monk matthew (52 Ergebnisse)

Paperback. Zustand: Good. No Jacket. Pages can have notes/highlighting. Spine may show signs of wear. ~ ThriftBooks: Read More, Spend Less 0.1.

Zustand: Very Good. 1749884792. 6/14/2025 7:06:32 AM.

Zustand: Used: Very Good. Libro proveniente da collezione privata. Pagine ingiallite. La copertina riporta usuali segni del tempo. Consegna 24/48 ore 64 a3.

Paperback. Zustand: Used: Acceptable. Paperback in average condition, pages clean but slight lean to spine, cover some scuffs.

Paperback. Zustand: New. This item is printed on demand. New copy - Usually dispatched within 5-9 working days 155.

Zustand: New.

Couverture souple. Zustand: Neuf. Edition originale. Paris 2003. 1 Volume/1. -- ENGLISH TEXT -- Softbound // Broché -- 26,5 x 21 cm . -------- 158 pages ********************** Monography on the english artist with critical texts and interviews and a large selection of works reproductions. *********************** Monographie : alternance d'entretiens et d'uvres présentées dans le cadre de divers projets d'expositions. Entre hommage et outrage, Jonathan Monk (né en 1969 à Leicester, Grande-Bretagne, vit et travaille à Berlin) utilise des références de l'histoire de l'art, clichés, mythes ou gestes d'artistes célèbres, aussi bien que des objets, des images et des petites histoires de la vie quotidienne, dans des installations qui proposent une vision désacralisée de l'uvre d'art, de la création et de la vie.

Softcover, 176 pages; very good condition; light rubbing to covers; no internal marks. Foreign shipping may be extra.

26x21 cm. 160 pp. Richly illustrated. Soft cover.

Wrappers. Zustand: Very Good. First Edition. Paris: Librairie Marcel Didier, 1960. First edition. 202pp. Original printed card wrappers rubbed at spine and with slight loss to edges, but sound. In other respects a very good copy, inscribed by the author on front free endpaper. Signed by Author(s).

Softcover exhibition catalog, 64 pages very good condition; clean and crisp; no internal marks.

DVD. Zustand: Used - Good.

Zustand: Fair. Acceptable condition. Reading copy only. Text whited out on page 13. (religion catholicism catholic).

Last few pages sl. stained in margin. Untrimmed in orig. purple moiré cloth with printed paper label on front board; sl. faded. Reprinting the poem written by Lewis in 1816 'on his last voyage to Jamaica', and privately printed there in 1827. No. 176 of 250 copies.

Untrimmed in orig. purple moiré cloth with printed paper label on front board. Later booklabel. v.g. Reprinting the poem written by Lewis in 1816 'on his last voyage to Jamaica', and privately printed there in 1827. No. 129 of 250 copies.

Last few pages sl. stained in margin. Untrimmed in orig. purple moiré cloth with printed paper label on front board; a little damp affected. Reprinting the poem written by Lewis in 1816 'on his last voyage to Jamaica', and privately printed there in 1827. No. 5 of 250 copies.

Hardcover. Zustand: Very Good. First Edition. London: Oxford University Press, 1973. First edition. xxx,455,[1]pp. Original orange cloth, tan lettering-piece, gilt lettering and decoration. Ownership name to upper outer corner of front free endpaper. A very good copy.

Bound into later marbled wrappers. This edition has 'undergone the ordeal of compression'. The version as acted at the Theatre-Royal, Covent-Garden, with Macready in the lead role.

Hardcover. Zustand: Near Fine. Zustand des Schutzumschlags: Near Fine. 1st Edition. Near Fine In A Like Jacket Pp 164 Illustrated Throughout.

FIRST EDITION. Sl. spotted, fore-edge of final leaf repaired with archival tape. Bound into later marbled wrappers. Adapted from Lewis's own work, The Bravo of Venice, also 1805, itself a translation of Johann Zschokke's sensational romance Abällino, der grosse Bandit, first published in 1793.

hardcover. Zustand: New. In shrink wrap. Looks like an interesting title!

Ad. on verso of final leaf; title a little browned. Disbound. ESTC T32397. Published the same year as the first edition. In his Preface Lewis states 'The plot of this comedy, as far as regards Rivers's visits to Modish and Mrs. Ormond, was taken from the Novel of Sidney Biddulph.' ESTC further observes, 'Based partly on A. F. von Kotzebue's Die Indianer in England'. The final four pages (pp73-76) of an altogether different work, identified as G.D. Harley's Biographical Sketch of the Life of. Young Roscius (1804), have been bound in after A4.

Illustr by Auguste Leroy, 9 x 6, 3/4 red leather, cloth, teg, 400pp, covers a bit worn, extremities bumped and fraying, outer hinges tender, small black spot near bottom of front hinge, spine slightly cocked, hinges loose, contents a bit toned else a nicely bound, handsome copy of this fairly scarce novel.

Hardback (No Dust Wrapper.). Zustand: Good. Condition Notes: Binding is faded at the margins and spine. The contents deeply age-toned.; Hardback. Quarter-bound Orange on Green boards with blue titles to the spine; Measures 7" x 4¾" (0.7 kg); pp (vi) 320; No publishing date stated, estimated from references. || The book is on the shelf, ready to be appropriately packed, and posted from the pastoral paradise of Peasedown St. John, Bath, by a real bookseller in a real book shop - with my personal guarantee and beady eye on the Consumer Contracts Regulations. REMEMBER! Buying my copy means the book shop Jack Russells get their supper! My Book #194061 ||.

An interesting edition of M.G. Lewis's influential Gothic Novel of 1796, which had an infamous publishing history due to its verging-on pornographic content. The story was edited several times to remove content and/or settle on comprise with the original. This is one of several reprints which was based on the heavily expurgated fourth edition in dime novel format which targeted the juvenile audience: "Dreams, magic terrors, spells of mighty power. Witches and ghosts who rove at midnight hour." The title page also states "Now Published for the First Time in America," which according to publisher's weekly in 1891, was the Laird & Lee "Edition de Luxe" with illustrations by Auguste Leroy and introduction by Max Maury. Laird & Lee also printed 50 cent editions, this likely being one, in a cheap paperback format, without illustrations. In any event, a scarce edition of a very important horror story which continued to influence both English and American writers and readers a century after it was published. OCLC cites 1 holding, at BYU, of a paperback edition of the same pagination, bearing no date nor publisher info. . 19x13cm, 338pp. Blue and while illustrated wrappers. Pulp paper toned, wraps chipped at spine ends and rubbed. Very good.

Softcover exhibition catalog, 160 pages; in English; very good conditon except some very light rubbing wear to white covers; no internal marks. Priority and foreign shipping may be extra for this book.

FIRST EDITION. Disbound. (AN) The music was by M.P. King and Michael Kelly. Originally performed in 1807 as The Wood Dæmon.

FIRST EDITION. Ad. on verso of final leaf; sl. dusted. Disbound. 'This drama is in a great measure translated from a French Play in four acts, called "Les Victimes Cloitrées".'.

Disbound. (2), 22pp. BL only on Copac.

FIRST EDITION. Initial ad. leaf; the odd spot. Orig. purple fine-diaper cloth, paper spine label; spine faded to tan, but overall a v.g. clean copy. Sabin 40821. Although not published until 1834, Lewis's journal was written between November 1815 and May 1818. The last entry, dated May 2nd, was entered just two weeks before he succumbed to yellow fever while crossing the Atlantic en route to England. It covers two extended periods in Jamaica, where Lewis owned two estates. His observations cover all aspects of life on the plantation, from 'Plans for teaching the negroes', 'Happiness of the negro', and 'Capture of an alligator', to 'Impatience of the negro to be free', 'Insubordination' and 'Code of penalties'. The tone is certainly outdated from a modern perspective, but the author betrays a degree of enlightenment, referring to his 'negroes' and not his 'slaves', and it has latterly come to light that Lewis communicated with the abolitionist William Wilberforce in the months preceding his death, exploring the means by which emancipation might be achieved. In his last entry he states, 'What other negroes may be, I will not pretend to guess; but I'm certain that there cannot be more tractable or better disposed persons. than my negroes of Cornwall. I only wish, that in my future dealings with white persons, whether in Jamaica or out of it, I could not meet with half so much gratitude, affection, and good will'.