Noon patrick (245 Ergebnisse)

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Zustand: Very Good. Very Good condition. A copy that may have a few cosmetic defects. May also contain light spine creasing or a few markings such as an owner's name, short gifter's inscription or light stamp. NOT AVAILABLE FOR SHIPMENT OUTSIDE OF THE UNITED STATES.

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- Softcover
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Paperback. Zustand: Good. This catalogue accompanies the Spring 2003 exhibition at Tate Britain. After years of cultural standoff, the period of High Romanticism was one of fervent artistic exchange between France and Britain. In the aftermath of Waterloo, British artists contributed regularly to Paris Salon, shared studios with… French artists, collaborated with Parisian print publishers and established themselves as drawing masters to the French aristocracy. Artists from both countries criss-crossed the channel. Key themes emerged between the artists of the two nations: landscape; literature; history; portraiture; and painting in watercolour. These themes are explored, illustrated by many of the acknowledged masterpieces of Romantic painting including Constable, Corot, Delacroix, Gericault, Ingres Turner, Vernet and Wilke. The book has been read but remains in clean condition. All pages are intact and the cover is intact. Some minor wear to the spine.

- Hardcover
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Zustand: Good. Former library copy. Pages intact with minimal writing/highlighting. The binding may be loose and creased. Dust jackets/supplements are not included. Includes library markings. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good.

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Weitere BilderSprache: Englisch
Verlag: Yale Center for British Art / Yale University Press, New Haven/London, 1997
- Softcover
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Soft cover. Zustand: Fine. No Jacket. Catalogue of books with engravings and illuminated books, temperas, watercolors and drawings, prints. Includes chronology. Many color illustrations. 87 pages, 8" x 10 1/2".

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Pb. Zustand: VG. 230 pages, ills (some color), notes, index, spine lightly creased, wrapper extremities lightly bumped, wrappers lightly rubbed.

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Zustand: Good. Good condition. Very Good dust jacket. (exhibition catalogs, art--private collections, William Blake). A copy that has been read but remains intact. May contain markings such as bookplates, stamps, limited notes and highlighting, or a few light stains.

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- Hardcover
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Hardcover. Zustand: Very Good. This book is in very good condition; no remainder marks. Dustjacket does have some shelfwear. Inside pages are clean.

Crossing the Channel: British and French Painting in the Age of Romanticism
Noon, Patrick - Author; Bann, Setephen; Brown, David Blayney; Meredith, Rachel; Riding, Christine, and Watteau, Marie - Contributors
Sprache: Englisch
Verlag: The Metropolitan Museum of Art - In Association with Tate Publishing, New York, 2003
- Softcover
- Erstausgabe
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Trade Paperback. Zustand: Very Good. First Edition. 290 Pages Indexed. Nice condition with a nearly flawless interior text and illustration pages. The Exhibition began at Tate Britain, London and ran 5 February - May 2003. Then touring to The Minneapolis Institute of Arts, Minneaolis 8 June - 7 September 2003. The exhibition was… at The Metropolitan Museum of Art, New York 7 October 2003 to 4 January 2004. This exhibition explores the extraordinary network of cultural interchange that developed between Britain and France in the three or so decades following the end, in 1815, of their long war - a conflict which had raged with only occasional respites since the early 1790s. Sustained hostility in politics was to give way to mutual admiration in the arts. Focusing primarily on painting, the exhibition traces both the impact of French Romanticism on British art, including through the sensational display in London of Theodore Cericault's Raft of the Medusa in 1820. (See Cover). Perhaps the range and force of Britain's cultural impact on France in these years will come as some surprise. Though Lord Byron's literary influence on Eugene Delacroix is well known, the prodigious consumption of Walter Scott in France may be less understood; and while John Constable's success at the Paris Salon exhibition of 1824, and his admiration by Delacroix, forms part of our standard histories of British art. The web of connections and its expression through French landscape painting through the 1830s and beyond, may prove to be one of this exhibition's most significant revelations. Though there had certainly been moments of productive cross-channel interchange in the previous century, they were readily undermined by political tensions and usually short-lived. The kind of sustained cultural dialogue surveyed by this exhibition was unprecedented and would furnish a model for subsequent generations.

- Hardcover
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Paperback. Zustand: Good. Good paperback, bumped/creased with shelfwear; may have previous owner's name inside. Oversized. Standard-sized.

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Soft cover. Zustand: Fine. Softcover, 56 pgs. 8.25 x 12 in. Fine.

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Paperback. Zustand: Very Good. 2 This book is in very good condition; no remainder marks. It does have some shelfwear. Inside pages are clean.

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Zustand: Very Good. Zustand des Schutzumschlags: Very Good. 87 pages, illustrated throughout in color and b&w. Minor wear to dust jacket, else a clean, tight copy. Record # 454073.

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PAPERBACK. Zustand: VG. First Edition.

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Paperback. Zustand: Very Good. No Jacket. May have limited writing in cover pages. Pages are unmarked. ~ ThriftBooks: Read More, Spend Less.