Maxwell kathy (56 Ergebnisse)

Paperback. Zustand: Very Good. No Jacket. May have limited writing in cover pages. Pages are unmarked. ~ ThriftBooks: Read More, Spend Less.

Paperback. Zustand: Very Good. No Jacket. May have limited writing in cover pages. Pages are unmarked. ~ ThriftBooks: Read More, Spend Less.

Paperback. Zustand: Good. No Jacket. Pages can have notes/highlighting. Spine may show signs of wear. ~ ThriftBooks: Read More, Spend Less.

hardcover. Zustand: Very Good. Connecting readers with great books since 1972! Used books may not include companion materials, and may have some shelf wear or limited writing. We ship orders daily and Customer Service is our top priority.

hardcover. Zustand: Very Good. Connecting readers with great books since 1972! Used books may not include companion materials, and may have some shelf wear or limited writing. We ship orders daily and Customer Service is our top priority.

Zustand: New.

Zustand: As New. Unread book in perfect condition.

Zustand: As New. Unread book in perfect condition.

Zustand: New.

Zustand: New. pp. 224.

Zustand: New. pp. 224.

Zustand: New.

Paperback. Zustand: New. The audience, and its varying levels of participation, is a vital element for the communication of a story. The stories of Jesus Christ as told in the gospels, and of the early Church as found in Acts, rely on the audience members and their participation as do all others. In fact, without audience participation, the narrative fails. Audience-oriented criticism, while named only recently, is an ancient phenomenon as old as story telling itself. Kathy Maxwell explores ancient rhetoricians' comments about 'the audience', as well as the kinds of audience participation they expected and the tools used to encourage such participation. Such tools were employed in ancient pagan, Jewish, and Christian literature - the concern being to engage the audience. Maxwell's conclusions impact not only the way biblical scholars view the rhetorical abilities of the Evangelists, but also the way in which modern readers 'hear' the biblical narrative. The modern audience also bears the responsibility of hearing between the lines, of creating the story with the ancient author.…

Zustand: As New. Unread book in perfect condition.

Zustand: New.

Zustand: As New. Unread book in perfect condition.

CRD. Zustand: Brand New. gmc crds edition. 80 pages. 9.40x2.00x1.42 inches. In Stock.

Hardcover. Zustand: Brand New. 120 pages. 9.50x7.50x0.75 inches. In Stock.

Zustand: New. In English.

Paperback. Zustand: New. Able to open doors and unfasten gates, Nickel, an orphaned buffalo, has acclimated to the world of dogs--he even thinks he's a dog. For many years, this lone, hornless buffalo greeted travelers heading west into the foothills of the Rockies. Learn how he got his name and why he lost his horns in this hilarious, warm story about the friendly bison. Vivid watercolor illustrations and interactive tools make this book perfect for classroom or campfire. Parks, Kathy (illustrator).…

Paperback. Zustand: Brand New. 224 pages. 9.00x6.00x0.50 inches. In Stock.

Zustand: New. 2019. Paperback. . . . . . Books ship from the US and Ireland.

Zustand: New. 2019. Paperback. . . . . .

Hardcover. Zustand: Near Fine. 204pp.

Paperback. Zustand: New. The audience, and its varying levels of participation, is a vital element for the communication of a story. The stories of Jesus Christ as told in the gospels, and of the early Church as found in Acts, rely on the audience members and their participation as do all others. In fact, without audience participation, the narrative fails. Audience-oriented criticism, while named only recently, is an ancient phenomenon as old as story telling itself. Kathy Maxwell explores ancient rhetoricians' comments about 'the audience', as well as the kinds of audience participation they expected and the tools used to encourage such participation. Such tools were employed in ancient pagan, Jewish, and Christian literature - the concern being to engage the audience. Maxwell's conclusions impact not only the way biblical scholars view the rhetorical abilities of the Evangelists, but also the way in which modern readers 'hear' the biblical narrative. The modern audience also bears the responsibility of hearing between the lines, of creating the story with the ancient author.…

Zustand: good. A copy that has been read, remains in good condition. All pages are intact, and the cover is intact. The spine and cover show signs of wear. Pages can include notes and highlighting and show signs of wear, and the copy can include "From the library of" labels or previous owner inscriptions. 100% GUARANTEE! Shipped with delivery confirmation, if you're not satisfied with purchase please return item! Ships via media mail.…

Zustand: New. In English.

Zustand: New.

Zustand: New.

Zustand: Sehr gut. Zustand: Sehr gut | Sprache: Englisch | Produktart: Bücher | The audience, and its varying levels of participation, is a vital element for the communication of a story. The stories of Jesus Christ as told in the gospels, and of the early Church as found in Acts, rely on the audience members and their participation as do all others. In fact, without audience participation, the narrative fails. Audience-oriented criticism, while named only recently, is an ancient phenomenon as old as story telling itself. Kathy Maxwell explores ancient rhetoricians' comments about 'the audience', as well as the kinds of audience participation they expected and the tools used to encourage such participation. Such tools were employed in ancient pagan, Jewish, and Christian literature - the concern being to engage the audience. Maxwell's conclusions impact not only the way biblical scholars view the rhetorical abilities of the Evangelists, but also the way in which modern readers 'hear' the biblical narrative. The modern audience also bears the responsibility of hearing between the lines, of creating the story with the ancient author.…