matthew handelman (70 Ergebnisse)

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Paperback. Zustand: New. This book offers an archeology of the undeveloped potential of mathematics for critical theory. As Max Horkheimer and Theodor W. Adorno first conceived of the critical project in the 1930s, critical theory steadfastly opposed the mathematization of thought. Mathematics flattened thought into a dangerous positivism that led reason to the barbarism of World War II. The Mathematical Imagination challenges this narrative, showing how for other German-Jewish thinkers, such as Gershom Scholem, Franz Rosenzweig, and Siegfried Kracauer, mathematics offered metaphors to negotiate the crises of modernity during the Weimar Republic. Influential theories of poetry, messianism, and cultural critique, Handelman shows, borrowed from the philosophy of mathematics, infinitesimal calculus, and geometry in order to refashion cultural and aesthetic discourse. Drawn to the austerity and muteness of mathematics, these friends and forerunners of the Frankfurt School found in mathematical approaches to negativity strategies to capture the marginalized experiences and perspectives of Jews in Germany. Their vocabulary, in which theory could be both mathematical and critical, is missing from the intellectual history of critical theory, whether in the work of second generation critical theorists such as Jürgen Habermas or in contemporary critiques of technology. The Mathematical Imagination shows how Scholem, Rosenzweig, and Kracauer's engagement with mathematics uncovers a more capacious vision of the critical project, one with tools that can help us intervene in our digital and increasingly mathematical present. The Mathematical Imagination is available from the publisher on an open-access basis.

Paperback. Zustand: New. When architects visit a building, and want to record or identify what they see, they take out a bundle of folded sheets in search of a blank piece of paper. These sheets may be ground plans, diagrams, sketches and ordnance maps. In one way or another, all are survey drawings, operating as both documentation and analysis, enabling an architect to examine certain conditions of the built environment, whether geometric, relational, material or technical.This book explores the history of the survey and its multiple forms in order to understand how the methods of recording what already exists can also be used to imagine what might be. Lavishly illustrated, with works from the collection of Drawing Matter and beyond, it addresses the multiple forms of the survey through focused studies - on John Soane (1753-1837), Charles Robert Cockerell (1788-1863), and Detmar Blow (1867-1939); French architects Louis-Hippolyte Lebas (1782-1867), Henri Labrouste (1801-1875), and Eugène Viollet-le-Duc (1814-1879); and Swiss-based Peter Märkli (born 1953) - and an extensive section of plates with commentaries by contemporary architects. In doing so, it maintains that while all surveys begin with the site, the outcomes are as idiosyncratic as their authors - and their methods have much to offer as tools in design practice.The book is the first in the Architecture Iconographies series, published in collaboration with Drawing Matter, an organisation based in Wincanton, Somerset, that explores the role of drawing in architectural thought and practice. They consider the image-making of architecture through its typologies and unique approaches to drawing. Exploring their resonance in the history of the profession, as well as their relationship to the architects themselves, the series aims to open up further possibilities for their use in both practice and teaching.

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Zustand: New. 2019. 1st Edition. Paperback. . . . . .

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Paperback. Zustand: new. Paperback. When architects visit a building, and want to record or identify what they see, they take out a bundle of folded sheets in search of a blank piece of paper. These sheets may be ground plans, diagrams, sketches and ordnance maps. In one way or another, all are survey drawings, operating as both documentation and analysis, enabling an architect to examine certain conditions of the built environment, whether geometric, relational, material or technical. This book explores the history of the survey and its multiple forms in order to understand how the methods of recording what already exists can also be used to imagine what might be. Lavishly illustrated, with works from the collection of Drawing Matter and beyond, it addresses the multiple forms of the survey through focused studies on John Soane (17531837), Charles Robert Cockerell (17881863), and Detmar Blow (18671939); French architects Louis-Hippolyte Lebas (17821867), Henri Labrouste (18011875), and Eugene Viollet-le-Duc (18141879); and Swiss-based Peter Maerkli (born 1953) and an extensive section of plates with commentaries by contemporary architects. In doing so, it maintains that while all surveys begin with the site, the outcomes are as idiosyncratic as their authors and their methods have much to offer as tools in design practice. The book is the first in the Architecture Iconographies series, published in collaboration with Drawing Matter, an organisation based in Wincanton, Somerset, that explores the role of drawing in architectural thought and practice. They consider the image-making of architecture through its typologies and unique approaches to drawing. Exploring their resonance in the history of the profession, as well as their relationship to the architects themselves, the series aims to open up further possibilities for their use in both practice and teaching. AUTHOR: Matthew Wells is a lecturer and postdoc researcher at ETH Zurich's Institue for the History and Theory of Architecture. His research and writing focuses on representational techniques, environmental technologies, and professionalism in the built environment of the 19th and 20th centuries. SELLING POINTS: . An exploration of the history and significance of the architectural survey drawing, lavishly illustrated and through focused studies on John Soane, Charles Robert Cockerell, Detmar Blow, Louis-Hippolyte Lebas, Henri Labrouste, Eugene Viollet-le-Duc and Peter Maerkli . With commenting captions for selected drawings by contemporary architects, researchers and teachers including Biba Dow, Tom Emerson, Stephanie Macdonald, Willem Jan Neutelings, Sheila O'Donnell, Thomas Padmanabhan, Eric Parry, David Valinsky, Lucas Wilson and Peter Wilson 130 colour illustrations This book explores the history of the architectural survey drawing and its multiple forms in order to understand how the methods of recording what already exists can also be used to imagine what might be. Shipping may be from multiple locations in the US or from the UK, depending on stock availability.

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Paperback. Zustand: New. When architects visit a building, and want to record or identify what they see, they take out a bundle of folded sheets in search of a blank piece of paper. These sheets may be ground plans, diagrams, sketches and ordnance maps. In one way or another, all are survey drawings, operating as both documentation and analysis, enabling an architect to examine certain conditions of the built environment, whether geometric, relational, material or technical.This book explores the history of the survey and its multiple forms in order to understand how the methods of recording what already exists can also be used to imagine what might be. Lavishly illustrated, with works from the collection of Drawing Matter and beyond, it addresses the multiple forms of the survey through focused studies - on John Soane (1753-1837), Charles Robert Cockerell (1788-1863), and Detmar Blow (1867-1939); French architects Louis-Hippolyte Lebas (1782-1867), Henri Labrouste (1801-1875), and Eugène Viollet-le-Duc (1814-1879); and Swiss-based Peter Märkli (born 1953) - and an extensive section of plates with commentaries by contemporary architects. In doing so, it maintains that while all surveys begin with the site, the outcomes are as idiosyncratic as their authors - and their methods have much to offer as tools in design practice.The book is the first in the Architecture Iconographies series, published in collaboration with Drawing Matter, an organisation based in Wincanton, Somerset, that explores the role of drawing in architectural thought and practice. They consider the image-making of architecture through its typologies and unique approaches to drawing. Exploring their resonance in the history of the profession, as well as their relationship to the architects themselves, the series aims to open up further possibilities for their use in both practice and teaching.

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Zustand: New. 2021. Paperback. . . . . .

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Taschenbuch. Zustand: Neu. Neuware -Gebäude können ganz unterschiedlich auf Papier dargestellt werden, beispielsweise in Skizzen und Ansichten, durch Grundrisse oder auf Lageplänen und Karten. In der Architektur dienen solche Darstellungen gleichermassen der Dokumentation wie der Analyse. Sie erlauben die Beurteilung des Baus hinsichtlich seines Zustandes, der technischen und materiellen Gegebenheiten, seiner geografischen Lage und der Beziehung zur Umgebung. Dieses englischsprachige Buch betrachtet reich illustriert die Geschichte solcher architektonischen Vermessungs- und Darstellungszeichnungen. Es geht insbesondere der Frage nach, wie die Methoden der Darstellung des Bestehenden auch zur Imagination des möglicherweise Entstehenden genutzt werden können. Matthew Wells fokussiert dabei seinen Blick auf einige herausragende Baumeister: die Engländer John Soane (1753-1837), Charles Robert Cockerell (1788-1863) und Detmar Blow (1867-1939); die Franzosen Louis-Hippolyte Lebas (1782-1867), Henri Labrouste (1801-1875) und Eugène Viollet-le-Duc (1814-1879); und den Schweizer Peter Märkli (geboren 1953). Der Grossteil der im Buch abgebildeten Zeichnungen und Pläne entstammt der Sammlung von Drawing Matter, einer der Erforschung von Architekturzeichnungen gewidmeten Institution in Wincanton in der englischen Grafschaft Somerset. 176 pp. Englisch.