mcconkey kenneth risdon peter sheppard (15 Ergebnisse)

Zustand: As New. Unread book in perfect condition.

Zustand: New.

Paperback. Zustand: New. Harold Harvey, a true 'son of Cornwall', has been one of the most under-rated and least written about members of the Newlyn 'School' of artists which flourished from 1880 to 1930\. The son of a bank manager, he grew up in Penance, and after studying under Norman Garstin and a spell in Paris, he settled to a quiet life in Newlyn with fellow-artist Gertrude, painting The Cornwall he knowS from the inside.In his introductory essay, Professor Kenneth McConkey sets Harvey in the context of the art moments of the time, and shows how his early 'genre' paintings of rustic and marine life, so characteristic of the early Newlyn artists, gradually gave way to more sophisticated subject matter - Harvey was noted for his sumptuous interiors - and a flatter and more decorative style of painting. His early work might be compared with that of Stanhope Forbes, while his later paintings show clear affinities with those of fellow painters such as Laura Knight and Dod Procter.Professor McConkey's essay complements the first significant 'life' of Harold Harvey, researched and written by Peter Risdon and Pauline Sheppard, which is in turn illuminated by Peter Risdon's painstakingly compiled catalogue raisonne of over 600 paintings.Harvey's painting output was prodigious, and this book includes approximately 100 illustrations of his favoured subjects: the Cornish at work, children at play, and intimate interior scenes and conversation pieces. Many of his contemporaries in Newlyn were visiting 'observers', but for Harold Harvey, who rarely went outside the county even though a regular exhibitor at the Royal Academy, painting the Cornish world 'because it was there' was his whole life.

Paperback. Zustand: New. Harold Harvey, a true 'son of Cornwall', has been one of the most under-rated and least written about members of the Newlyn 'School' of artists which flourished from 1880 to 1930\. The son of a bank manager, he grew up in Penance, and after studying under Norman Garstin and a spell in Paris, he settled to a quiet life in Newlyn with fellow-artist Gertrude, painting The Cornwall he knowS from the inside.In his introductory essay, Professor Kenneth McConkey sets Harvey in the context of the art moments of the time, and shows how his early 'genre' paintings of rustic and marine life, so characteristic of the early Newlyn artists, gradually gave way to more sophisticated subject matter - Harvey was noted for his sumptuous interiors - and a flatter and more decorative style of painting. His early work might be compared with that of Stanhope Forbes, while his later paintings show clear affinities with those of fellow painters such as Laura Knight and Dod Procter.Professor McConkey's essay complements the first significant 'life' of Harold Harvey, researched and written by Peter Risdon and Pauline Sheppard, which is in turn illuminated by Peter Risdon's painstakingly compiled catalogue raisonne of over 600 paintings.Harvey's painting output was prodigious, and this book includes approximately 100 illustrations of his favoured subjects: the Cornish at work, children at play, and intimate interior scenes and conversation pieces. Many of his contemporaries in Newlyn were visiting 'observers', but for Harold Harvey, who rarely went outside the county even though a regular exhibitor at the Royal Academy, painting the Cornish world 'because it was there' was his whole life.

paperback. Zustand: New.

Zustand: New.

Paperback. Zustand: Brand New. 148 pages. 10.55x8.31x0.47 inches. In Stock.

Zustand: As New. Unread book in perfect condition.

Paperback. Zustand: Very Good. No jacket. Sansom & Company, 2001. Paperback, 4to, 176pp, illust. A good copy. 1900178532/0.6uk . (Please note that our condition gradings are stricter than those of Abebooks and many other sellers. There may therefore be a discrepancy between this description and its listed condition grading).

Zustand: Good. First Edition. G : in good condition without dust jacket as issued. Cover rubbed. 260mm x 200mm (10" x 8"). 176pp. Numerous colour illustrations. Illustrated laminated card cover.

Paperback. Zustand: New. Harold Harvey, a true 'son of Cornwall', has been one of the most under-rated and least written about members of the Newlyn 'School' of artists which flourished from 1880 to 1930\. The son of a bank manager, he grew up in Penance, and after studying under Norman Garstin and a spell in Paris, he settled to a quiet life in Newlyn with fellow-artist Gertrude, painting The Cornwall he knowS from the inside.In his introductory essay, Professor Kenneth McConkey sets Harvey in the context of the art moments of the time, and shows how his early 'genre' paintings of rustic and marine life, so characteristic of the early Newlyn artists, gradually gave way to more sophisticated subject matter - Harvey was noted for his sumptuous interiors - and a flatter and more decorative style of painting. His early work might be compared with that of Stanhope Forbes, while his later paintings show clear affinities with those of fellow painters such as Laura Knight and Dod Procter.Professor McConkey's essay complements the first significant 'life' of Harold Harvey, researched and written by Peter Risdon and Pauline Sheppard, which is in turn illuminated by Peter Risdon's painstakingly compiled catalogue raisonne of over 600 paintings.Harvey's painting output was prodigious, and this book includes approximately 100 illustrations of his favoured subjects: the Cornish at work, children at play, and intimate interior scenes and conversation pieces. Many of his contemporaries in Newlyn were visiting 'observers', but for Harold Harvey, who rarely went outside the county even though a regular exhibitor at the Royal Academy, painting the Cornish world 'because it was there' was his whole life.

First edition, first printing. Near fine, slightly faded paperback original.

Paperback. Zustand: New. Harold Harvey, a true 'son of Cornwall', has been one of the most under-rated and least written about members of the Newlyn 'School' of artists which flourished from 1880 to 1930\. The son of a bank manager, he grew up in Penance, and after studying under Norman Garstin and a spell in Paris, he settled to a quiet life in Newlyn with fellow-artist Gertrude, painting The Cornwall he knowS from the inside.In his introductory essay, Professor Kenneth McConkey sets Harvey in the context of the art moments of the time, and shows how his early 'genre' paintings of rustic and marine life, so characteristic of the early Newlyn artists, gradually gave way to more sophisticated subject matter - Harvey was noted for his sumptuous interiors - and a flatter and more decorative style of painting. His early work might be compared with that of Stanhope Forbes, while his later paintings show clear affinities with those of fellow painters such as Laura Knight and Dod Procter.Professor McConkey's essay complements the first significant 'life' of Harold Harvey, researched and written by Peter Risdon and Pauline Sheppard, which is in turn illuminated by Peter Risdon's painstakingly compiled catalogue raisonne of over 600 paintings.Harvey's painting output was prodigious, and this book includes approximately 100 illustrations of his favoured subjects: the Cornish at work, children at play, and intimate interior scenes and conversation pieces. Many of his contemporaries in Newlyn were visiting 'observers', but for Harold Harvey, who rarely went outside the county even though a regular exhibitor at the Royal Academy, painting the Cornish world 'because it was there' was his whole life.

First edition, first printing. Fine paperback original.

First edition, first printing thus. An updated edition, first published in 2001. Fine large format paperback original.