libanus press (34 Ergebnisse)

Stiff Wraps. Zustand: Fine. [4] pp., 8vo, stapled stiff card wrappers, two color illustrations. Forthcoming books leaflet and order form laid in. Fine copy.

Softcover. 4pp. Forthcoming books list and Order form laid in. Stapled wraps. Fine.

First Edition. Near fine copy, with faint dust-dulling to wrapper edges. Internally bright and clean; remains well-preserved overall. Physical description; [4] pages (2 sheets) ; 22 cm. Notes; Publisher's catalogue. Includes an order form. Subjects; Libanus Press - Catalogs, Fine books - Catalogs, Private presses - England - Wiltshire - Catalogs. 3 Kg.

First Edition. Near fine copy, with faint dust-dulling to wrapper edges. Internally bright and clean; remains well-preserved overall. Physical description; [4] pages (2 sheets) ; 22 cm. Notes; Publisher's catalogue. Includes an order form. Subjects; Libanus Press - Catalogs, Fine books - Catalogs, Private presses - England - Wiltshire - Catalogs. 1 Kg.

Libanus Press (illustrator). 8vo. stiff paper wrappers, paper cover label. (ii), 8, (2) pages. Limited to 200 numbered copies. First published 1929. Introduction by Keith Sagar. Front wrapper creased along top edge. stiff paper wrappers, paper cover label.

Soft cover. Zustand: Very Good. [Marlborough, c.1992]. 4to. Card folder containing 15 pieces using a great variety of papers and typefaces and with much use of colour.

First Edition. Near fine copy in the original stiff-card wrappers; edges very slightly dust-dulled and toned. Remains particularly and surprisingly well-preserved; tight, bright, clean and especially sharp-cornered. Physical description; 8 pages. Subjects; Libanus Press Books (1988-1989). 1 Kg.

Soft cover. Zustand: Fine. 1st Edition. One of 475 copies set in Bell type and printed in black (the engravings in reddish-brown) on Amatruda paper. Sewn into overlapping Fabriano paper wrappers printed in black on the front. A near fine copy. The first edition of an entertaining essay about books: not the reading, writing, or collecting of them but how useful a big book was to the author in allowing him to build up a sloping desk for himself in the British Museum where all around were condemned to work on flat table tops.

Dark mustard wrappers with two small Cat wood engravings. Sm.8vo, c.pp12, neat little booklabel on endpaper, fine copy. 'Second Impression' : set in a tiny size of Monotype Joanna. Typically elegant jewel-like piece from the Libanus Press. **** To confirm availability before ordering, please click the link Ask Bookseller A Question.

Unbound. Zustand: Very Good. A most attractive double sided prospectus. 1992 260mm x 185mm.

Striking dark plum-coloured wrappers titled in black. Narrow 8vo, c.pp20, neat little owner's booklabel on endpaper, a fine copy. With 3 wood engravings printed in dark plum by Phillida Gili. Very attractive. Edition Limited to 475 copies printed on ivory Amatruda paper. **** To confirm availability before ordering, please click the link Ask Bookseller A Question.

First Edition. Near fine copy in the original stiff-card wrappers; edges very slightly dust-dulled and toned. Remains particularly and surprisingly well-preserved; tight, bright, clean and especially sharp-cornered. Physical description; 8 pages. Subjects; Libanus Press Books (1988-1989). 1 Kg.

Copy number '181' of an edition limited to 200 copies printed in Monotype Centaur and Arrighi on Zerkall paper. Quarter cream cloth over brown paper covered boards, orange paper label on the spine with gilt lettering, spare label, orange endpapers. Octavo, pp. [74]. A book in Fine condition.

One of an edition of 500 copies printed letterpress at the Libanus Press for the Society of Wood Engravers. Set in Monotype Joanna and printed on Zerkall mould-made paper. Fabriano Murillo Ingres paper wrappers. Quarto, 260 x 180 mm, pp. [16]. A booklet in Fine condition.

Sole Edition. Publisher's printed card wrappers with flaps, white lettering to spine and upper cover. Inscribed by the author on on page 63 "For Roger | with my best wishes | from David | Christmas, 2013." Octavo, pp. 64. TOGETHER with a handwritten card from the author to 'Roger' dated 24th December 2013, a Christmas Card printed by Evergreen Press featuring Burnett's poem 'St David's, August 1648', and a handwritten note on a compliments slip dated 'Christmas, 2015' from Burnett to 'Roger'. A book and ephemera in Fine condition, apart from an ink smudge on the rear free endpaper which may have occurred at the time of printing.

One of 475 copies. 3 wood engravings by Phillida Gili printed in sanguine. Printed in Monotype Bell on Amatruda paper, the cover paper is Fabriano Roma. Pp. [20]. Small 8vo., [13.5 x 20.5 cms], russet paper wrappers, black titles to upper cover, lower edge uncut. Slightly creased at edges, touch of fading to spine, otherwise fine. Samuel Butler's digressive and eccentric essay recounting his visits to the British Museum and its lack of sloping desks â" upon which he needs in order to write â" and his subsequent use of a book as the required support.

One of an edition limited to 250 copies typeset at Libanus Press, printed by Hampton Printing Ltd using Rialto type on mould-made Zerkall paper, and bound by Ludlow Bookbinders. A presentation copy, inscribed on the first blank page 'With all best wishes | John White | 2-12-15'. Quarter oatmeal cloth over red paper-covered boards, paper label to spine, red endpapers. Octavo. 245 x 145 mm, pp. [112]. A book in Very Good condition with slight bumping to top edge of boards.

175/170 COPIES (from an overall edition of 200), printed in dark green, title-page with Lawrence Phoenix device, pp. [ii], 8, [ii], 8vo, original cream card wrappers, olive green dustwrapper with printed label, near fine. An intriguing edition, with Sagar's illuminating introduction preceding the third version of the Foreword, published here for the first time, in which Lawrence reflects upon the government's seizure of his original typescript on the grounds of obscenity: 'There is nothing in the obscene words to be afraid of. they are like any other words, and all our fear hysteria was merely poor crude savage taboo-terror, nothing in it.'; continuing with a critique of Bolshevism and concluding, 'The mass, unopposed would certainly destroy mankind. It is for the minority to fight for existence of the sane, free, whole individual.'.

No Binding. Zustand: Near Fine. Solander box with cover and spine labels containing 26 colored card sheets upon which are mounted 55 pieces of ephemera, 4to., with index sheet. Samples of ephemeral printing taken from commercial runs mainly done to deadlines. One of 75 copies. Many different typefaces on a wide variety of papers. The solander box was made by Smith Settle of Otley. A very attractive collection. A near fine set with minor wear to the covers of the box. Scarce on the market.

Hardcover. Zustand: Very Good. 1st Edition. Set in Monotype Garamond. Number 102 of 170 (220) copies printed in black (the illustrations in grey) on Amatruda paper. 7 illustrations and cover design by Richard Shirley Smith. Quarter silver cloth with silver spine titling, decorative paper-covered boards. Slipcase. Spine a little mottled, otherwise near fine.

ONE OF 200 COPIES, this marked 'Out of Series' and 'Printer's copy', tipped-in photographic frontispiece portrait, small hand-coloured tailpiece, pp. [74], crown 8vo, original quarter natural linen with salmon pink boards, faint foxing to top edge with tail edge untrimmed, a couple of light marks, spare label tipped in at rear, very good. A posthumous collection of verse, in memory of an author whose day-job was as Director at the publisher John Murray.

ONE OF 300 COPIES (from an edition of 360 copies), text printed in purple, title-page vignette and 8 wood-engravings by Forster, printed to rectos, ff. [9], oblong 12mo, original sewn purple wrappers, wood-engraving to front, edges untrimmed, very good. Wood-engravings lampooning the royal family.

Quarter linen lettered in gilt over patterned boards. Tall 8vo, c.pp40 uncut, owner's neat label on endpaper, a fine copy. With 20 drawings [8 full-page] by Ian Beck, all hand-coloured through stencils.300 copies printed on Velin d'Arches rag paper. Serious and elegant book, set off with a series of wittily surreal illustrations. Margot Coatts has one of the largest collections of jelly moulds : 'surrounded by these wondrous and phantastical shapes, she has researched and rehearsed the traditional recipes, added some of her own and written an introductory essay on the history of the jelly'. **** To confirm availability before ordering, please click the link Ask Bookseller A Question.

One of an edition limited to 385 copies, of which 325 were for sale. Printed on Velin Arches rag paper with Joanna Type, save for letters K, R, T, V & Z which were printed offset litho. Each letter is illustrated by a full-page drawing and decorative initial, and all fifty-eight illustrations were water-coloured by hand by the hand-colourists of Libanus Press. Cloth covered spine over pink paper covered boards, gilt lettering to the spine and upper board, decorated endpapers, TOGETHER WITH a copy of the prospectus loosely laid in. Tall Octavo, 250 x 165 mm, pp. [64]. A book in Fine condition. All of the artists involved in this book donated their work, and the entire proceeds of sale were donated to the London Lighthouse.

Edited and introduced by Marius Kociejowski. No. 69 of 220 copies. 7 illustrations and cover design by Richard Shirley Smith. Illustrated by Richard Shirley Smith. Printed in Monotype Garamond on thick handmade Amatruda paper. 8vo., bound by Smith Settle in original quarter grey cloth over illustrated paper boards, spine lettered in silver, lower edge uncut, in the original mauve thin card slipcase (slightly faded with tiny tear). Slight fading to spine, otherwise very good. The fascinating 18th century letters of Charlotte Biggs, in which she relates stories of love, intrigue, abduction and rape.

No. 35 of 50 deluxe copies. 6 wood engravings printed in black, green and red by Carol Walkin. Printed in Gill Perpetua type on Velin Arches rag paper. Pp. [24]. Tall 4to., original quarter green morocco, marbled paper boards, gilt border and lettering to spine, fore and lower edges uncut. Spine very slightly faded, otherwise a very good copy. A free rendering into heroic verse by Dryden of the story found in Boccaccio's 'Decameron', which was first published in 1700 as a section from John Dryden's 'Fables Ancient and Modern'.

Copy number '71' of an edition of 75 copies signed by the artist. Printed on Velin d'Arches paper and bound by Tessa Fantoni. Quarter brown cloth over patterned paper covered boards, brown endpapers, printed paper label to spine. 24mo, 135 x 115 mm, pp. [32] with 27 engravings by E.N. Ellis. Housed in a matching card slipcase. A book in Fine condition.

Hardcover. Zustand: Fine. 1st Edition. 12 mounted wood-engravings by Richard Shirley Smith, individually signed numbered (24) and dated 1985. Prospectus loosely inseted. Tan cloth box withprinted labels on spine and upper board. A fine copy. Signed by Illustrator(s).

PROOF COPY FROM AN EDITION OF 175 COPIES, printed in Romulus types, the drawings reproduced by the Senecio Press, title printed in black and blue with elaborate cypher of Rex Whistler, Richard Shirley Smith's Studio Library bookplate to front endpaper, Libanus Press proof blind stamp to final text leaf, pp. [12], 4to, original lemon yellow wrappers, front with lettering and device printed in blue, fine. 'The Satyr and the Traveller' and 'The Two Springs', adapted, in verse, by Helen and illustrated in typically intricate style by her son, Rex, reproduced here for the first time, sixty years after they were created. Dedicated to Laurence Whistler's great friend, Rachel Trickett, Principal of St. Hugh's College, Oxford, from 1973 to 1991.

285/300 COPIES (from an edition of 355 copies) on Velin d'Arches rag paper, 53 ornaments and illustrations by Peter Forster printed in grey, ff. [72], folio, original blue cloth very faintly spotted, printed labels to backstrip and upper board, tail edge untrimmed, small stain to foreedge, dustjacket, near fine. The translator also set the type. Forster's illustrations use sculptural forms in a playful, and occasionally suggestive, way.