Keynes press (15 Ergebnisse)

New York and Paris: The Orion Press with The Trianon Press, 1964. 4to, [103] pp. With 32 color plates. Original cloth, dust-jacket browned and with some markings, gift inscription on front free endpaper, cloth marked and slightly sunned at edges. § Trade edition of 1964 Trianon Press facsimile.

New York and Paris: The Orion Press with The Trianon Press, 1964. 4to, [103] pp. With 32 color plates. Original cloth, dust-jacket slightly browned and with some markings, cloth marked and slightly sunned at edges. Very good. § Trade edition of 1964 Trianon Press facsimile.

New York and Paris: The Orion Press with The Trianon Press, 1964. 4to, [103] pp. With 32 color plates. Original cloth, dust-jacket slightly browned, with mylar cover. Very good. § Trade edition of 1964 Trianon Press facsimile.

Quarto (25.5 x 19 cm) bifolium. Attractively-printed on watermarked laid paper. Unbound. Foxed and lightly-creased. Two short 0.5 cm buff strips of cloth from mount neatly adhering to the margin of the reverse of the second leaf. 'PERENNIS ET FRAGRANS.' enclosed within engraved wreath on title. Eighteen-line prospectus for the work on reverse of first leaf, with the recto of the second carrying a full-page facsimile of the title of Pickering's 1844 edition of John Merbecke's 1550 'The Book of Common Prayer Noted', printed in red and black. Printer's slug on reverse of second leaf. …

Hardcover. Zustand: Fine. Maroon cloth gilt, clear DW, 4to., xv, 319, (2) pages, well illustrated. One of 950 numbered copies designed by John Dreyfus and set, printed and bound at the University Press, Cambridge on paper specially made at the Dalmore Mill of William Sommerville, Edinburgh. This copy is from the collection of David Chambers. A fine copy in a clear DW. not signed.…

Hardcover. Zustand: Very Good. Maroon cloth gilt, DW, 4to., xv, 319, (2) pages, well illustrated. One of 950 numbered copies designed by John Dreyfus and set, printed and bound at the University Press, Cambridge on paper specially made at the Dalmore Mill of William Sommerville, Edinburgh. This copy signed by Dreyfus at the colophon. Light pencilled check marks, else a fine copy in a lightly edgeworn near fine DW with the Howell sticker at the rear flap. Signed by Author(s).…

First edition. 48pp; original photograph frontispiece + 8 other illustrations. Preface by Sir Theodore Fox. Plain paper covers below decorative wrapper. Signed by Stephen Lock, one of the 9 contributors. No.45 of 150 numbered copies printed on Zerkall laid mould-made paper. The text is set in Monotype Perpetua by Monoset Ltd, and the displayed matter in Golden Cockerel roman, both desiged by Eric Gill. Fine. [9 essays specially commissioned by the Keynes Press to mark the retirement in 1988 of Ian Munro (1923-1997), long-serving editor of 'The Lancet' medical journal].…

Zustand: Good. 4to. Prospectus only. Folded leaflet with insert of one of the collotype plates loosely laid in [6 pp.]. Very Good.

Soft cover. Zustand: Fine. Zustand des Schutzumschlags: Fine. 1st Edition. Set in Monotype Perpetua with display in Golden Cockerel roman and printed by Sebastian Carter at the Rampant Lions Press, Cambridge, on Zerkall paper. One of 150 copies (this not numbered). Sewn square-backed. William Morris 'Willow' pattern dust-jacket with printed label superimposed. Sebastian Carter | Rampant Lions Press file copy label. A fine copy Preface, by Sir Theodore Fox; Origins of the radical element in medical journalism, by Christopher Booth; Ian Munro: a appreciation, by Peter Diggory; Ian Munro's cricket, by John Rees; IMRAD on Ian Munro, by Robin Fox and David Sharp; Declination: the art of courteous editorial rejection, by Stephen Lock; Ian and the Americans, by Leslie Agnew; The Lancet and the doctors' antinuclear movement, by Bernard Lown; The world is round, by Richard Robinson.…

Hardcover. Zustand: Very Good. Zustand des Schutzumschlags: Near Fine. 1st Edition. Set in Scotch Roman, printed on cream wove paper, four inserted collotypes. 81 facsimiles of half-titles, title-pages, labels, etc. One of 875 copies. Quarter pink Ingres paper with blue-grey Ingres paper boards, printed spine label and spare. Grey=blue Ingres printed dust-jacket. A little spotting to endpapers. A very good copy indeed. …

Gilt cloth and handsome illustrated dws. Folio, c.pp320, a a fine copy. With 36 illustrations. The superb definitive history. Handsome Limited Edition produced by Cambridge University Press. **** To confirm availability before ordering, please click the link Ask Bookseller A Question.

Zustand: Fine. Zustand des Schutzumschlags: Near fine. 4to, 11 1/2 x 8 3/4 inches (290 x 222 mm); xi [227] pages; 56 collotype illustrations, plus text. Printed on Dutch pannekoek mould-made paper and bound in Holland by J. Brandt & Zoon with terra-cotta buckram over beveled boards with gilt title on spine; black paper jacket with gilt stars and dots, title on white label on spine, edges untrimmed. This is copy no. 33 (in ink on limitation page) of 1440 copies printed. [Dreyfus 126]. This is the sequel to The Nonesuch Press' first book of Blake's Pencil Drawings, published in 1927. The Max Reinhardt / Nonesuch list 1956 remarked: 'During the twenty-nine years that have elapsed a number of exciting drawings have come to light, several of which are now in the Editor's possession, such as the fine study for the great colour-print of 'Newton' now in the Tate Gallery, and Blake's magnificent version of the Laocoon theme, in which he adapts the groups by Praxiteles to his own mythology.' [John Dreyfus. A History of The Nonesuch Press. London: 1981] The NONESUCH PRESS was a private press founded in 1922 in London by Francis Meynell, his second wife Vera Mendel, and their mutual friend David Garnett who was a bookseller in Soho's Gerrard Street, in the basement of which the press began. It was unusual among private presses in that it used a small hand press to design books, but had them printed by commercial printers, in order to produce book designs with the quality of a fine-press but available to a wider audience at lower prices. Meynell also wanted to demonstrate that "mechanical means could be made to serve fine ends." He believed that the production of exquisitely designed and produced books was not the preserve of the private press predicated upon the example established by William Morris's Kelmscott Press, which emphasized the primacy of the hand press printed book.…

Vellum Binding. Zustand: Very Good+ binding. Quarto. xviii, 364, [1]; vii, [1], 397, [2]; vii, [1], 430, [1] pp., frontis, plates, illus. Limited edition, number 573 of 1500 copies. As issued, in quarter vellum with marbled paper over boards. Very minor mellowing to vellum of the first volume, else all spines are very bright and bindings with only trivial shelf-rubbing else near fine. A beautiful set and one that Francis Meynell himself thought "to rank with the Shakespeare as the most useful and most generally creditable of Nonesuch publications." Dreyfus 24.…

London: Trianon Press: 1977. 4to, 155 pp., 51 plates. Original quarter brown morocco, slipcase. Fine as issued. § Limited to 562 copies. This is copy 67. The definitive work on all known portraits of Mr. and Mrs. Blake. Not in Bentley BB or supplement.

London: Trianon Press: 1977. 4to, 155 pp., 51 plates. Original full brown morocco, slipcase. A fine copy. § #5 of 36 de luxe copies signed by Keynes, of a total edition of 562 copies. The definitive work about (and reproducing) all known portraits of Mr. and Mrs. Blake. Not in G.E. Bentley's Blake Books or its supplement. Signed.…