Meiselas susan editor (19 Ergebnisse)

Trade paperback. Zustand: Very Good. Brief owner inscription. "A pictorial record of the period following 1973 when the government of Salvador Allende was overthrown. The Chilean photographers, whose work is reproduced here for the first time, worked for small magazines and underground newspapers, risking their lives to document the brutality of the "Pinochet years". …

First Edition. First edition. Softcover. Features Cindy Polemis' article on Susan Meiselas' work in Nicaragua with four images. Also includes images by Cecil Beaton, and Ken Baird. A near fine copy in stapled wrappers.

Soft cover. Zustand: Very Good +. 1st Edition. Wraps (PB) in very good + condition with only the slightest cover wear. Powerful images of the Nicaraguan Revolution. Included is the photograph "Molotov Man," which became a symbol of the revolution and the Sandinista rebel forces.71 color plates with captions, text and chronology.…

Soft cover. Zustand: As New. Zustand des Schutzumschlags: None, As Issued. 1st Edition. 1st Printing. 20 pages. Published in 2017. Exhibition Catalog. One of the most beautiful catalogs ever published on the photographic art and achievement of Susan Meiselas' "Nicaragua" sequence of images. The first and only edition. Published in a small and limited print run as a softcover original only. There is no ISBN. The Exhibition Catalog is now scarce. A brilliant production by Stephen Daiter Gallery: Regular-sized volume format. Pictorial softcovers with photographic reproductions on the front and back covers, as issued. Photographs by Susan Meiselas: Eighteen chromogenic prints from "Nicaragua". Text Excerpts by three Nicaraguan victims of the Anastasio Somoza Regime. Printed on pristine-white, glossy stock paper in the United States to the highest standards. The reproduction quality is exemplary in every respect. Without DJ, as issued. Published on the occasion of the exhibition of the same name held at the Stephen Daiter Gallery Chicago from May 5 through July 29, 2017. Re-presents Susan Meiselas' "Nicaragua: '78-79". A dazzling and profoundly moving selection of the photographer's cinematic coverage of the Nicaraguan Revolution: Full-page color photographs that tell their compelling and dramatic story solely through still images. "An extraordinary narrative of a nation in turmoil. Traces the evolution of the popular resistance that led to the insurrection, culminating with the triumph of the Sandinista Revolution in 1979" (Publisher's blurb). A graduate of Harvard University, Susan Meiselas taught at various public schools before joining The Magnum Agency in 1976. She burst into national and international prominence with her very first book, "Carnival Strippers", a collection of black-and-white photographs of professional strippers in New England states. Her shift to color represents an achievement of the first rank in the history of photojournalism. Indeed, very few have used color to capture spontaneous events with such sensitivity, beauty, and overwhelming power: "Color photographs of this kind inevitably give way to gore or to the aestheticization of violence. Here, instead, we have enormous control, a sense of the everyday, and a vitality rooted in an active community" (John Berger). An absolute "must-have" title for Susan Meiselas collectors. This title is a contemporary art photography classic. As far as we know, this is the only copy of the Exhibition Catalog available online and is in especially fine condition: Clean, crisp, and bright. Please note: This is a copy of the Exhibition Catalog, which reproduces the all-new prints from Susan Meiselas' "Nicaragua" sequence. Should NOT be confused with the book of the same title. Acquired in their entirety by a major collector, the reproductions of the prints are superior in terms of production values to the original book, making this Catalog eminently collectible for completists. A scarce copy thus. 18 color plates. One of the most brilliant photographers of our time. A fine copy. (SEE ALSO OTHER SUSAN MEISELAS TITLES IN OUR CATALOG). no.…

Softcover. First Edition, First Printing. Oblong Octavo, 120 pages. In Very Good minus condition. Spine gray with pink and white lettering. Scratching to boards. Light creasing and peeling to boards. Mild age toning to textblock. Shelved in Latin American Photography. 1411104. Shelved Dupont Bookstore.…

Hardcover. Zustand: Brand New. bilingual edition. 142 pages. 9.75x7.25x0.50 inches. In Stock.

Hardcover. Zustand: Very Good. Zustand des Schutzumschlags: Very Good. 256 pages. The cover has a little wear, with a stain on the back. Books listed here are not stored at the shop. Please contact us if you want to pick up a book from Newtown.

Hardcover. Zustand: Brand New. 244 pages. 8.25x7.00x1.25 inches. In Stock.

Hardcover. Zustand: Brand New. bilingual edition. 142 pages. 9.75x7.25x0.50 inches. In Stock.

Hardcover. Zustand: Brand New. illustrated edition. 256 pages. 7.25x10.50x1.00 inches. In Stock.

paperback. Zustand: New. In shrink wrap. Looks like an interesting title.

Paperback. Zustand: Good. Contents in fine condition, illustrated wraps shelf-worn, rubbed, some creases, top of sine torn.

Hardcover. Zustand: Very Good. Zustand des Schutzumschlags: Very Good. 2nd Edition. This copy signed and dated by Meiselas on title page. Stunning collection of colour photographs from the insurrection in Nicaragua in the late 1970s. Accompanying DVD and booklet in pockets at the rear of book. 71 pages : illustrations (some colored) ; 23 cm. + 1 videodisc (DVD., sd., col. ; 4 3/4 in.). First Aperture edition, first printing. Black cloth boards, unclipped dust jacket (now in a removable protective sleeve). Slight shelf wear to edges, no inscriptions, tight and square binding. Photographs available on request. All books dispatched same or next working day in robust packaging. Signed by Author(s).…

Paperback. Zustand: New. In shrink wrap. Looks like an interesting title.

Hardcover. Zustand: Fine.

Staplebound. Zustand: Very good. 1st Edition. The format is approximately 4.375 inches by 6.75 inches. 24 pages, including covers. Illustrations (color in front and back covers, and elsewhere). Color map in center. Rare surviving issue related to Central America during the Reagan Administrtaion era. Ammunition (Vol. 23, No. 4) is an official United Auto Workers education magazine published for local union leaders and stewards. UAW Ammo, a publication from the International Union, United Automobile, Aerospace, and Agricultural Implement Workers of America (UAW). The United Auto Workers (UAW), fully named International Union, United Automobile, Aerospace and Agricultural Implement Workers of America, is an American labor union that represents workers in the United States (including Puerto Rico) and southern Ontario, Canada. It was founded as part of the Congress of Industrial Organizations (CIO) in the 1930s and grew rapidly from 1936 to the 1950s. The union played a major role in the liberal wing of the Democratic Party under the leadership of Walter Reuther (president 1946-1970). It was known for gaining high wages and pensions for automotive manufacturing workers, but it was unable to unionize auto plants built by foreign-based car makers in the South after the 1970s, and it went into a steady decline in membership; reasons for this included increased automation, decreased use of labor, mismanagement, movements of manufacturing (including reaction to NAFTA), and increased globalization. After a successful strike at the Big Three in 2023, the union organized its first foreign plant (VW) in 2024. UAW members in the 21st century work in industries including autos and auto parts, health care, casino gambling, and higher education. The union is headquartered in Detroit, Michigan. As of February 24, 2022, the UAW has more than 391,000 active members and more than 580,000 retired members in over 600 local unions and holds 1,150 contracts with some 1,600 employers. It holds assets amounting to just over $1 billion. Presumed First Edition, First Printing this issue. Susan Meiselas (front cover photograph) and Windso (illustrator). …

Hardcover. Zustand: Very Good +. Zustand des Schutzumschlags: Very Good. 1st Edition. Inscribed to photo researcher at Aperture by Meiselas: "For Susan for being interested. Susan Meiselas 2/7/84". Dustjacket slightly rubbed with a short closed tear top edge and some incidental edgewear.

Hardcover. Zustand: Near Fine. Zustand des Schutzumschlags: Near Fine. 1st Edition. This benchmark work of photojournalism breaks with tradition in presenting a bloody revolution in COLOR instead of the usual black & white. Thirty years after they were taken, the images retain the gritty power they did in the late 1970s. Condition: light rubbing to the bottom edges of the black cloth binding from ordinary shelfwear. A faint touch of sunfading to the top edges of the binding. Faint stain to 1st free endpaper and a slight bit of foxing to the fore-edge of the book block. Otherwise, this is a near fine copy in a near fine dust jacket. The book is an oblong quarto with 71 color photos, captions, texts and a chronology.…

Box. Zustand: vg to fine. First edition. Square Quarto (10 x 10"). 435pp. Original white wraps with black lettering on cover and white cloth label of spine, housed in black paper-covered box with black lettering in white cloth label in debossed frame. Black cloth lever. Black endpapers. Linoleum cut print frontispiece by Ayah Dhafer Mohammed Al Heera. Introduction by Michele Bambling. Exquisite publication illustrated with color photographs throughout. Some intermittent parchment leaves with printed text and photographs; some heavy white intermittent pages with circular cutouts to focus on details of underlying photographs. Contains credits of contributors. Text in Arabic and English. Light wear along edges of box top, and light rubbing of white wraps. Box in very good, book in near fine to fine condition. The book, Lest We Forget: Emirati Family Photographs 1950-1999, explores the experiences of Emirati people during the early decades of nation building. Daily life in this rapidly evolving landscape is captured through personal stories and family photographs. These differ from the widely known photographs taken by the government, oil companies, missionaries and travelers. They were not intended to document media events or official protocol; instead these candid images captured private, lasting memories. This is the first publication of such important vernacular material. A group of eight Emirati female students of Zayed University began this project four years ago, with nearly fifty students gradually contributing their family family photographs and oral histories to a collaboratively designed and authored book. Their professor, Dr. Michele Bambling, and renowned photographer Susan Meiselas guided the students' creative approach to exploring their family photographs. Documented by their own cameras and told through their own memories, the book offers an Emirati perspective on life in their nation during the second half of the twentieth century. "This book and its accompanying exhibition and archive, was conceived as an extended research project I conducted with my students of curatorial practices at Zayed University, Abu Dhabi, over a three-year period, beginning in 2010. Building on that foundation, I helped establish 'Lest We Forget' as a creative archival initiative under the auspices of the Salama bint Hamdan Al Nahyan Foundation. To date, more than one hundred Emirati female university students, interns and volunteers have since contributed their photographs, stories, memories, artistic talent and time to create the integral book, exhibition and archive collaboratively." (Accession No: OCLC: 949740926 / five holdings worldwide).…