Michael loebenstein (114 Ergebnisse)
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Paperback. Zustand: New. Viennese filmmaker Ruth Beckermann, who has been making films since the 1970s, has created an exciting and widely recognized body of essay and documentary films. Her work is both deeply personal and political. She discusses the complex relationship between history and the present and reflects on her iden…tity as a Jewish woman in postwar Austria and Europe. Tropes of travel and migration feature heavily in her work as means of experiencing the world and of staying alive, literally as well as artistically.Beckermann's films speak about identity conflicts and class struggle (Suddenly, a Strike), her family history in the Habsburg monarchy (Paper Bridge), and the war generation as it confronts the crimes of the Wehrmacht (East of War). In 2016, she turned the love affair between poets Paul Celan and Ingeborg Bachmann in postwar Vienna into an unconventional feature film (The Dreamed Ones). In her latest project, The Waldheim Waltz (2018), Beckermann uses 1980s archival footage of the "Waldheim Affair" to reflect on the mechanisms of populism and the media.This is the first English-language publication on Ruth Beckermann's filmic oeuvre, including an original essay by Nick Pinkerton, an in-depth conversation with the artist conducted by Alexander Horwath and Michael Omasta, and a detailed filmography by Michael Omasta and Brigitte Mayr.
Sprache: Englisch
Verlag: Synema Gesellschaft Fur Film u. Medien, Vienna, 2019
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Paperback. Zustand: new. Paperback. Viennese filmmaker Ruth Beckermann, who has been making films since the 1970s, has created an exciting and widely recognized body of essay and documentary films. Her work is both deeply personal and political. She discusses the complex relationship between history and the present and reflects…on her identity as a Jewish woman in postwar Austria and Europe. Tropes of travel and migration feature heavily in her work as means of experiencing the world and of staying alive, literally as well as artistically.Beckermann's films speak about identity conflicts and class struggle (Suddenly, a Strike), her family history in the Habsburg monarchy (Paper Bridge), and the war generation as it confronts the crimes of the Wehrmacht (East of War). In 2016, she turned the love affair between poets Paul Celan and Ingeborg Bachmann in postwar Vienna into an unconventional feature film (The Dreamed Ones). In her latest project, The Waldheim Waltz (2018), Beckermann uses 1980s archival footage of the "Waldheim Affair" to reflect on the mechanisms of populism and the media.This is the first English-language publication on Ruth Beckermann's filmic oeuvre, including an original essay by Nick Pinkerton, an in-depth conversation with the artist conducted by Alexander Horwath and Michael Omasta, and a detailed filmography by Michael Omasta and Brigitte Mayr. Viennese filmmaker Ruth Beckermann, who has been making films since the 1970s, has created an exciting and widely recognized body of essay and documentary films. This is the first English-language publication on Beckermanns oeuvre, including an original essay by Nick Pinkerton, an in-depth conversation with the artist, and a detailed filmography. Shipping may be from multiple locations in the US or from the UK, depending on stock availability.
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Paperback. Zustand: New. Viennese filmmaker Ruth Beckermann, who has been making films since the 1970s, has created an exciting and widely recognized body of essay and documentary films. Her work is both deeply personal and political. She discusses the complex relationship between history and the present and reflects on her iden…tity as a Jewish woman in postwar Austria and Europe. Tropes of travel and migration feature heavily in her work as means of experiencing the world and of staying alive, literally as well as artistically.Beckermann's films speak about identity conflicts and class struggle (Suddenly, a Strike), her family history in the Habsburg monarchy (Paper Bridge), and the war generation as it confronts the crimes of the Wehrmacht (East of War). In 2016, she turned the love affair between poets Paul Celan and Ingeborg Bachmann in postwar Vienna into an unconventional feature film (The Dreamed Ones). In her latest project, The Waldheim Waltz (2018), Beckermann uses 1980s archival footage of the "Waldheim Affair" to reflect on the mechanisms of populism and the media.This is the first English-language publication on Ruth Beckermann's filmic oeuvre, including an original essay by Nick Pinkerton, an in-depth conversation with the artist conducted by Alexander Horwath and Michael Omasta, and a detailed filmography by Michael Omasta and Brigitte Mayr.
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Paperback. Zustand: As New. Text clean and tight; 8vo 8" - 9" tall; 64 pages.
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Zustand: New. pp. 64.
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Zustand: New. 2019. Paperback. . . . . .
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Zustand: New. 2019. Paperback. . . . . . Books ship from the US and Ireland.
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paperback. Zustand: Very Good. Connecting readers with great books since 1972! Used books may not include companion materials, and may have some shelf wear or limited writing. We ship orders daily and Customer Service is our top priority.
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Paperback. Zustand: Good. Good - Bumped and creased book with tears to the extremities, but not affecting the text block, may have remainder mark or previous owner's name - GOOD Standard-sized.
How to Do Things With Valie Export
Export, Valie (CON); Kondor, Eszter (EDT); Loebenstein, Michael (EDT); Müller, Katharina (EDT); Balsom, Erika
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Maria Lassnig : Film Works
Kondor, Eszter (EDT); Loebenstein, Michael (EDT); Pakesch, Peter (EDT); Poschauko, Hans Werner (EDT)
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How to Do Things With Valie Export
Export, Valie (CON); Kondor, Eszter (EDT); Loebenstein, Michael (EDT); Müller, Katharina (EDT); Balsom, Erika
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Maria Lassnig : Film Works
Kondor, Eszter (EDT); Loebenstein, Michael (EDT); Pakesch, Peter (EDT); Poschauko, Hans Werner (EDT)
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Zustand: New.
Sprache: Englisch
Verlag: Synema Gesellschaft Fur Film u. Medien, Vienna, 2021
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Paperback. Zustand: new. Paperback. Maria Lassnig (19192014) is internationally recognized as one of the most important painters of the 20th and 21st centuries. The leitmotif of her painting, the act of rendering her "body awareness" visible found additional expression in film in the early 1970s. During her time in New York, Las…snig studied animation at the School of Visual Arts and began to film in 8mm and 16mm. While several of these New York films have long since been part of her canonical works (e.g. Selfportrait, Iris, Couples, Shapes), many remained unfinished. These "films in progress" can be regarded as autobiographical notes as well as an artistic experiment featuring many of Lassnig's recognizable sujets and methods. In 2018, this filmic legacy was restored and in many cases completed according to Lassnig's original concept and instructions by two close collaborators, artists Hans Werner Poschauko and Mara Mattuschka, and presented to great international acclaim.This English-language publication provides the first comprehensive index of Lassnig's film works, offering insight into the filmmaker's world of ideas through a wide selection of Lassnig's own previously unpublished notes. It also includes a selection of Lassnig's "films in progress" on DVD. Two essays by James Boaden and Stefanie Proksch-Weilguni place Lassnig's work in the context of the US-American film avant-garde of the 1970s, while conversations with Mara Mattuschka, Hans Werner Poschauko and the restoration team shed a light on the rediscovery of Lassnig's fascinating films. Maria Lassnig (19192014) is internationally recognized as one of the most important painters of the twentieth and twenty-first centuries. This publication provides the first comprehensive index of Lassnigs film works, offering insight into the filmmakers world of ideas through a wide selection of Lassnigs own, previously unpublished notes. Shipping may be from multiple locations in the US or from the UK, depending on stock availability.
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Paperback. Zustand: new. Paperback. Reexamining the works and legacy of the acclaimed multimedia feminist artist and their significance for today's worldAustrian artist Valie Export (born 1940) has produced one of the most significant bodies of feminist art in the postwar period, as a pioneer in the fields of photography, video…and installation art. Her groundbreaking performances during the 1960s and 1970s introduced a new form of radical, embodied feminism to Europe, examining the politics of the body in relation to its environment, culture and society. This book showcases individual works by Valie Export and reflects on ways to transpose them into the present and pursue their political potential. The contributors touch on questions of identity and difference as well as the possibilities of communication and the refusal to communicate; the self-positioning of women, gender-nonconforming and disabled people in the fields of art, film and media; and the works' frames of reference--war, division, fragmentation, objectification and nonbelonging. Shipping may be from multiple locations in the US or from the UK, depending on stock availability.
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Paperback. Zustand: New. Maria Lassnig (1919-2014) is internationally recognized as one of the most important painters of the 20th and 21st centuries. The leitmotif of her painting, the act of rendering her "body awareness" visible found additional expression in film in the early 1970s. During her time in New York, Lassnig studi…ed animation at the School of Visual Arts and began to film in 8mm and 16mm. While several of these New York films have long since been part of her canonical works (e.g. Selfportrait, Iris, Couples, Shapes), many remained unfinished. These "films in progress" can be regarded as autobiographical notes as well as an artistic experiment featuring many of Lassnig's recognizable sujets and methods. In 2018, this filmic legacy was restored and in many cases completed according to Lassnig's original concept and instructions by two close collaborators, artists Hans Werner Poschauko and Mara Mattuschka, and presented to great international acclaim.This English-language publication provides the first comprehensive index of Lassnig's film works, offering insight into the filmmaker's world of ideas through a wide selection of Lassnig's own previously unpublished notes. It also includes a selection of Lassnig's "films in progress" on DVD. Two essays by James Boaden and Stefanie Proksch-Weilguni place Lassnig's work in the context of the US-American film avant-garde of the 1970s, while conversations with Mara Mattuschka, Hans Werner Poschauko and the restoration team shed a light on the rediscovery of Lassnig's fascinating films.
Film Curatorship - Archives, Museums, and the Digital Marketplace
Alexander Horwath, Paolo Cherchi Usai, Michael Loebenstein, David Francis
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Paperback. Zustand: New. What are the major issues and challenges that film archives, cinémathèques, and film museums are bound to face in the digital age and at a time when there is an expectation of access on demand? What is curatorship, and what does it imply in the context of film preservation and presentation? Is there a co…ncept of "cinema event" that transcends the idea of film as "content" or "art" in the era of information?Film Curatorship is an experiment: a collective text, a montage of dialogues, conversations, and exchanges among four professionals representing three generations of film archivists and curators. It calls for an open philosophical and ethical debate on fundamental questions the profession must come to terms with in the twenty-first century.The first edition of this book was jointly published with Le Giornate del Cinema muto, Pordenone, Italy.The second edition features a new preface by the authors.
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Paperback. Zustand: New. Maria Lassnig (1919-2014) is internationally recognized as one of the most important painters of the 20th and 21st centuries. The leitmotif of her painting, the act of rendering her "body awareness" visible found additional expression in film in the early 1970s. During her time in New York, Lassnig studi…ed animation at the School of Visual Arts and began to film in 8mm and 16mm. While several of these New York films have long since been part of her canonical works (e.g. Selfportrait, Iris, Couples, Shapes), many remained unfinished. These "films in progress" can be regarded as autobiographical notes as well as an artistic experiment featuring many of Lassnig's recognizable sujets and methods. In 2018, this filmic legacy was restored and in many cases completed according to Lassnig's original concept and instructions by two close collaborators, artists Hans Werner Poschauko and Mara Mattuschka, and presented to great international acclaim.This English-language publication provides the first comprehensive index of Lassnig's film works, offering insight into the filmmaker's world of ideas through a wide selection of Lassnig's own previously unpublished notes. It also includes a selection of Lassnig's "films in progress" on DVD. Two essays by James Boaden and Stefanie Proksch-Weilguni place Lassnig's work in the context of the US-American film avant-garde of the 1970s, while conversations with Mara Mattuschka, Hans Werner Poschauko and the restoration team shed a light on the rediscovery of Lassnig's fascinating films.
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Zustand: New. 2021. Paperback. . . . . .
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