New wave (28 Ergebnisse)
- Softcover
Anbieter: Kennys Bookshop and Art Galleries Ltd., Galway, GY, IrlandKennys Bookshop and Art Galleries Ltd.
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EUR 18,80
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Zustand: New. . Paperback. Dimension: 295 x 206 x 6. Weight in Grams: 262. . . . . .
Two Circa 1950 East Hampton, L.I. New York Radio - S 38 Zenith TV T 54 WQSWL 2 Element Beam Postcard Reply Cards with Prepaid Postage
(Americana - 20th Century - New York - East Hampton Long Island - Short Wave Radio)
Verlag: Not Published, East Hampton, Long Island NY, 1950
- Softcover
- Erstausgabe
Anbieter: Certain Books, ABAA, Las Cruces, NM, USACertain Books, ABAA
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EUR 9,03
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In den WarenkorbNot Bound. Zustand: Very Good. Postcards. Two unused cards, remarks and date not filled in and 1950s vintage, with the 2 cent U.S. postage imprinted on the reverse. Approx. 3" x 5 1/2" size; light wear; in very good condition.
- Softcover
Anbieter: Kennys Bookstore, Olney, MD, USAKennys Bookstore
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EUR 22,38
EUR 9,20 VersandVersand innerhalb von USAAnzahl: Mehr als 20 verfügbar
Zustand: New. . Paperback. Dimension: 295 x 206 x 6. Weight in Grams: 262. . . . . . Books ship from the US and Ireland.
- Softcover
Anbieter: Chiron Media, Wallingford, Vereinigtes KönigreichChiron Media
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EUR 13,22
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paperback. Zustand: New.
Early Music November 2007 / Jeremy Montagu "Musical instrumentals in Hans Memling's paintings" / Peter Walls "Reconstructing the archangel: Corelli 'ad vivum pinxit'" / Rebecca Cypess "Chambonnieres, Jollain and the first engraving of harpsichord music in France" / Lionel Sawkins "Exotic nectar transformed: the grands motets of Lalande's maturity" / John Koster "Towards an optimal instrument: Domenico Scarlatti and the new wave of Iberian harpsichord making" / Carl Sloane "A fresh look at Domenico Scarlatti's Essercizi per gravicembalo, and the 'tremulo di sopra'" / John Byrt "Elements of Rhythmic inequality in the arias of Alessandro Scarlatti and Handel"
Tess Knighton (Editor) / Jeremy Montagu "Musical instrumentals in Hans Memling's paintings" / Peter Walls "Reconstructing the archangel: Corelli 'ad vivum pinxit'" / Rebecca Cypess "Chambonnieres, Jollain and the first engraving of harpsichord music in France" / Lionel Sawkins "Exotic nectar transformed: the grands motets of Lalande's maturity" / John Koster "Towards an optimal instrument: Domenico Scarlatti and the new wave of Iberian harpsichord making" / Carl Sloane "A fresh look at Domenico Scarlatti's Essercizi per gravicembalo, and the 'tremulo di sopra'" / John Byrt "Elements of Rhythmic inequality in the arias of Alessandro Scarlatti and Handel"
Verlag: Oxford University Press, 2007
- Softcover
- Magazin / Zeitschrift
Anbieter: Shore Books, London, Vereinigtes KönigreichShore Books
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EUR 12,07
EUR 12,89 VersandVersand von Vereinigtes Königreich nach USAAnzahl: 1 verfügbar
In den WarenkorbSoft cover. Zustand: Very Good. 210 pages. Illustrated. Jeremy Montagu "Musical instrumentals in Hans Memling's paintings" / Peter Walls "Reconstructing the archangel: Corelli 'ad vivum pinxit'" / Rebecca Cypess "Chambonnieres, Jollain and the first engraving of harpsichord music in France" / Lionel Sawkins "Exotic nectar transf…ormed: the grands motets of Lalande's maturity" / John Koster "Towards an optimal instrument: Domenico Scarlatti and the new wave of Iberian harpsichord making" / Carl Sloane "A fresh look at Domenico Scarlatti's Essercizi per gravicembalo, and the 'tremulo di sopra'" / John Byrt "Elements of Rhythmic inequality in the arias of Alessandro Scarlatti and Handel".
Verlag: The British Film Institute., 1963
- Softcover
- Erstausgabe
Anbieter: Roe and Moore, London, Vereinigtes KönigreichRoe and Moore
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EUR 18,11
EUR 13,48 VersandVersand von Vereinigtes Königreich nach USAAnzahl: 1 verfügbar
In den WarenkorbSoft cover. Zustand: Very Good. 1st Edition. 4to. Stapled sheets. Cast lists and synopsis. Frayed and tear 2cm into spine.
Data Crush: How the Information Tidal Wave is Driving New Business Opportunities Surdak, Christopher
Data Crush: How the Information Tidal Wave is Driving New Business Opportunities Surdak, Christopher
- Hardcover
Anbieter: Aragon Books Canada, OTTAWA, ON, KanadaAragon Books Canada
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EUR 35,20
EUR 20,15 VersandVersand von Kanada nach USAAnzahl: 1 verfügbar
Zustand: New.
Data Crush: How the Information Tidal Wave is Driving New Business Opportunities Surdak, Christopher
Data Crush: How the Information Tidal Wave is Driving New Business Opportunities Surdak, Christopher
- Hardcover
Anbieter: Aragon Books Canada, OTTAWA, ON, KanadaAragon Books Canada
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EUR 35,20
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Zustand: New.
Sprache: Englisch
Verlag: Stewart, Tabori and Chang STC Craft Melanie Falick Book, 2007
- Hardcover
Anbieter: Aragon Books Canada, OTTAWA, ON, KanadaAragon Books Canada
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EUR 40,62
EUR 20,15 VersandVersand von Kanada nach USAAnzahl: 1 verfügbar
Zustand: New.
Verlag: No Producer, No Place
Anbieter: Mare Booksellers ABAA, IOBA, Dover, NH, USAMare Booksellers ABAA, IOBA
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EUR 34,30
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In den WarenkorbUnbound. Zustand: Very Good. No producer, place or date. Presumed late 1970s. 1 ½ inches in diameter. Safety pin style back. A pinback for the British punk band Penetration, formed in 1976 and led by Pauline Murray. The band broke up in 1979. They are perhaps best known for their song "Don't Dictate." This pinback has the words…wig, eye lashes, bosom, waist, tummy, hips on it, between two images of women. VERY GOOD condition. Minor rusting to the reverse.
- Signiert
Anbieter: Herbst-Auktionen, Detmold, DeutschlandHerbst-Auktionen
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EUR 25,00
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In den Warenkorbs/w-Porträtpostkarte, von allen 4 Musikern eigenhändig signiert.
Verlag: Futaba Sha Shrine, china, 1980
- Softcover
Anbieter: Sunny Day Bookstore, SINGAPORE, SingapurSunny Day Bookstore
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EUR 54,16
EUR 13,14 VersandVersand von Singapur nach USAAnzahl: 1 verfügbar
In den WarenkorbZustand: Fine. KOS02201095.
Verlag: Futabasha, china, 1966
- Softcover
Anbieter: Sunny Day Bookstore, SINGAPORE, SingapurSunny Day Bookstore
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EUR 54,16
EUR 13,14 VersandVersand von Singapur nach USAAnzahl: 1 verfügbar
In den WarenkorbZustand: Fine. Volume: 1.
- Signiert
- Manuskript / Papierantiquität
Anbieter: Herbst-Auktionen, Detmold, DeutschlandHerbst-Auktionen
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EUR 30,00
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In den WarenkorbKunstpostkarte Atelierszene (1981), eigenhändig signiert.
- Signiert
Anbieter: Herbst-Auktionen, Detmold, DeutschlandHerbst-Auktionen
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EUR 65,00
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In den WarenkorbFarbige Fotokunstpostkarte ("Strange Ritual" (Chicago 1995), bildseitig mit Goldtinte eigenhändig signiert.
ROBERT LONGO (1953 N.Y.) amerikanischer Künstler / Maler, New Wave Scene
ROBERT LONGO (1953 N.Y.) amerikanischer Künstler / Maler, New Wave Scene
- Signiert
- Manuskript / Papierantiquität
Anbieter: Herbst-Auktionen, Detmold, DeutschlandHerbst-Auktionen
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EUR 65,00
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In den WarenkorbOriginal-Einladung (Bütten-Klappkarte, 10,5 x 20,5 cm, leichte Knickspur, mit Prägesiegel des im Jahre 1050 in Goslar geborenen Kaisers Heinrich IV.) zur Verleihung des Kaiserring der Stadt Goslar 2005 an ROBERT LONGO, von diesem eigenhändig signiert (auch vorhanden : Farbige Kunstpostkarte "Men in the Cities 1980" mit eigenhänd…iger Widmung, Unterschrift in Silberstift signiert "For Ingrid, Euro 45,-).
Weitere Bilder- Softcover
Anbieter: johnson rare books & archives, ABAA, Covina, CA, USAjohnson rare books & archives, ABAA
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EUR 135,39
EUR 5,04 VersandVersand innerhalb von USAAnzahl: 1 verfügbar
In den WarenkorbWraps. Zustand: Very good. An official merchandising kit for the influential English heavy metal band Diamond Head, prepared in conjunction with the release of their album Canterbury (1983). Included here are a pictorial tour program, an official fan club and merchandising brochure, and two copies of a pictorial order form featu…ring merchandise from the band's 1983 British tour. All the pieces are printed in full color on glossy stock and housed in printed black cardstock folder emblazoned with the Diamond Head logo. Some minor edgewear to the folder; else crisp and clean. Scarce. Formed in 1976, Diamond Head was part of the New Wave of British Heavy Metal (NWOBHM), which drew on the hard rock of the 1970s and infused it with the intensity of punk rock to produce fast and aggressive songs. The DIY attitude of the these bands led to the spread of raw-sounding, self-produced recordings that were crucial to the rise of thrash and other extreme metal subgenres. Few NWOBHM bands are as revered as Diamond Head, who have been acknowledged as an important influence on Metallica and Megadeth, among many others. In fact, prior to a performance of the Big Four (Metallica, Megadeth, Anthrax, and Slayer) at the 2011 Sonicsphere Festival in Knebworth, drummer Lars Ulrich said that there was "a pretty good chance that none of us would be here" without Diamond Head guitarist Brian Tatler, whose songwriting credits include essential cuts like "The Prince", "It's Electric", "Helpless", and "Am I Evil?" . yes, I am.
[Sir Arnold Wesker, playwright.] Typed Letter Signed ('Arnold') to playwright Bernard Kops, appealing for copies of his plays to send to Cuba, which he has visited, finding that they have 'very bad theatre', due to 'their intolerable isolation'.
Sir Arnold Wesker (1932-2016), playwright and author [Bernard Kops (b.1923), playwright; New Wave; Kitchen Sink Drama; Angry Young Men; Jewish writers]
Verlag: 27 Bishop's Road London N6. 24 November, 1964
- Manuskript / Papierantiquität
Anbieter: Richard M. Ford Ltd, London, Vereinigtes KönigreichRichard M. Ford Ltd
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EUR 144,87
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In den Warenkorb1p, 4to. In fair condition, aged and lightly creased. Folded twice. The letter begins: 'Dear Bernard, | You probably know that I have just returned from Cuba and it was an exciting trip. | Unfortunately, one of the most depressing things was their very bad theatre; this is particularly because it is new and has no tradition, but… also, to a great extent, due to their intolerable isolation.' Although there is little that they can do, Wesker promised to 'send as many plays and books' as he can. 'They really don't have hard currency to purchase more than a handful of international works', so Wesker has promised 'to write to a few writers and publishers asking whether they would contribute copies of their work which I would send, together with the Leyland buses, on a ship to Cuba'. Kops cannot imagine 'how hungry they are to be in contact'. He asks for copies of Kops's plays and of his book 'The Whole World is a Wedding'. He would buy the books, but this 'would work out very expensive', so he is 'asking lots of writers to share the burden'. He ends with best wishes to 'Erica and the children'.
ROBERT LONGO (1953 N.Y.) amerikanischer Künstler / Maler, New Wave Scene
ROBERT LONGO (1953 N.Y.) amerikanischer Künstler / Maler, New Wave Scene
- Softcover
- Erstausgabe
- Signiert
- Manuskript / Papierantiquität
Anbieter: Herbst-Auktionen, Detmold, DeutschlandHerbst-Auktionen
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EUR 200,00
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In den WarenkorbTIEFE STILLE / DEEP SILENCE (zweisprachiger Kunstkatalog, deutsch-englisch, mit einem Text von Werner Spies Mönchehaus-Museum für moderne Kunst Goslar, 1. Auflage 2005, ERSTAUSGABE, 80 SS. illustriertes Pb. 8°, gut erhalten - von Robert Longo mit Jahr 2005 (als grad ernannter Träger des Goslarer Kaiserrings 2005 !) eigenhändig s…igniert.
[Sir Arnold Wesker, playwright.] Two Typed Letters Signed (both 'Arnold Wesker') to Israeli author Aubrey Hodes, regarding his touring festival Centre 42, the English attitude to 'culture outside the commercial framework' and Israeli arts funding.
Sir Arnold Wesker (1932-2016), playwright and author [Aubrey Hodes, Israeli author; Centre 42; New Wave; Kitchen Sink Drama; Angry Young Men; Jewish writers]
Verlag: 20 Fitzroy Square London N1. 17 October, 1962
- Manuskript / Papierantiquität
Anbieter: Richard M. Ford Ltd, London, Vereinigtes KönigreichRichard M. Ford Ltd
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EUR 265,60
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In den WarenkorbBoth 1p, 4to, and in good condition, lightly aged and folded once. Both letters addressed to Hodes at Beit Rosenberg, Keron Heyesod Street, Herzlia-on-Sea, Israel. The subject of the letters is Centre 42, the touring arts group Wesker formed to bring culture to the masses on his release from prison, following a sentence for civi…l disobedience with the Committee of 100 in opposition to nuclear weapons. The group moved to the Roundhouse in London in 1964. The first letter begins: 'Emersed as I have been in the festivals, I have only just got around to answering your letter and I find in it that you ask me to send some material to a friend in Ramat Chem. I am afraid it is too late to send him material now as he has probably returned. I am sorry about this, but I hope that the enclosed material will give some indication of the scope of the festivals.' The first three festivals have been 'mounted with varying success but the project as a whole has gained a great deal of public attention, though not always sympathy. There is something inherent in the English personality that considers culture outside the commercial framework to be an enfringement of a basic democratic principle.' He concludes: 'Plenty of Israeli theatres appear to have wanted my plays none of them have yet done so. [sic] God knows why.' The second letter is on Centre 42's stylish letterhead in grey and red, and begins with reference to a meeting between the two men in Israel, and 'Megged's book', a copy of which he has received from the publisher Gollancz. 'Concerning Centre 42 I have sent all the information about us to Dov Vardi and I understand he is going to write about us'. Wesker is sending 'a set of literature' to Hodes, adding: 'However, it strikes me as very strange that anyone in Israel should be interested in this sort of movement, since as far as I understand the Histadruth spends over a million pounds on the Arts and cultural activity in Israel, and this is what we dream of happening here in England. [] We even quote Israel as an example of the situation we should like to see.'.
Weitere BilderVerlag: Final Solution, London, 1981
- Erstausgabe
Anbieter: Type Punch Matrix, Silver Spring, MD, USAType Punch Matrix
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EUR 338,47
Versand nach gratisVersand innerhalb von USAAnzahl: 1 verfügbar
In den WarenkorbFirst Edition. Founded by Colin Faver and Kevin Millins, Final Solution was arguably the most important promoter in the UK during the postpunk years. With their impecable eye for talent (Joy Division, New Order, Echo & the Bunnyman, Throbbling Gristle, et al) and their instantly-recognizable flyers, Final Solution produced many…of the best shows in and around London, especially for shows at London's legendary gay nightclub Heaven. And the flyers, such as though included here, were in no small part key to this success. With their distinctive and colorful designs, these uncredited flyers both embody the aesthetics of the New Romantics (which the "Heaven sound" helped define), while retaining the lean aethetic of postpunk. Included here are five flyers for shows at Heaven (Thompson Twins, Flock of Seagulls, among others), as well as one for a show at Assembly Hall (Bauhaus), all from 1981. Six broadside flyers, each printed recto only. Offset, five in color, one B&W. Three 8" x 5.5" approx. Remainder 11.5" x 8.5" approx. Uniformly near fine to fine overall.
Weitere Bilder- Softcover
Anbieter: Max Rambod Inc, Woodland Hills, CA, USAMax Rambod Inc
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EUR 433,24
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In den WarenkorbTruffaut, François. Collection of film pressbooks, 1966-1969, documents mid-twentieth-century film promotion and distribution practices within the French New Wave cinema movement. The material captures how films associated with François Truffaut were presented to journalists and exhibitors, situating his work within the internat…ional circulation of European art cinema. The grouping supports research into cinematic publicity systems, revealing how narrative, authorship, and visual identity were communicated to the press during the global expansion of French New Wave films. Truffaut, François. Pressbook collection for Fahrenheit 451 (1966), The Bride Wore Black (La Mariée était en noir, 1968), Stolen Kisses (Baisers volés, 1968), and Mississippi Mermaid (La Sirène du Mississippi, 1969). Four original pressbooks in illustrated wrappers, each between 4 and 6 pages. These materials include film stills, cast and crew credits, narrative summaries, excerpts of dialogue, and promotional imagery, including layouts for poster designs. The pressbooks were distributed to media outlets at the time of each film's release, providing standardized information and visual content intended for reproduction in reviews, advertisements, and exhibition materials. The layout and content emphasize both the films' narrative elements and Truffaut's role as director, reinforcing auteur-driven marketing. The material documents the system of film publicity and critical mediation through printed pressbooks, showing how distributors and production entities shaped the reception of French New Wave cinema by supplying press-ready narratives, imagery, and interpretive framing, and providing primary-source evidence for the study of international film marketing and auteur theory in practice. During the 1960s, French New Wave directors, including Truffaut, gained international recognition, and structured press dissemination played a key role in establishing their reputations outside France. Light handling wear to wrappers; contents clean and intact; overall very good to near fine condition. A cohesive group illustrating the mechanisms by which European art cinema was introduced and contextualized for global audiences.
Weitere BilderArchive of 1960s-1980s Second-wave Feminist Material Mainly from New York City Activist Groups Belonging to an Employee of Mother Courage, the First Feminist Restaurant, with Material on Women's Film, Performance, and Health
[Second-wave Feminism - LGBTQ+ History - New York City - Film] Various Authors
Verlag: United States, 1980
Anbieter: Auger Down Books, ABAA/ILAB, Marlboro, VT, USAAuger Down Books, ABAA/ILAB
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EUR 11.282,38
EUR 3,51 VersandVersand innerhalb von USAAnzahl: 1 verfügbar
In den WarenkorbAn archive of material belonging to Rosemary Gaffney (?-2024). Gaffney lived in the New York City area with her partner, Joyce Vinson; the two were involved in a number of feminist activist organizations including the New York Radical Feminists (NYRF), the National Organization for Women (NOW-NYC), and the Women's Liberation Cen…ter. Gaffney was a performer, involved in filmmaking with Women Make Movies (WMM), and an employee at Mother Courage for the entire duration that the restaurant was in business, from 1972 to 1977. She also collected feminist literature and material from across the country. The collection spans several decades and includes numerous publications, event flyers, and behind-the-scenes notes from feminist groups. It is highlighted by collections of material related to WMM-particularly the 1976 short Healthcaring: From Our End of the Speculum-women's theater and performance, and women's health. The film and performing arts material records the efforts women put in to carve out a space for their own work in creative fields that were then disproportionately composed of men, while the women's health material documents some of the early organizing around issues that arose from the similar underrepresentation of women and their issues in healthcare. Interestingly, the two topics intersect in the archive, particularly in Healthcaring but also in projects like the "Mental Prisoners Liberation" screening at the Kitchen, which suggests a connection to the psychiatric survivors movement. These materials are of interest to researchers not just of feminist history but also the history of women in film and the arts; working, both in performance and healthcare; and in patient activism. The following description begins with these materials before turning to the remainder of the collection: Other Original and Unpublished Material; NYRF; Women's Strike for Equality; NOW; The Women's Liberation Center; Mother Courage Restaurant; Other Events and Organizations; and Other Publications. Women Make Movies (WMM) Founded in 1969 by Ariel Dougherty, Sheila Paige, and Dolores Bargowski, Women Make Movies is a non-profit feminist film organization based in New York City. It started as a workshop to teach local women to make films, and expanded to include screenings and film distribution. Today, WMM distributes films from nearly thirty countries, and its films have played at Sundance and Cannes. Though generally not found in OCLC, some items offered here may appear in WMM collections at the MoMA and the Academy Film Archive, or in the Ariel Dougherty collection at Harvard University. The present collection includes a significant amount of material on Denise Bostrom and Jane Warrenbrand's 1976 short film Healthcaring: From Our End of the Speculum, which is listed in its own section. Items presented in alphabetical order. ? Blank WMM letterhead, 8 ½ x 11 inches. ? Copy of a letter from the IRS to WMM. The letter, which addresses the group as "Gentlemen", approves its 501(c)(3) status. 8 ½ x 11 inch photocopy. Very good minus. ? Grant application materials [two pieces]. November 1974 materials sent to Youthgrants for creating the film The Women's Movement: The Past Seven Years, by Carol Clement, Ariel Dougherty, and Sheila Paige. Five pages, 8 ½ x 11 inches. With large packet of grant-writing material. ? Manuscript notes about a film relating to a women's bank in Bethesda. ? MENTAL « PRISONERS » LIBERATION / VIDEOTAPES at the kitchen. A flyer for a screening at the avant-garde Chelsea performance space The Kitchen, co-sponsored by The Kitchen and WMM. Titles include He Lives Alone (dir. Dixie Beckham, N.d.); Chelsea Infants of the Martial Arts (dir. Jane Warrenbrand, N.d.); and Career Women (dir. Lisa Methfessel, N.d.). The flyer reads in part, "The Mental 'Patient' Movement / Radical Alternatives / Social Rejection, Stigmas" and "Violence and Psychiatry / The Myth of 'Mental Illness' / Poetry and Music", indicating a connection with the psychiatric survivors movement. Sheet measuring 11 x 18 inches, folded in half. Some damage to edges. Very good. ? MOVIES / international ?'s day / SATURDAY MARCH 8TH 1975 / after the march. A flyer for two screenings at Washington Square Methodist Church, with proceeds going to the International Women's Day Coalition. Titles include "Fear & Domestic Tranquility" and "The Emerging Woman". Double-sided 8 ½ x 11 inch sheet. Excellent. ? Photograph of the WMM c. 1970s (photocopy). ? "the problem" and "a solution". Promotional material for the films Superwoman (dir. Anne Sandys), Men's Film (no director), The Women's Martial Arts Center Teaches (no director), and The Betrayed Daughter (dir. Isabel Castellano, Carmen Colon, and Toni Santiago). Two sheets, 8 ½ x 11 inches. Very good. ? WMM Newsletter. Fourteen-page newsletter, 8 ½ x 11 inches. Excellent. ? "women make movies is women making history" [1973?]. A flyer advertising WMM and several of its films, including Domestic Tranquility (dir. Harriet Kriegel, 1973); Fear (dir. Jean Shaw, 1973); and The Women's Happy Tine Commune (dir. Sheila Paige, 1972). Sheet measuring 8 ½ x 13 ¾ inches, folded in half. Small fold to one corner, else Near Fine. Feminist film conference materials. Several pieces concern a 1975 event, the Conference of Feminist Film & Video Organizations in Womanhattan, which does not appear to have been documented. ? "An Ongoing Manifesto". Single 8 ½ x 11 inch sheet. Very good. ? "Conference of Feminist Film & Video Organizations in Womanhattan". Eleven-page stapled conference information packet, 8 x ½ x 11 inches. Excellent. ? "Policy on Freelance Work", written at the conference. Single 8 ½ x 11 inch sheet. Very good. Healthcaring: From Our End of the Speculum. A documentary short film directed by Denise Bostrom and Jane Warrenbrand, the film discusses women's experiences as patients with primarily male practitioners, especially in obstetrics and gynecology. ? Copy of a letter to Lucille Goodman of Bro.
ROBERT LONGO (1953 N.Y.) amerikanischer Künstler / Maler, New Wave Scene
ROBERT LONGO (1953 N.Y.) amerikanischer Künstler / Maler, New Wave Scene
- Signiert
- Manuskript / Papierantiquität
Anbieter: Herbst-Auktionen, Detmold, DeutschlandHerbst-Auktionen
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EUR 85,00
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In den WarenkorbROBERT LONGO Monographie (Widmungsexemplar des Kunstbandes) , mit einem Text von Carter Ratcliff, Verlag Schirmer/Mosel, München 1985 , gr. 4°, mit vielen Abbildungen, schön erhalten - eigenhändig signiert mit Jahr 2006.
Alain Resnais (1922-2014) - Rare signed original photo - Cannes 1980
Alain Resnais (1922-2014) - French New Wave director and screenwriter
Sprache: Französisch
- Signiert
- Manuskript / Papierantiquität
Anbieter: PhP Autographs, Hastière, BelgienPhP Autographs
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EUR 199,99
EUR 40,00 VersandVersand von Belgien nach USAAnzahl: 1 verfügbar
In den WarenkorbPas de couverture. Zustand: Bon. RARE - Original photo signed in person in Cannes in 1980. Size : 13x9 cm. Condition : please see scans. Certificate of Authenticity and lifetime guarantee. Signé par l'auteur.
Anbieter: NUDEL BOOKS, New York, NY, USANUDEL BOOKS
Verkäufer/-in kontaktierenVerkäufer/-in mit 4 SternenZustand: Gebraucht - Gut
EUR 225,65
EUR 6,13 VersandVersand innerhalb von USAAnzahl: 1 verfügbar
In den WarenkorbNo Binding. Zustand: Very Good. LARGE POSTER, 20by24, folded for mailing, a who's who of who's who in the avant-garden, Meridith Monk, Philip Glass, Mark Morris, Keith Haring et al.VV2/0/91.printed on both sides.
- Signiert
- Manuskript / Papierantiquität
Anbieter: Herbst-Auktionen, Detmold, DeutschlandHerbst-Auktionen
Verkäufer/-in kontaktierenVerkäufer/-in mit 3 SternenZustand: Gebraucht
EUR 245,00
EUR 8,50 VersandVersand von Deutschland nach USAAnzahl: 1 verfügbar
In den WarenkorbORIGINAL-RADIERUNG , ca. 4° Photoätzung mit Lack überdruckt auf Zerkall Bütten, in weißer Holzleiste unter Glas gerahmt (ges. H 51 x B 38,5 cm), am Unterrand in Blei eigenhändig signiert mit Jahr (19)88 MOTIV : Anglerinnen III (1988).
Weitere Bilder- Foto
Anbieter: Max Rambod Inc, Woodland Hills, CA, USAMax Rambod Inc
Verkäufer/-in kontaktierenVerkäufer/-in mit 5 SternenZustand: Gebraucht
EUR 437,76
EUR 8,76 VersandVersand innerhalb von USAAnzahl: 1 verfügbar
In den WarenkorbGodard, Jean-Luc. Alphaville (1965) established a distinctive approach to science fiction cinema through the French New Wave movement, advancing minimalist production techniques and philosophical engagement with technology, surveillance, and modernity. Produced during a period of rapid technological anxiety in Cold War Europe, t…he film situates a dystopian narrative within contemporary urban environments, eliminating conventional special effects in favor of stark architectural realism. Its receipt of the top prize at the Berlin International Film Festival in 1965 marked its immediate international recognition and positioned it within ongoing scholarly discussions of European art cinema, genre subversion, and postwar visual culture. Jean-Luc Godard's Alphaville. Paris: Pathé Contemporary Films, 1965. Archive of 5 original vintage photographic lobby stills. Glossy black-and-white photographs measuring between 8 x 10 inches and 11 x 14 inches. The images depict staged scenes from the film, including multiple compositions featuring Eddie Constantine in his role as trench-coated secret agent Lemmy Caution, often shown in confrontational or investigative postures within modernist interiors and stark urban settings. Additional stills present supporting characters and moments of tension, emphasizing the film's austere visual language. Four prints include printed captions beneath the image identifying actors, film title, and production company, consistent with their use as promotional display materials in theatrical exhibition contexts. Issued at the height of the French New Wave, these photographs document the film's deliberate rejection of spectacle in favor of narrative and ideological critique, aligning with broader cinematic shifts toward realism and formal experimentation in 1960s Europe. The use of existing Parisian architecture as a futuristic setting reflects contemporary concerns about bureaucratic control and technological rationalism. Minor edge wear and light surface handling visible; overall very good condition. A cohesive group of exhibition stills that materially demonstrates the visual strategies of one of Godard's most studied works.
