Leon joel (111 Ergebnisse)

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Labor History Archives in the United States: A Guide for Researching and Teaching
Leab, Daniel J. [Editor]; Leab, Daniel J. [Contributor]; Mason, Philip P. [Editor]; Mason, Philip P. [Contributor]; Motley, Archie [Contributor]; Montgomery, Bruce P. [Contributor]; Volpe, Cassandra M. [Contributor]; King, Charles D. [Contributor]; Sheridan, Clare M. [Contributor]; Ashyk, Dan [Contributor]; Vancil, David E. [Contributor]; Weinberg, David M. [Contributor]; Bernhardt, Debra E. [Contributor]; Shenk, Diana L. [Contributor]; Swanson, Dorothy [Contributor]; Weber, Edward C. [Contributor]; Cooper, Eileen Mountjoy [Contributor]; Levold, Erwin [Contributor]; Moseley, Eva [Contributor]; Huth, Geoffrey A. [Contributor]; Green, George N. [Contributor]; Rocha, Guy Louis [Contributor]; Miller, Harold L. [Contributor]; Lages, J. David [Contributor]; Danky, James P. [Contributor]; Warl, Joel [Contributor]; Haynes, John E. [Contributor]; Schacht, John N. [Contributor]; Vogel, Katherine [Contributor]; Fones-Wolf, Ken [Contributor]; Brown, Lauren [Contributor]; Sompolinsky, Leon J. [Cont
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Paperback. Zustand: New. Growing up in the Bronx, Joél Leon was taught that being soft, being vulnerable, could end your life. Shaped by a singular view of Black masculinity espoused by the media, family and friends, and society, he learned instead to care about the gold around his neck and the number of bills in his wallet. He…absorbed the "facts" that white was always right and that Black men were either threatening or great for comic relief but never worthy of the opening credits. It wasn't until years later that Joél understood he didn't have to be defined by these and other stereotypes.Now, in a collection of wide-ranging essays, he takes readers from his upbringing in the Bronx to his life raising two little girls of his own, unraveling those narratives to arrive at a deeper understanding of who he is as a son, friend, partner, and father. Traversing both the serious and the lighthearted, from contemplating male beauty standards to his decision to seek therapy to the difficulties of making co-parenting work, Joél cracks open his heart to reveal his multitudes.In this book crafted like an album, each essay is a single that stands alone yet reverberates throughout the entire collection. Pieces like "How to Make a Black Friend" consider challenging, delightful, and absurd moments in relationships, while others like "Sensitive Thugs You All Need Hugs" and "All Gold Everything" ponder the collective harms of society's lens.With incisive, searing prose, Everything and Nothing at Once deconstructs what it means to be a Black man in America.

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Hardback. Zustand: New. Growing up in the Bronx, Joél Leon was taught that being soft, being vulnerable, could end your life. Shaped by a singular view of Black masculinity espoused by the media, by family and friends, and by society, he learned instead to care about the gold around his neck and the number of bills in his wallet…. He absorbed the "facts" that white was always right and Black men were seen as threatening or great for comic relief but never worthy of the opening credits. It wasn't until years later that Joél understood he didn't have to be defined by these things.Now, in a collection of wide-ranging essays, he takes readers from his upbringing in the Bronx to his life raising two little girls of his own, unraveling those narratives to arrive at a deeper understanding of who he is as a son, friend, partner, and father. Traversing both the serious and lighthearted, from contemplating male beauty standards and his belly to his decision to seek therapy to the difficulties of making co-parenting work, Joél cracks open his heart to reveal his multitudes."I learned that being Black is an all-encompassing everything.To be Black, to be a Black man in the era I grew up in, was easily everything and nothing at once."Crafted like an album, each essay is a single that stands alone yet reverberates throughout the entire collection. Pieces like "How to Make a Black Friend." consider challenging, delightful and absurd moments in relationships, while others like "Sensitive Thugs All Need Hugs" and "All Gold Everything" ponder the collective harms of society's lens.With incisive, searing prose, Everything and Nothing at Once deconstructs what it means to be a Black man in America.

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Hardcover. Zustand: new. Hardcover. Growing up in the Bronx, Joel Leon was taught that being soft, being vulnerable, could end your life. Shaped by a singular view of Black masculinity espoused by the media, by family and friends, and by society, he learned instead to care about the gold around his neck and the number of bills i…n his wallet. He absorbed the "facts" that white was always right and Black men were seen as threatening or great for comic relief but never worthy of the opening credits. It wasn't until years later that Joel understood he didn't have to be defined by these things.Now, in a collection of wide-ranging essays, he takes readers from his upbringing in the Bronx to his life raising two little girls of his own, unraveling those narratives to arrive at a deeper understanding of who he is as a son, friend, partner, and father. Traversing both the serious and lighthearted, from contemplating male beauty standards and his belly to his decision to seek therapy to the difficulties of making co-parenting work, Joel cracks open his heart to reveal his multitudes."I learned that being Black is an all-encompassing everything.To be Black, to be a Black man in the era I grew up in, was easily everything and nothing at once."Crafted like an album, each essay is a single that stands alone yet reverberates throughout the entire collection. Pieces like "How to Make a Black Friend." consider challenging, delightful and absurd moments in relationships, while others like "Sensitive Thugs All Need Hugs" and "All Gold Everything" ponder the collective harms of society's lens.With incisive, searing prose, Everything and Nothing at Once deconstructs what it means to be a Black man in America. For Readers of Heavy, Punch Me Up to The Gods, and A Little Devil in America, a beautiful, painful, and soaring tribute to everything that Black men are and can be. Shipping may be from multiple locations in the US or from the UK, depending on stock availability.

Cattle Drive Lobby Card #4 1951 Dean Stockwell, Chill Wills!
Directed by Kurt Neumann / Starring Joel McCrea, Dean Stockwell, Chill Wills, Leon Ames, and Bob Steele
Verlag: Universal International 1951
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Hardback. Zustand: New. Growing up in the Bronx, Joél Leon was taught that being soft, being vulnerable, could end your life. Shaped by a singular view of Black masculinity espoused by the media, by family and friends, and by society, he learned instead to care about the gold around his neck and the number of bills in his wallet…. He absorbed the "facts" that white was always right and Black men were seen as threatening or great for comic relief but never worthy of the opening credits. It wasn't until years later that Joél understood he didn't have to be defined by these things.Now, in a collection of wide-ranging essays, he takes readers from his upbringing in the Bronx to his life raising two little girls of his own, unraveling those narratives to arrive at a deeper understanding of who he is as a son, friend, partner, and father. Traversing both the serious and lighthearted, from contemplating male beauty standards and his belly to his decision to seek therapy to the difficulties of making co-parenting work, Joél cracks open his heart to reveal his multitudes."I learned that being Black is an all-encompassing everything.To be Black, to be a Black man in the era I grew up in, was easily everything and nothing at once."Crafted like an album, each essay is a single that stands alone yet reverberates throughout the entire collection. Pieces like "How to Make a Black Friend." consider challenging, delightful and absurd moments in relationships, while others like "Sensitive Thugs All Need Hugs" and "All Gold Everything" ponder the collective harms of society's lens.With incisive, searing prose, Everything and Nothing at Once deconstructs what it means to be a Black man in America.

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Softcover. Zustand: Bon. Edition 2007. Livre reconditionné de bibliothèque. Ammareal reverse jusqu'à 15% du prix net de cet article à des organisations caritatives. ENGLISH DESCRIPTION Book Condition: Used, Good. Edition 2007. Refurbished library book. Ammareal gives back up to 15% of this item's net price to charity organizatio…ns.

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Sprache: Englisch
Verlag: St. Martin's Press, NY 1975
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Hardcover. Zustand: Very Good. Zustand des Schutzumschlags: Very Good. 1st. First Edition, First Printing; 512 clean, unmarked pages/index; dj w/unclipped price, in mylar. B/W Photos (illustrator).

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Verlag: Independently published
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paperback. Zustand: LikeNew. Used Like New, no missing pages, no damage to binding, may have a remainder mark.
Weitere BilderSprache: Englisch
Verlag: William Morrow, an imprint of Harper Collins, New York 2017
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Hardcover. Zustand: As New. Zustand des Schutzumschlags: As New. 1st Edition. As new condition textured black boards with red spine lettering contained in an as new condition non price-clipped color illustrated dust jacket. Includes List of Other Books by Neal Stephenson and Nicole Galland; Author Dedication; Authors' Note; Ackn…owledgments; Cast of Characters; Glossary and About the Authors. Illustrated with a repeating black-and-white bird drawing. ". a captivating and complex near-future thriller combining history, science, magic, mystery, intrigue, and adventure that questions the very foundations of the modern world. My name is Melisande Stokes and this is my story. I am writing in July 1851 (Common Era, or -- let's face it -- Anno Domini) in the guest chamber of a middle-class home in Kensington, London, England. But I am not a native of this place or time. In fact, I am quite desperate to get out of here. I intend to write everything that explains how I came to be here, no matter how far-fetched or hallucinatory it may sound. To quote Peter Gabriel, a singer/songwriter who will be born ninety-nine years from now: This will be my testimony. When Melisande Stokes, an expert in linguistics and languages, accidentally meets military intelligence operative Tristan Lyons in a hallway at Harvard University, it is the beginning of a chain of events that will alter their lives and human history itself. The young man from a shadowy government entity approaches Mel, a low-level faculty member, with an incredible offer. The only condition: she must sign a nondisclosure agreement in return for the rather large sum of money. Tristan needs Mel to translate some very old documents, which, if authentic, are earth-shattering. They prove that magic actually existed and was practiced for centuries. But the arrival of the Scientific Revolution and the Age of Enlightenment weakened its power and endangered its practitioners. Magic stopped working altogether in 1851, at the time of the Great Exhibition at London's Crystal Palace - the world's fair celebrating the rise of industrial technology and commerce. Something about the modern world "jams" the "frequencies" used by magic, and it's up to Tristan to find out what. And so the Department of Diachronic Operations (D.O.D.O.) gets cracking on its real mission: to develop a device that can bring magic back, and to send Diachronic Operatives back in time to keep it alive .and meddle with a little history at the same time. But although Tristan and his expanding operation master the science and build the technology, they overlook the mercurial - and treacherous - nature of the human heart. Written with the genius, complexity, and innovation that characterize all of Neal Stephenson's work and steeped in the down-to-earth warmth and humor of Nicole Galland's storytelling style, this dazzling, vividly realized novel will make you believe in the impossible, and take you to places - and times - beyond imagining." - from the inner front and rear jacket flaps. Leon-Berman, Bonni (designer); Holland, Joel (bird illustration) (illustrator).

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