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Verlag: Archetype Publications Ltd, GB, 2015
ISBN 10: 1909492310 ISBN 13: 9781909492318
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In den WarenkorbPaperback. Zustand: Brand New. 126 pages. 9.50x6.75x0.50 inches. In Stock.
Sprache: Englisch
Verlag: Archetype Publications Ltd., London, 2012
ISBN 10: 1904982883 ISBN 13: 9781904982883
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Sprache: Englisch
Verlag: Archetype Publications Ltd, London, 2012
ISBN 10: 1904982883 ISBN 13: 9781904982883
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Paperback. Zustand: new. Paperback. Adhesives and consolidants used in the conservation of paintings (e.g. for lining, the laying down of paint flakes, the application of temporary facings etc, can have very varying properties at the time they are applied. Over time, and under differing conditions, some materials can present concerns for the conservator including brittleness, yellowing and discolouration and difficulty in removal. The papers in this volume, presented at an ICON paintings group conference at the National Portrait Gallery, London, confront some of the problems encountered including: the practical application of materials; reversibility and long -term performance; the properties required of an adhesive and the properties of some of the materials commonly used as consolidants / adhesives. The conference papers in this volume give an overview of current requirements, practice and innovation in the use of adhesives and consolidants in paintings conservation. Shipping may be from multiple locations in the US or from the UK, depending on stock availability.
Sprache: Englisch
Verlag: Archetype Publications Ltd, London, 2015
ISBN 10: 1909492310 ISBN 13: 9781909492318
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Paperback. Zustand: new. Paperback. This collection of papers from the ICON Paintings Group Conference: 'Modern Conservation: What's new?' (2014) discusses various aspects of modern conservation including: the deterioration and conservation of contemporary works of art and problems posed by it; appraisal of new conservation materials and their properties; new and innovative techniques that are being developed and used to address conservation problems; or new and novel ways of using traditional or well-known materials already in the conservator's tool kit. Authors consider recent developments in wet cleaning systems for unvarnished modern and contemporary painted surfaces; the treating of and removal of liquefying paint; an evaluation of adhesives, consolidants and retouching media for the conservation and treatment of paintings on transparent plastic supports; and a review of rigid stretcher insert systems, their materials and applications. Papers include a number of case studies, exploring modern conservation materials and complex ethical issues.Contents: In search of a solution for softening and weeping paints in contemporary paintings by Tal R and Frank van Hemert - Ida Bronken Kinesio tape: conservation science meets sports medicine - Anna Krez Lascaux Acrylic Dispersion 498HV and Medium for Consolidation 4176 used as Consolidants in Two Very Different Practical Case Studies - Jim Dimond Laropal A81 as an alternative to MS2A and other resins: a practical discussion - Sophie Reddington A summary of recent developments in wet surface cleaning systems: unvarnished modern and contemporary painted surfaces - Bronwyn Ormsby Using a categorisation framework to simplify a complex approach to the conservation of modern art - Taeeun Kim Vibration Management for Canvas Paintings: A Review of Rigid Stretcher Insert Systems, their Materials and Applications - Laura Hinde Cleaning Off Liquefying Paint - Line Blomsterberg Andersen Consultancy, Assistance and Participation: Ethical Consequences of Conservation and Artistic Team Transgressions - Miroslaw Wachiwiak Conservation Issues Related to the use of Auxiliary Supports in Treatment of Modern Paintings of Untypical Technical Structure on the Example of Works from the Series Hors Cadre by Aleksander Kobzdej - Slawomir Kaminski This volume gathers papers from the ICON Paintings Group's 2014 conference Modern Conservation: What's New?, addressing the challenges of conserving contemporary artworks. Contributors explore innovative treatments and adaptations of traditional materials to tackle issues such as flaking paints, structural instability, vib Shipping may be from multiple locations in the US or from the UK, depending on stock availability.
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In den WarenkorbPaperback. Zustand: Brand New. 186 pages. 9.64x0.33x6.93 inches. In Stock.
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Verlag: Archetype Publications Ltd, GB, 2015
ISBN 10: 1909492310 ISBN 13: 9781909492318
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Sprache: Englisch
Verlag: Archetype Publications Ltd, London, 2012
ISBN 10: 1904982883 ISBN 13: 9781904982883
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Paperback. Zustand: new. Paperback. Adhesives and consolidants used in the conservation of paintings (e.g. for lining, the laying down of paint flakes, the application of temporary facings etc, can have very varying properties at the time they are applied. Over time, and under differing conditions, some materials can present concerns for the conservator including brittleness, yellowing and discolouration and difficulty in removal. The papers in this volume, presented at an ICON paintings group conference at the National Portrait Gallery, London, confront some of the problems encountered including: the practical application of materials; reversibility and long -term performance; the properties required of an adhesive and the properties of some of the materials commonly used as consolidants / adhesives. The conference papers in this volume give an overview of current requirements, practice and innovation in the use of adhesives and consolidants in paintings conservation. Shipping may be from our Sydney, NSW warehouse or from our UK or US warehouse, depending on stock availability.
Sprache: Englisch
Verlag: Archetype Publications Ltd, London, 2015
ISBN 10: 1909492310 ISBN 13: 9781909492318
Anbieter: AussieBookSeller, Truganina, VIC, Australien
Paperback. Zustand: new. Paperback. This collection of papers from the ICON Paintings Group Conference: 'Modern Conservation: What's new?' (2014) discusses various aspects of modern conservation including: the deterioration and conservation of contemporary works of art and problems posed by it; appraisal of new conservation materials and their properties; new and innovative techniques that are being developed and used to address conservation problems; or new and novel ways of using traditional or well-known materials already in the conservator's tool kit. Authors consider recent developments in wet cleaning systems for unvarnished modern and contemporary painted surfaces; the treating of and removal of liquefying paint; an evaluation of adhesives, consolidants and retouching media for the conservation and treatment of paintings on transparent plastic supports; and a review of rigid stretcher insert systems, their materials and applications. Papers include a number of case studies, exploring modern conservation materials and complex ethical issues.Contents: In search of a solution for softening and weeping paints in contemporary paintings by Tal R and Frank van Hemert - Ida Bronken Kinesio tape: conservation science meets sports medicine - Anna Krez Lascaux Acrylic Dispersion 498HV and Medium for Consolidation 4176 used as Consolidants in Two Very Different Practical Case Studies - Jim Dimond Laropal A81 as an alternative to MS2A and other resins: a practical discussion - Sophie Reddington A summary of recent developments in wet surface cleaning systems: unvarnished modern and contemporary painted surfaces - Bronwyn Ormsby Using a categorisation framework to simplify a complex approach to the conservation of modern art - Taeeun Kim Vibration Management for Canvas Paintings: A Review of Rigid Stretcher Insert Systems, their Materials and Applications - Laura Hinde Cleaning Off Liquefying Paint - Line Blomsterberg Andersen Consultancy, Assistance and Participation: Ethical Consequences of Conservation and Artistic Team Transgressions - Miroslaw Wachiwiak Conservation Issues Related to the use of Auxiliary Supports in Treatment of Modern Paintings of Untypical Technical Structure on the Example of Works from the Series Hors Cadre by Aleksander Kobzdej - Slawomir Kaminski This volume gathers papers from the ICON Paintings Groups 2014 conference Modern Conservation: Whats New?, addressing the challenges of conserving contemporary artworks. Shipping may be from our Sydney, NSW warehouse or from our UK or US warehouse, depending on stock availability.
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