levenson rustin (29 Ergebnisse)

Paperback. Zustand: Good. No Jacket. Missing dust jacket; Pages can have notes/highlighting. Spine may show signs of wear. ~ ThriftBooks: Read More, Spend Less.

Paperback. Zustand: Very Good. No Jacket. May have limited writing in cover pages. Pages are unmarked. ~ ThriftBooks: Read More, Spend Less.

Zustand: Good. Pages intact with minimal writing/highlighting. The binding may be loose and creased. Dust jackets/supplements are not included. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good.

Zustand: Good. Former library copy. Pages intact with minimal writing/highlighting. The binding may be loose and creased. Dust jackets/supplements are not included. Includes library markings. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good.

paperback. Zustand: Very Good. Connecting readers with great books since 1972! Used books may not include companion materials, and may have some shelf wear or limited writing. We ship orders daily and Customer Service is our top priority!

Zustand: acceptable. Used - Acceptable: All pages and the cover are intact, but shrink wrap, dust covers, or boxed set case may be missing. Pages may include limited notes, highlighting, or minor water damage but the text is readable. Pages may include limited notes and highlighting, but the text cannot be obscured or unreadable. Any access codes or passwords originally included with the book may be expired, used or no longer valid. Image is stock photo and cover art edition may be different than pictured.

paperback. Zustand: Very Good. With Powell's sticker on front Very Good paperback with light shelfwear - NICE! Oversized.

Softcover. Zustand: As New. Color and b/w illustrations. Due to size, ships within US only and only by media rate mail. ; Small 4to 9" - 11" tall; 312 pp.

Paperback. Zustand: Very Good. Photos (illustrator). 1st Edition. Winter Park, FL: The Charles Hosmer Morse Foundation, 2002. 112 pages; 101 illustrations. The Chapel was first seen at the World's Columbian Exposition, then in the Cthedarl of St. John the Divine, then on Tiffany's Long Island estate where it was rescued after long neglect. The book has much to say about many Tiffany creations and of their conservation. Clean throughout; tight binding. Pictorial Wrapper (softcover). Very Good. 4to. Language: ENG.

Trade Paperback. Zustand: USED Good.

Trade Paperback. Zustand: Like New. First Edition. First Edition, First Printing. Published by Yale University Press, 2000. Quarto. Pictorial wraps. Book is like new; clean with no writing or names. Sharp corners and spine straight. Binding tight and pages crisp. Covers have light shelf wear with a spot of sticker residue on back. 327 pages. ISBN: 9780300094084. 100% positive feedback. 30 day money back guarantee. NEXT DAY SHIPPING! Excellent customer service. Please email with any questions or if you would like a photo. All books packed carefully and ship with free delivery confirmation/tracking. All books come with free bookmarks. Ships from Southampton, New York. We Buy Books! Individual titles, libraries, collections. Message us if you have books to sell!

Soft cover. Zustand: Very Good. A very good copy of the first softcover printing (full number line). The text is wholly unmarked, pristine, and the binding is bright and fresh in appearance, with minor wear at the extremities, but with no creasing to the spine. A sharp copy. [Please note: Due to the size and weight of the volume extra shipping may be required depending on the destination and speed of delivery requested. Quotations gladly provided.].

Hardcover. Zustand: Very Good. Zustand des Schutzumschlags: Very Good. 1st Edition. First Edition. Large 8vo. xvi, 328 pp. b/w and color illustrations. Black cloth lettered in white at spine. Corners and spine-ends lightly bumped. Jacket slightly creased at corners and spine-ends, minor edge-wear. Very Good in Very Good dust jacket. In archival mylar sleeve.

Zustand: good. Condition: Good â" Used book with some visible wear. May include stickers on the cover, wear or absence of the dust jacket, wear to the spine or inside cover, slight corner curling, minor staining, and wear along the fore edge. All orders are shipped via UPS Mail Innovations and may take up to 10 business days from the initial scan to be delivered.

Zustand: Fine. Zustand des Schutzumschlags: Very Good. Fine; Very Good+ Jacket. 2000 Yale University Press. Volume 1 of the Materials and Meaning in the Fine Arts series. First Edition. First printing. Full number line on verso. Oversize hardcover has black textured paper-covered boards with white spine lettering. Color and black & white photographs and illustrations. High-quality glossy paper. 328 pages. 8.2 x 10.5 x 1 inches. Binding tight. Appears to be unread. No visible wear to book. Pages clean and unmarked. Glossy illustrated dust jacket has very light edge and surface wear. Carefully packed, shipped in a box.

Zustand: good. May show signs of wear, highlighting, writing, and previous use. This item may be a former library book with typical markings. No guarantee on products that contain supplements Your satisfaction is 100% guaranteed. Twenty-five year bookseller with shipments to over fifty million happy customers.

Hardcover. Zustand: VG/ slight wear on dj. Illustrated dj; black covers, gilt lettering on spine. (xvi), 328 pages : illustrations (some color). "This clear and accessible handbook introduces the nonspecialist to the physical examination of easel paintings and the historical and critical implications of such study. It takes the reader through the various layers of paintings, from support to varnish, and looks at information that might be attached to a painting's reverse, as well as the physical circumstances of its display. The authors demonstrate how this knowledge contributes to a wide range of historical and critical approaches, including iconography, regional and colonial studies, examination of artistic intent, interactions among artistic schools, and the history of collecting and exhibition." "The book offers the only comprehensive discussion available on materials, techniques, and condition issues in Western easel paintings from medieval times to the present. It includes detailed case studies of twenty-five paintings by artists from Giotto and Leonardo to Vermeer, Degas, and Pollock."--Jacket. Contents: 1. Introduction -- 2. The support (Wood supports ; Technical examination of wood panels ; Fabric supports ; Expedient choice of support ; Stretchers and strainers -- Technical examination of fabric supports ; Stone and metal : the support as paragoné ; Artists' board and paper laid to canvas or panel) -- 3. The ground and preparatory layers (The physical and aesthetic function of grounds and their composition ; Examination of grounds ; Colored grounds ; Textured grounds ; Absorbent grounds ; Painting on raw canvas ; Grounds for gilding and pastiglia ; Ground incising) -- 4. The paint layer -- 5. The varnish layer -- 6. Beyond the painting (Labels and collectors' marks ; On framing ; Viewing conditions and lighting) -- Appendix 1. Pigment identification -- Appendix 2. Paintings in exemplary condition in public collections. Includes bibliographical references (pages 287-311) and index.

Paperback. Zustand: new. New Copy. Customer Service Guaranteed.

First Edition. Hardcover in jacket, very good with light wear, Illustrated, 328 pp.

Paperback. Zustand: New. This prize-winning book offers the only comprehensive discussion available on materials, techniques, and condition issues in Western easel paintings from medieval times to the present."An essential handbook for the pro, and also a beautifully illustrated primer for the layperson. Kirsh and Levenson teach the most valuable lessons about painting of all: how meanings, material, and techniques are bound up together."-John Walsh, former director, J. Paul Getty Museum"Every element of Kirsh and Levenson's book is smart, concise, and informative. . . . [It is] the essential book on its subject."-Kenneth Baker, San Francisco Examiner and Chronicle"A long overdue book with direct relevance for modern students of the history of art."-Libby Sheldon, Burlington Magazine.

Soft cover. Zustand: Very Good. In Very Good Condition. 160 Pages With The Index. Paperback. 328 Pages With The Index.We will state signed at the description section. we confirm they are signed via email or stated in the description box. - Specializing in academic, collectiblle and historically significant, providing the utmost quality and customer service satisfaction. For any questions feel free to email us.

Zustand: New. pp. 344.

Zustand: good. May show signs of wear, highlighting, writing, and previous use. This item may be a former library book with typical markings. No guarantee on products that contain supplements Your satisfaction is 100% guaranteed. Twenty-five year bookseller with shipments to over fifty million happy customers.

Hardcover with dustjacket; 328 pages; very good condition, light rubbing to dj; no internal marks, Foreign shipping may be extra.

Paperback. Zustand: Brand New. 312 pages. 10.25x8.25x0.75 inches. In Stock.

paperback. Zustand: New. In shrink wrap. Looks like an interesting title!

Zustand: New. pp. 344.

Paperback. Zustand: New. This prize-winning book offers the only comprehensive discussion available on materials, techniques, and condition issues in Western easel paintings from medieval times to the present."An essential handbook for the pro, and also a beautifully illustrated primer for the layperson. Kirsh and Levenson teach the most valuable lessons about painting of all: how meanings, material, and techniques are bound up together."-John Walsh, former director, J. Paul Getty Museum"Every element of Kirsh and Levenson's book is smart, concise, and informative. . . . [It is] the essential book on its subject."-Kenneth Baker, San Francisco Examiner and Chronicle"A long overdue book with direct relevance for modern students of the history of art."-Libby Sheldon, Burlington Magazine.

New Haven & London, Yale University Press, Materials and Meaning in the Fine Arts, Vol. 1, 2000. 27x21 cm. XVI+328 p. Cartoné, sobrecubierta. Contents: Introduct. The Support, The Ground and Preparatory Layers, The paint Layer, The Varnish Layer, Beyond the Painting. Buen estado. Primera edición. (Ref. N. 301).