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Sprache: Englisch
Verlag: Cornell University Press, 2020
Serie: Signale: Modern German Letters, Cultures, and Thought, Buch 24 von 29. Buch 24 von 29 - Signale: Modern German Letters, Cultures, and Thought
- Softcover
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Paperback. Zustand: Good. Good - Bumped and creased book with tears to the extremities, but not affecting the text block, may have remainder mark or previous owner's name - GOOD PAPERBACK Standard-sized.
Weitere BilderSprache: Englisch
Verlag: Cornell University Press and Cornell University Library, 2019
Serie: Signale: Modern German Letters, Cultures, and Thought, Buch 24 von 29. Buch 24 von 29 - Signale: Modern German Letters, Cultures, and Thought
- Softcover
- Erstausgabe
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Soft cover. Zustand: New. 1st Edition. Softcover volume, measuring approximately 6.25" x 9.25", is new. xiv/355 pages. "Following World War II, German antifascists and nationalists in Buenos Aires believed theater was crucial to their highly politicized efforts at community-building, and each population devoted considerable reso…urces to competing against its rival onstage. "Competing Germanies" tracks the paths of several stage actors from European theaters to Buenos Aires and explores how two of Argentina's most influential immigrant groups, German nationalists and antifascists (Jewish and non-Jewish), clashed on the city's stages. Covered widely in German- and Spanish-language media, theatrical performances articulated strident Nazi, antifascist, and Zionist platforms. Meanwhile, as their thespian representatives grappled onstage for political leverage among emigrants and Argentines, behind the curtain, conflicts simmered within partisan institutions and among theatergoers. Publicly they projected unity, but offstage nationalist, antifascist, and Zionist populations were rife with infighting on issues of political allegiance, cultural identity and, especially, integration with their Argentine hosts. "Competing Germanies" reveals interchange and even mimicry between antifascist and nationalist German cultural institutions. Furthermore, performances at both theaters also fit into contemporary invocations of diasporas, including taboos and postponements of return to the native country, connections among multiple communities, and forms of longing, memory, and (dis)identification. Sharply divergent at first glance, their shared condition as cultural institutions of emigrant populations caused the antifascist Free German Stage and the nationalist German Theater to adopt parallel tactics in community-building, intercultural relationships, and dramatic performance. Its cross-cultural, polyglot blend of German, Jewish, and Latin American studies gives "Competing Germanies" a wide, interdisciplinary academic appeal and offers a novel intervention in Exile studies through the lens of theater, in which both victims of Nazism and its adherents remain in focus.".

Sprache: Englisch
Verlag: Cornell University Press and Cornell University Library, 2020
Serie: Signale: Modern German Letters, Cultures, and Thought, Buch 24 von 29. Buch 24 von 29 - Signale: Modern German Letters, Cultures, and Thought
- Softcover
Anbieter: Harmonium Books, Philadelphia, PA, USAHarmonium Books
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Temas de la Inmigración de habla alemana en la Argentina -Language: spanish
Rohland De Langbehn, Regula; Saint Saveur-Henn, Anne; Bujaldon De Esteves, Lila; Knoll, Hans; Garnica De Bertona, Claudia; Friedmann, Germán; Kelz, Robert
- Softcover
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Aspectos varios de la inmigración: Carlos Beck Bernard, Karl Oenike, Paul Zech, Maria Bamberg (Spanish Edition)
Rohland De Langbehn, Regula; Beck-Bernard, Karl; Crolla, Adriana Cristina; Frank, Rodolfo E.; Oenike, Karl; Liebenthal, Roberto; Kelz, Robert; Valko, Jeniifer M.; Yujnovsky, Ines
- Softcover
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Temas de la Inmigración de habla alemana en la Argentina: Cuadernos del Archivo - Año I (2017) #1 (Spanish Edition)
Rohland De Langbehn, Regula; Saint Saveur-Henn, Anne; Bujaldon De Esteves, Lila; Knoll, Hans; Garnica De Bertona, Claudia; Friedmann, Germán; Kelz, Robert
- Softcover
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Temas de la Inmigración de habla alemana en la Argentina -Language: spanish
Rohland De Langbehn, Regula; Saint Saveur-Henn, Anne; Bujaldon De Esteves, Lila; Knoll, Hans; Garnica De Bertona, Claudia; Friedmann, Germán; Kelz, Robert
- Softcover
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Sprache: Englisch
Verlag: Cornell University Press, US, 2020
Serie: Signale: Modern German Letters, Cultures, and Thought, Buch 24 von 29. Buch 24 von 29 - Signale: Modern German Letters, Cultures, and Thought
- Softcover
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Paperback. Zustand: New. Following World War II, German antifascists and nationalists in Buenos Aires believed theater was crucial to their highly politicized efforts at community-building, and each population devoted considerable resources to competing against its rival onstage. Competing Germanies tracks the paths of several s…tage actors from European theaters to Buenos Aires and explores how two of Argentina's most influential immigrant groups, German nationalists and antifascists (Jewish and non-Jewish), clashed on the city's stages. Covered widely in German- and Spanish-language media, theatrical performances articulated strident Nazi, antifascist, and Zionist platforms. Meanwhile, as their thespian representatives grappled onstage for political leverage among emigrants and Argentines, behind the curtain, conflicts simmered within partisan institutions and among theatergoers. Publicly they projected unity, but offstage nationalist, antifascist, and Zionist populations were rife with infighting on issues of political allegiance, cultural identity and, especially, integration with their Argentine hosts. Competing Germanies reveals interchange and even mimicry between antifascist and nationalist German cultural institutions. Furthermore, performances at both theaters also fit into contemporary invocations of diasporas, including taboos and postponements of return to the native country, connections among multiple communities, and forms of longing, memory, and (dis)identification. Sharply divergent at first glance, their shared condition as cultural institutions of emigrant populations caused the antifascist Free German Stage and the nationalist German Theater to adopt parallel tactics in community-building, intercultural relationships, and dramatic performance. Its cross-cultural, polyglot blend of German, Jewish, and Latin American studies gives Competing Germanies a wide, interdisciplinary academic appeal and offers a novel intervention in Exile studies through the lens of theater, in which both victims of Nazism and its adherents remain in focus.

Aspectos varios de la inmigraci?n
Rohland De Langbehn, Regula; Beck-Bernard, Karl; Crolla, Adriana Cristina; Frank, Rodolfo E.; Oenike, Karl; Liebenthal, Roberto; Kelz, Robert; Valko, Jeniifer M.; Yujnovsky, Ines
- Softcover
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Asociaciones e instituciones de la minoría de habla alemana en Argentina, casos e historias -Language: spanish
Rohland De Langbehn, Regula; Ortea, Adriana; Olivera, Gaston Alejandro; Knoll, Hans; Garnica, Claudia; Friedmann, Germán; González Luthier, Mariana; Kelz, Robert; Gallero, Maria Cecilia
- Softcover
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Asociaciones e instituciones de la minoría de habla alemana en Argentina, casos e historias -Language: spanish
Rohland De Langbehn, Regula; Ortea, Adriana; Olivera, Gaston Alejandro; Knoll, Hans; Garnica, Claudia; Friedmann, Germán; González Luthier, Mariana; Kelz, Robert; Gallero, Maria Cecilia
- Softcover
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Sprache: Englisch
Verlag: Cornell University Press, 2019
Serie: Signale: Modern German Letters, Cultures, and Thought, Buch 24 von 29. Buch 24 von 29 - Signale: Modern German Letters, Cultures, and Thought
- Softcover
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Sprache: Englisch
Verlag: Cornell University Press and Cornell University Library, 2020
Serie: Signale: Modern German Letters, Cultures, and Thought, Buch 24 von 29. Buch 24 von 29 - Signale: Modern German Letters, Cultures, and Thought
- Softcover
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Sprache: Englisch
Verlag: Cornell University Press, Ithaca, 2020
Serie: Signale: Modern German Letters, Cultures, and Thought, Buch 24 von 29. Buch 24 von 29 - Signale: Modern German Letters, Cultures, and Thought
- Softcover
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Paperback. Zustand: new. Paperback. Following World War II, German antifascists and nationalists in Buenos Aires believed theater was crucial to their highly politicized efforts at community-building, and each population devoted considerable resources to competing against its rival onstage. Competing Germanies tracks the paths o…f several stage actors from European theaters to Buenos Aires and explores how two of Argentina's most influential immigrant groups, German nationalists and antifascists (Jewish and non-Jewish), clashed on the city's stages. Covered widely in German- and Spanish-language media, theatrical performances articulated strident Nazi, antifascist, and Zionist platforms. Meanwhile, as their thespian representatives grappled onstage for political leverage among emigrants and Argentines, behind the curtain, conflicts simmered within partisan institutions and among theatergoers. Publicly they projected unity, but offstage nationalist, antifascist, and Zionist populations were rife with infighting on issues of political allegiance, cultural identity and, especially, integration with their Argentine hosts.Competing Germanies reveals interchange and even mimicry between antifascist and nationalist German cultural institutions. Furthermore, performances at both theaters also fit into contemporary invocations of diasporas, including taboos and postponements of return to the native country, connections among multiple communities, and forms of longing, memory, and (dis)identification. Sharply divergent at first glance, their shared condition as cultural institutions of emigrant populations caused the antifascist Free German Stage and the nationalist German Theater to adopt parallel tactics in community-building, intercultural relationships, and dramatic performance.Its cross-cultural, polyglot blend of German, Jewish, and Latin American studies gives Competing Germanies a wide, interdisciplinary academic appeal and offers a novel intervention in Exile studies through the lens of theater, in which both victims of Nazism and its adherents remain in focus. Following World War II, German antifascists and nationalists in Buenos Aires believed theater was crucial to their highly politicized efforts at community-building, and each population devoted considerable resources to competing against its rival onstage. Competing Germanies tracks the paths of several stage actors from European theaters to. Shipping may be from multiple locations in the US or from the UK, depending on stock availability.

Temas de la Inmigración de habla alemana en la Argentina: Cuadernos del Archivo - Año I (2017) #1 (Spanish Edition)
Rohland De Langbehn, Regula; Saint Saveur-Henn, Anne; Bujaldon De Esteves, Lila; Knoll, Hans; Garnica De Bertona, Claudia; Friedmann, Germán; Kelz, Robert
- Softcover
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Sprache: Englisch
Verlag: Cornell University Press, 2020
Serie: Signale: Modern German Letters, Cultures, and Thought, Buch 24 von 29. Buch 24 von 29 - Signale: Modern German Letters, Cultures, and Thought
- Softcover
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Aspectos varios de la inmigración: Carlos Beck Bernard, Karl Oenike, Paul Zech, Maria Bamberg (Spanish Edition)
Rohland De Langbehn, Regula; Beck-Bernard, Karl; Crolla, Adriana Cristina; Frank, Rodolfo E.; Oenike, Karl; Liebenthal, Roberto; Kelz, Robert; Valko, Jeniifer M.; Yujnovsky, Ines
- Softcover
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Temas de la Inmigración de habla alemana en la Argentina -Language: spanish
Rohland De Langbehn, Regula; Saint Saveur-Henn, Anne; Bujaldon De Esteves, Lila; Knoll, Hans; Garnica De Bertona, Claudia; Friedmann, Germán; Kelz, Robert
- Softcover
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Temas de la Inmigración de habla alemana en la Argentina -Language: spanish
Rohland De Langbehn, Regula; Saint Saveur-Henn, Anne; Bujaldon De Esteves, Lila; Knoll, Hans; Garnica De Bertona, Claudia; Friedmann, Germán; Kelz, Robert
- Softcover
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Asociaciones e instituciones de la minoría de habla alemana en Argentina, casos e historias: Cuadernos del Archivo Año III (2019), #5/6 (Spanish Edition)
Rohland De Langbehn, Regula; Ortea, Adriana; Olivera, Gaston Alejandro; Knoll, Hans; Garnica, Claudia; Friedmann, Germán; González Luthier, Mariana; Kelz, Robert; Gallero, Maria Cecilia
- Softcover
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Sprache: Englisch
Verlag: Cornell University Press, 2020
Serie: Signale: Modern German Letters, Cultures, and Thought, Buch 24 von 29. Buch 24 von 29 - Signale: Modern German Letters, Cultures, and Thought
- Softcover
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Sprache: Englisch
Verlag: Cornell University Press, 2020
Serie: Signale: Modern German Letters, Cultures, and Thought, Buch 24 von 29. Buch 24 von 29 - Signale: Modern German Letters, Cultures, and Thought
- Softcover
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Asociaciones e instituciones de la minoría de habla alemana en Argentina, casos e historias -Language: spanish
Rohland De Langbehn, Regula; Ortea, Adriana; Olivera, Gaston Alejandro; Knoll, Hans; Garnica, Claudia; Friedmann, Germán; González Luthier, Mariana; Kelz, Robert; Gallero, Maria Cecilia
- Softcover
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Asociaciones e instituciones de la minoría de habla alemana en Argentina, casos e historias -Language: spanish
Rohland De Langbehn, Regula; Ortea, Adriana; Olivera, Gaston Alejandro; Knoll, Hans; Garnica, Claudia; Friedmann, Germán; González Luthier, Mariana; Kelz, Robert; Gallero, Maria Cecilia
- Softcover
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Sprache: Englisch
Verlag: Cornell University Press, 2020
Serie: Signale: Modern German Letters, Cultures, and Thought, Buch 24 von 29. Buch 24 von 29 - Signale: Modern German Letters, Cultures, and Thought
- Hardcover
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Sprache: Englisch
Verlag: Cornell Univ Pr, 2020
Serie: Signale: Modern German Letters, Cultures, and Thought, Buch 24 von 29. Buch 24 von 29 - Signale: Modern German Letters, Cultures, and Thought
- Softcover
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Paperback. Zustand: Brand New. 355 pages. 9.00x6.00x1.00 inches. In Stock.

Sprache: Englisch
Verlag: Cornell University Press, Ithaca, 2020
Serie: Signale: Modern German Letters, Cultures, and Thought, Buch 24 von 29. Buch 24 von 29 - Signale: Modern German Letters, Cultures, and Thought
- Softcover
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Paperback. Zustand: new. Paperback. Following World War II, German antifascists and nationalists in Buenos Aires believed theater was crucial to their highly politicized efforts at community-building, and each population devoted considerable resources to competing against its rival onstage. Competing Germanies tracks the paths o…f several stage actors from European theaters to Buenos Aires and explores how two of Argentina's most influential immigrant groups, German nationalists and antifascists (Jewish and non-Jewish), clashed on the city's stages. Covered widely in German- and Spanish-language media, theatrical performances articulated strident Nazi, antifascist, and Zionist platforms. Meanwhile, as their thespian representatives grappled onstage for political leverage among emigrants and Argentines, behind the curtain, conflicts simmered within partisan institutions and among theatergoers. Publicly they projected unity, but offstage nationalist, antifascist, and Zionist populations were rife with infighting on issues of political allegiance, cultural identity and, especially, integration with their Argentine hosts.Competing Germanies reveals interchange and even mimicry between antifascist and nationalist German cultural institutions. Furthermore, performances at both theaters also fit into contemporary invocations of diasporas, including taboos and postponements of return to the native country, connections among multiple communities, and forms of longing, memory, and (dis)identification. Sharply divergent at first glance, their shared condition as cultural institutions of emigrant populations caused the antifascist Free German Stage and the nationalist German Theater to adopt parallel tactics in community-building, intercultural relationships, and dramatic performance.Its cross-cultural, polyglot blend of German, Jewish, and Latin American studies gives Competing Germanies a wide, interdisciplinary academic appeal and offers a novel intervention in Exile studies through the lens of theater, in which both victims of Nazism and its adherents remain in focus. Following World War II, German antifascists and nationalists in Buenos Aires believed theater was crucial to their highly politicized efforts at community-building, and each population devoted considerable resources to competing against its rival onstage. Competing Germanies tracks the paths of several stage actors from European theaters to. Shipping may be from our Sydney, NSW warehouse or from our UK or US warehouse, depending on stock availability.

Sprache: Englisch
Verlag: Cornell University Press, US, 2020
Serie: Signale: Modern German Letters, Cultures, and Thought, Buch 24 von 29. Buch 24 von 29 - Signale: Modern German Letters, Cultures, and Thought
- Softcover
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Paperback. Zustand: New. Following World War II, German antifascists and nationalists in Buenos Aires believed theater was crucial to their highly politicized efforts at community-building, and each population devoted considerable resources to competing against its rival onstage. Competing Germanies tracks the paths of several s…tage actors from European theaters to Buenos Aires and explores how two of Argentina's most influential immigrant groups, German nationalists and antifascists (Jewish and non-Jewish), clashed on the city's stages. Covered widely in German- and Spanish-language media, theatrical performances articulated strident Nazi, antifascist, and Zionist platforms. Meanwhile, as their thespian representatives grappled onstage for political leverage among emigrants and Argentines, behind the curtain, conflicts simmered within partisan institutions and among theatergoers. Publicly they projected unity, but offstage nationalist, antifascist, and Zionist populations were rife with infighting on issues of political allegiance, cultural identity and, especially, integration with their Argentine hosts. Competing Germanies reveals interchange and even mimicry between antifascist and nationalist German cultural institutions. Furthermore, performances at both theaters also fit into contemporary invocations of diasporas, including taboos and postponements of return to the native country, connections among multiple communities, and forms of longing, memory, and (dis)identification. Sharply divergent at first glance, their shared condition as cultural institutions of emigrant populations caused the antifascist Free German Stage and the nationalist German Theater to adopt parallel tactics in community-building, intercultural relationships, and dramatic performance. Its cross-cultural, polyglot blend of German, Jewish, and Latin American studies gives Competing Germanies a wide, interdisciplinary academic appeal and offers a novel intervention in Exile studies through the lens of theater, in which both victims of Nazism and its adherents remain in focus.

Sprache: Englisch
Verlag: Cornell University Press and Cornell University Library, 2020
Serie: Signale: Modern German Letters, Cultures, and Thought, Buch 24 von 29. Buch 24 von 29 - Signale: Modern German Letters, Cultures, and Thought
- Hardcover
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Sprache: Englisch
Verlag: Cornell University Press, US, 2020
Serie: Signale: Modern German Letters, Cultures, and Thought, Buch 24 von 29. Buch 24 von 29 - Signale: Modern German Letters, Cultures, and Thought
- Hardcover
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Hardback. Zustand: New. Following World War II, German antifascists and nationalists in Buenos Aires believed theater was crucial to their highly politicized efforts at community-building, and each population devoted considerable resources to competing against its rival onstage. Competing Germanies tracks the paths of several st…age actors from European theaters to Buenos Aires and explores how two of Argentina's most influential immigrant groups, German nationalists and antifascists (Jewish and non-Jewish), clashed on the city's stages. Covered widely in German- and Spanish-language media, theatrical performances articulated strident Nazi, antifascist, and Zionist platforms. Meanwhile, as their thespian representatives grappled onstage for political leverage among emigrants and Argentines, behind the curtain, conflicts simmered within partisan institutions and among theatergoers. Publicly they projected unity, but offstage nationalist, antifascist, and Zionist populations were rife with infighting on issues of political allegiance, cultural identity and, especially, integration with their Argentine hosts. Competing Germanies reveals interchange and even mimicry between antifascist and nationalist German cultural institutions. Furthermore, performances at both theaters also fit into contemporary invocations of diasporas, including taboos and postponements of return to the native country, connections among multiple communities, and forms of longing, memory, and (dis)identification. Sharply divergent at first glance, their shared condition as cultural institutions of emigrant populations caused the antifascist Free German Stage and the nationalist German Theater to adopt parallel tactics in community-building, intercultural relationships, and dramatic performance. Its cross-cultural, polyglot blend of German, Jewish, and Latin American studies gives Competing Germanies a wide, interdisciplinary academic appeal and offers a novel intervention in Exile studies through the lens of theater, in which both victims of Nazism and its adherents remain in focus.