Sprache: Englisch
Verlag: University of New Hampshire, Durham, 2008
ISBN 10: 0964895366 ISBN 13: 9780964895362
Anbieter: Argosy Book Store, ABAA, ILAB, New York, NY, USA
Signiert
paperback. Zustand: very good(+). Gabriel Laderman (illustrator). Profusely illustrated in color. 62 pages. Slim, oblong 8vo, pictorial wrappers. (Durham): University of New Hampshire, (2008). Inscribed by Laderman on title page. A very good(+) copy--slightly scuffed.
Anbieter: Storm Mountain Books, Silver Spring, MD, USA
Signiert
Paperback. Zustand: Collectible; Very Good. [WITH SIGNED NOTE BY CHARKOW] New York: Robert Schoelkopf Gallery, 1981, Stapled Wraps Fine Exhibition catalogue. [12] p. 6 plates. Catalogue of 11 works exhibited. Includes laid in illustrated note inscribed and initialed by the artist to a major US museum curator/ art historian. Very good overall condition. R2.
Verlag: Museum of Art, University of New Hampshire, Publisher, Durham, NH, 2008
Anbieter: Mare Booksellers ABAA, IOBA, Dover, NH, USA
Wraps. Zustand: Very Good. Illustrated wraps. Oblong format. 59 pp. Color reproductions of paintings throughout. A catalog to an exhibition of paintings by Gabriel Laderman, an American artist known for his embrace of Figurative painting in the 1960s, going against the prevalent trend of Abstract Expressionism. Lengthy critical essay precedes the section of paintings. VERY GOOD condition. Minor fading and scuffing to the covers. Some scuffing along the extremities.
Sprache: Englisch
Verlag: New York Graphic Society in association with the Pennsylvania Academy of the Fine Arts, Boston, c1981, 1981
ISBN 10: 0821211269 ISBN 13: 9780821211267
Anbieter: Joseph Valles - Books, Stockbridge, GA, USA
Erstausgabe
Hardcover. Zustand: Fine. Zustand des Schutzumschlags: Fine. 1st Edition. 255 p. : ill. (some col.) ; 29 cm. LCCN 81011012 ISBN 9780821211267, 9780821215616, 0821211269, 0821215612 LC N6512.5.P45 G6 Dewey 709.73 OCLC 7574256 peach-colored cloth in photographic dustjacket ; Contents: Contemporary American Realism: a contemporary definition -- Portraits, nudes and the figure outdoors -- Narrative painting: its purpose is to edify -- The new landscape: rural and urban America -- Still life: objects that delight the eye -- The realist alternative in American sculpture ; 59 color, 150 black and white illustrations ; artsits featured include Lennart Anderson, John Baeder, William Bailey, Jack Beal, Tom Blackwell, Nell Blaine, Carolyn Brady, Diane Burko, Vija Celmins, Hilo Chen, Chuck Close, Robert Cottingham, Rebecca Davenport, John DeAndrea, George Deem, Lois Dodd, Rackstraw Downes, Don Eddy, Martha Mayer Erlebacher, Richard Estes, Janet Fish, Audrey Flack, Jane Freilacher, Frank Gallo, Paul georges, Gregory Gillespie, Ralph Goings, Sidney Goodman, Robert Graham, Harold gregor, Duane Hanson, Ian Hornak, Yvonne Jacquette, Wolf Kahn, Alex Katz, Robert Kulicke, Gabriel Laderman, Alfred Leslie, Michael Mazur, Millard Midgette, Richard McDermott Miller, John Moore, Malcolm Morley, Catherine Murphy, Alice Neel, Jud Nelson, Dan Nice, George Nick, David Park, David Parrish, Philip Pearlstein, Stephen Posen, Joseph Raffael, Paul Sarisian, Ben Schonzeit, George Segal, Sylvia Sleigh, Raphael Soyer, Altoon Sultan, Wayne Thiebaud, Sidney Tillim, Andy Warhol, James Weeks, Neil Welliver, Robert White, Andrew Wyeth, James Wyeth, Famio Yoshimura ; FINE/FINE. Book.
Paperback. Zustand: New. Valerie Lester (illustrator).
Verlag: Vassar College Art Gallery Poughkeepsie, New York, 1968
Anbieter: Specific Object / David Platzker, New York, NY, USA
46 pp.; 16.5 x 21.5 cm.; staple bound; black-and-white; edition size unknown; unsigned and unnumbered; offset-printed Exhibition catalogue published in conjunction with show held May 8 - June 12, 1968. Show organized by Linda Nochlin, and Mary Delahoyd. Artists include Lennart Anderson, Richard Artschwager, William Bailey, Jack Beal, Robert Bechtle, John Button, Larry Day, Richard Estes, Jane Freilicher, Paul Georges, Sidney Goodman, Yvonne Jacquette, Alex Katz, Gabriel Laderman, Alfred Leslie, Sylvia Mangold, D.M. Merrick, Malcolm Morley, Lowell Nesbitt, Don Nice, Philip Pearlstein, Sylvia Sleigh, Vivien Tanner, and Neil Welliver. Text, "The New Realists," by Nochlin. Includes biographies and, checklist for included artists, and some short quotes from Beal, Day, Estes, Freilicher, Goodman, Katz (extended interview), Leslie, Nesbitt, Nice, Pearlstein, Sleigh, and Welliver. Bibliography. Good. Light wear to covers, spine split from bottom edge to top of lower staple. Contents clean and unmarked.
Verlag: Robert Schoelkopf Gallery, Sunne Savage Gallery 1964 -, 1977
Anbieter: ANARTIST, New York, NY, USA
Five exhibition invites; various sizes; good condition; all with museum library stamps; two are mailed copies.
Verlag: Vassar College Art Gallery Poughkeepsie, New York, 1968
Anbieter: Specific Object / David Platzker, New York, NY, USA
46 pp.; 16.5 x 21.5 cm.; staple bound; black-and-white; edition size unknown; unsigned and unnumbered; offset-printed Exhibition catalogue published in conjunction with show held May 8 - June 12, 1968. Show organized by Linda Nochlin, and Mary Delahoyd. Artists include Lennart Anderson, Richard Artschwager, William Bailey, Jack Beal, Robert Bechtle, John Button, Larry Day, Richard Estes, Jane Freilicher, Paul Georges, Sidney Goodman, Yvonne Jacquette, Alex Katz, Gabriel Laderman, Alfred Leslie, Sylvia Mangold, D.M. Merrick, Malcolm Morley, Lowell Nesbitt, Don Nice, Philip Pearlstein, Sylvia Sleigh, Vivien Tanner, and Neil Welliver. Text, "The New Realists," by Nochlin. Includes biographies and, checklist for included artists, and some short quotes from Beal, Day, Estes, Freilicher, Goodman, Katz (extended interview), Leslie, Nesbitt, Nice, Pearlstein, Sleigh, and Welliver. Bibliography. Very Good. Light wear to covers. Contents clean and unmarked.
Verlag: Scrap New York, NY 1960 - 1962, 1960
Anbieter: Specific Object / David Platzker, New York, NY, USA
Erstausgabe
7 vol. : [4] pp. (each); 7 vol. : 35.5 x 27.8 cm. (no. 1) ; 30.5 x 22.8 cm. (no. 2) ; 30.5 x 22.8 cm. (no. 3) ; 30.3 x 22.8 cm. (no. 4) ; 30.3 x 22.8 cm. (no. 5) ; 30.3 x 22.8 cm. (no. 6) ; 30.6 x 22.8 cm. (no. 7); black-and-white; edition size unknown; unsigned and unnumbered; offset-printed; Issues 1 - 7 of Scrap from total of 8, published in New York City and edited by Anita Ventura and Sidney Geist between 1960 - 1962. Issue One, contents include : "A Review of Sculpture this Season," by Sidney Geist ; "Report from the Club" featuring Gabriel Laderman, Neil Mallow, Wolf Kahn, Lester Johnson, Harold Cohen, Louis Finklestein, Paul Georges, Sidney Geist, Landes Lewitin, and E.A. Navaretta ; an overheard conversation betweeen Lois Dodd, Sally Hazelet, and Philip Pearlstein ; "I Confess," by Milton Resnick ; "Pollock by Robertson," by Barbara Butler ; an excerpt from "The Metamorphosis of the Gods" by André Malroux. Issue Two, contents include : a dance review of "Peripateia and Tableaux," by Landes Lewitin and Sidney Geist ; Letters to the editor from Irving Sandler and Sonia Gechtoff ; "Dear Scrap" with comments by Sally Hazelet, Mark di Suvero, Thomas B. Hess, Thomas A. Hess, Milton Resnick, James Terry, Stephen Radich, Hilton Kramer, Ad Reinhardt, R. Gordon, David Smith, and Yvonne Thomas ; "Beating the Beat" by Margaret Randall ; "Rauschenberg," by Paul Brach ; "Kanemitsu" by William McLean ; "Duchamp," by Jasper Johns ; and "Letter from India," by Milton Resnick. Issue Three, contents include : an excerpt from a panel conversation with Ad Reinhardt and Milton Resnick ; Letters to the editor from Richard Maxfield, Stanley Fisher ; "Change : Eight Lectures on the I Ching," book review by Adam Margoshes ; "The Totem," by May Swenson ; "Letter on the Maximus Poems," by James Mellow ; and "Sculpture and Other Trouble," by Sidney Geist. Issue Four, contents include : the reproduction of Peter Selz's essay on Mark Rothko published in MoMA's brochure for Rothko's 1961 exhibition along with an annotated critical response to the text by Sidney Geist. Issue Five, contents include : "Cajori," by Louis Finkelstein ; "A View of Rothko's Images," by Sidney Geist ; "Hard Put," by Margaret Randall ; "Brecht Berlin / New York," by Josephine Herbst ; "Manifestoes on the Music and Dance of 8 Clear Places," by Lucia Dlugoszewski; and letters to the editor by Katharine Kuh and David Sylvestor. Issue Six, contents include : "Yellow can be Black," by John Grillo ; "The Source (Desire)," by Mary Frank ; "Why Am I So?," by Philip Pearlstein ; "No Front-Side-Back-Side," by Tom Doyle ; "Taste of Potatoes," by Milton Resnick ; ".A Bad Habit," by Wolf Kahn ; "The Image Central," by Sonia Gechtoff ; "Catalyst for My Art," by Perle Fine ; "Like a Spider I Go," by Pat Passlof ; "I Had an Indian Nurse," by Alfred Jensen ; "m-m-m-m-MM," by Adam Margoshes ; "Brand-New & Terrific," by Alex Katz ; Includes letters to the editor and a report from the Arts Club. Issue Seven, contents include : "A Number of Things : Editorial Observations," by Sidney Geist ; "The Envious Male," by Adam Margoshes ; "A Wide-Open Image," by George Sugarman ; "Report from the Club," and letters to the editor. Very Good. Near complete set, missing Issue 8. Moderate yellowing from age to all issues. Folded in half as issued with some additional folds and occasional small tears to page edges. 2.5 cm. dog-ear to issue 4. Clean and unmarked. All issues from first printing on newsprint.
Verlag: Scrap New York, NY, 1960
Anbieter: Specific Object / David Platzker, New York, NY, USA
Erstausgabe
[4} pp.; 35.5 x 27.8 cm.; black-and-white; edition size unknown; unsigned and unnumbered; offset-printed; First issue of Scrap, edited by Anita Ventura and Sidney Geist. Contents include "A Review of Sculpture this Season," by Sidney Geist ; "Report from the Club" featuring Gabriel Laderman, Neil Mallow, Wolf Kahn, Lester Johnson, Harold Cohen, Louis Finklestein, Paul Georges, Sidney Geist, Landes Lewitin, and E.A. Navaretta ; an overheard conversation between Lois Dodd, Sally Hazelet, and Philip Pearlstein ; "I Confess," by Milton Resnick ; "Pollock by Robertson," by Barbara Butler an excerpt from "The Metamorphosis of the Gods" by André Malroux. Very Good. Folded horizontally through center. Moderate yellowing from age. Areas of small tearing to edge. Clean and unmarked. First printing on newsprint.