Philip k mathai (31 Ergebnisse)

Zustand: New.

Zustand: As New. Unread book in perfect condition.

Paperback. New book. 202 pp.

Zustand: New.

Zustand: New. Brand New! Not Overstocks or Low Quality Book Club Editions! Direct From the Publisher! We're not a giant, faceless warehouse organization! We're a small town bookstore that loves books and loves it's customers! Buy from Lakeside Books.

Zustand: New.

Zustand: New. pp. 202.

PF. Zustand: New.

Zustand: New. In.

Zustand: New.

Zustand: As New. Unread book in perfect condition.

Zustand: New. In.

PAP. Zustand: New. New Book. Shipped from UK. THIS BOOK IS PRINTED ON DEMAND. Established seller since 2000.

PAP. Zustand: New. New Book. Delivered from our UK warehouse in 4 to 14 business days. THIS BOOK IS PRINTED ON DEMAND. Established seller since 2000.

Zustand: New. Print on Demand pp. 202.

HRD. Zustand: New. New Book. Shipped from UK. THIS BOOK IS PRINTED ON DEMAND. Established seller since 2000.

Zustand: New. PRINT ON DEMAND pp. 202.

HRD. Zustand: New. New Book. Delivered from our UK warehouse in 4 to 14 business days. THIS BOOK IS PRINTED ON DEMAND. Established seller since 2000.

Paperback / softback. Zustand: New. This item is printed on demand. New copy - Usually dispatched within 5-9 working days.

Zustand: New. Print on Demand.

Zustand: New. Print on Demand.

Zustand: New. PRINT ON DEMAND.

Hardback. Zustand: New. This item is printed on demand. New copy - Usually dispatched within 5-9 working days.

Taschenbuch. Zustand: Neu. nach der Bestellung gedruckt Neuware - Printed after ordering - Hymns and songs have long been the most frequent and characteristic expression of communal beliefs, particularly among faith traditions that lack authoritarian or rigidly codified doctrinal statements. Even among Christian traditions that do include a strong focus on creeds, catechism and liturgy, it is hymnody, more than anything else, that sustains their lay theology.The hymns of Moshe Walsalam Sastriyar (1847-1916) and Sadhu Kochukunju Upadeshi (1883-1945)--both from the Kingdom of Travancore in southwest India--transcend denominational boundaries and have been embraced far beyond their historical communities of origin as a means of articulating faith and spirituality.Against a missionizing backdrop of western-dominated hymnody and theology, these songs and writings from the fringes of colonialism were embraced by local communities and became their chosen expression of faith. As such, they evoked a lay consciousness quite distinct from official theologies of the church.In Walsalam and Kochukunju, along with other Christian writers of their period and culture, we see a unique inter-weaving of local traditions and the global Christian message--one that transformed social and spiritual relationships for individuals and their communities alike.…

Buch. Zustand: Neu. This item is printed on demand - it takes 3-4 days longer - Neuware -Hymns and songs have long been the most frequent and characteristic expression of communal beliefs, particularly among faith traditions that lack authoritarian or rigidly codified doctrinal statements. Even among Christian traditions that do include a strong focus on creeds, catechism and liturgy, it is hymnody, more than anything else, that sustains their lay theology. The hymns of Moshe Walsalam Sastriyar (1847-1916) and Sadhu Kochukunju Upadeshi (1883-1945)--both from the Kingdom of Travancore in southwest India--transcend denominational boundaries and have been embraced far beyond their historical communities of origin as a means of articulating faith and spirituality. Against a missionizing backdrop of western-dominated hymnody and theology, these songs and writings from the fringes of colonialism were embraced by local communities and became their chosen expression of faith. As such, they evoked a lay consciousness quite distinct from official theologies of the church. In Walsalam and Kochukunju, along with other Christian writers of their period and culture, we see a unique inter-weaving of local traditions and the global Christian message--one that transformed social and spiritual relationships for individuals and their communities alike. ''A truly original and remarkable accomplishment. This book recovers and writes the scores of hymns that oral tradition has kept for over a century in Kerala, India. The ancient ecclesial principle that the rule of piety determines the content of what is believed (lex orandi, lex credendi) finds here superb and diligent treatment.'' --Vitor Westhelle, Professor, Lutheran School of Theology, Chicago ''In this timely study of the history of the contextualization of Christian theology in a southern Indian context, Philip Mathai advances the conversation begun in Comparative Theology. He helps readers to understand the determinative role music plays both in expressing and developing the theology of a faith community. This book deserves careful attention and a wide reading!'' --Allen G. Jorgenson, Assistant Dean, Martin Luther University College, Wilfrid Laurier University, Waterloo, Canada ''In this wonderfully evocative work, the writer offers us a head-heart-mouth theology of the song, whereby what one believes, feels, and is passionately committed to, bursts forth in a torrent of acclamation and witness, through songs. Situated geographically and using the oeuvre of two prominent lay thinkers-theologians-musicians, this work offers us the richly filigreed melodies of a sing-able theology, that will linger on in our head, heart, and mouth in joyous wonder and praise.'' --J. Jayakiran Sebastian, Dean of the Seminary, Professor, United Lutheran Seminary, Gettysburg, Philadelphia Philip Karimpanamannil Mathai is pastor of Mount Zion, Waterloo, a congregation of the Evangelical Lutheran Church in Canada (ELCIC) and is adjunct faculty at Martin Luther University College. Previously, as pastor in the Northern Illinois Synod of the ELCA, he compiled and edited the South Asian hymnal Jeevan Sangeeth for the ELCA Association of Asians and Pacific Islanders. Rev. Mathai's roots are in the Mar Thoma Church, a denomination of the St. Thomas tradition in India. 202 pp. Englisch.…

Kartoniert / Broschiert. Zustand: New. Dieser Artikel ist ein Print on Demand Artikel und wird nach Ihrer Bestellung fuer Sie gedruckt. &Uumlber den AutorrnrnPhilip Karimpanamannil Mathai is pastor of Mount Zion, Waterloo, a congregation of the Evangelical Lutheran Church in Canada (ELCIC) and is adjunct faculty at Martin Luther University College. Previously, as pastor in the .…

Buch. Zustand: Neu. nach der Bestellung gedruckt Neuware - Printed after ordering - Hymns and songs have long been the most frequent and characteristic expression of communal beliefs, particularly among faith traditions that lack authoritarian or rigidly codified doctrinal statements. Even among Christian traditions that do include a strong focus on creeds, catechism and liturgy, it is hymnody, more than anything else, that sustains their lay theology. The hymns of Moshe Walsalam Sastriyar (1847-1916) and Sadhu Kochukunju Upadeshi (1883-1945)--both from the Kingdom of Travancore in southwest India--transcend denominational boundaries and have been embraced far beyond their historical communities of origin as a means of articulating faith and spirituality. Against a missionizing backdrop of western-dominated hymnody and theology, these songs and writings from the fringes of colonialism were embraced by local communities and became their chosen expression of faith. As such, they evoked a lay consciousness quite distinct from official theologies of the church. In Walsalam and Kochukunju, along with other Christian writers of their period and culture, we see a unique inter-weaving of local traditions and the global Christian message--one that transformed social and spiritual relationships for individuals and their communities alike. ''A truly original and remarkable accomplishment. This book recovers and writes the scores of hymns that oral tradition has kept for over a century in Kerala, India. The ancient ecclesial principle that the rule of piety determines the content of what is believed (lex orandi, lex credendi) finds here superb and diligent treatment.'' --Vitor Westhelle, Professor, Lutheran School of Theology, Chicago ''In this timely study of the history of the contextualization of Christian theology in a southern Indian context, Philip Mathai advances the conversation begun in Comparative Theology. He helps readers to understand the determinative role music plays both in expressing and developing the theology of a faith community. This book deserves careful attention and a wide reading!'' --Allen G. Jorgenson, Assistant Dean, Martin Luther University College, Wilfrid Laurier University, Waterloo, Canada ''In this wonderfully evocative work, the writer offers us a head-heart-mouth theology of the song, whereby what one believes, feels, and is passionately committed to, bursts forth in a torrent of acclamation and witness, through songs. Situated geographically and using the oeuvre of two prominent lay thinkers-theologians-musicians, this work offers us the richly filigreed melodies of a sing-able theology, that will linger on in our head, heart, and mouth in joyous wonder and praise.'' --J. Jayakiran Sebastian, Dean of the Seminary, Professor, United Lutheran Seminary, Gettysburg, Philadelphia Philip Karimpanamannil Mathai is pastor of Mount Zion, Waterloo, a congregation of the Evangelical Lutheran Church in Canada (ELCIC) and is adjunct faculty at Martin Luther University College. Previously, as pastor in the Northern Illinois Synod of the ELCA, he compiled and edited the South Asian hymnal Jeevan Sangeeth for the ELCA Association of Asians and Pacific Islanders. Rev. Mathai's roots are in the Mar Thoma Church, a denomination of the St. Thomas tradition in India.…

Zustand: New. Dieser Artikel ist ein Print on Demand Artikel und wird nach Ihrer Bestellung fuer Sie gedruckt. &Uumlber den AutorrnrnPhilip Karimpanamannil Mathai is pastor of Mount Zion, Waterloo, a congregation of the Evangelical Lutheran Church in Canada (ELCIC) and is adjunct faculty at Martin Luther University College. Previously, as pastor in the .…

Taschenbuch. Zustand: Neu. Songs as Locus for a Lay Theology | Philip K. Mathai | Taschenbuch | Kartoniert / Broschiert | Englisch | 2019 | Pickwick Publications | EAN 9781625645500 | Verantwortliche Person für die EU: Libri GmbH, Europaallee 1, 36244 Bad Hersfeld, gpsr[at]libri[dot]de | Anbieter: preigu Print on Demand. …

Buch. Zustand: Neu. This item is printed on demand - Print on Demand Titel. Neuware -Hymns and songs have long been the most frequent and characteristic expression of communal beliefs, particularly among faith traditions that lack authoritarian or rigidly codified doctrinal statements. Even among Christian traditions that do include a strong focus on creeds, catechism and liturgy, it is hymnody, more than anything else, that sustains their lay theology. The hymns of Moshe Walsalam Sastriyar (1847-1916) and Sadhu Kochukunju Upadeshi (1883-1945)--both from the Kingdom of Travancore in southwest India--transcend denominational boundaries and have been embraced far beyond their historical communities of origin as a means of articulating faith and spirituality. Against a missionizing backdrop of western-dominated hymnody and theology, these songs and writings from the fringes of colonialism were embraced by local communities and became their chosen expression of faith. As such, they evoked a lay consciousness quite distinct from official theologies of the church. In Walsalam and Kochukunju, along with other Christian writers of their period and culture, we see a unique inter-weaving of local traditions and the global Christian message--one that transformed social and spiritual relationships for individuals and their communities alike. ''A truly original and remarkable accomplishment. This book recovers and writes the scores of hymns that oral tradition has kept for over a century in Kerala, India. The ancient ecclesial principle that the rule of piety determines the content of what is believed (lex orandi, lex credendi) finds here superb and diligent treatment.'' --Vitor Westhelle, Professor, Lutheran School of Theology, Chicago ''In this timely study of the history of the contextualization of Christian theology in a southern Indian context, Philip Mathai advances the conversation begun in Comparative Theology. He helps readers to understand the determinative role music plays both in expressing and developing the theology of a faith community. This book deserves careful attention and a wide reading!'' --Allen G. Jorgenson, Assistant Dean, Martin Luther University College, Wilfrid Laurier University, Waterloo, Canada ''In this wonderfully evocative work, the writer offers us a head-heart-mouth theology of the song, whereby what one believes, feels, and is passionately committed to, bursts forth in a torrent of acclamation and witness, through songs. Situated geographically and using the oeuvre of two prominent lay thinkers-theologians-musicians, this work offers us the richly filigreed melodies of a sing-able theology, that will linger on in our head, heart, and mouth in joyous wonder and praise.'' --J. Jayakiran Sebastian, Dean of the Seminary, Professor, United Lutheran Seminary, Gettysburg, Philadelphia Philip Karimpanamannil Mathai is pastor of Mount Zion, Waterloo, a congregation of the Evangelical Lutheran Church in Canada (ELCIC) and is adjunct faculty at Martin Luther University College. Previously, as pastor in the Northern Illinois Synod of the ELCA, he compiled and edited the South Asian hymnal Jeevan Sangeeth for the ELCA Association of Asians and Pacific Islanders. Rev. Mathai's roots are in the Mar Thoma Church, a denomination of the St. Thomas tradition in India.Libri GmbH, Europaallee 1, 36244 Bad Hersfeld 202 pp. Englisch.…