Laws catherine (44 Ergebnisse)

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Paperback. Zustand: New. Performance in the fields of contemporary music, subjectivity and identityMusic reflects subjectivity and identity: that idea is now deeply ingrained in both musicology and popular media commentary. The study of music across cultures and practices often addresses the enactment of subjectivity "in" music - how music expresses or represents "an" individual or "a" group. However, a sense of selfhood is also formed and continually reformed through musical practices, not least performance. How does this take place? How might the work of practitioners reveal aspects of this process? In what sense is subjectivity performed in and through musical practices? This book explores these questions in relation to a range of artistic research involving contemporary music, drawing on perspectives from performance studies, phenomenology, embodied cognition, and theories of gendered and cultural identity.Contributors: Steve Benford (University of Nottingham), Richard Craig (freelance performer and researcher), David Gorton (Royal Academy of Music, London), Christopher Greenhalgh (University of Nottingham), Adrian Hazzard (University of Nottingham), Juliana Hodkinson (Grieg Academy, University of Bergen), Maria Kallionpää (Aalborg University), Zubin Kanga (Royal Holloway, University of London), Catherine Laws (University of York/Orpheus Institute), Jin Hyung Lim (Keimyung University), Thanh Th?y Nguy?n (Malmö Academy of Music, Lund University/Vietnam National Academy of Music), Stefan Östersjö (Piteå School of Music, Luleå University of Technology/Orpheus Institute), Deniz Peters (University of Music and Performing Arts, Graz), Eleanor Roberts (University of Roehampton), Anne Veinberg (Orpheus Institute)This publication is GPRC-labeled (Guaranteed Peer-Reviewed Content).…

Paperback. Zustand: Brand New. 01 edition. 240 pages. 11.50x8.00x1.00 inches. In Stock.

Paperback. Zustand: new. Paperback. Performance in the fields of contemporary music, subjectivity and identityMusic reflects subjectivity and identity: that idea is now deeply ingrained in both musicology and popular media commentary. The study of music across cultures and practices often addresses the enactment of subjectivity in music how music expresses or represents an individual or a group. However, a sense of selfhood is also formed and continually reformed through musical practices, not least performance. How does this take place? How might the work of practitioners reveal aspects of this process? In what sense is subjectivity performed in and through musical practices? This book explores these questions in relation to a range of artistic research involving contemporary music, drawing on perspectives from performance studies, phenomenology, embodied cognition, and theories of gendered and cultural identity.Contributors: Steve Benford (University of Nottingham), Richard Craig (freelance performer and researcher), David Gorton (Royal Academy of Music, London), Christopher Greenhalgh (University of Nottingham), Adrian Hazzard (University of Nottingham), Juliana Hodkinson (Grieg Academy, University of Bergen), Maria Kallionpaeae (Aalborg University), Zubin Kanga (Royal Holloway, University of London), Catherine Laws (University of York/Orpheus Institute), Jin Hyung Lim (Keimyung University), Thanh Thuy Nguyen (Malmoe Academy of Music, Lund University/Vietnam National Academy of Music), Stefan OEstersjoe (Pitea School of Music, Lulea University of Technology/Orpheus Institute), Deniz Peters (University of Music and Performing Arts, Graz), Eleanor Roberts (University of Roehampton), Anne Veinberg (Orpheus Institute)This publication is GPRC-labeled (Guaranteed Peer-Reviewed Content). Performance in the fields of contemporary music, subjectivity and identity Shipping may be from multiple locations in the US or from the UK, depending on stock availability.…

Paperback. Zustand: new. Paperback. Identity and subjectivity in musical performancesWho is the I that performs? The arts of the twentieth and twenty-first centuries have pushed us relentlessly to reconsider our notions of the self, expression, and communication: to ask ourselves, again and again, who we think we are and how we can speak meaningfully to one another. Although in other performing arts studies, especially of theatre, the performance of selfhood and identity continues to be a matter of lively debate in both practice and theory, the question of how a sense of self is manifested through musical performance has been neglected. The authors of Voices, Bodies, Practices are all musician-researchers: the book employs artistic research to explore how embodied performing voices can emerge from the interactions of individual performers and composers, musical materials, instruments, mediating technologies, and performance contexts.This publication is GPRC-labeled (Guaranteed Peer-Reviewed Content). Identity and subjectivity in musical performances Shipping may be from multiple locations in the US or from the UK, depending on stock availability. …

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paperback. Zustand: Good. Good - Bumped and creased book with tears to the extremities, but not affecting the text block, may have remainder mark or previous owner's name - GOOD Oversized. PAPERBACK.

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Paperback. Zustand: Brand New. 1st edition. 92 pages. French language. 9.37x6.54x0.39 inches. In Stock.

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Zustand: New. pp. 92 6 Figures, 19 Illus.

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Hardcover. Zustand: Very Good. 2017 Palgrave hardcover edition. Light reading wear else very good condition. Contents: 1. Beckett's 'Non-canonical' Radio Productions, 1957-1989 - Matthew Feldman, 2. The BBC and Beckett's Non-radiogenic Plays in the 1950s - Dirk Van Hulle, 3. Mediating Modernism: The Third Programme, Samuel Beckett, and Mass Communication - Erik Tonning, 4. The BBC as 'Commissioner' of Beckett's Radio Plays - Pim Verhulst, 5. Imagining Radio Sound: Interference and Collaboration in the BBC Radio Production of Beckett's All That Fall - Catherine Laws, 6. Author, Work and Trade: The Sociology of Samuel Beckett's Texts in the Years of the Broadcasts for BBC Radio (1957-89). Copyright and Moral Rights - Stefano Rosignoli, 7. Changing My Tune: Beckett and the BBC Third Programme (1957-1960) - John Pilling, 8. 'My God to Have to Murmur That': Comment C'est/How It Is and the Issue of Performance - Elsa Baroghel, 9. Fitting the Prose to Radio: The Case of Lessness - Paul Stewart, 10. 'My comforts! Be friends!': Words, Music and Beckett's Poetry on the Third - Melissa Chia, 11. Meditations and Monologues: Beckett's Mid-Late Prose on the Radio - Steven Matthews, 12. 'None But the Simplest Words': Beckett's Listeners - Natalie Leeder.…

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Taschenbuch. Zustand: Neu. Neuware - Performance in the fields of contemporary music, subjectivity and identityMusic reflects subjectivity and identity: that idea is now deeply ingrained in both musicology and popular media commentary. The study of music across cultures and practices often addresses the enactment of subjectivity 'in' music - how music expresses or represents 'an' individual or 'a' group. However, a sense of selfhood is also formed and continually reformed through musical practices, not least performance. How does this take place How might the work of practitioners reveal aspects of this process In what sense is subjectivity performed in and through musical practices This book explores these questions in relation to a range of artistic research involving contemporary music, drawing on perspectives from performance studies, phenomenology, embodied cognition, and theories of gendered and cultural identity.Contributors: Steve Benford (University of Nottingham), Richard Craig (freelance performer and researcher), David Gorton (Royal Academy of Music, London), Christopher Greenhalgh (University of Nottingham), Adrian Hazzard (University of Nottingham), Juliana Hodkinson (Grieg Academy, University of Bergen), Maria Kallionpää (Aalborg University), Zubin Kanga (Royal Holloway, University of London), Catherine Laws (University of York/Orpheus Institute), Jin Hyung Lim (Keimyung University), Thanh Th¿y Nguy¿n (Malmö Academy of Music, Lund University/Vietnam National Academy of Music), Stefan Östersjö (Piteå School of Music, Luleå University of Technology/Orpheus Institute), Deniz Peters (University of Music and Performing Arts, Graz), Eleanor Roberts (University of Roehampton), Anne Veinberg (Orpheus Institute)This publication is GPRC-labeled (Guaranteed Peer-Reviewed Content).…

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Taschenbuch. Zustand: Neu. Neuware - Identity and subjectivity in musical performancesWho is the 'I' that performs The arts of the twentieth and twenty-first centuries have pushed us relentlessly to reconsider our notions of the self, expression, and communication: to ask ourselves, again and again, who we think we are and how we can speak meaningfully to one another. Although in other performing arts studies, especially of theatre, the performance of selfhood and identity continues to be a matter of lively debate in both practice and theory, the question of how a sense of self is manifested through musical performance has been neglected. The authors of Voices, Bodies, Practices are all musician-researchers: the book employs artistic research to explore how embodied performing 'voices' can emerge from the interactions of individual performers and composers, musical materials, instruments, mediating technologies, and performance contexts.This publication is GPRC-labeled (Guaranteed Peer-Reviewed Content). …

Paperback. Zustand: New. Performance in the fields of contemporary music, subjectivity and identityMusic reflects subjectivity and identity: that idea is now deeply ingrained in both musicology and popular media commentary. The study of music across cultures and practices often addresses the enactment of subjectivity "in" music - how music expresses or represents "an" individual or "a" group. However, a sense of selfhood is also formed and continually reformed through musical practices, not least performance. How does this take place? How might the work of practitioners reveal aspects of this process? In what sense is subjectivity performed in and through musical practices? This book explores these questions in relation to a range of artistic research involving contemporary music, drawing on perspectives from performance studies, phenomenology, embodied cognition, and theories of gendered and cultural identity.Contributors: Steve Benford (University of Nottingham), Richard Craig (freelance performer and researcher), David Gorton (Royal Academy of Music, London), Christopher Greenhalgh (University of Nottingham), Adrian Hazzard (University of Nottingham), Juliana Hodkinson (Grieg Academy, University of Bergen), Maria Kallionpää (Aalborg University), Zubin Kanga (Royal Holloway, University of London), Catherine Laws (University of York/Orpheus Institute), Jin Hyung Lim (Keimyung University), Thanh Th?y Nguy?n (Malmö Academy of Music, Lund University/Vietnam National Academy of Music), Stefan Östersjö (Piteå School of Music, Luleå University of Technology/Orpheus Institute), Deniz Peters (University of Music and Performing Arts, Graz), Eleanor Roberts (University of Roehampton), Anne Veinberg (Orpheus Institute)This publication is GPRC-labeled (Guaranteed Peer-Reviewed Content).…

Zustand: New. Sealy & Worthington s Text, Cases, & Materials in Company Law is well-established as one of the foremost texts in its field. Vital extracts are supplemented by sophisticated commentary and well-chosen notes and questions, taking into account the most recent.