Mori gioia (170 Ergebnisse)

hardcover. Zustand: Good. HARDCOVER Good - Bumped and creased book with tears to the extremities, but not affecting the text block, may have remainder mark or previous owner's name - GOOD Oversized.

hardcover. Zustand: Acceptable. HARDCOVER Acceptable - This is a significantly damaged book. It should be considered a reading copy only. Please order this book only if you are interested in the content and not the condition. May be ex-library. Oversized.

hardcover. Zustand: Very Good. HARDCOVER Very Good - Crisp, clean, unread book with some shelfwear/edgewear, may have a remainder mark - NICE Oversized.

Zustand: very good. Gut/Very good: Buch bzw. Schutzumschlag mit wenigen Gebrauchsspuren an Einband, Schutzumschlag oder Seiten. / Describes a book or dust jacket that does show some signs of wear on either the binding, dust jacket or pages.

Paperback. Zustand: New. Focusing on the long overshadowed work of women artists during the Italian Renaissance and Baroque, this exhibition catalogue follows introductory essays with a closer examination of the work produced by 30 figures, including Giovanna Garzoni, Lavinia Fontana and Artemisia Gentileschi. Well-illustrated with examples of their painting, it explores their innovation, personal connections and the context in which they worked to cast new light on the era's art history.…

Hardcover. Zustand: New. The item is brand new, never used or read. It's in perfect condition and may include supplements and/or access codes or come shrink-wrapped.

HRD. Zustand: New. New Book. Shipped from UK. Established seller since 2000.

HRD. Zustand: New. New Book. Shipped from UK. Established seller since 2000.

Zustand: New.

Zustand: New. Brand New! Not Overstocks or Low Quality Book Club Editions! Direct From the Publisher! We're not a giant, faceless warehouse organization! We're a small town bookstore that loves books and loves it's customers! Buy from Lakeside Books.

Zustand: NEW.

Zustand: New.

Hardback or Cased Book. Zustand: New. Tamara de Lempicka. Book.

Oversized Hardcover. Zustand: Good.

Zustand: As New. Unread book in perfect condition.

Single Issue Magazine. Zustand: Very Good. Very good softcover, book is clean and tight. Small crease to bottom corner. TEXT IS IN ITALIAN.

Hardcover. Gray cloth boards, no dj; 287 pp.; 113 color plates; 120 plates in color and b/w. Text in French. VG-, ex-library with minimal markings--spine label, bookplate and pencil notation behind title page. Corners ever so slightly bumped.

Hardcover. Zustand: new. Hardcover. Much has been written about 16th- and 17th-century Italian painting, but the contribution of the women artists of that period has often been overlooked: extraordinary figures with incredible and often obscure personal stories. The Ladies of Art sheds light on these artists and their lives, on the role they played in their day, and how some of them made a name for themselves in the great international courts: extraordinary women, who overcame social stereotypes and who have not yet received the attention they deserve. This book describes the art and lives of thirty-four women artists, starting from Artemisia Gentileschi - the first woman artist whose work constituted a watershed able to question certain gender prejudices - followed by other famous Italian women painters, such as Sofonisba Anguissola -the Lombard painter appreciated by Van Dyck -, Lavinia Fontana, Fede Galizia, Marietta Robusti, known as "la Tintoretta", and many others.Admiring the over 130 works on the pages of this book we can appreciate the artistic greatness of these long-forgotten artists as well as the problematic nature of a historical period that did not favour women's professional affirmation and recognition. Stories of women that offer a reading beyond stereotypes and capable of questioning behavioural models. Women who challenged prejudices, deconstructed restraining cliches, and who found their expression in painting. Shipping may be from multiple locations in the US or from the UK, depending on stock availability.…

Zustand: New.

Hardcover. Zustand: new. New Copy. Customer Service Guaranteed.

Hardback. Zustand: New.

Paperback. Zustand: New. Illustrated.

Hardcover. Zustand: new. Hardcover. A landmark retrospective on the Art Deco painter exploring her intersectional identities Tamara de Lempicka (18941980), the "Baroness with a Brush," is often cast as one of Art Deco's most celebrated artists, though her work transcends categorization, incorporating elements of Cubism and Neoclassicism in a distinctive, sensuous blend of form and function. Lempicka's paintings, including a self-portrait as the driver of a sleek green Bugatti, often depict dazzling, self-assured women, exuding elegance and transgressive sexuality while combining the modern with the classical. This gorgeous survey presents the full arc of Lempicka's career in the context of her life and her evolving identity, including her Polish and Russian origins, her marriages and other relationships, and her time in France, Italy, and the United States. This book unfolds chronologically through three sections that mark the stages of the artist's life and the evolution of her artistic style, with particular focus on her Jewish heritage, her expression of gender, and her sexuality. Published in association with the Fine Arts Museums of San Francisco Exhibition Schedule: de Young Museum, San Francisco (October 12, 2024February 9, 2025) The Museum of Fine Arts, Houston (March 9May 26, 2025) A landmark retrospective on the Art Deco painter exploring her many different identities Shipping may be from multiple locations in the US or from the UK, depending on stock availability. …

Zustand: New. 2022. Hardcover. . . . . .

Tapa dura. Zustand: Excelente.

Zustand: New.

Couverture rigide. Zustand: Comme neuf. ===ENVOI LE JOUR MÊME===A30.

Zustand: New. 2022. Hardcover. . . . . . Books ship from the US and Ireland.

Zustand: Buono (Good). Arte e Dossier numero 111 dicembre  1996 con inserto CarpaccioIn buono statoundefined (280 x 210),in mm. Book.

Zustand: New. 2024. hardcover. . . . . .