Le bourgeois john (20 Ergebnisse)

Zustand: Good. Signed Copy . Signed/Inscribed by Aston H. Le Bourgeois opposite copyright page. Slightly dampstained.

Zustand: As New. Unread book in perfect condition.

Paperback. Zustand: Good. No Jacket. Pages can have notes/highlighting. Spine may show signs of wear. ~ ThriftBooks: Read More, Spend Less.

Zustand: New.

Paperback. ii, 322p., paperback, 6x9 inches, very good.

Trade paperback. Zustand: Very good. First edition. LUTTERWORTH, 2007. First edition. Very good. 152PP.

Soft cover. Zustand: Very Good. 62 pages. Malcolm Bradbury "Recent American Novels", Richard Kell "Collections Of British Poetry, 1962", Edward Lucie-Smith "Uses And Abuses Of The Literary Group", L E W Smith "D H Lawrence's 'Snake'", Laurence Lerner "D H Lawrence's 'How Beastly The Bourgeois Is", A E Dyson "'O' Level Shakespeare", June Wedgwood Benn "The Reading Of Modern Fiction In The Sixth Forms", John D Jump "Clennam At The Circumlocution Office". (SL#36).…

Zustand: New.

Zustand: As New. Unread book in perfect condition.

Zustand: Good. Item in good condition. Textbooks may not include supplemental items i.e. CDs, access codes etc.

paperback. Zustand: New. 1st.

paperback. Zustand: New. 1st.

Paperback. Zustand: Good. William Morris is one of the most admired figures of the Victorian era. Studies of his Art and his life fill the shelves of libraries. Yet for all this accessibility, an air of uncertainty has always clouded his image. Since Morris's death, biographers and scholars have portrayed the artist as a victim, bound to an adulterous wife. In Art and Forbidden Fruit, John Le Bourgeois lifts this veil of appearances, and shows the truth about Morris's life. In a close analysis of Morrisis poetry and biography, the author asserts the early existence of an emotional attachment between William Morris and his sister Emma, and how she became the principal source of his inspiration. Le Bourgeois follows the paths of Morris the artist and Morris the man, and points out the links between the poetis love for his sister and his evolution as an artist. Art and Forbidden Fruit provides a highly original biography of William Morris that offers a new perspective on his life and a fresh interpretation of hisart by a specialist.…

Softcover. Zustand: Near Fine. First Edition. Softcover. In this book the author posits that William Morris had a romantic attachment to his sister Emma and that it destroyed his marriage to Jane Burden. Softcover with a pictorial cover and title in white to spine. Slightest evidence of handling. Inserted is the publisher's prospectus and order form, Near fine condition. Measures 6 x 9 inches. 140 pages. MORRIS.122723. …

Zustand: New. Print on Demand.

Zustand: New. Print on Demand.

Zustand: New.

Zustand: New. 2006. Paperback. . . . . .

Zustand: New. 2006. Paperback. . . . . . Books ship from the US and Ireland.

Zustand: Good. Folio. First edition, one of 470 numbered copies on papier blanc du Marais from the total edition of 500, folio (40.2 x 28.2cm), original wrappers, [10] pp., 66 heliogravures on 56 sheets, printed in various colour tints, with captioned tissue-guards tipped in.Founded in 1894 by Robert Demachy and Constant Puyo, the Photo-club de Paris was the French equivalent of the Camera Club of New York and the Linked Ring in London, associations of photographers dedicated to the emergent philosophy of pictorialism, which promoted photography as a fine art rather than purely as a means of documenting reality. This overview of their first exhibition includes photographs by leading figures including Alfred Stieglitz, James Craig Annan and Rudolf Eickemeyer Jr, and numerous others. Printers incluce L'Imprimerie Chaix, Georges Petit Gallery (supplied, of Paris), T. Fillon/LeMercier & Cie (Paris), Richard Paulussen (Vienna), James Craig Annan (Glasgow), Paul Dujardin (Paris), J. Blechinger (Austria).t69 of the photographers accepted for this first exposition were from France but the material included was highly international. There were 30 photographers from Great Britain including Scotland and the Isle of Wight; Austria had 17 followed by Belgium and Holland with ten. Nine were from America: including Emilie Clarkson, John Bullock, John Dumont, Rudolph Eickemeyer, Emma Farnsworth, Clarence Moore, William Post, Robert Redfield and Alfred Stieglitz. Works from Germany, Italy, Spain, Russia and Switzerland were hung. Algeria was represented by at least one photograph by the Frenchman Emile Frechon. The work of the deceased, but influential, British photographer Julia Margaret Cameron (1815-1879) was acknowledged by the exposition committee members and she had an unknown number of works accepted for hanging.OCLC number 889431269; Met Watsonline record number b12671320. .…