Philippa simpson (42 Ergebnisse)

hardcover. Zustand: Good. Our good condition books are generally good for reading but not for gifting or collecting. They could have imperfections such as creasing, fanning, inscriptions, margin notes, yellowing, staining on edge or cover or pages, bumps, scuffs, etc etc (sometimes multiple of these). It's a wide category that encompasses anything that isn't almost-new down to anything that is slightly better than poor. We would NOT recommend gifting Good books - these should be considered reading copies. Our books are dispatched from a Yorkshire former cotton mill. We list via barcode/ISBN so please note that the images are stock images and may not be the exact copy you receive, furthermore the details about edition and year might not be accurate as many publishers reuse the same ISBN for multiple editions and as we simply scan a barcode or enter an ISBN we do not check the validity of the edition data when listing. If you're looking for an exact edition please don't order (at least not without checking with us first, although we don't always have time to check). We aim to dispatch prompty, the service used will depend on order value and book size. We can ship to most countries, see our shipping policies. Payment is via Abe only.…

Paperback. Zustand: Very Good. The book has been read, but is in excellent condition. Pages are intact and not marred by notes or highlighting. The spine remains undamaged.

Paperback. Zustand: Used; Very Good. **SHIPPED FROM UK** We believe you will be completely satisfied with our quick and reliable service. All orders are dispatched as swiftly as possible! Buy with confidence! Greener Books.

1st ed. Gift inscription on label on front free end paper; binding tight; dust jacket a little worn at edges Used - Very Good. VG hardback in Good dust jacket Used - Very Good. VG hardback in Good dust jacket.

Hardcover. Zustand: Good. Zustand des Schutzumschlags: Worn - Edges Scuffed. 1st Edition.

Hard Cover. Zustand: Fine. Zustand des Schutzumschlags: Fine. First Edition. hard cover in dust jacket., no flaws or wear. clean, no markings. no bumps, tears, chips. tight binding.; 144pp., 108 plates and figures, with some unnumbered details, most all in color. three essays, detailed catalogue entries, reference material. a most worthy and successful endeavor. Size: 4to - over 9¾" - 12" tall. Exhibition Catalogue.…

Hardcover. Zustand: Fine. 1st Edition. Book and dust jacket are in fine condition. 144pp with colour illustrations.

Softcover. Zustand: Very Good. No Dust Jacket. First Edition. Light curve to whole volume (pages and covers). Contains many colour illustrations. No dust jacket, as published. Previous owner's name, Kerry Downes, in pencil at the front. Quantity Available: 1. Shipped Weight: 1-2kg. ISBN: 1854377981. ISBN/EAN: 9781854377982. Pictures of this item not already displayed here available upon request. Inventory No: 19122021041. All our books are sent by tracked mail. This book is heavier than 1kg, and may incur additional delivery charges on some delivery services to some locations. …

Zustand: New. pp. 160 120 Illus. (Col.).

Hardcover. Zustand: Fine. Zustand des Schutzumschlags: Fine. 1st Edition. 144pp. Blue paper boards with white text on spine. 4to. Dust wrapper is near perfect. Appears unread. Clean, tight and bright throughout.

Paperback. Zustand: Fine.

Zustand: As New. Unread book in perfect condition.

Zustand: New. pp. 160.

Paperback. Zustand: Very good in wraps. First Edition. 18 x 25cm 252pp very good paperback with black and white reproductions. Individually and collectively, the essays in this cross-disciplinary collection explore the impact of the revolutionary and Napoleonic Wars on European visual culture, from the outbreak of the pan-European conflict with France in 1792 to the aftermath of the Battle of Waterloo in 1815. Through consideration of a range of media, from academic painting to prints, drawings and printed ephemera, this book offers fresh understanding of the rich variety of ways in which warfare was mediated in visual cultures in Britain and continental Europe.The fourteen essays in the collection are grouped thematically into three sections, each focusing on a specific type of visual communication.…

Zustand: As New. Unread book in perfect condition.

Hardback. Zustand: Fine. ~Robust packaging. All UK orders trackable, others on request. Used books are exempt from USA tariffs. Hardback. Size: xi, 252pp. 17.5 x 25cm. No dustwrapper.

Zustand: New.

Paperback. Zustand: new. Paperback. Individually and collectively, the essays in this cross-disciplinary collection explore the impact of the revolutionary and Napoleonic Wars on European visual culture, from the outbreak of the pan-European conflict with France in 1792 to the aftermath of the Battle of Waterloo in 1815. Through consideration of a range of media, from academic painting to prints, drawings and printed ephemera, this book offers fresh understanding of the rich variety of ways in which warfare was mediated in visual cultures in Britain and continental Europe. The fourteen essays in the collection are grouped thematically into three sections, each focusing on a specific type of visual communication. Thus, Part One engages with historically specific ways of transmitting messages about war and conflict, including maps, prints, silhouette imagery and war games produced in France and Germany; Part Two considers popular and elite imagining of war between 1793 and 1815, encompassing readings of paintings by Turner, Girodet and Goya, Portuguese anti-French drawings and British satirical book illustrations; while Part Three concentrates on visual cultures of commemoration, addressing British theatrical reenactments and museum collections, and British and Dutch paintings of the Battle of Waterloo. As such, the volume uncovers fascinating new visual material and throws fresh light on some of the more canonical visual representations of conflict during the first Total War. Individually and collectively, the essays in this cross-disciplinary collection explore the impact of the revolutionary and Napoleonic Wars on European visual culture, from the outbreak of the pan-European conflict with France in 1792 to the aftermath of the Battle of Waterloo in 1815. Shipping may be from multiple locations in the US or from the UK, depending on stock availability.…

Zustand: New. pp. 252.

Zustand: As New. Unread book in perfect condition.

Zustand: New.

Zustand: New. pp. 252.

Paperback / softback. Zustand: New. New copy - Usually dispatched within 4 working days.

Zustand: New. 2018. 1st Edition. Paperback. . . . . .

Zustand: New. pp. 252.

Paperback. Zustand: Brand New. 252 pages. 9.68x6.85x0.79 inches. In Stock.

Zustand: New. 2018. 1st Edition. Paperback. . . . . . Books ship from the US and Ireland.

Kartoniert / Broschiert. Zustand: New. Satish Padiyar is Senior Lecturer in Nineteenth-Century European Art at The Courtauld Institute of Art. He is author of Chains: David, Canova and the Fall of the Public Hero in Postrevolutionary France (2007) and editor of Modernist Game.

Paperback. Zustand: new. Paperback. Individually and collectively, the essays in this cross-disciplinary collection explore the impact of the revolutionary and Napoleonic Wars on European visual culture, from the outbreak of the pan-European conflict with France in 1792 to the aftermath of the Battle of Waterloo in 1815. Through consideration of a range of media, from academic painting to prints, drawings and printed ephemera, this book offers fresh understanding of the rich variety of ways in which warfare was mediated in visual cultures in Britain and continental Europe. The fourteen essays in the collection are grouped thematically into three sections, each focusing on a specific type of visual communication. Thus, Part One engages with historically specific ways of transmitting messages about war and conflict, including maps, prints, silhouette imagery and war games produced in France and Germany; Part Two considers popular and elite imagining of war between 1793 and 1815, encompassing readings of paintings by Turner, Girodet and Goya, Portuguese anti-French drawings and British satirical book illustrations; while Part Three concentrates on visual cultures of commemoration, addressing British theatrical reenactments and museum collections, and British and Dutch paintings of the Battle of Waterloo. As such, the volume uncovers fascinating new visual material and throws fresh light on some of the more canonical visual representations of conflict during the first Total War. Individually and collectively, the essays in this cross-disciplinary collection explore the impact of the revolutionary and Napoleonic Wars on European visual culture, from the outbreak of the pan-European conflict with France in 1792 to the aftermath of the Battle of Waterloo in 1815. Shipping may be from our Sydney, NSW warehouse or from our UK or US warehouse, depending on stock availability.…

Zustand: D'occasion - Comme neuf. RÃ f FF.