Nowicka bronka (31 Ergebnisse)
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Paperback. Zustand: New. In her audacious debut To Feed the Stone, Bronka Nowicka offers writing that is both timeless and timely. Using the language of folk narrative, like Italo Calvino, Russell Edson and Jan Svankmajer before her, Nowicka's prose poems take us through the stark and disorienting world of a child--a world that…excavates the border of appearances in a constant search for the essence of connection. The poet reconfigures the dynamics between people and objects, cause and effect, the body and the outside world, and the tenuous boundaries between death and life. As Nowicka's child-narrator poignantly observes after discovering the body of a dead family member: "Her head was hanging over the armrest, her mouth open wide as if, with her whole body, she was taking the last photo of this world."An ant ground between fingers smells of vinegar. A butterfly has powder, a mole has a tailcoat. You can roll filth down your skin. Old people smell like borsch. You have butter behind your fingernails where splinters can get in. There are hunch-backed people and crazy people but not dogs or birds. Sucking on the salty knee, the child knows: the only thing that separates you from the world is the skin. Thanks to skin, you're not swallowed up by the vastness of things. Excerpt of "Tights" from To Feed the Stone.
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Paperback. Zustand: New. In her audacious debut To Feed the Stone, Bronka Nowicka offers writing that is both timeless and timely. Using the language of folk narrative, like Italo Calvino, Russell Edson and Jan Svankmajer before her, Nowicka's prose poems take us through the stark and disorienting world of a child--a world that…excavates the border of appearances in a constant search for the essence of connection. The poet reconfigures the dynamics between people and objects, cause and effect, the body and the outside world, and the tenuous boundaries between death and life. As Nowicka's child-narrator poignantly observes after discovering the body of a dead family member: "Her head was hanging over the armrest, her mouth open wide as if, with her whole body, she was taking the last photo of this world."An ant ground between fingers smells of vinegar. A butterfly has powder, a mole has a tailcoat. You can roll filth down your skin. Old people smell like borsch. You have butter behind your fingernails where splinters can get in. There are hunch-backed people and crazy people but not dogs or birds. Sucking on the salty knee, the child knows: the only thing that separates you from the world is the skin. Thanks to skin, you're not swallowed up by the vastness of things. Excerpt of "Tights" from To Feed the Stone.
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Paperback. Zustand: new. Paperback. In her audacious debut To Feed the Stone, Bronka Nowicka offers writing that is both timeless and timely. Using the language of folk narrative, like Italo Calvino, Russell Edson and Jan Svankmajer before her, Nowicka's prose poems take us through the stark and disorienting world of a childa wo…rld that excavates the border of appearances in a constant search for the essence of connection. The poet reconfigures the dynamics between people and objects, cause and effect, the body and the outside world, and the tenuous boundaries between death and life. As Nowicka's child-narrator poignantly observes after discovering the body of a dead family member: "Her head was hanging over the armrest, her mouth open wide as if, with her whole body, she was taking the last photo of this world."An ant ground between fingers smells of vinegar. A butterfly has powder, a mole has a tailcoat. You can roll filth down your skin. Old people smell like borsch. You have butter behind your fingernails where splinters can get in. There are hunch-backed people and crazy people but not dogs or birds. Sucking on the salty knee, the child knows: the only thing that separates you from the world is the skin. Thanks to skin, you're not swallowed up by the vastness of things. Excerpt of "Tights" from To Feed the Stone The book is a moving reminder of a child's perspective; a child who is surrounded by unmagical things; things that are sad, ugly, serious or just ordinary. It is that lens of a child that breathes magic into them. Shipping may be from multiple locations in the US or from the UK, depending on stock availability.
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Paperback. Zustand: New. New from the publisher.
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Paperback. Zustand: Brand New. 112 pages. 8.50x5.50x0.40 inches. In Stock.
Verlag: Dalkey Arhive, 2021, 2021
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In den WarenkorbFirst edition, first printing New and bright in decorative wraps. Translated from the Polish.
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Paperback. Zustand: Used; Good. ***Simply Brit*** Welcome to our online used book store, where affordability meets great quality. Dive into a world of captivating reads without breaking the bank. We take pride in offering a wide selection of used books, from classics to hidden gems, ensuring there is something for every literary… palate. All orders are shipped within 24 hours and our lightning fast-delivery within 48 hours coupled with our prompt customer service ensures a smooth journey from ordering to delivery. Discover the joy of reading with us, your trusted source for affordable books that do not compromise on quality.
Europa28: Writing by Women on the Future of Europe
Bakic, Asja; Ban, Zsofia; Beck, Annelies; Bencivelli, Silvia; Cottam, Hilary; Dwan, Lisa; Hofstetter, Yvonne; Ikstena, Nora; Kangro, Maarja; Kassabova, Kapka; Kouvelaki, Sofia; Krecke, Carine; Muscat, Caroline; Nadjarian, Nora; Nicolaie, Ioana; Nowicka, Bronka; Nvotova, Tereza; Pessoa, Ana; Portela, Edurne; Rabinowich, Julya; Ramqvist, Karolina; Rychlikova, Apolena; Salecl, Renata; Slimani, Leila; Teller, Janne; Turunen, Saara; Vitaite, Zydrune; Wekker, Gloria
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Zustand: New. pp. 256.
Europa28: Writing by Women on the Future of Europe
Bakic, Asja; Ban, Zsofia; Beck, Annelies; Bencivelli, Silvia; Cottam, Hilary; Dwan, Lisa; Hofstetter, Yvonne; Ikstena, Nora; Kangro, Maarja; Kassabova, Kapka; Kouvelaki, Sofia; Krecke, Carine; Muscat, Caroline; Nadjarian, Nora; Nicolaie, Ioana; Nowicka, Bronka; Nvotova, Tereza; Pessoa, Ana; Portela, Edurne; Rabinowich, Julya; Ramqvist, Karolina; Rychlikova, Apolena; Salecl, Renata; Slimani, Leila; Teller, Janne; Turunen, Saara; Vitaite, Zydrune; Wekker, Gloria
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Zustand: New. pp. 256.
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Europa28: Writing by Women on the Future of Europe
Bakic, Asja; Ban, Zsofia; Beck, Annelies; Bencivelli, Silvia; Cottam, Hilary; Dwan, Lisa; Hofstetter, Yvonne; Ikstena, Nora; Kangro, Maarja; Kassabova, Kapka; Kouvelaki, Sofia; Krecke, Carine; Muscat, Caroline; Nadjarian, Nora; Nicolaie, Ioana; Nowicka, Bronka; Nvotova, Tereza; Pessoa, Ana; Portela, Edurne; Rabinowich, Julya; Ramqvist, Karolina; Rychlikova, Apolena; Salecl, Renata; Slimani, Leila; Teller, Janne; Turunen, Saara; Vitaite, Zydrune; Wekker, Gloria
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Zustand: New. pp. 256.
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Europa28 : Writing By Women On The Future Of Europe
Bakic, Asja; Ban, Zsofia; Beck, Annelies; Bencivelli, Silvia; Cottam, Hilary; Dwan, Lisa; Hofstetter, Yvonne; Ikstena, Nora; Kangro, Maarja; Kassabova, Kapka; Kouvelaki, Sofia; Krecke, Carine; Muscat, Caroline; Nadjarian, Nora; Nicolaie, Ioana; Nowicka, Bronka; Nvotova, Tereza; Pessoa, Ana; Portela, Edurne; Rabinowich, Julya; Ramqvist, Karolina; Rychlikova, Apolena; Salecl, Renata; Slimani, Leila; Teller, Janne; Turunen, Saara; Vitaite, Zydrune; Wekker, Gloria
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Europa28 : Writing By Women On The Future Of Europe
Bakic, Asja; Ban, Zsofia; Beck, Annelies; Bencivelli, Silvia; Cottam, Hilary; Dwan, Lisa; Hofstetter, Yvonne; Ikstena, Nora; Kangro, Maarja; Kassabova, Kapka; Kouvelaki, Sofia; Krecke, Carine; Muscat, Caroline; Nadjarian, Nora; Nicolaie, Ioana; Nowicka, Bronka; Nvotova, Tereza; Pessoa, Ana; Portela, Edurne; Rabinowich, Julya; Ramqvist, Karolina; Rychlikova, Apolena; Salecl, Renata; Slimani, Leila; Teller, Janne; Turunen, Saara; Vitaite, Zydrune; Wekker, Gloria
- Softcover
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Verlag: HENDRIK LINDEPUU, 2017
- Softcover
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Zustand: new. Pages: 52 Language: Estonian. Bronka Nowicka (snd 1974) debüütraamat "Anda kivile süüa" (Nakarmic kamien, 2015) tõi talle 2016. aastal Poola kõrgeima kirjandusauhinna Nike. Raamatu kohta on Bronka Nowicka öelnud: "Ma ei soovi, et elutud asjad oleksid elus. Ma tahaksin, et elus inimesed oleksid vähem surnud. Just se…llest on minu jaoks see raamat." Raamatu lakoonilised, aga samas lausa pilte silme ette manavate kujunditega proosalaastud on kui kalliskivid, mille teravad servad võivad hinge marraskile kriipida - maailma täieliku tunnetamise võimatus toob igapäevaste toimetuste kirjeldusse traagilise noodi. 9789949988037.
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Paperback. Zustand: New. In her audacious debut To Feed the Stone, Bronka Nowicka offers writing that is both timeless and timely. Using the language of folk narrative, like Italo Calvino, Russell Edson and Jan Svankmajer before her, Nowicka's prose poems take us through the stark and disorienting world of a child--a world that…excavates the border of appearances in a constant search for the essence of connection. The poet reconfigures the dynamics between people and objects, cause and effect, the body and the outside world, and the tenuous boundaries between death and life. As Nowicka's child-narrator poignantly observes after discovering the body of a dead family member: "Her head was hanging over the armrest, her mouth open wide as if, with her whole body, she was taking the last photo of this world."An ant ground between fingers smells of vinegar. A butterfly has powder, a mole has a tailcoat. You can roll filth down your skin. Old people smell like borsch. You have butter behind your fingernails where splinters can get in. There are hunch-backed people and crazy people but not dogs or birds. Sucking on the salty knee, the child knows: the only thing that separates you from the world is the skin. Thanks to skin, you're not swallowed up by the vastness of things. Excerpt of "Tights" from To Feed the Stone.
- Softcover
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Paperback. Zustand: new. Paperback. In her audacious debut To Feed the Stone, Bronka Nowicka offers writing that is both timeless and timely. Using the language of folk narrative, like Italo Calvino, Russell Edson and Jan Svankmajer before her, Nowicka's prose poems take us through the stark and disorienting world of a childa wo…rld that excavates the border of appearances in a constant search for the essence of connection. The poet reconfigures the dynamics between people and objects, cause and effect, the body and the outside world, and the tenuous boundaries between death and life. As Nowicka's child-narrator poignantly observes after discovering the body of a dead family member: "Her head was hanging over the armrest, her mouth open wide as if, with her whole body, she was taking the last photo of this world."An ant ground between fingers smells of vinegar. A butterfly has powder, a mole has a tailcoat. You can roll filth down your skin. Old people smell like borsch. You have butter behind your fingernails where splinters can get in. There are hunch-backed people and crazy people but not dogs or birds. Sucking on the salty knee, the child knows: the only thing that separates you from the world is the skin. Thanks to skin, you're not swallowed up by the vastness of things. Excerpt of "Tights" from To Feed the Stone The book is a moving reminder of a child's perspective; a child who is surrounded by unmagical things; things that are sad, ugly, serious or just ordinary. It is that lens of a child that breathes magic into them. Shipping may be from our Sydney, NSW warehouse or from our UK or US warehouse, depending on stock availability.
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Kartoniert / Broschiert. Zustand: New. The book is a moving reminder of a child s perspective a child who is surrounded by unmagical things things that are sad, ugly, serious or just ordinary. It is that lens of a child that breathes magic into them.Über den Autor.
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Taschenbuch. Zustand: Neu. Neuware - In her audacious debut To Feed the Stone, Bronka Nowicka offers writing that is both timeless and timely. Using the language of folk narrative, like Italo Calvino, Russell Edson and Jan Svankmajer before her, Nowickäs prose poems take us through the stark and disorienting world of a child¿¿a…world that excavates the border of appearances in a constant search for the essence of connection. The poet reconfigures the dynamics between people and objects, cause and effect, the body and the outside world, and the tenuous boundaries between death and life. As Nowickäs child-narrator poignantly observes after discovering the body of a dead family member: ¿Her head was hanging over the armrest, her mouth open wide as if, with her whole body, she was taking the last photo of this world.¿An ant ground between fingers smells of vinegar. A butterfly has powder, a mole has a tailcoat. You can roll filth down your skin. Old people smell like borsch. You have butter behind your fingernails where splinters can get in. There are hunch-backed people and crazy people but not dogs or birds. Sucking on the salty knee, the child knows: the only thing that separates you from the world is the skin. Thanks to skin, yoüre not swallowed up by the vastness of things. Excerpt of ¿Tights¿ from To Feed the Stone.
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Anbieter: Rarewaves.com UK, London, Vereinigtes KönigreichRarewaves.com UK
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Paperback. Zustand: New. In her audacious debut To Feed the Stone, Bronka Nowicka offers writing that is both timeless and timely. Using the language of folk narrative, like Italo Calvino, Russell Edson and Jan Svankmajer before her, Nowicka's prose poems take us through the stark and disorienting world of a child--a world that…excavates the border of appearances in a constant search for the essence of connection. The poet reconfigures the dynamics between people and objects, cause and effect, the body and the outside world, and the tenuous boundaries between death and life. As Nowicka's child-narrator poignantly observes after discovering the body of a dead family member: "Her head was hanging over the armrest, her mouth open wide as if, with her whole body, she was taking the last photo of this world."An ant ground between fingers smells of vinegar. A butterfly has powder, a mole has a tailcoat. You can roll filth down your skin. Old people smell like borsch. You have butter behind your fingernails where splinters can get in. There are hunch-backed people and crazy people but not dogs or birds. Sucking on the salty knee, the child knows: the only thing that separates you from the world is the skin. Thanks to skin, you're not swallowed up by the vastness of things. Excerpt of "Tights" from To Feed the Stone.
