Marjan debaene (27 Ergebnisse)

Zustand: Very Good.

[Antwerpen, Kanselarij Phoebus Foundation vzw, 2019]. 71 pp. Col. ills. Softcover (pictorial wrappers). 8vo. (Phoerus Focus XII).

Paperback, 86 pages, 21,1 x 14,1 x 1,1 cm. Illustrated. Text in NL ISBN 9789463883337. Phoebus Focus 12 - Madonna met Kind. Jan II Borman (gest. ca. 1520) Vroeg zestiende-eeuwse beeldhouwkunst op haar best 0 g.

Paperback. Zustand: Very Good. Not present. Eigendomsmerk. Naamstempel op eerste bladzijde Dutch Tentoonstellingscatalogus die het werk van Jan?Rombouts (ook bekend als Jan van Rillaer, ca.?1495?1568) belicht. De auteurs analyseren recent ontdekt bronmateriaal en herzien attributies, waardoor Rombouts eindelijk een plaats krijgt naast tijdgenoten als Dierc Bouts, Lucas van Leyden en Albrecht Dürer. Rijk geïllustreerd met ca.?150 reproducties en begeleidende essays.…

HRD. Zustand: New. New Book. Shipped from UK. Established seller since 2000.

Hardcover. Color-illlus. boards; green spine. 221 pp. with about half/half color plates and bw illustrations. Text mainly in Dutch but with the introduction also in English, at the back. The long-awaited catalogue of the sculpture collection of the museum. Along with the exhaustive catalogue of almost 1000 objects, there are also 50 notes on highlights from the collection and two essays on the museum's late gothic and 19th century sculpture collections. NF; as new but for light bumps to all four corners.…

Hardcover. Zustand: Brand New. 330 pages. French language. 7.09x0.69x10.44 inches. In Stock.

Zustand: New.

Zustand: New.

Hardcover. Zustand: Brand New. 320 pages. 12.00x9.75x1.00 inches. In Stock.

HRD. Zustand: New. New Book. Shipped from UK. Established seller since 2000.

Hardback. Zustand: New.

Zustand: As New. Unread book in perfect condition.

Zustand: As New. Unread book in perfect condition.

Zustand: gut. Dieric Bouts Creator of Images. In deutscher Sprache. pages.

Zustand: New. 2025. Bilingual. hardcover. . . . . .

Hardback. Zustand: New.

Zustand: New. 2025. Bilingual. hardcover. . . . . . Books ship from the US and Ireland.

Zustand: gut. Alabaster Sculpture in Europe (1300-1650) In englischer Sprache. pages.

Zustand: gut. Borman in Context, Brabantine Sculpture from 1460-1540 In deutscher Sprache. pages.

Antwerpen : Kanselarij Phoebus Foundation , 2019 Softcover, 71pp., 15x21cm., ills. in kleur, in zeer goede staat. Als nieuw. ISBN 9789463883320.

Hardcover 260 pages, Illustrated. ISBN 9789464666816. A contemporary view of the masterly works of Dieric Bouts This book, published in association with the exhibition, DIERIC BOUTS. Creator of Images, at M Leuven, attempts to get closer to this enigmatic figure. Dieric Bouts had both feet in his world: it is perhaps that we seem unable to understand his work. This book includes comprehensive essays and shorter texts that focus on specific works by the Flemish master, outlining the social, intellectual, and artistic context in which Bouts worked. They highlight his oeuvre from new angles and offer new perspectives on works that are now more than five centuries old ? through a radical confrontation with the visual culture of today. The result is a more nuanced image of the great artist from Leuven. Dieric Bouts regains his place in the history of art as the eye-expanding maker of images that he was. This book is published on the occasion of the impressive retrospective at M Leuven from 20 October 2023 to 14 January 2024. Dieric Bouts (ca. 1410/20-75) is one of the most elusive figures in the history of Western art. Flemish primitive of the second generation, painter of silence such are the labels that are usually attributed to him. But was the Master of Brabant not more than that? This book, published in association with the exhibition, DIERIC BOUTS. Creator of Images, at M Leuven, attempts to get closer to this enigmatic figure. Dieric Bouts had both feet in his world: it is perhaps that we seem unable to understand his work. This book includes comprehensive essays and shorter texts that focus on specific works by the Flemish master, outlining the social, intellectual, and artistic context in which Bouts worked. They highlight his oeuvre from new angles and offer new perspectives on works that are now more than five centuries old ? through a radical confrontation with the visual culture of today. The result is a more nuanced image of the great artist from Leuven. Dieric Bouts regains his place in the history of art as the eye-expanding maker of images that he was. This book is published on the occasion of the impressive retrospective at M Leuven from 20 October 2023 to 14 January 2024. Edited by Peter Carpreau. With contributions by Inigo Bocken, Jordan Marie Booker, Till-Holger Borchert, Peter Carpreau, Marjan Debaene, Mark Derez, Bart Fransen, Valentine Henderiks, Stephan Kemperdick, Didier Martens, Gust Van den Berghe, and Michiel Verweij. 0 g.…

hardcover. Zustand: New. 1st.

kart. Zustand: Neu. nl. 71 Seiten, Illustrationen NEW ! 9789463882320 Werktäglicher Versand. Jede Lieferung m. ordentl. Rechnung und ausgew. MwSt. Der Versand erfolgt als Büchersendung / Einschreiben mit der Deutschen Post bzw. als Päckchen / Paket mit DHL. Die Lieferzeit ist abhängig von der Versandart und beträgt innerhalb Deutschlands 3-5 Tage, in der EU 5 - 12 Tage. KEIN Versand an Packstationen. Körperschaften und juristische Personen werden auf Wunsch per offener Rechnung beliefert. ***ATTENTION U.S. CUSTOMERS: Due to the new tariffs, we are unable to ship packages to the USA at this time. Thank you for understanding.*** Sprache: Niederländisch Gewicht in Gramm: 220.…

Softcover, Pages: 312 pages; Size:240 x 280 mm; Illustrations:360 col. ;Language(s):English. ISBN 9781912554928. In short, everyone involved in creating this catalogue and the exhibition it records deserves praise. The volume covers a vast terrain, helpfully summarizing the current state of knowledge on a great many objects and providing a road map for further study by scholars and students of the material (and indeed of ?materiality? writ large). In doing so, the catalogue provides a stellar example of the benefits of stepping outside of the intellectual taxonomies that so often constrain scholarship: our assumptions about the firmness of divisions between stylistic periods, geographic regions, and categories of objects. It compellingly demonstrates that those boundaries are far more permeable than they often might seem, and that they can distract us from important commonalities that transcend them.? (Stephen Perkinson, in Historians of Netherlandish Art Reviews, 09/2023) BIO Marjan Debaene is Head of Collections at Museum M in Leuven. SUMMARY Alabaster was a popular material in European sculpture, especially from the fourteenth to the seventeenth century. Its relative availability and easy to sculpt characteristic made it a highly suitable material for both large monuments and small objects, for mass production and individual works, from England to Spain and France to the Netherlands, Germany and Poland. This material has been the subject of multidisciplinary research in various European countries for several decades. The research combines material analyses with historical and art-historical approaches. This publication, made for the occasion of the large exhibition on the theme at M Leuven opening on October 14th, brings together all renown specialists on the material and sheds light on the many facets of alabaster, such as its physical and chemical properties as well as its translucency, its whiteness, its softness, and its beautiful sheen, all of which made it a popular material used in different types of sculpture from the middle ages to the baroque, all throughout Europe, ranging from bespoke tombs, funerary monuments and commissioned sculptures and altarpieces to commercially interesting formulas such as English or Mechelen alabaster reliefs. TABLE OF CONTENTS Foreword M Leuven Peter Bary Foreword Mus e du Louvre Laurence des Cars Preface Marjan Debaene and Sophie Jugie 1 Alabaster as a Material for Sculpture Introduction Sophie Jugie Rhetoric of Alabaster: The Material between its Affordances and Cultural Meaning Aleksandra Lipi?ska How to Distinguish Alabaster from Alabaster: Tracing the Material Back from the Artwork to the Quarry Wolfram Kloppmann ?Marbre d?alabastre?: Status of the Interdisciplinary Research Project on Marble and Alabaster Jude De Roy, Laurent Fontaine and G raldine Patigny Catalogue nos. 1?21 2 Funerary Sculpture Introduction Sophie Jugie Alabaster as a Material for Funerary Monuments Jessica Barker Catalogue nos. 22?41 3 Alabaster Altarpieces Introduction Marjan Debaene and Michaela Z schg The Rimini Altarpiece and Alabaster Sculpture in the Southern Netherlands, around 1430 Stefan Roller English Alabaster and the Continent Lloyd de Beer Alabaster Altarpieces in the Iberian Peninsula: From Gothic to Baroque Carmen Morte Garc a Catalogue nos. 42?99 4 Sacred and Secular Introduction Michaela Z schg and Marjan Debaene The Head of St John the Baptist in Alabaster: The Object in Context Soetkin Vanhauwaert Catalogue nos. 100?126 Epilogue: Alabaster Mentalis, Trinitas Terrestris Sofie Muller Catalogue nos. 127?128 Bibliography Index Lenders to the Exhibition Photographic Acknowledgements 0 g.…

hardcover, Pages: iv + 326 pages; Size:180 x 265 mm, Illustrations:12 b/w, 181 col., Language(s):English, French. **NEW. ISBN 9782503607993. In September 2019, ten years of interdisciplinary research culminated in the first-ever monographic exhibition on the Borman family, titled Borman and Sons. The Best Sculptors (20.09.19?26.01.20) at M Leuven. The exhibition was accompanied by a new publication on the Borman family of Brussels sculptors, who were active from the second half of the fifteenth century into the second third of the sixteenth century. The 6th Annual Ards Colloquium, held at M Leuven in November 2019, provided an in-depth contextualisation of the sculptural work of the Borman family. While a document from 1513 refers to the Bormans as ?the best sculptors?, they did not operate in isolation. Brussels was a thriving artistic centre?a cultural hub that hosted numerous talented and influential artists, all working under the patronage of high-profile commissioners. This volume presents papers that explore the Bormans? role within the artistic context of the Duchy of Brabant, alongside discussions of stylistic and iconographical themes, as well as new discoveries concerning their commissions and works. TABLE OF CONTENTS Marjan Debaene and Hannah de Moor, Foreword Part I: Commissions and Commissioners from North to South Magali Briat-Philippe, The Statuary of the Royal Monastery of Brou: An Important and Singular Witness of Brabantine Sculpture between 1513 and 1522 Catheline P rier-D?Ieteren, Emmanuelle Mercier, and Myriam Serck-Dewaide, The Adoration of the Magi in San Nazaro, Milan: An Unknown Work by Jan Borman II? Marjan Debaene and Claire Dumortier, The Bormans and Leuven: An Analysis of Known and Newly Discovered Documents in the Leuven City Archives concerning Jan I Borman, the Borman Family, and Their Artistic Activity in Leuven in the Fifteenth Century Hannah De Moor, In Search of the Patrons of Netherlandish Carved Altarpieces in Sweden Ragnhild M. B , The Resurrected Christ Appearing to His Mother and the Seven Joys of the Virgin: Borman and Beyond Adam Harris Levine, Borman Reliquaries in their Iberian Context Emilio Ruiz de Arcaute Mart nez, Originals or Copies? Interesting Contributions regarding the Technical Study of Some Borman Reliquary Busts Part II: Style, Materials, Techniques, and Workshop Organisation Michel Lefftz, De Rogier van der Weyden Jan Borman I: Transferts, rivalit et mulation dans la peinture et la sculpture des anciens Pays-Bas au XVe si cle Elisabeth Van Eyck and Ria De Boodt, Reunited? Case Study about an Early Sixteenth-Century Carved Wooden Altarpiece and Its Painted Shutters Ingrid Geelen, The Polychromers of the Borman Altarpieces Christel Theunissen, Lost and Found: Tracing the Origin of Scattered Choir Stall Fragments Seppe Roels and Marieke Van Vlierden, Mallets, Flowers, and Circles: Marks on Sculptures Related to the Borman Workshops: A Preliminary Comparison Index 0 g. …

Hardcover. Zustand: new. Hardcover. In September 2019, ten years of interdisciplinary research culminated in the first-ever monographic exhibition on the Borman family, titled Borman and Sons. The Best Sculptors (20.09.19-26.01.20) at M Leuven. The exhibition was accompanied by a new publication on the Borman family of Brussels sculptors, who were active from the second half of the fifteenth century into the second third of the sixteenth century. The 6th Annual Ards Colloquium, held at M Leuven in November 2019, provided an in-depth contextualisation of the sculptural work of the Borman family. While a document from 1513 refers to the Bormans as 'the best sculptors', they did not operate in isolation. Brussels was a thriving artistic centre-a cultural hub that hosted numerous talented and influential artists, all working under the patronage of high-profile commissioners. This volume presents papers that explore the Bormans' role within the artistic context of the Duchy of Brabant, alongside discussions of stylistic and iconographical themes, as well as new discoveries concerning their commissions and works. Following the first ever monographical exhibition at M-Museum Leuven in 2019, this volume contextualizes the sculptural work of the Borman family. This item is printed on demand. Shipping may be from our UK warehouse or from our Australian or US warehouses, depending on stock availability.…