merle schipper (30 Ergebnisse)

Zustand: Very Good. Pages intact with possible writing/highlighting. Binding strong with minor wear. Dust jackets/supplements may not be included. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good.

Zustand: Very Good. Former library copy. Pages intact with possible writing/highlighting. Binding strong with minor wear. Dust jackets/supplements may not be included. Includes library markings. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good.

1 Very good. light shefwear, ex museum stamp to blank flyleaf.

Paperback. Zustand: Very Good. Staple bound paperback. Clean and unmarked. Binding strong. Light wear.

Soft cover. Zustand: Near Fine. No Jacket. Don Totten: Los Angeles Modernist. March 15 - April 27, 1997. (Palos Verdes Art Center) Merle Schipper. Published by Palos Verdes Art Center, 1997. 44p. trade paperback, covers lightly bumped/scuffed, binding tight, text clean/unmarked 12.00.

Paperbound. Zustand des Schutzumschlags: No dust jacket. Demy folio, [27.75cm/11inches], paperbound with pictorial covers, pp. 59. Fully illustrated with colour plates. Please feel free to inquire as to particulars and/or additional photographs. . Euphemia Charlton Fortune (18851969) was an American Impressionist artist from California. She was trained in Europe, New York and San Francisco. She painted many portraits as well as landscape views of California and European sites. In midlife she turned to liturgical design. She signed her paintings "E. Charlton Fortune," which helped conceal her gender In exceptionally good condition.

Paperback. Zustand: Near Fine. 8vo, (16 pp), near fine in stapled wraps. Four color plates, two by each artist. Scarce.

Paperback. Zustand: Brand New. 166 pages. 8.90x6.00x0.40 inches. In Stock.

paperback. Zustand: Very Good. Monterey Peninsula Museum [Published Date: 1990]. Paper covers, 60 pp. Catalog of exhibition held at Monterey Peninsula Museum of Art, Sept. 23, 1989 - Jan. 14, 1990; Laguna Art Museum, Feb. 3-April 14; Oakland Museum, Aug. 15-Oct. 15. Essays by Robert E. Brennan and Merle Schipper; Introduction and Acknowledgments by Jo Farb Hernandez. Includes Exhibition Checklist, Lenders, Chronology and Exhibition History. The catalog contains an abridged version of the first volume of an unpublished biography, titled, Effie: The Landscape Painter by Robert E. Brennan, and a critical analysis of Fortune's work to 1928, titled, E. Charton Fortune: Light, Color, and the Sea by Merle Schipper. Accompanying these two essays are 54 illustrations including photographs, drawings, and color plates of various sizes.

Paperback. Zustand: Fine. First Edition. Softcover in illustrated wraps. First printing of first edition. As New, gift-giving condition, crisp and clean, with tight binding and sharp corners. Catalogue published to accompany an exhibit of the artist's paintings at the Palos Verdes Art Center in California in 1997. Full-page color plates throughout. Square 8vo. 44 pp.

Zustand: New. In.

Hardcover. Zustand: Brand New. 166 pages. 6.00x0.44x9.00 inches. In Stock.

170 pp.; 27.5 x 20.8 cm.; glue bound; black-and-white & color; edition size unknown; unsigned and unnumbered; offset-printed; May 1986 issue of the periodical Art News. Edited by Milton Esterow. Contents include : "Special Section : Artists the Critics are Watching," by John Sturman, Nancy Grimes, Ruth Bass, Eleanor Heartney, Charlotte Moser, Elisa Turner, Roger Green, Janet Kutner, William Peterson, Lyn Smallwood, David Winter, Hunter Drohojowska, Merle Shipper; "Will the Real Impressionists Please Stand Up?" by Norma Broude; "Art in the (Re)Making," by Gerald Marzorati; "Mies at the MoMA : A Visionary in Context," by Joseph Giovanni; "Letters"; "Bringing a Classic Up to Date" by Richard B. Woodward; "A Texan Fantasia," by Katherine Gregor; "Left into Art," by Sarah McPhee; "Monoprints, Anyone?" by Eleanor Heartney; "What Does the IRS See in the Miró?; New York Cracks Down on Dali Forgeries; Art Bill Stalled," by Richard W. Walker; "How to Collect an Earthwork," by Valerie F. Brooks; "Los Angles," by Merle Schipper; "Chicago," by Charlotte Moser; "St. Paul," by Nancy Roth; "Austin," by Mel McCombie; "Houston," by Mel McCombie; "Miami," by Elisa Turner; "Washington, D.C." by Lee Fleming; "London : Leading British Art to Higher Things," by William Feaver; "Toronto : Jack Bush : Original in Spite of Himself," by Karen Wilkin; "New York Reviews" "New Sources, New Materials." Cover : Sherrie Levine photographed by Duane Michals. Good / Very Good. Scuffing of covers and minor edge wear. Pale foxing on the text block edge. Cut-out on page 149 measuring 12.8 x 13.5 cm. removing the advertising panel for Art News and a portion of advertisement image on verso of page 150. Contents clean and unmarked.

Softcover. Zustand: VG (light shelfwear to wraps). White wraps with red and blue lettering; [28] pp, illustrated in bw. Catalogue of an exhibition held October 22- November 30, 1979 at Fine Arts Gallery.

Soft Cover. Zustand: Fine. First Edition; First Printing. Illustrated with full-page color plates. Essay by Merle Schipper. Published on the occasion of the exhibition held at Redding Museum and Art Center-Shasta College Art Gallery, Redding, CA, February 3 - March 12, 1989; University of the Pacific-Richard H. Reynolds Gallery, Stockton, CA, March 28 - April 27, 1989; and California State University, Northridge, Art Galleries, December 11, 1989 - February 9, 1990. ; Tight, clean and crisp. The book appears unread and looks New. No inscriptions. No remainder mark. Not ex-library. As New. ; 11 X 8.5 X 0.25 inches; 40 pages.

Softcover, staple-bound, 46 pages, very good condition; clean and crisp; no internal marks. Foreign shipping may be extra.

55 pp.; 27.6 x 21.2 cm.; staple bound; black-and-white & color; edition size unknown; unsigned and unnumbered; offset-printed; September - October 1981 issue of Journal Contemporary Art Magazine, edited by Bridget Johnson. Contents include: "David Salle Interview," by Peter Schjeldahl; "Knud Merrild: To Be Transformed in the Flux," by Susan Ehrlich; "Pastel, Juice and Gunpowder: The Pico Iconography of Ed Ruscha," by Robert C. Morgan; "Public Sculpture and the Urban Community: Recent Works by Lloyd Hamrol," by Merle Schipper; "Willoughby Sharp Interview," by Nikola Tesla; "A Choice of Extremes: Recent Work by Peter Campus," by Richard H. Ross; "Photography: A Bourgeois Success Story," by James Hugunin; "An Interview with Robert Heinecken," by Dinah Portner; "Colson's Corner," by unattributed artists and "The Stockman Letter (Rightwing R.R.R. Versus Leftwing R.R.R. and Vice Versa)," by Richard Ralph Roehl. Cover by David Salle. Very Good. 1 cm. surface tear to bottom edge of spine. Light edgewear including light bumping of corners. 2 mm. yellow spotting on text block edge. Contents clean and unmarked.

56 pp.; 27.3 x 21.1 cm.; staple bound; black-and-white; edition size unknown; unsigned and unnumbered; offset-printed; June/July 1980 issue of Journal. Edited by Bridget Johnson. Contents include: "An Interview with Ed Moses," by Susan C. Larsen; "Monographs on: 'John Eden,' by Frances Colpitt; 'Tom Engel,' by Howard Singerman; 'Dennis Farber,' by Merle Schipper; 'Joe Fay,' by Constance Mallinson; 'Kyoko Asano Foley,' by Constance Mallinson; 'Kathy Halbower,' by Fred Hoffman; 'Gary Hal,' by Suzanne Muchnic; 'Kathy Hall,' by Melinda Wortz; 'Steve Heino,' by Al Aguilar; 'Marc Pally,' by Constance Mallinson; 'Jay Phillips,' by Merle Schipper; 'Jeff Price,' by David S. Rubin; 'Bill Quinn,' by Susan C. Larsen; and 'Don Suggs,' by David S. Rubin;" "Images That Understand Us: A Conversation with David Salle and James Welling," by David Salle; "Paintings by Plagens," by Howard Singerman; "At Last Real Movies: Super-8 Cinema from New York," by Tony Conrad; "Style Is Feeling: Pat O'Neill's Selections," by Norman Yonemoto and "Washington Portraits Sold," by Dr. Lawn Mower. Cover by Ed Moses. Very Good. Dust soiling and yellowing of covers with light foxing and fingerprint soiling. Light handling wear and edge-wear. 4.2 cm. dog-ear totop left corner of verso. Contents clean and unmarked.

Zustand: Good. 4to. Square. [60] pp. Soft Cover. Color plates throughout with one gatefold. Text in English and Japanese. Very Good. Minor wear to covers.

Zustand: Good. [Exhibition brochure]. 4to. [6 pp.]. Single stiff white and color photographic sheet, folded into thirds. Very good with marginal creasing along some corners. 1 color plate. Includes text by Merle Schipper. Includes exhibition list and artist biography. Brochure created to accompany the exhibition "Jack Zajac: A Survey. An Exhibition of Sculpture in Celebration of the new Irvine Civic Center", held from July 22 through December 15, 1989 in Irvine, CA. Scarce. From the Collection of the Art Historian Peter Selz.

Softcover. Zustand: Very Good. 1st Edition. Oblong quarto, softbound, 18 pages, illustrated. Very good condition overall. Karl Benjamin was one of the four Southern California abstract classicists.

Zustand: New. Print on Demand pp. 166.

Zustand: New. Print on Demand pp. 166.

Zustand: New. PRINT ON DEMAND pp. 166.

Paperback. Zustand: As New.

Zustand: New. Print on Demand pp. 166.

Zustand: New. Print on Demand pp. 166.

Zustand: New. PRINT ON DEMAND pp. 166.

Zustand: New. Dieser Artikel ist ein Print on Demand Artikel und wird nach Ihrer Bestellung fuer Sie gedruckt. &Uumlber den AutorW. Merle Longwood is professor emeritus of religious studies at Siena College in Loudonville, New York.William C. Schipper, OSB, is director of Campus Ministry at Saint John s University in Collegeville, Minnesota. .

Gebunden. Zustand: New. Dieser Artikel ist ein Print on Demand Artikel und wird nach Ihrer Bestellung fuer Sie gedruckt. &Uumlber den AutorW. Merle Longwood is professor emeritus of religious studies at Siena College in Loudonville, New York.William C. Schipper, OSB, is director of Campus Ministry at Saint John s University in Collegeville, Minnesota. .