Peter s briggs (43 Ergebnisse)

Sprache: Englisch
Verlag: Texas A & M University Press, College Station, 2026
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Hardcover. Zustand: new. Hardcover. Down in the Dirtchronicles more than fifty years of multidisciplinary artist Terry Allen's printmaking and visual storytelling. Rooted in West Texas yet reaching far beyond, Allen's work fuses image, text, music, and performance into layered narratives shaped by memory, geography, and personal mythologies. The book, anchored by the 202122 exhibition of the same name, explores how Allen's art inhabits the shifting space between fact and fiction, autobiography and invention. Peter S. Briggs traces Allen's evolution from early experiments at Cirrus Editions in Los Angeles to later collaborations at Landfall Press and Tamarind Institute, highlighting landmark works such as Juarez: A Simple Storya multimedia suite combining lithographs, music, and text. Recurring themes include love, violence, humor, the American Southwest, and the tension between home and exile. Allen's imagerybeds, highways, deserts, saints, and outlawsfunctions like fragments of stories that resist closure, encouraging viewers to assemble meaning from ambiguity. The book also situates Allen within the postWorld War II printmaking revival, noting his embrace of technical experimentation, serial imagery, and collaborative processes with master printers. Essays examine how Allen's prints, like his songs and performances, blur boundaries between media while reflecting on place, memory, and identity. Ultimately, Down in the Dirt presents Allen as a restless storyteller whose work defies linear narratives, inviting audiences into a world where personal history, regional culture, and artistic invention collide across decades of creative output. Shipping may be from multiple locations in the US or from the UK, depending on stock availability.…

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- Hardcover
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Hardcover. Zustand: new. Hardcover. Since the 1970s Rick Dingus has photographed ""landscapes"": remote wilderness and rural settings, vernacular traces, urban environments, and ancient pathways that invite viewers to look closer, to think about how to interpret what they are seeing. Perception unfolds in many ways in this volume, whose photographs document Dingus's lifelong exploration of the intersections of time, place, culture, and nature. Dingus discusses his creative process in practical and philosophical terms through brief opening passages and an in-depth interview with art curator Peter S. Briggs. An introductory essay by curator Toby Jurovics considers Dingus's oeuvre within the evolution of landscape photography from the nineteenth century to the present day - offering a view of the photographer's art as ""resilient enough to contain both empirical and metaphorical truth; the descriptive and the personal; the past and the present."" An essay by Shelley Armitage offers a more personal reflection on the experience of viewing the photographs. And art critic Lucy R. Lippard provides a chronology and sustained interpretation of Dingus's work, with its emphasis on transformation and on ""translating information across visual borders."" Landscape is always with us, deceptively simple, yet capable of providing something much more. By examining the rich variety of Dingus's work and reflecting on the evolution of ideas that lie behind it, Shifting Views and Changing Places invites readers to critically examine the pursuit of seeing. Landscape is always with us, deceptively simple, yet capable of providing something much more. By examining the rich variety of Rick Dingus's work and reflecting on the evolution of ideas that lie behind it, Shifting Views and Changing Places invites readers to critically examine the pursuit of seeing. Shipping may be from multiple locations in the US or from the UK, depending on stock availability.…
Weitere BilderVerlag: Utah State University, 1988
- Softcover
- Erstausgabe
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In den WarenkorbSoft cover. Zustand: Very Good. No Jacket. 1st Edition. Those of us with an interest in photography (I once earned my living photographing the homes to be demolished as part of an extensive urban renewal area in Syracuse, New York) have probably heard of the photographers who got their start with the Farm Security Administration under FDR s New Deal program. I am pleased to offer a softcover catalogue of an exhibition mounted by the Nora Eccles Harrison Museum of Art at Utah State University, titled: Life and Land The Farm Security Administration Photographers in Utah, 1936-1941 . This large but slender, soft cover book (9 x 12 inches, 64 pages) features the works of three of the FSA photographers of the era: Dorothea Lange, Russell Lee and Arthur Rothstein. The Exhibition was held on the occasion of the centennial of Utah State University held from January 10- March 6, 1988. It was curated by Peter S. Briggs and there is an Introductory essay by Brian Q. Cannon. Condition: This book is in very good condition. The soft covers show some faint bumping to the corners and spine tips, barely noticeable. There are two tiny brown spots on the front cover. Inside the book is unmarked and the pages and photos are clean and bright throughout, without toning or foxing. The stapled binding is tight and sound.…

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Hardcover. Zustand: Brand New. 192 pages. 10.29x0.78x12.31 inches. In Stock.

Sprache: Englisch
Verlag: Boydell Pr, 2014
Serie: Buch 5 von 16 - People, Markets, Goods: Economies and Societies in History
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Paperback. Zustand: Brand New. 320 pages. 9.25x6.25x1.00 inches. In Stock.

- Hardcover
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Sprache: Englisch
Verlag: Texas A & M University Press, College Station, 2026
- Hardcover
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Hardcover. Zustand: new. Hardcover. Down in the Dirtchronicles more than fifty years of multidisciplinary artist Terry Allen's printmaking and visual storytelling. Rooted in West Texas yet reaching far beyond, Allen's work fuses image, text, music, and performance into layered narratives shaped by memory, geography, and personal mythologies. The book, anchored by the 202122 exhibition of the same name, explores how Allen's art inhabits the shifting space between fact and fiction, autobiography and invention. Peter S. Briggs traces Allen's evolution from early experiments at Cirrus Editions in Los Angeles to later collaborations at Landfall Press and Tamarind Institute, highlighting landmark works such as Juarez: A Simple Storya multimedia suite combining lithographs, music, and text. Recurring themes include love, violence, humor, the American Southwest, and the tension between home and exile. Allen's imagerybeds, highways, deserts, saints, and outlawsfunctions like fragments of stories that resist closure, encouraging viewers to assemble meaning from ambiguity. The book also situates Allen within the postWorld War II printmaking revival, noting his embrace of technical experimentation, serial imagery, and collaborative processes with master printers. Essays examine how Allen's prints, like his songs and performances, blur boundaries between media while reflecting on place, memory, and identity. Ultimately, Down in the Dirt presents Allen as a restless storyteller whose work defies linear narratives, inviting audiences into a world where personal history, regional culture, and artistic invention collide across decades of creative output. Shipping may be from our UK warehouse or from our Australian or US warehouses, depending on stock availability.…

- Hardcover
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- Softcover
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In den WarenkorbPolity Press, Cambridge 2010. Reprint. VIII + 346 pages. Illustrated in b/w. Trade paperback. Near fine.

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Buch. Zustand: Neu. Neuware - Down in the Dirtchronicles more than fifty years of multidisciplinary artist Terry Allen's printmaking and visual storytelling. Rooted in West Texas yet reaching far beyond, Allen's work fuses image, text, music, and performance into layered narratives shaped by memory, geography, and personal mythologies. The book, anchored by the 202122 exhibition of the same name, explores how Allen's art inhabits the shifting space between fact and fiction, autobiography and invention. Peter S. Briggs traces Allen's evolution from early experiments at Cirrus Editions in Los Angeles to later collaborations at Landfall Press and Tamarind Institute, highlighting landmark works such as Juarez: A Simple Storya multimedia suite combining lithographs, music, and text. Recurring themes include love, violence, humor, the American Southwest, and the tension between home and exile. Allen's imagerybeds, highways, deserts, saints, and outlawsfunctions like fragments of stories that resist closure, encouraging viewers to assemble meaning from ambiguity. The book also situates Allen within the postWorld War II printmaking revival, noting his embrace of technical experimentation, serial imagery, and collaborative processes with master printers. Essays examine how Allen's prints, like his songs and performances, blur boundaries between media while reflecting on place, memory, and identity. Ultimately, Down in the Dirt presents Allen as a restless storyteller whose work defies linear narratives, inviting audiences into a world where personal history, regional culture, and artistic invention collide across decades of creative output. …

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Gebunden. Zustand: New. Landscape is always with us, deceptively simple, yet capable of providing something much more. By examining the rich variety of Rick Dingus s work and reflecting on the evolution of ideas that lie behind it, Shifting Views and Changing Places invites reader.

- Softcover
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Paperback. Zustand: New.

- Softcover
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Zustand: New. In English.

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Buch. Zustand: Neu. Neuware.

- Softcover
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Hardcover. Zustand: Brand New. 208 pages. 10.75x12.25x1.00 inches. In Stock.

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Sprache: Englisch
Verlag: Texas A & M University Press, College Station, 2026
- Hardcover
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Hardcover. Zustand: new. Hardcover. Down in the Dirtchronicles more than fifty years of multidisciplinary artist Terry Allen's printmaking and visual storytelling. Rooted in West Texas yet reaching far beyond, Allen's work fuses image, text, music, and performance into layered narratives shaped by memory, geography, and personal mythologies. The book, anchored by the 202122 exhibition of the same name, explores how Allen's art inhabits the shifting space between fact and fiction, autobiography and invention. Peter S. Briggs traces Allen's evolution from early experiments at Cirrus Editions in Los Angeles to later collaborations at Landfall Press and Tamarind Institute, highlighting landmark works such as Juarez: A Simple Storya multimedia suite combining lithographs, music, and text. Recurring themes include love, violence, humor, the American Southwest, and the tension between home and exile. Allen's imagerybeds, highways, deserts, saints, and outlawsfunctions like fragments of stories that resist closure, encouraging viewers to assemble meaning from ambiguity. The book also situates Allen within the postWorld War II printmaking revival, noting his embrace of technical experimentation, serial imagery, and collaborative processes with master printers. Essays examine how Allen's prints, like his songs and performances, blur boundaries between media while reflecting on place, memory, and identity. Ultimately, Down in the Dirt presents Allen as a restless storyteller whose work defies linear narratives, inviting audiences into a world where personal history, regional culture, and artistic invention collide across decades of creative output. Shipping may be from our Sydney, NSW warehouse or from our UK or US warehouse, depending on stock availability.…

Sprache: Englisch
Verlag: [Place of publication not identified] : Ailsa, Inc., 1994, 1994
- Hardcover
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Hardcover. Zustand: Fine. No Jacket. viii, 525 pages : illustrations ; 26 cm. ; ISBN: 0940889382; 9780940889385 ; LC: GV964.A1 ; OCLC: 33988744 ; yellow cloth ; no dustjacket ; ownership stamp ; Contents: The early years / Enid Wilson -- Womens's golf spreads round the world / Henry Cotton -- The first power player; Cecil Leitch / Enid Wilson -- The emergence of Joyce Wethered / Enid Wilson -- What train / Bernard Darwin -- Dr. Stirling's daughter: 1916, Belmont Springs / Bunker Hil -- Alexa Stirling renews her claim -- A new crop of American golders: Alexa Stirling, Marion Hollins, Edith Cummings, Glenna Collett / Granland Rice -- My first national championship . Glenna Collett -- The dazzling Edith Cummings / Grantland Rice -- On first meeting Albertine / Marcel Proust -- The champion who cheated / F. Scott Fitzgerald -- The Briggs cartoons / Clare Briggs -- How to make a correct trun / GLenna Collett -- Profile: GLenna Collett / Niven Busch -- Joyce dominates the scene / Bernard Darwin -- The greatest women's match of all time / Al Laney -- Miss Wethered versus Miss Collett / Enid WIlson -- The origin of the Curtis Cup matches / Margaret Curtis -- A cartoon from Punch Magazine -- The final warm-up before the first official Curtis Cup match / Pamerla Emory -- An incident at Turnberry / Francis Ouimet -- The first Curtis Cup match -- Playing the old course with Joyce Wethered / Robert T. jones -- Visualizing the shot / Joyce Wethered -- Grantland Rice introduces me to golf / Bade Didrikson Zaharias -- The essence of Scottish golf / Joyce Wethered -- A singular triumph at Worplesdon / Bernard Darwin -- Virginia Van Wie holds onto her title / Howard Berry -- A remarkable golfing record / Joseph C Dey -- Swinging the clubhead / Virginia Van Wie -- Reunion: Wethered and Jones, East lake, 1935 / O B Keeler -- Joyce Wethered's swing -- Glenna Collett's swing -- Number six for Glenna / Bernard E Swanson -- British champion, Pam barton, adds the US Amateur, from the New York Herald Tribune -- Mid-Century, 1941-1971 -- Two cartoons from the New Yorker / Helen Hokinson and P. Steiner -- My swing / Patty Berg -- Ernest Jones: Ladies man / Philip W Wrenn -- Remembering Pam Barton, 1943 -- Impressions of the 1948 Custis Cup trip / Glenna Collett Vare -- Are our courses right for women? / Margaret Curits -- You're always learning new ideas, new methods. it keeps you young / Patty Berg -- It all depends on teh backswing / Louise Suggs -- The Babe comes back / Al Laney -- Berg, Jameson and Suggs in Havana -- Make way for the girls -- 1956, Marlene Hagge's year -- Bobby Jones and Joyce Wethered play the old course / S L McKinlay -- Your head must move / Helen Dettweiler -- The tragic fourth -- Les Gierls: lide under pressure -- On the road with the pros / Barbara Heilman -- Anyone cna hit a long ball / Mickey Wright -- Anne Quast Welts and the Hogan Touch / Frank Hannigan -- Barbara McIntire; At her best at Prairie Dunes / frank Hannigan -- The drama of St. Geramin / Tom Scott -- A report on the first women's world amateur team championship / Vicomtesse de Saint-Sauveur -- Lacoste: old name new glory -- When Mickey Wright did nother wrong / Gwilym S Brown -- A new leading lady / Don Weiss -- The queen steps down -- The Babe in retrospect / Enid Wilson -- Catherine Lacoste: an amateur wins the US womens' open / Frank Hannigan -- Catching up with Virginia Van Wie / John Husar -- A women's open that was won , not lost / Frank Hannigan -- The 1968 US women's Amateur: JoAnne Gundereson Carner versus Anne Quast Welts / Frank Hannigan -- Donna Caponi; symbol of a happy state of affairs / Frank Hannigan -- Catherine was gerat / Frank Hannigan -- Catherine Lacoste: Championne du Monde / Peter Ryde -- The Girls Junior Championship grows up / haorld Petereson -- Recent times, 1973-1993 -- Nancy Lopez lines up a big future / Sarah ballard -- How nice it is to win / Darah ballard -- Gundy / Sarah ballard -- Make way for Mr. David Foster / Sarah ballard -- Sandra Palmer ;etc FINE. Book.…

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