Kuskin william (128 Ergebnisse)

Paperback. Zustand: Good. In Recursive Origins: Writing at the Transition to Modernity, William Kuskin asks us to reconsider the relationship between literary form and historical period. As Kuskin observes, most current literary histories of medieval and early modern English literature hew to period, presenting the Middle Ages and modernity as discrete, separated by a heterodox and unstable fifteenth century. In contrast, the major writers of the sixteenth century--Philip Sidney, Edmund Spenser, William Shakespeare, the Holinshed Syndicate, and their editors--were intense readers of the fifteenth century and consciously looked back to its history and poetry as they shaped their own. Kuskin examines their work in light of the writings they knew--that of Thomas Hoccleve, John Lydgate, William Caxton, and the anonymous London Chronicles--to demonstrate that fifteenth-century textual forms exist within the most significant statements of literary modernity. In short, by reconsidering the relationship between literary form and temporality, we can reach across the firewall of 1500 to write a more complex literary history of reading and writing than has previously been told. Moving beyond his central critique--that notions of period and progress are poor measures of literary history--Kuskin develops and demonstrates the hermeneutic power of recursivity as a powerful challenge to a linear view of literary historical periods. Kuskin appropriates the term "recursion" from computer science, where it describes a computer program's return to a subprogram within itself to perform a more complex procedure. Books, for Kuskin, are recursive: they imagine within themselves a return to an earlier moment of writing, which, when read, they enact in the present. His is a profound claim for the grip of the past on the present and, more locally, a reclamation of the importance of the fifteenth century for any discussion of sixteenth-century literature and of the relationship between the medieval and the early modern.…

Paperback. Zustand: Very Good. No Jacket. Former library book; May have limited writing in cover pages. Pages are unmarked. ~ ThriftBooks: Read More, Spend Less.

Zustand: Very Good. 1st Edition. Pages intact with possible writing/highlighting. Binding strong with minor wear. Dust jackets/supplements may not be included. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good.

Paperback. Zustand: Very Good. First Edition. It's a well-cared-for item that has seen limited use. The item may show minor signs of wear. All the text is legible, with all pages included. It may have slight markings and/or highlighting.

Paperback. Zustand: Good. In Recursive Origins: Writing at the Transition to Modernity, William Kuskin asks us to reconsider the relationship between literary form and historical period. As Kuskin observes, most current literary histories of medieval and early modern English literature hew to period, presenting the Middle Ages and modernity as discrete, separated by a heterodox and unstable fifteenth century. In contrast, the major writers of the sixteenth century--Philip Sidney, Edmund Spenser, William Shakespeare, the Holinshed Syndicate, and their editors--were intense readers of the fifteenth century and consciously looked back to its history and poetry as they shaped their own. Kuskin examines their work in light of the writings they knew--that of Thomas Hoccleve, John Lydgate, William Caxton, and the anonymous London Chronicles--to demonstrate that fifteenth-century textual forms exist within the most significant statements of literary modernity. In short, by reconsidering the relationship between literary form and temporality, we can reach across the firewall of 1500 to write a more complex literary history of reading and writing than has previously been told. Moving beyond his central critique--that notions of period and progress are poor measures of literary history--Kuskin develops and demonstrates the hermeneutic power of recursivity as a powerful challenge to a linear view of literary historical periods. Kuskin appropriates the term "recursion" from computer science, where it describes a computer program's return to a subprogram within itself to perform a more complex procedure. Books, for Kuskin, are recursive: they imagine within themselves a return to an earlier moment of writing, which, when read, they enact in the present. His is a profound claim for the grip of the past on the present and, more locally, a reclamation of the importance of the fifteenth century for any discussion of sixteenth-century literature and of the relationship between the medieval and the early modern.…

paperback. Zustand: Very Good. Very Good - Crisp, clean, unread book with some shelfwear/edgewear, may have a remainder mark - NICE PAPERBACK Standard-sized.

Paperback. Zustand: Very Good. Very Good - Crisp, clean, unread book with some shelfwear/edgewear, may have a remainder mark - NICE Standard-sized.

Zustand: Very Good. Pages intact with possible writing/highlighting. Binding strong with minor wear. Dust jackets/supplements may not be included. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good.

Paperback. Zustand: New. Very clean, sound, copy. 390 pgs. Size: 8vo - over 7¾" - 9¾" tall.

Paperback. Zustand: New. New copy.

Zustand: New. Num Pages: 272 pages, illustrations. BIC Classification: DS; HBLC; HBLH. Category: (G) General (US: Trade). Dimension: 229 x 152 x 18. Weight in Grams: 484. . 2013. Illustrated. paperback. . . . . Books ship from the US and Ireland.

Zustand: New. Consists of ten essays that explore early English culture, from Caxton's introduction of the press, through questions of audience, and genre, to the fascination with Caxton's books. This book suggests that the first century of print production is defined less by transition or break, than by a dynamic transformation in literary production itself. Editor(s): Kuskin, William. Num Pages: 368 pages, 28 halftones. BIC Classification: 1DBKE; 2AB; DSBB; DSBD; TDPP. Category: (P) Professional & Vocational. Dimension: 229 x 152 x 26. Weight in Grams: 653. 2006. paperback. . . . . Books ship from the US and Ireland. …

Zustand: Very Good. Pages intact with possible writing/highlighting. Binding strong with minor wear. Dust jackets/supplements may not be included. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good.

Zustand: New. Num Pages: 272 pages, illustrations. BIC Classification: DS; HBLC; HBLH. Category: (G) General (US: Trade). Dimension: 229 x 152 x 18. Weight in Grams: 484. . 2013. Illustrated. paperback. . . . .

Zustand: New. Consists of ten essays that explore early English culture, from Caxton's introduction of the press, through questions of audience, and genre, to the fascination with Caxton's books. This book suggests that the first century of print production is defined less by transition or break, than by a dynamic transformation in literary production itself. Editor(s): Kuskin, William. Num Pages: 368 pages, 28 halftones. BIC Classification: 1DBKE; 2AB; DSBB; DSBD; TDPP. Category: (P) Professional & Vocational. Dimension: 229 x 152 x 26. Weight in Grams: 653. 2006. paperback. . . . . …

Zustand: As New. Unread book in perfect condition.

Hardcover. Zustand: Very Good. Unmarked. Factory sealed. Bumped corner. No dust jacket, as received from publisher. 424p. Illustrated. Ten essays that seek to reappraise Caxton's achievement and influence chiefly on later fifteenth- and sixteenth-century English printing. Contributors: William Kuskin, David R. Carlson, Mark Addison Amos, Jennifer R. Goodman, A. E. B. Coldiron, Alexandra Gillespie, William N. West, Patricia Clare Ingham, Tim William Machan, and Seth Lerer.…

Paperback. Zustand: New. New copy.

Paperback. Zustand: New. New copy.

Zustand: New.

Paperback. Zustand: Very Good. Very Good - Crisp, clean, unread book with some shelfwear/edgewear, may have a remainder mark - NICE Standard-sized.

Softbound. Zustand: Very Good. Octavo, paper covers, xxviii, 394 pp., b/w illustrations, index Introduction: Following Caxton's Traces, by Kuskin. Articles are "A theory of the early English printing firm: jobbing, book publishing, and the problem of productive capacity in Caxton's work," David R. Carlson, "Violent hierarchies: disciplining women and merchant capitalists in The book of the knyght of the towre," Mark Addison Amos, "Caxton's continent," Jennifer R. Goodman, "Taking advice from a Frenchwoman: Caxton, Pynson, and Christine de Pizan's moral proverbs," A.E.B. Coldiron, "Folowynge the trace of Mayster Caxton": some histories of fifteenth-century printed books," Alexandra Gillespie, "Onely imagined": vernacular community and the English press," William Kuskin, "Old news: Caxton, de Worde, and the invention of the edition," William N. West, "Losing French: vernacularity, nation, and Caxton's English statutes," Patricia Clare Ingham, "Early modern Middle English," Tim William Machan, "Caxton in the nineteenth century," Seth Lerer. …

Zustand: new.

Zustand: New. Explores the introduction of printing in symbolic terms. This book presents literary history in which the fifteenth century is crucial to the overall story of English literature. It argues that the development of print production is part of a larger social network involving the political, economic, and literary systems. Num Pages: 424 pages, 27 halftones. BIC Classification: 3JB; DSBB; HBTK; TDPP. Category: (UP) Postgraduate, Research & Scholarly; (UU) Undergraduate. Dimension: 229 x 152 x 25. Weight in Grams: 658. . 2008. paperback. . . . .…

paperback. Zustand: Very Good. Shipped within 24 hours from our UK warehouse. Clean, undamaged book with no damage to pages and minimal wear to the cover. Spine still tight, in very good condition. Remember if you are not happy, you are covered by our 100% money back guarantee.

Hardcover. Zustand: As New. No Jacket. Pages are clean and are not marred by notes or folds of any kind. ~ ThriftBooks: Read More, Spend Less.

Zustand: New. Explores the introduction of printing in symbolic terms. This book presents literary history in which the fifteenth century is crucial to the overall story of English literature. It argues that the development of print production is part of a larger social network involving the political, economic, and literary systems. Num Pages: 424 pages, 27 halftones. BIC Classification: 3JB; DSBB; HBTK; TDPP. Category: (UP) Postgraduate, Research & Scholarly; (UU) Undergraduate. Dimension: 229 x 152 x 25. Weight in Grams: 658. . 2008. paperback. . . . . Books ship from the US and Ireland.…

Trade Paperback. Near Fine internally clean unused paperback copy. #.

Zustand: New.

Paperback. Zustand: Brand New. 240 pages. 9.00x7.00x0.50 inches. In Stock.