norman evenson (4 Ergebnisse)

Hardcover. Zustand: Near Fine. Zustand des Schutzumschlags: very good +. First edition. 7 1/2 x 10 in. Blue cloth boards with gilt lettering on spine. Numerous color and B&W illus. Condition is NEAR FINE ; pristine on all points. DJ is VERY GOOD+ ; no price to clip, minimal edge wear, clean with spine lightly sunned. Architecture. Stax.

Hardcover. Zustand: Near Fine. Zustand des Schutzumschlags: Near Fine. First Thus. Black boards lettered in red on the spine; headband. Lightly rubbed on the corners of the dustjacket; price intact; no interior markings. This anthology contains: Introduction by Ellen Datlow; Wet Red Grin by Gemma Files; Sweet Potato by Joe R. Lansdale; The Father of Modern Gynecology by Joyce Carol Oates; You Have What I Need by Ian Rogers; The Midway by Fran Wilde; The Virgin Jimmy Peck by Daryl Gregor; The Ghost of a Flea by Priya Sharma; The Atrocity Exhibitionists by Brian Hodge; Here Comes Your Man by Indrapramit Das; Siolaigh by Siobhan Carroll; What Is Love But the Quiet Moments After Dinner? by Richard Kadrey; The Island by Norman Partridge; Flaming Teeth by Garry Kilworth; Strandling by Caitlin R. Kiernan; The Special One by Chikodili Emelumadu; Devil by Glen Hirshberg; Crick Crack Rattle Tap by A. C. Wise; Children of the Night by Stephen Graham Jones; The Smell of Waiting by Kaaron Warren; Now Voyager by Livia Llewellyn; The Last Drop by Carole Johnstone; Three Mothers Mountain by Nathan Ballingrud; Widow-Light by Margo Lanagan; Knock, Knock by Brian Evenson; What Is Meat with No God? by Cassandra Khaw; Bitten by Himself by Laird Barron; Burial by Kristi DeMeester; Beautiful Dreamer by Jeffrey Ford; and Blodsugar by John Langan Size: 8vo. Book.

Hardcover. Zustand: Near Fine. Zustand des Schutzumschlags: Near Fine. First Thus. Black boards lettered in red on the spine; headband. Lightly rubbed on the corners of the dustjacket; price intact; no interior markings. This anthology contains: Introduction by Ellen Datlow; Wet Red Grin by Gemma Files; Sweet Potato by Joe R. Lansdale; The Father of Modern Gynecology by Joyce Carol Oates; You Have What I Need by Ian Rogers; The Midway by Fran Wilde; The Virgin Jimmy Peck by Daryl Gregor; The Ghost of a Flea by Priya Sharma; The Atrocity Exhibitionists by Brian Hodge; Here Comes Your Man by Indrapramit Das; Siolaigh by Siobhan Carroll; What Is Love But the Quiet Moments After Dinner? by Richard Kadrey; The Island by Norman Partridge; Flaming Teeth by Garry Kilworth; Strandling by Caitlin R. Kiernan; The Special One by Chikodili Emelumadu; Devil by Glen Hirshberg; Crick Crack Rattle Tap by A. C. Wise; Children of the Night by Stephen Graham Jones; The Smell of Waiting by Kaaron Warren; Now Voyager by Livia Llewellyn; The Last Drop by Carole Johnstone; Three Mothers Mountain by Nathan Ballingrud; Widow-Light by Margo Lanagan; Knock, Knock by Brian Evenson; What Is Meat with No God? by Cassandra Khaw; Bitten by Himself by Laird Barron; Burial by Kristi DeMeester; Beautiful Dreamer by Jeffrey Ford; and Blodsugar by John Langan Size: 8vo. Book.

Folio. 11.5 x 17 in. [108 pp (unpaginated).]. With many colour maps, aerial birds-eye photos (2 large folding), over 200 photo illustrations, tables, diagrams. Flexible printed covers, Portland population sign as front cover & cover art, wire spiral binding as issued (minor dustsoiling, slight creasing to fore-edges), still VG bright copy, from the library of A. Rodney Eckerson (1930-2024), former purchasing agent for the Port of Portland. First edition of this surprisingly scarce, and groundbreaking visual urban renewal report designed, and written by the Portland Chapter of The American Institute of Architects as the impact of the newly constructed freeways, and other renewal projects began to take effect at the end of the 1960's. Of particular interest, are the many different photographs arranged in a Ruscha-inspired effect which the AIA felt was essential for successful development planning, and "not found in traffic, land use, or any other authorized study." Teams of architects, assistants, students, and photographers including Richard Lum, Jim Stroup, Peck Coleman and Doug Macy, spread across the City of Portland to chart the impact from the precipitous drop in businesses, and downtown population from 1940-1970 of nearly 60% from the city center. The photos capture the state of streets, businesses, advertising, public buildings and housing through the Railroad Yards, Burnside- Auto Strip, Financial District, Skid Row, Broadway Theater District, Old Town, Portland, State University, and others, integrated with maps and tables of physical descriptions, problems to be solved, and proposed solutions. See: Portland Downtown Plan, Inventory & Analysis, Portland City Planning Commission, September, 1971.