Michele perfetti (32 Ergebnisse)

Paperback. Zustand: New.

Soft cover. Zustand: Fine. 1st Edition. Small quarto, XXVII + 223 pages, illustrated throughout in black and white. Typographic wrappers. - First edition. With short exhibition list and bibliography.

loose_leaf. Zustand: Ottimo (Fine). Invito alla mostra presso il Palazzo del Vescovo, Codigoro, 9 febbraio 1980. Testi e 3 immagini dell'Artista. Biografia . Cm 28,5x22,5. . . Ottimo (Fine). . . . Book.

Side-stapled Wrappers. Zustand: Very Good. First Edition. Unpaginated. Dual language essay published as a supplement to Techne No. 7 / 8 on the occasion of the International Exhibition of Visual Poetry in Beograd in what was then Yugoslavia. Wrappers slaighly rubbed at head & tail of spine with a single vertical crease midway across rear cover. Text-block age toned at edges.…

Couverture souple. Zustand: Très bon. Edition originale. Bruxelles, Amenophis, n°6 mai 1970. Broché, 20 cm x 21 cm, 42 pages, illustrations noir & blanc in et hors-texte. Texte et illustrations de Charles Autrand, Jean-Pierre Balpe, Serge Dangelo, Nicolas, Jose Goemaere, Marie-Claire Gouat, Bernard Jacobiak & Barbare, Robert Kayser, Georges Linze, Claude Metzinger, André Morlain, Michèle Perfetti, Christian Tobas, Gilbert Trolliet, Michel Vachey. Très bon état.…

Couverture souple. Zustand: Très bon. Bruxelles, Amenophis, n°5 janvier 1970. Broché, 20 cm x 21 cm, 42 pages, illustrations noir & blanc in et hors-texte. Texte et illustrations de Pierre Chabert, Vahe Godel, Jose Goemaere, Marie-Claire Gouat, Robert Kayser, Jacques Lepage, Jean-Marie Le Sidaner, Lucifer, André Miguel, Cécile Miguel, Jean-Claude Moineau, André Morlain, Michèle Perfetti, Christian Prigent, Gaston Puel, Pierre Puttemans, Vincent Rougier, jean-Luc Steinmetz, Christian Tobas, Albin Tzaut, Michel Vachey, Jean-Pierre Verheggen. Très bon état. …

paperback. Zustand: Fine. Catalogo pubblicato in occasione della mostra presso l'Istituto Gramsci di Ferrara, 17 aprile - 5 giugno 1981. A cura del Centro Ipermedia-Einaudi di Ferrara. Testo di Gillo Dorfles. 2 fotografie  in bianco e nero e 10 riproduzioni in bianco e nero delle opere dell'Artista. Bibliografia e attività espositiva . Cm 28x21. pp. 16. . Ottimo (Fine). . . . "Forse alla base di queste sue ultime carte c'è una precisa volontà di rivalutare il Vuoto anzichè il Pieno, di raggiungere l'estrema rarefazione anzichè l'incessante accumulazione: una volontà che non posso non salutare con profonda soddisfazione perchè risponde in maniera puntuale a quel principio dell'horror pleni cui ebbi ad alludere di recente in un mio libro. E' tempo, mi sembra, o sarebbe tempo, che l'uomo occidentale s'accorgesse, anche senza rifarsi consapevolmente a sintassi estremorientali, della necessità di sfoltire il proprio panorama figurativo, di creare degli jati tra le cose, gli oggetti, i segni. Soltanto in questo modo sarà possibile restituire una effettiva pregnanza alle immagini stesse, e quindi nel caso della poesia visiva, tanto ai brandelli di figurazione, quanto ai brandelli di parole "trovate" o pazientemente cercate". Book. …

Large softcover 8vo in white wrappers printed in black throughout. 92 pp. Text in Dutch. Issue no. XXI 12 of this long-running publication focusing on experimental and concrete poetry. Edited by Paul de Vree in collaboration with Henri Chopin, Henri-F. Jespers, Jan Van der Hoeven, and Ludo Frateur, with contributions by Eric Slagter, Luciano Ori, Michele Perfetti, Sarenco, Guillermo Deisler, Lucia Marcucci, G. J. de Rook, Hans Clavin, and Wouter Kotte among others. Includes publisher's errata slip laid in at front. Trace amounts of rubbing to covers and age toning around cover and text block extremities. Very good. …

Large softcover 8vo in white wrappers printed in black throughout. 68 pp. Text in Dutch. Issue no. XXI 34 of this long-running publication focusing on experimental and concrete poetry. Edited by Paul de Vree in collaboration with Henri Chopin, Henri-F. Jespers, Jan Van der Hoeven, and Ludo Frateur, with contributions by Michele Perfetti, Eugenio Miccini, Jan Vanspauwen, Bert Kooijman, Jan Dries, Dominique Stroobant, Hilde van Summere, Etienne Desmet, Maurice Haccuria, and Jetje de Kort among others. Trace amounts of rubbing to covers, including faint spotting, and age toning around cover and text block extremities. Very good. …

Zustand: Near Fine. Alain Arias-Misson, Michele Perfetti, Sarenco, Studio Inquadrature 33 / Poesia Visiva Internazionale: Arias-Misson/Perfetti/Sarenco, Firenze, c.1973. 12pp.165 x 121mm. Staple-bound illustrated catalogue printed black on white stock. Features Arias-Misson's God piece amongst others. Condition: Near Fine.…

First edition. Large softcover square 8vo in blue wrappers with pages mostly printed in black, some in color, and with two foldouts. Unpaginated [52 pp.] Text in French. Issue no. 9 of this quarterly Belgian artists' periodical with a focus on art and visual and concrete poetry. With contributions by Thierry Agullo, Charles Autrant, Gianni Bertini, Etienne Bertozzi, Daniel Biga, Robert Kayzer, Dr. Leon, Werner Lambersy, André Miguel, Cécile Miguel, Norge, Clemente Padín, Michele Perfetti, Jean-Marie Le Sidaner, Christian Tobas, Jean-François Bory, Jochen Gerz, Roland Flexner, Marie-Claire Gouat, Jean-Claude Moineau, André Morlain, Jean-Pierre Verheggen, and Chimele Vernon among others. Cover design for this issue by Clemente Padín. Very good or better with darkening along spine, trace amounts of age toning throughout, and light wear along cover extremities.…

Saddle-stapled square softcover 4to in illustrated wrappers. Offset printed in green and magenta throughout. Unpaginated (24 pp.) Text in Italian and French, some in English. The second issue of the publication Mec, with visual and concrete poetry contributions by Maurizio Spatola, Henri Chopin, Jochen Gerz, Heinz Gappmayr, Ugo Locatelli, J. F. Bory, Clemente Padín, Kitasomo Katué, Gérald Rocher, Shimizu Toshihiko, Caudio, Parmiggiani, Michele Perfetti, Salvatore Passarella, Jirí Valoch, Fernando Milan, and Bertini, who also edited the magazine. Very good with trace amounts of foxing along margins at front and rear cover, including a small stain at front cover, bumps to corners, and faint creasing along spine. …

Six saddle-stapled 16mos of the same size in publisher's wrappers, with pages printed in black and white. Unpaginated (12 pp., 12 pp., 12 pp., 8 pp., 12 pp., and 8 pp. respectively.) Text in Italian. A series of exhibition catalogs from this Italian gallery featuring various works of concrete and visual poetry and artwork by various European artists. No. 3 with contributions by Jean-François Bory, Paul De Vree, and Luciano Ori. No. 4 with contributions by Alain Arias-Misson, Michele Perfetti, and Sarenco. No. 5 with contributions by Herman Damen, Lucia Marcucci, and Eugenio Miccini. No. 11 with contributions by Diana Baylon. No. 13 with contributions by Luciano Ori. No. 18 with contributions by Cristiana Rospigliosi. Trace amounts of rubbing to covers, age toning, and darkening along spine, else near fine.…

Zustand: Good. stampa cm. 40 x 21 Buono (Good) Buon es. Book.

loose_leaf. Zustand: As New. Poesie visive su 13 schede sciolte stampate in bianco e nero. Un testo degli Artisti . Cm 22,5x15,5. pp. 14. . Perfetto (Mint). . Prima edizione di 400 esemplari numerati (First edition of 400 numbered copies). Libri d'artista [Dematteis & Maffei, 1998] Dematteis Liliana e Maffei Giorgio, Libri d'artista in Italia 1960-1998, Regione Piemonte, 1998. Michele Perfetti (Taranto 1931) è stato presente alle maggiori esposizioni di poesia sperimentale italiana e internazionale. Vitantanio Russo (Taranto 1932) a partire dal 1968 cominciò la presentazione dei risultati di alcune ricerche dando avvio alla serie di operazioni ''economico-oggettuali'' tra cui quelle realizzate con i distributori automatici."Questi Innesti, progettati in tandem in un'area di convergenza immediata che nella parola-immagine trova un punto inglobante, si danno come segno di trasgressione permanente contro il sistema tecnocratico imperante di totale reificazione.Assunzione alternativa dunque, come utopia dell'immaginazione. In pratica un'azione di guerriglia poetica che coinvolga l'IO per il MONDO" (gli Autori). Prima edizione di 400 esemplari numerati (First edition of 400 numbered copies). Book.…

paperback. Zustand: Very Good. Quaderno pubblicato in occasione della mostra "Scompaginazione" a Palazzo del Vescovo, Biblioteca Civica di Codigoro, Ferrara, 1980. A cura del Centro Ipermedia-Einaudi di Ferrara. Riproduzioni in bianco e nero delle poesie visive e lineari dell'Artista Fogli ciclostilati tenuti insieme da dorsetto in similpelle. Cm 33x22. pp. 36. . Molto buono (Very Good). . . . Figura di spicco nell'ambito della Poesia Visiva, Michele Perfetti inizia il suo percorso artistico dalla Puglia, in particolare da Taranto, città dove visse fino al 1973, per approdare in Emilia Romagna, a Ferrara, città dove fu docente e poi preside nel Liceo Scientifico ?A. Roiti? Fu tra i primi ad aderire al Gruppo '70, fondato a Firenze nel 1963 da Eugenio Miccini, Lamberto Pignotti, Giuseppe Chiari e altri nomi illustri e a tenere le sue prime mostre al Circolo culturale dell'Italsider a Taranto, come la personale ? . .000+1-Poesie tecnologiche_visive? nel 1967 e  la rassegna ?Poesia Visiva? nel 1968. La sua attività espositiva si sposterà poi a Massafra e a Bari dove esporrà alla galleria Centrosei. Michele Perfetti ha aderito al Gruppo di poesia visiva internazionale ed ha partecipato alle più importanti rassegne internazionali come la 36^ Biennale di Venezia, la XVI Biennale di San Paolo del Brasile e la XI Quadriennale di Roma. Sue opere sono state esposte anche all'Istituto di Tella di Buenos Aires, allo Stedeijck Museum di Amsterdam, all'Istituto italiano di Tokio, allo Space Window di New York, solo per citare i più noti. Book.…

paperback. Zustand: Molto buono (Very Good). Quaderno n. 16 della Rivista Tèchne. 10 componimenti dell'Autore . Cm 13,5x9. pp. 13 cartoncini. . Molto buono (Very Good). . . Libri d'artista [Dematteis & Maffei, 1998] Dematteis Liliana e Maffei Giorgio, Libri d'artista in Italia 1960-1998, Regione Piemonte, 1998. Book.…

EA, kl 8°, Brosch., ohne Paginierung (16 Bl.) - Rücken etwas nachgedunkelt, Buchblock gebrochen, sonst gutes Exemplar. Buch.

Paperback. Zustand: New.

Sin Encuadernar. Zustand: Muy Bien. 15 cm x 21 cm.

Rilegato. Zustand: buono. Michele Perfetti Identikit? Padiglione d'arte contemporanea Parco Massari Ferrara giugno 1997 Testo di Luciano Anceschi e Carlo Gentili Apparati Buono e non comune Formato cm 22 x 28 Pagine 16 B/N Peso kg 0.100 Fogli sciolti con viti in plastica Condizioni buone Normali segni d'uso, leggeri accenni di fioriture.…

paperback. Zustand: Ottimo (Fine). Libro d'artista interamente illustrato . 8vo (cm 20x10,5). pp. 30. . Ottimo (Fine). . Prima edizione di 1000 esemplari (First edition of 1000 copies). Libri d'artista [Dematteis & Maffei, 1998] Dematteis Liliana e Maffei Giorgio, Libri d'artista in Italia 1960-1998, Regione Piemonte, 1998. Prima edizione di 1000 esemplari (First edition of 1000 copies). Book.…

paperback. Zustand: Very Good. Poesie visive dell'Autore. Biografia in quarta di copertina e breve testo critico di Eugenio Miccini . Cm 22,8x22,8. pp. 66. . Molto buono (Very Good). . Prima edizione di 250 esemplari (First edition of 250 copies). Libri d'artista [Dematteis & Maffei, 1998] Dematteis Liliana e Maffei Giorgio, Libri d'artista in Italia 1960-1998, Regione Piemonte, 1998. "Poesia militante, quella del Perfetti, poesia che, al di qua di quelle che saranno le supreme verifiche della storia, si lega intanto al proprio tempo e alle menzogne anche linguistiche che lo definiscono, e tenta di forzarne ironicamente - cioè con quella forza della disperazione che pare l'unica risorsa della poesia - il senso e i destini" (E. Miccini). Prima edizione di 250 esemplari (First edition of 250 copies). Book.…

First edition. Tall stab-stapled softcover 4to in green wrappers. With varying page sizes, some of which are mimeographed, and a few offset printed. Featuring several tipped in items, including a small silk screened and rubber stamped poster, two foldouts, an artists' stamp, and an art exhibition price list. Unpaginated. Text mostly in Italian, some in French. Double issue nos. 3-4 of this Italian avant-garde artists' magazine edited by Eugenio Miccini. Tèchne was established as a response to commercial publishing with its assembled nature and featured both artistic and political contributions by a global network of artists in the late '60s and early '70s. This issue with contributions by experimental and concrete poets, writers, and artists from around the world, including Gianni Bertini, Giuseppe Chiari, Colletivo R, Ben Vautier, Gruppo OHO, Betto, Michele Perfetti, Franco Vaccari, Julien Blaine, Nicola Andreace, Cesare Ruffato, Lino Centi, Sarenco, Toni Zarpellon, Luca Alinari, Walter Fusi, and Eugenio Miccini among others. Very good overall given its assembled nature, with wear along extremities, rubbing to covers, and bumps to corners. With age toning throughout on account of the paper quality, save for signatures printed on better paper.…

First edition. Tall stab-stapled softcover 4to in black wrappers. With varying page sizes, some of which are mimeographed, and a few offset printed. Featuring several tipped in items, including two small silk screened posters, and a large piece of photostat film with an abstract pattern. 58 pp. Text Italian, English, and German. Issue no. 1 of this Italian avant-garde artists' magazine edited by Eugenio Miccini. Tèchne was established as a response to commercial publishing with its assembled nature and featured both artistic and political contributions by a global network of artists in the late '60s and early '70s. This issue with contributions by experimental and concrete poets, writers, and artists from around the world, including Bianca Garinei, John Cage, Luigi Ferro, Piere Luigi Tazzi, Egidio Mucci, Mario and Maria Luisa Santella, the Spanish avant-garde collective 'poesia n.o.' which at the time included Julio Campal, Juan Carlos Aberasturi, José Antonio Cáceres, Enrique Uribe, Jokín Díez, Fernando Millán, Francisco J. Zabala, and Jesús García Sánchez, Franco Vaccari, Michele Perfetti, Nicola Andreace, Gruppo Stanza, Umberto Eco, and Eugenio Miccini among others. Very good overall given its assembled nature, with wear along extremities, rubbing to covers, bumps to corners, a small closed tear at left margin of back cover, and two faint stains at front cover which have penetrated the first two pages. With partial darkening to back cover and age toning throughout on account of the paper quality, save for signatures printed on better paper.…

First edition. Large single sheet folded four times as issued printed in black on recto and verso on glossy white stock. 61 x 43 cm unfolded, 22 x 15.5 cm folded. To which is added one postcard blind debossed on recto and printed in black on verso on white card stock, one smaller card printed in black on recto on thin white cardstock rubberstamped at verso, a vertically folded sheet printed in black on recto on newsprint, a small white envelope hand-titled in black ink at front containing pencil shavings, two larger A4 sheets printed in black on rectos on white and blue paper respectively, and a 4-page folded newspaper section printed in black and red. Text in French. Issue no. 13 of this quarterly Belgian artists' periodical with a focus on art and visual and concrete poetry. This issue being a folded sheet with contributions by Michele Perfetti, Jochen Gerz, Maurizio Nannucci, and André Morlain among others. One of the more notable contributions include Maurizio Nannucci's computer art project from 1971 titled 'nine colours' consisting of computer-generated color combinations. Aside from the large folded sheet, our research has not been able to confirm which or how many items were originally issued with no. 13. This lot contains eight items in total including the large folded sheet alongside an artists' postcard by André Morlain, a small card by the publisher, a printed sheet titled 'Verticalement', a small white envelope with a handwritten title in ink that reads 'on taille une bavette (modèle d'écriture)' containing pencil shavings, two printed sheets, one of which is titled 'Cristal Cubique' by P. A. Gette, and an appropriated section from the Belgian newspaper Femmes d'Aujourd'hui featuring a dress pattern. Large sheet, postcard, small card, sheet printed on white paper, and envelope all near fine with faint handling creases, bumps to corners, and trace amounts of age toning. Remaining three items very good with heavy age toning on account being printed on high-acidity paper.…

First edition of 500. Silk screened poster in black and green on Kraft paper on recto side only. Folded four times as issued, and measures 64 x 48 cm (25.2 x 18.9") unfolded, 16 x 24 cm (6.3 x 9.45") folded. Text in Italian. Very good with bumps to corners and handling creases throughout on account of the quality of the paper. A folded silk screened poster featuring six concrete poems by Michele Perfetti. Issued as Geiger Affiche/2 by this Italian publisher, whose publications focus on concrete and visual poetry, and the exploration of language, words, and imagery.…

Zustand: very good. texts by sarenco & de vree. Brescia : Edizioni Amodulo, 1971. Orig. printed wrappers. ca. 200 leaves. 19x19 cm. Italian text. Collection of 14 artist books, previously published between 1969-1971. Edition of 500 copies. Some light wear on edges. Very good copy. - Contains : [I.] : l'astratto : l'abstrait : het abstracte : the abstract. 1. antonio calderara . e in principio erano le figure geometriche (1969); 2. antonio calderara. verde + verde + verde (1970); 3. ad dekkers. + book (1970); 4. herman de vries. vlakvolumen (1970); [II]. il poetico : le poétique : het poëtische : the poetic : a - concept. 5. jiri valoch. optical book (1970); 6. franci zagoricnik. opus zero (1971); [III]. [il poetico : le poétique : het poëtische : the poetic] : b - text. 7. ugo carrega. teoria del segno grafico come cosa (1970); 8. michele perfetti. virus (1971); 9. jochen gerz. resurrection (1970); 10. sarenco. prossimamente (1969, 2nd edition); [IV]. [il poetico : le poétique : het poëtische : the poetic] : c - image. 11. paul de vree 12. giusi coppini & eugenio miccini. il popolo e forte (1971); 13. nahl nucha. chairman mao (1971); 14. luciano ori. situazione corrente (1971). Condition : very good copy. Keywords : ART, concrete art concrete poetry. …

Zustand: Very Good +. Edgardo Antonio-Vigo (ed.), Diagonal Cero No. 28, Senalamiento III, Diagonal Cero, La Plata, Argentina, undated circa 1968, 195 x 230 mm. Contributors include: Herman Damen, Annalisa Alloatti, Max Bense, Vigo, Michele Perfetti, Francisco Garzón Cespedes. Issued with brown card parcel tag, attached to cover with yellow string. Condition: some light ageing to the portfoilo cover, some wear and minor creasing to the corners. Insides: very minor ageing - a clean copy. Overall: Fine.…

Kein Einband. Zustand: Gut. Collagierter und beschrifteter Zeitungsauschnitt (32 x 22cm). Montiert auf kartoniertem Papier. Unten von Michele Perfetti signiert und datiert. - Michele Perfetti (1931-2013) war ein bedeutender italienischer Vertreter der Visuellen Poesie, Mitgründer der "Gruppo 70" und "Gruppo Internazionale di Poesia". - Collaged and inscribed newspaper clipping (32 x 22cm). Mounted on cardboard paper. Signed and dated by Michele Perfetti on the bottom. - Michele Perfetti (1931-2013) was an important Italian representative of visual poetry, co-founder of the "Gruppo 70" and "Gruppo Internazionale di Poesia".…