) ] . __To see more of our A…rt Monographs etc type DBBARTIST in the Keywords search box . . We always ship in STRONG PROTECTIVE CARD PARCELS.

- Hardcover
Anbieter: BWS BKS, Ferndale, NY, USABWS BKS
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Hardcover. Zustand: New.
Verlag: Henry Moore IInstitute, UK, 2009
- Erstausgabe
Anbieter: Marcus Campbell Art Books, London, Vereinigtes KönigreichMarcus Campbell Art Books
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In den WarenkorbCard covers, stapled spine. Zustand: Near fine in wraps. First Edition. 21 x 30cm 20pp near fine card-covered exhibition catalogue with stapled spine. Manipulation of natural and man made objects in the rural environment, the work of Keith Arnatt reveals a deep sculptural imagination that informed his conceptual and photographic… practices. Through his preoccupations with the box, body and burial in the early part of his career, Arnatt challenged sculptural conventions long before he was seen as a photographer. With three major essays by Jon Wood, Mike Sperlinger and Andrew Wilson, together with black and white reproductions.

Behind the Facts Interfunktionen 1968-1975 (Contemporary Art) English
Gloria Moure,Vito Acconci, Keith Arnatt, John Baldessari, Lothar Baumgarten, Bill Beckley, Joseph Beuys , George Brecht, K.P. Brehmer, Marcel Broodthaers, Gunter Brus, Daniel Buren, Walter de Maria, Jan Dibbets, Valie Export, Terry Fox, Jon Gibson, Gilbert & George, Philip Glass, Dan Graham, Hans Haacke, Wilhelm & Birgit Hein, Michael Heizer, Rebecca Horn, Peter Hutchinson, Jörg Immendorff, Will Insley, Mauricio Kagel, David Lamelas, George Landow, Malcom Le Grice, Richard Long, George Maciunas, Bruce Nauman, Dennis Oppenheim, Sigmar Polke, Yvonne Rainer, Steve Reich, Dieter Roth, Paul Sharits, Robert Smithson, Wolf Vostell, William Wegman and Lawrence Weiner
- Hardcover
Anbieter: castlebooksbcn, Barcelona, B, Spaniencastlebooksbcn
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Encuadernación de tapa dura. Zustand: Nuevo. Zustand des Schutzumschlags: Como Nuevo. Interfunktionen, an art journal which published 12 issues between 1968 and 1975 in Cologne, was founded in 1968 as a form of protest by artists who had no affinity with the critical lines that were redrawn at Documenta that year. The review was… of considerable importance as a vehicle for propagating pro-European ideas and as a union between artists in Europe and the United States, irrespective of the predominating movements of the time. It contained both theoretical and practical contributions, with the intervention of creators who defined and illustrated their artistic strategies. Directly linked to the most prominent figures in the Düsseldorf Kunstacademie, such as Joseph Beuys, Jorg Immendorf and Sigmar Polke, it also boasted the involvement of the most spirited and reflexive artists of the times, from Vito Acconci and Marcel Broodthaers to Bruce Nauman and Dieter Roth. Interfunktionen, as its name indicates, was an inter-disciplinary publication, open to all artistic genres and with no restrictions as to media. This book is produced in collaboration with Fritz Heubach, the review's first editor, and depicts the experience of those years by means of original documents--some of them hitherto unpublished--artworks, and artists' writings.
Disclosures Dadleniad (Au) . Seven Artists from Wales . New Commissions . (Copy Signed by Peter Prendergast)
Various ( Peter Prendergast, Keith Arnatt, Shani Rhys James, Harry Holland, David Nash, Lois Williams, & Terry Setch, Et Al)
Verlag: Oriel Mostyn & Newport Museum, Llandudno, Gwynedd & Newport, Gwent, 1995
- Hardcover
- Erstausgabe
- Signiert
Anbieter: Sue Lloyd-Davies Books, CARMARTHEN, Vereinigtes KönigreichSue Lloyd-Davies Books
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In den WarenkorbHardcover. Zustand: As New. No Dust Jacket. First Edition; First Printing. NO Publisher's Date given, but the last date in the Artists' Exhibition lists is 1995, the book is a Presentation Copy to Arthur & Bim Giardelli SIGNED by Peter Prendergast and has an accompanying letter from him to them, also dated August 1995 - so I'm a…ssuming at least 1994, more probably 1995! . The book came from the Library of the late Arthur Giardelli, the well-known Artist, from Pembrokeshire latterly. In English with Welsh Translation. In Fine Cherry Red cloth boards with blind stamped titling/borders to the spine and front board. NO dustjacket (was one issued? ). Plain endpapers. Inscribed "To Arthur and Bim with many best wishes Peter Prendergast 1995." at the top of the title page. No other Inscriptions or Marks. 96 pp. With a suite of plates mainly illustrated in full colour, but a couple in b/w. Foreward by Colin Ford. An Article by Ian Walker entitled 'Four Landscapes and a Still Life', and an Article by Stephen Moss entitled 'Lost for Words'. This is followed by a Welsh Translation of all written content. Acknowlegements. Artists' Sources & Notes; Selected Biographies/Exhibition lists; Colophon. An Exhibition 'Catalogue' in both English and Welsh. This copy also includes an A4 hand-signed two-sided Mss letter written to Arthur by Peter Prendergast in August 1995, amongst other things discussing the development of his (Prendergast's) work. " The Welsh artist Peter Prendergast, who has died aged 60, was one of Britain's foremost landscape painters. He is best-known for his large expressionist paintings of the old quarrying districts of north-west Wales, executed with bold brushstrokes and, unlike Sir Kyffin Williams, from a palette of many colours held between thick black lines. Another difference between them is that Prendergast's canvases have human traces in them, whereas Williams usually found inspiration in the unpeopled grandeur of Snowdonia. Some critics consider Prendergast the more accomplished painter of the two, a view which underpins many of the contributions made to a book about his life and work, The Painter's Quarry (2006)." (Meic Stephens Guardian 2007) ; 8vo 8" - 9" tall; Signed by One Author.
Verlag: London: Schubert, 2009
Anbieter: Plurabelle Books Ltd, Cambridge, Vereinigtes KönigreichPlurabelle Books Ltd
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In den WarenkorbPamphlet. Zustand: Very Good. 50p A4 guide, clean pages, cover in very good condition, well preserved, limited to 750 copies, scarce Language: English.
Wall Show
Keith Arnatt; Sue Arrowsmith; Tom Edmonds; Barry Flanagan; Michael Ginsborg; Gerard Hemsworth; John Hilliard; John Latham; Bob Law; Sol LeWitt; Roelof Louw, Ian Munro, Gerald Newman, Palermo, Klaus Rinke, Ed Sirrs, John Stezaker; David Tremlett, Lawrence Weiner; Richard Wentworth
Verlag: Lisson Gallery Publications, 1971
- Softcover
Anbieter: ANARTIST, New York, NY, USAANARTIST
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In den WarenkorbSoftcover, staple-bound, unpaginated; good condition; light rubbing to covers with some foxing to top edge of cover and first page; 1-inch crease to upper right corner of all pages; no other internal marks. Last page is a piece by Richard Wentworth, torn and taped down center as issued.
Weitere BilderWall Show
Keith Arnatt; Sue Arrowsmith; Tom Edmonds; Barry Flanagan; Michael Ginsborg; Gerard Hemsworth; John Hilliard; John Latham; Bob Law; Sol LeWitt; John Stezaker; Lawrence Weiner; Richard Wentworth
Verlag: Lisson Publications, Lisson Gallery, London, 1971
- Softcover
Anbieter: William Allen Word & Image, London, Vereinigtes KönigreichWilliam Allen Word & Image
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In den WarenkorbPaperback. Zustand: Very Good. Book. 290 x 210 mm, invisible bound with red on light green printed wraps. Important exhibition catalogue of Conceptual Art published to coincide with the seminal exhibition 'The Wall Show' at the Lisson Gallery, London, December 1970-January 1971. Features text-based and conceptual works by Keith…Arnatt; Sue Arrowsmith; Tom Edmonds; Barry Flanagan; Michael Ginsborg; Gerard Hemsworth; John Hilliard; John Latham; Bob Law; Sol LeWitt; Roelof Louw; Ian Munro; Gerald Newman; Palermo; Klaus Rinke; Ed Sirrs; John Stezaker; Lawrence Weiner; Richard Wentworth (the final page features a contribution by Wentworth in which the printed page is torn and taped back together with text that reads: 'To draw a grid onto tracing paper / To destroy paper by tearing / To tape pieces together.') Condition: A ding to the front cover on the top left. The first page is stamped with LYC library stamp in black ink and there are two yellow LYC stickers on the spine. Internally clean and fine. VG/VG+.

Verlag: Fernsehgalerie Gerry Schum., 1969
- Softcover
Anbieter: Tim Byers Art Books, Richmond, Vereinigtes KönigreichTim Byers Art Books
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In den WarenkorbSelf-wrappers. pp. (18). With nine black-and-white photographic reproductions, including one on front cover.Keith Arnatt's first solo exhibition featured one of the most celebrated works of the period, Self Burial, also called The Disappearance of the Artist. This television intervention was based upon a series of nine photos wh…ich progressively document as a sequence of images a purported ?self burial? Arnatt first stands centre frame upright on a piece of grass facing the viewers. The grassy area is bordered in the background by bushes. The following shots with unchanged picture composition show the artist buried ever further in the ground - first up to his calves, then to his knees, then thighs and so on - until the only thing which can be seen on the last picture is the hair on the top of his head at ground level. Arnatt changes his posture only minimally during this process; it is only the constantly growing, circular areas of loose soil surrounding his body which break up the static impression of the shots and suggest the burial process. Every evening at 8.15 pm and 9.15 pm from 11 to 18 October 1969 scheduled programming on West German television was abruptly cut to two pictures from this series; the second image broadcast at 9.15 pm was repeated the next day at 8.15 pm. The broadcast first lasted two and a half seconds and from 13 October they lasted four seconds. They were broadcast without any introduction or accompanying commentary. Only on the last day of the project did Arnatt explain his work in a feature in the culture magazine ?Spectrum? which was filmed at the Kölner Kunstmarkt in 1969; during this feature the ninth picture in the series also faded up. To mark the project this brochure ?Keith Arnatt : TV Project Self Burial? appeared in the same year, as Publication n°10 of Fernsehgalerie Gerry Schum. This brochure appeared in a print-run of 500 copies and it was financed by the collectors Gustav Adolf and Stella Baum and distributed by the Fernsehgalerie to interested parties free of charge. The brochure contained facsimiles of the TV schedules as well as montages where the nine photos are given a black cache.
Verlag: The Tate Gallery, 1972
Anbieter: ANARTIST, New York, NY, USAANARTIST
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In den WarenkorbPrinted envelope contains: introductory note, 4 folded posters from Arnatt, Martin, Law and Beuys, and three cards from Fulton, McLean and Tremlett, good condition; envelope closing flap torn with tears to left edge; loose enclosures have some light foxing to edges.
Weitere BilderVerlag: The Tate Gallery, London, 1972
Anbieter: 246 Books, Seattle, WA, USA246 Books
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In den WarenkorbEnvelope. Zustand: Very Good. Seven Exhibitions by artists: Keith Arnatt, Michael Craig Martin, Bob Law, Joseph Beuys, Hamish Fulton, Bruce McLean and David Tremlett. This is the documentation for these exhibitions enclosed in an envelope. It consists of: an "introductory note" from The Tate, 20" x 30" folded posters from Arnatt…, Martin, Law and Beuys, and three 4 1/4" x 8 1/4" cards from Fulton, McLean and Tremlett. All enclosed in a stiff envelope 9 3/4" x 12 1/2". The envelope has edge wear. The posters and cards are in fine condition.
Weitere BilderVerlag: Tate Gallery, 1972
- Erstausgabe
Anbieter: Studio Bruno Tonini / Tonini Editore, Gussago, BS, ItalienStudio Bruno Tonini / Tonini Editore
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In den Warenkorbsenza rilegatura. Zustand: ottimo. prima edizione. ARNATT Keith (Oxford 1930 - Chepstow 2008) London, Tate Gallery, 1972, cm. 76x51, black and white typographic poster printed recto verso, published in occasion of the exhibition "Seven Exhibitions" (London, Tate Gallery, February 24-March 23, 1972). Exemplar folded, originally p…art of the series of seven posters included in a cardboard envelope, here sold separately.