Nicholas kenyon editor (25 Ergebnisse)
Sprache: Englisch
Verlag: Oxford Univ Pr on Demand, Cary, North Carolina, U.S.A., 1989
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The Penguin Opera Guide
Amanda Holden [Editor]; Colin Davis [Preface]; Stephen Walsh [Contributor]; Nicholas Kenyon [Contributor];
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Hardcover. Zustand: Good. The most comprehensive single-volume reference work on opera ever published. Over 100 distinguished contributors have written on more than 800 composers and examined over 1,500 operas in detail. Every composer's complete operatic works are included. Opera entries include cast listings and orchestral for…ces, commentary on background, plot synopsis and musical analysis. Recording and edition information has been meticulously researched, enabling enthusiasts to pursue scores and recommend recordings. Illus. 1,305p.
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The Penguin Opera Guide (The Viking Opera Guide)
Holden, Amanda [Editor]; Kenyon, Nicholas [Editor]; Walsh, Stephen [Editor];
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Paperback. Zustand: Fair. 2nd Revised edition. Creasing to spine. Same day dispatch (Mon- Fri) from the UK if ordered by 1pm.
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Early Music: Vol XIV, No 2, May 1986 / New Dances for the Ball: The Annual Collections of France and England in the 18th Century (pp. 164-173) Ingrid Brainard Triple Pavans: Clues to Some Mysteries in 16th-Century Dance (pp. 174-181) Julia Sutton Spectacle in Milan: Cesare Negri's Torch Dances (pp. 182-196) Pamela Jones What Did Prince Henry Do with His Feet on Sunday 19 August 1604? (pp. 198-202+205-207) Judy Smith and Ian Gatiss Dance and Dance Music in the Netherlands in the 18th Century (pp. 209-219) Joan Rimmer 'Ill-Compliments and Arbitrary Taste'?: Geminiani's Directions for Performers (pp. 221-235) Peter Walls A 17th-Century French Manuscript on Organ Performance (pp. 236-241+243-245+247-251) William Pruitt
Nicholas Kenyon (Editor) / New Dances for the Ball: The Annual Collections of France and England in the 18th Century (pp. 164-173) Ingrid Brainard Triple Pavans: Clues to Some Mysteries in 16th-Century Dance (pp. 174-181) Julia Sutton Spectacle in Milan: Cesare Negri's Torch Dances (pp. 182-196) Pamela Jones What Did Prince Henry Do with His Feet on Sunday 19 August 1604? (pp. 198-202+205-207) Judy Smith and Ian Gatiss Dance and Dance Music in the Netherlands in the 18th Century (pp. 209-219) Joan Rimmer 'Ill-Compliments and Arbitrary Taste'?: Geminiani's Directions for Performers (pp. 221-235) Peter Walls A 17th-Century French Manuscript on Organ Performance (pp. 236-241+243-245+247-251) William Pruitt
Verlag: Oxford University Press, 1986
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In den WarenkorbSoft cover. Zustand: Very Good. 160 pages. Illustrated. New Dances for the Ball: The Annual Collections of France and England in the 18th Century (pp. 164-173) Ingrid Brainard Triple Pavans: Clues to Some Mysteries in 16th-Century Dance (pp. 174-181) Julia Sutton Spectacle in Milan: Cesare Negri's Torch Dances (pp. 182-196) Pame…la Jones What Did Prince Henry Do with His Feet on Sunday 19 August 1604? (pp. 198-202+205-207) Judy Smith and Ian Gatiss Dance and Dance Music in the Netherlands in the 18th Century (pp. 209-219) Joan Rimmer 'Ill-Compliments and Arbitrary Taste'?: Geminiani's Directions for Performers (pp. 221-235) Peter Walls A 17th-Century French Manuscript on Organ Performance (pp. 236-241+243-245+247-251) William Pruitt.
Verlag: Oxford University Press
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Early Music August 1985 / "Messiah" and Progress in Victorian England (pp. 339-348) Howard E. Smither Handel's London Theatre Orchestra (pp. 349-357) Donald Burrows 'La Pecorina' at Mantua, "Musica Nova" at Florence (pp. 358-366) David S. Butchart New Light on Ockeghem's "Missa 'Mi-mi'" (pp. 367-375) Haruyo Miyazaki The Guitar and Italian Song (pp. 376-383) Richard d'A Jensen A Trio in C Major for Recorder, Violin and Continuo by J. S. Bach? (pp. 384-390) Michael Marissen 16th-Century Venetian Wind Instrument Makers and Their Clients (pp. 391-397) Giulio M. Ongaro
Nicholas Kenyon (Editor) / "Messiah" and Progress in Victorian England (pp. 339-348) Howard E. Smither Handel's London Theatre Orchestra (pp. 349-357) Donald Burrows 'La Pecorina' at Mantua, "Musica Nova" at Florence (pp. 358-366) David S. Butchart New Light on Ockeghem's "Missa 'Mi-mi'" (pp. 367-375) Haruyo Miyazaki The Guitar and Italian Song (pp. 376-383) Richard d'A Jensen A Trio in C Major for Recorder, Violin and Continuo by J. S. Bach? (pp. 384-390) Michael Marissen 16th-Century Venetian Wind Instrument Makers and Their Clients (pp. 391-397) Giulio M. Ongaro
Verlag: Oxford University Press, 1985
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In den WarenkorbSoft cover. Zustand: Very Good. 144 pages. Illustrated. "Messiah" and Progress in Victorian England (pp. 339-348) Howard E. Smither Handel's London Theatre Orchestra (pp. 349-357) Donald Burrows 'La Pecorina' at Mantua, "Musica Nova" at Florence (pp. 358-366) David S. Butchart New Light on Ockeghem's "Missa 'Mi-mi'" (pp. 367-375…) Haruyo Miyazaki The Guitar and Italian Song (pp. 376-383) Richard d'A Jensen A Trio in C Major for Recorder, Violin and Continuo by J. S. Bach? (pp. 384-390) Michael Marissen 16th-Century Venetian Wind Instrument Makers and Their Clients (pp. 391-397) Giulio M. Ongaro (M20).
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Early Music November 1986 / Very Low Ranges in the Sacred Music of Ockeghem and Tinctoris (pp. 467-479) Kenneth Kreitner Instruments and the Faenza Codex (pp. 480-490) Timothy J. McGee The Secular Music of Alessandro Grandi (pp. 491-499) Denis Arnold Portraits of Johann Joachim Quantz (pp. 500-504+506-514+516+518) Charles Walthall How Alfonso della Viola Tuned His Viols, and How He Transposed (pp. 520-533) Kathleen Moretto Spencer and Howard Mayer Brown Vincentius and the Earliest Harpsichords (pp. 534-538) Denzil Wraight
Nicholas Kenyon (Editor) / Very Low Ranges in the Sacred Music of Ockeghem and Tinctoris (pp. 467-479) Kenneth Kreitner Instruments and the Faenza Codex (pp. 480-490) Timothy J. McGee The Secular Music of Alessandro Grandi (pp. 491-499) Denis Arnold Portraits of Johann Joachim Quantz (pp. 500-504+506-514+516+518) Charles Walthall How Alfonso della Viola Tuned His Viols, and How He Transposed (pp. 520-533) Kathleen Moretto Spencer and Howard Mayer Brown Vincentius and the Earliest Harpsichords (pp. 534-538) Denzil Wraight
Verlag: Oxford University Press, 1986
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In den WarenkorbSoft cover. Zustand: Very Good. 160 pages. Illustrated. Very Low Ranges in the Sacred Music of Ockeghem and Tinctoris (pp. 467-479) Kenneth Kreitner Instruments and the Faenza Codex (pp. 480-490) Timothy J. McGee The Secular Music of Alessandro Grandi (pp. 491-499) Denis Arnold Portraits of Johann Joachim Quantz (pp. 500-504+506…-514+516+518) Charles Walthall How Alfonso della Viola Tuned His Viols, and How He Transposed (pp. 520-533) Kathleen Moretto Spencer and Howard Mayer Brown Vincentius and the Earliest Harpsichords (pp. 534-538) Denzil Wraight.
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Cloth. Zustand: Good+. Zustand des Schutzumschlags: Good+. First Edition. The covers and spine have light wear. There is a very slim 2 inch long mark on the forward page edges and some light soiling to the page edges otherwise the pages are clean. The dust jacket is in a Mylar type protector, one corner has a short tear and ther…e is a short tear at the head of the spine that was repaired on the reverse side with tape. There are light scratches to the dust jacket. ***OVERSIZE BOOK*** EXTRA SHIPPING CHARGE FOR OTHER THAN U.S. MEDIA MAIL***. Size: 8vo - over 7¾" - 9¾" tall.
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Early Music, Volume 13, No 4; November, 1985 / Terence Best "Handel's chamber music Sources, chronology and authenticity" / Graham Pont "Handel and regularization: a third alternative" / Peter Williams "Interpreting one of Handel's free preludes for harpsichord" / Bruce Wood "Handel's Water-Music on period instruments" / Robin Headlam Wells "John Dowland and Elizabethan Melancholy" / Adrian Rose "Elisabeth-Claude Jacquet de la Guerre and the secular cantate francoise" / Jane Clark "'His own worst enemy' Scarlatti: some unanswered questions" / Raymond Head "Corelli in Calcutta Colonial music-making in India during the 17th and 18th centuries"
Nicholas Kenyon (Editor) / Terence Best "Handel's chamber music Sources, chronology and authenticity" / Graham Pont "Handel and regularization: a third alternative" / Peter Williams "Interpreting one of Handel's free preludes for harpsichord" / Bruce Wood "Handel's Water-Music on period instruments" / Robin Headlam Wells "John Dowland and Elizabethan Melancholy" / Adrian Rose "Elisabeth-Claude Jacquet de la Guerre and the secular cantate francoise" / Jane Clark "'His own worst enemy' Scarlatti: some unanswered questions" / Raymond Head "Corelli in Calcutta Colonial music-making in India during the 17th and 18th centuries"
Verlag: Oxford University Press,, 1985
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In den WarenkorbSoft cover. Zustand: Very Good. 148 pages. Illustrated. Terence Best "Handel's chamber music Sources, chronology and authenticity" / Graham Pont "Handel and regularization: a third alternative" / Peter Williams "Interpreting one of Handel's free preludes for harpsichord" / Bruce Wood "Handel's Water-Music on period instruments"…/ Robin Headlam Wells "John Dowland and Elizabethan Melancholy" / Adrian Rose "Elisabeth-Claude Jacquet de la Guerre and the secular cantate francoise" / Jane Clark "'His own worst enemy' Scarlatti: some unanswered questions" / Raymond Head "Corelli in Calcutta Colonial music-making in India during the 17th and 18th centuries".
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Verlag: Oxford University Press, 1989
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In den WarenkorbSoft cover. Zustand: Very Good. 160 pages. Illustrated. The Trecento Fiddle and Its Bridges (pp. 308-329) Howard Mayer Brown The Performance of Cantus firmi in Josquin's Masses Based on Secular Monophonic Song (pp. 330-341) Willem Elders The Martyrdom of St Sebastian: The Function of Accidental Inflections in Dufay's "O beate Se…bastiane" (pp. 342-349+351-357) Karol Berger Itinerancy to Residency: Professional Careers and Performance Practices in 15th-Century Sacred Music (pp. 359-366) Barbara Haggh 'Le célèbre Berteau' (pp. 368-380) Jane Adas Slide Trumpet Madness: Fact or Fiction? (pp. 382-389) Herbert W. Myers The Trombone, the Slide Trumpet and the Ensemble Tradition of the Early Renaissance (pp. 389-397) Keith Polk The trompette des menestrels in the 15th-Century alta capella (pp. 397-402) Ross W. Duffin (M20).
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Early Music. Vol. XVII, No. 1. February 1989 / Johann Sebastian Bach's Orchestra: Some Unanswered Questions (pp. 3-15) Hans-Joachim Schulze The Dresden Hofkapelle during the Lifetime of Johann Sebastian Bach (pp. 17-30) Ortrun Landmann The Editorial Transmission of C.P.E. Bach's Music (pp. 32-41) E. Eugene Helm A Chaconne by Georg Böhm: A Note on German Composers and French Styles (pp. 43-54) Peter Williams Türk, Touch and Slurring: Finding a Rationale (pp. 55-59) Daniel M. Raessler Early Fingering: Some Editing Problems and Some New Readings for J.S. Bach and John Bull (pp. 60-69) Mark Lindley The Rules for 'Through Bass' and for Tuning Attributed to Handel (pp. 70-74+77) Jane Troy Johnson
Nicholas Kenyon (Editor) / Johann Sebastian Bach's Orchestra: Some Unanswered Questions (pp. 3-15) Hans-Joachim Schulze The Dresden Hofkapelle during the Lifetime of Johann Sebastian Bach (pp. 17-30) Ortrun Landmann The Editorial Transmission of C.P.E. Bach's Music (pp. 32-41) E. Eugene Helm A Chaconne by Georg Böhm: A Note on German Composers and French Styles (pp. 43-54) Peter Williams Türk, Touch and Slurring: Finding a Rationale (pp. 55-59) Daniel M. Raessler Early Fingering: Some Editing Problems and Some New Readings for J.S. Bach and John Bull (pp. 60-69) Mark Lindley The Rules for 'Through Bass' and for Tuning Attributed to Handel (pp. 70-74+77) Jane Troy Johnson
Verlag: Oxford University Press, 1989
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In den WarenkorbSoft cover. Zustand: Very Good. 144 pages. Illustrated. Johann Sebastian Bach's Orchestra: Some Unanswered Questions (pp. 3-15) Hans-Joachim Schulze The Dresden Hofkapelle during the Lifetime of Johann Sebastian Bach (pp. 17-30) Ortrun Landmann The Editorial Transmission of C.P.E. Bach's Music (pp. 32-41) E. Eugene Helm A Chacon…ne by Georg Böhm: A Note on German Composers and French Styles (pp. 43-54) Peter Williams Türk, Touch and Slurring: Finding a Rationale (pp. 55-59) Daniel M. Raessler Early Fingering: Some Editing Problems and Some New Readings for J.S. Bach and John Bull (pp. 60-69) Mark Lindley The Rules for 'Through Bass' and for Tuning Attributed to Handel (pp. 70-74+77) Jane Troy Johnson.
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Early Music, November 1987 / Performance Practice in the Papal Chapel during the 16th Century (pp. 452-462) Richard Sherr Prince Arthur (1486-1502), a Carol and a cantus firmus (pp. 463-467) Hugh Benham Eighteenth-Century French Chamber Music for Vielle (pp. 468-479) Robert A. Green Another Keyboard Canzona by Giovanni Gabrieli? (pp. 480-486) Richard Charteris The Basset Clarinet Revived (pp. 487-501) Colin Lawson Francisco Pérez Mirabal's Harpsichords and the Early Spanish Piano (pp. 503-510+512-513) Beryl Kenyon de Pascual The Enigmatic Canons of Juan del Vado (c. 1625-1691) (pp. 514-519) Luis Robledo and Gerardo Arriaga
Nicholas Kenyon (Editor) / Performance Practice in the Papal Chapel during the 16th Century (pp. 452-462) Richard Sherr Prince Arthur (1486-1502), a Carol and a cantus firmus (pp. 463-467) Hugh Benham Eighteenth-Century French Chamber Music for Vielle (pp. 468-479) Robert A. Green Another Keyboard Canzona by Giovanni Gabrieli? (pp. 480-486) Richard Charteris The Basset Clarinet Revived (pp. 487-501) Colin Lawson Francisco Pérez Mirabal's Harpsichords and the Early Spanish Piano (pp. 503-510+512-513) Beryl Kenyon de Pascual The Enigmatic Canons of Juan del Vado (c. 1625-1691) (pp. 514-519) Luis Robledo and Gerardo Arriaga
Verlag: Oxford University Press, 1987
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In den WarenkorbSoft cover. Zustand: Very Good. 142 pages. Illustrated. Performance Practice in the Papal Chapel during the 16th Century (pp. 452-462) Richard Sherr Prince Arthur (1486-1502), a Carol and a cantus firmus (pp. 463-467) Hugh Benham Eighteenth-Century French Chamber Music for Vielle (pp. 468-479) Robert A. Green Another Keyboard Ca…nzona by Giovanni Gabrieli? (pp. 480-486) Richard Charteris The Basset Clarinet Revived (pp. 487-501) Colin Lawson Francisco Pérez Mirabal's Harpsichords and the Early Spanish Piano (pp. 503-510+512-513) Beryl Kenyon de Pascual The Enigmatic Canons of Juan del Vado (c. 1625-1691) (pp. 514-519) Luis Robledo and Gerardo Arriaga (M20).
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Early Music "Performing Mozart's Music" November 1991 / Performance and 'Authenticity' (pp. 501-506+508) Lewis Lockwood The Old and New Mozart Editions (pp. 513-532) Cliff Eisen The Neue Mozart-Ausgabe: A Retrospect (pp. 533-537) Marius Flothuis Mozart Performance in the 19th Century (pp. 538-555) George Barth Mozart's Belmonte (pp. 556-563) Thomas Bauman 'Ich bin die erste Sängerin': Vocal Profiles of Two Mozart Sopranos (pp. 565-576+579) Patricia Lewy Gidwitz Mozart's Italian buffo Singers (pp. 580-583) Alessandra Campana Susanna's Hat (pp. 585-589) Daniel Heartz Subjectivity and Objectivity in Mozart Performance (pp. 593-600) William Kinderman Mozart's First Thoughts: The Two Versions of the Sonata in D Major, K284 (pp. 601-613) László
Nicholas Kenyon (Editor) / Performance and 'Authenticity' (pp. 501-506+508) Lewis Lockwood The Old and New Mozart Editions (pp. 513-532) Cliff Eisen The Neue Mozart-Ausgabe: A Retrospect (pp. 533-537) Marius Flothuis Mozart Performance in the 19th Century (pp. 538-555) George Barth Mozart's Belmonte (pp. 556-563) Thomas Bauman 'Ich bin die erste Sängerin': Vocal Profiles of Two Mozart Sopranos (pp. 565-576+579) Patricia Lewy Gidwitz Mozart's Italian buffo Singers (pp. 580-583) Alessandra Campana Susanna's Hat (pp. 585-589) Daniel Heartz Subjectivity and Objectivity in Mozart Performance (pp. 593-600) William Kinderman Mozart's First Thoughts: The Two Versions of the Sonata in D Major, K284 (pp. 601-613) László
Verlag: Oxford University Press, 1991
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In den WarenkorbSoft cover. Zustand: Very Good. 172 pages. Illustrated. Performance and 'Authenticity' (pp. 501-506+508) Lewis Lockwood The Old and New Mozart Editions (pp. 513-532) Cliff Eisen The Neue Mozart-Ausgabe: A Retrospect (pp. 533-537) Marius Flothuis Mozart Performance in the 19th Century (pp. 538-555) George Barth Mozart's Belmonte…(pp. 556-563) Thomas Bauman 'Ich bin die erste Sängerin': Vocal Profiles of Two Mozart Sopranos (pp. 565-576+579) Patricia Lewy Gidwitz Mozart's Italian buffo Singers (pp. 580-583) Alessandra Campana Susanna's Hat (pp. 585-589) Daniel Heartz Subjectivity and Objectivity in Mozart Performance (pp. 593-600) William Kinderman Mozart's First Thoughts: The Two Versions of the Sonata in D Major, K284 (pp. 601-613) László Somfai Topical Content in Mozart's Keyboard Sonatas (pp. 615-619) Leonard G. Ratner 20th-Century Analysis and Mozart Performance (pp. 620-626) Carl Schachter.
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Early Music May 1990 / Voices and Instruments: Soloists and Ensembles in the 15th Century (pp. 179-198) Keith Polk Musical Acoustics in the Middle Ages (pp. 199-210) Dorothea Baumann and Barbara Haggh Minstrel Schools in the Late Middle Ages (pp. 212-216) Maricarmen Gómez and Barbara Haggh Writing, Reading and Memorizing: The Transmission and Resolution of Retrograde Canons from the 14th and Early 15th Centuries (pp. 218-221+223-234) Virginia Newes Some Aspects of the Notation and Performance of German Song around 1400 (pp. 235-246) Lorenz Welker and Barbara Haggh The Wedding of Archduke Charles and Maria of Bavaria in 1571 (pp. 253-255+257-259+261-269) Robert Lindell Josquin's "Missa Pange Lingua": A Note on Agnus Dei III (pp. 271-273+275
Nicholas Kenyon (Editor) / Voices and Instruments: Soloists and Ensembles in the 15th Century (pp. 179-198) Keith Polk Musical Acoustics in the Middle Ages (pp. 199-210) Dorothea Baumann and Barbara Haggh Minstrel Schools in the Late Middle Ages (pp. 212-216) Maricarmen Gómez and Barbara Haggh Writing, Reading and Memorizing: The Transmission and Resolution of Retrograde Canons from the 14th and Early 15th Centuries (pp. 218-221+223-234) Virginia Newes Some Aspects of the Notation and Performance of German Song around 1400 (pp. 235-246) Lorenz Welker and Barbara Haggh The Wedding of Archduke Charles and Maria of Bavaria in 1571 (pp. 253-255+257-259+261-269) Robert Lindell Josquin's "Missa Pange Lingua": A Note on Agnus Dei
Verlag: Oxford University Press, 1990
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In den WarenkorbSoft cover. Zustand: Very Good. 176 pages. Illustrated. Voices and Instruments: Soloists and Ensembles in the 15th Century (pp. 179-198) Keith Polk Musical Acoustics in the Middle Ages (pp. 199-210) Dorothea Baumann and Barbara Haggh Minstrel Schools in the Late Middle Ages (pp. 212-216) Maricarmen Gómez and Barbara Haggh Writin…g, Reading and Memorizing: The Transmission and Resolution of Retrograde Canons from the 14th and Early 15th Centuries (pp. 218-221+223-234) Virginia Newes Some Aspects of the Notation and Performance of German Song around 1400 (pp. 235-246) Lorenz Welker and Barbara Haggh The Wedding of Archduke Charles and Maria of Bavaria in 1571 (pp. 253-255+257-259+261-269) Robert Lindell Josquin's "Missa Pange Lingua": A Note on Agnus Dei III (pp. 271-273+275) Richard Sherr.
The Penguin Opera Guide
Amanda Holden [Editor]; Stephen Walsh [Contributor]; Nicholas Kenyon [Contributor]; Colin Davis [Preface];
- Softcover
Anbieter: BennettBooksLtd, Los Angeles, CA, USABennettBooksLtd
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paperback. Zustand: New. In shrink wrap. Looks like an interesting title.
- Softcover
Anbieter: BennettBooksLtd, Los Angeles, CA, USABennettBooksLtd
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paperback. Zustand: New. In shrink wrap. Looks like an interesting title.
- Weitere Bilder
Early Music Vol XVI No 4 November 1988 / When Is an Orchestra Not an Orchestra? (pp. 483-495) Neal Zaslaw The Instrumentation of Handel's Early Italian Works (pp. 496-505) Hans Joachim Marx Italian Oratorio and the Baroque Orchestra (pp. 506-513) Eleanor Selfridge-Field Improvized Ornamentation in a Handel Aria with Obbligato Wind Accompaniment (pp. 514-522) John Spitzer Newly Found Works of C. P. E. Bach (pp. 523-532) Rachel W. Wade C. P. E. Bach and the Tradition of Passion Music in Hamburg (pp. 533-541) Stephen L. Clark Performing C. P. E. Bach: Some Open Questions (pp. 542-551) David Schulenberg
Nicholas Kenyon (Editor) / When Is an Orchestra Not an Orchestra? (pp. 483-495) Neal Zaslaw The Instrumentation of Handel's Early Italian Works (pp. 496-505) Hans Joachim Marx Italian Oratorio and the Baroque Orchestra (pp. 506-513) Eleanor Selfridge-Field Improvized Ornamentation in a Handel Aria with Obbligato Wind Accompaniment (pp. 514-522) John Spitzer Newly Found Works of C. P. E. Bach (pp. 523-532) Rachel W. Wade C. P. E. Bach and the Tradition of Passion Music in Hamburg (pp. 533-541) Stephen L. Clark Performing C. P. E. Bach: Some Open Questions (pp. 542-551) David Schulenberg
Verlag: Oxford University Press, 1988
- Softcover
- Magazine / Periodical
Anbieter: Shore Books, London, Vereinigtes KönigreichShore Books
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In den WarenkorbSoft cover. Zustand: Very Good. 144 pages. Illustrated. When Is an Orchestra Not an Orchestra? (pp. 483-495) Neal Zaslaw The Instrumentation of Handel's Early Italian Works (pp. 496-505) Hans Joachim Marx Italian Oratorio and the Baroque Orchestra (pp. 506-513) Eleanor Selfridge-Field Improvized Ornamentation in a Handel Aria wi…th Obbligato Wind Accompaniment (pp. 514-522) John Spitzer Newly Found Works of C. P. E. Bach (pp. 523-532) Rachel W. Wade C. P. E. Bach and the Tradition of Passion Music in Hamburg (pp. 533-541) Stephen L. Clark Performing C. P. E. Bach: Some Open Questions (pp. 542-551) David Schulenberg.
The Viking Opera Guide
Holden, Amanda [Editor]; Kenyon, Nicholas [Editor]; Walsh, Stephen [Editor]; Davis, Colin [Preface];
- Hardcover
Anbieter: GridFreed, San Diego, CA, USAGridFreed
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hardcover. Zustand: New. In shrink wrap.
