Paperback. Zustand: Good. Paperback in good condition. Light edge wear to covers. Pages will have some underlining and marking, but they remain in good reading condition. Binding is secure. No spine creases. Buy with confidence! 100% satisfaction guaranteed.
Verlag: Thomas Gilcrease Foundation, Tulsa, Oklahoma
Anbieter: Don's Book Store, Albuquerque, NM, USA
Erstausgabe
Trade Paperback. Zustand: Very Good. First Edtion. 36 Un-numbered pages. Covers show light wear. Interior text and Illustration pages are clean, white, and unmarked. Included is a condensed version of an unpublished biography of Frederic Remington and Catalogues of Remington's Paintings and Bronzes. Also included is brief biography of Charles M. Russell by J. Frank Dobie and Catalogues of Russell's Paintings and Bronzes. No date is given for this Exhibition. The Gilcrease Museum was founded in 1949 as a private museum by Tulsa oilman Thomas Gilcrease (1890-1962), who amassed the nation's most comprehensive collection of art of the American West, as well as major collections of historical documents and artifacts. American art historian Richard Saunders once called Gilcrease Museum a kind of Smithsonian Institution of the American West. Although a powerful tribute, Saunders's comment only hints at the museum's ongoing impact and influence. There are fifteen black and white glossy photographs of Remington and Russell's works. Size: 5 1/2" X 8 1/4".
Verlag: Clark Publishing, Evanston, IL, 1951
Magazin / Zeitschrift
SingleIssueMagazine. Zustand: Very Good-. Vol. 3, no. 1. Edited by Raymond A. Palmer. Cover art by James Settles for "Courtesy Call" by A. R. Steber [Roger P. Graham, aka Rog Phillips]. Includes "Skeleton key" by William C. Bailey; "Water for Mars" by Stanley Mullen; "Troubador" by Mack Reynolds; "Robot Romance" by Hodge Winsell; "Conditioned Reflex" by William F. Temple; "Glass Woman of Venus" by G. H. Irwin [Richard S. Shaver]. Features: "Editorial"; "Coming in March"; "Personals"; "Book Reviews"; "Humankind Pays Its Debt"; "Letters". Illustrated by Bill Terry, H. W. McCauley, and John Grossman. Spine fading with lean; tanning; marks on cover in pen. Book.
Verlag: Clark Publishing, Evanston,, 1951
Anbieter: Victoria Bookshop, BERE ALSTON, DEVON, Vereinigtes Königreich
Erstausgabe
EUR 7,57
Anzahl: 1 verfügbar
In den WarenkorbPaperback. Zustand: Good. First Edition. Book.
Sprache: Englisch
Verlag: Munich, London, and New York: Prestel Verlag, 1999., 1999
ISBN 10: 3791320041 ISBN 13: 9783791320045
Anbieter: David Hallinan, Bookseller, Columbus, MS, USA
Ex-library copy. 619 pages. Large paperback: H 30cm x L 24.5cm. Black stiff paper covers rubbed with slight curling and wear at fore-edge corners, light impression from removed library sticker near top of front cover, slight residue from removed shelf sticker near spine heel, mild scuffing and wear at spine heel with glue repair to short tear at head, some vertical creasing to spine. Some soiling to edges; library stamp and two stickers on half-title page; stamp on title page. No other library marks readily apparent upon a quick perusal and interior pages are otherwise clean. Binding is still firm. Originally published as the catalog for an exhibition "Africa: The Art of a Continent" held at the Royal Academy of Arts in London from October 4 1995 to January 21, 1996. With Preface by Cornel West, Introduction by editor Tom Phillips, Appendix (with Bibliography, Index of Ethnic Groups, Lenders to the Exhibition, and Photographic Credits), and three introductory essays: "Why Africa, Why Art?" by Kwame Anthony Appiah, "Europe, African Art and the Uncanny" by Henry Louis Gates, Jr., and "The African Past" by Peter Garlake. Features seven chapters titled as: "Ancient Egypt and Nubia" by Edna R. Russmann and Laslo Torok; "Eastern Africa" by John Mack; "Southern Africa" by Patricia Davison; "Central Africa" by Daniel Biebuyck and Frank Herreman; "West Africa and the Guinea coast" by John Picton; "Sahel and Savanna" by Rene A. Bravmann; "Northern Africa" by Timothy A. Insoll, M. Rachel MacLean, R.J.A. Wilson, Nadia Erzini, and Rachel Ward. Please note that this thick book has an approximate shipping weight of 7.5 pounds (3.4 kg) and will require additional postage for any postal class other than domestic Media Mail (parcel airmail to most European countries will be US$58). ISBN 3791320041.
Verlag: Conde Nast, New York, 1964
Anbieter: Serendipitous Ink, Rosewood, QLD, Australien
Softcover. Zustand: Good. Zustand des Schutzumschlags: No Dust Jacket. Magazines are in good lightly marked condition. Size: A4 (300 x 210mm approx.). Quantity Available: 1. Category: Science Fiction & Fantasy; Pictures of this item not already displayed here available upon request. Inventory No: 8629.
Erscheinungsdatum: 2025
Anbieter: True World of Books, Delhi, Indien
LeatherBound. Zustand: New. BOOKS ARE EXEMPT FROM IMPORT DUTIES AND TARIFFS; NO EXTRA CHARGES APPLY. LeatherBound edition. Condition: New. Reprinted from 1954 edition. Leather Binding on Spine and Corners with Golden leaf printing on spine. Bound in genuine leather with Satin ribbon page markers and Spine with raised gilt bands. A perfect gift for your loved ones. Pages: 682 NO changes have been made to the original text. This is NOT a retyped or an ocr'd reprint. Illustrations, Index, if any, are included in black and white. Each page is checked manually before printing. As this print on demand book is reprinted from a very old book, there could be some missing or flawed pages, but we always try to make the book as complete as possible. Fold-outs, if any, are not part of the book. If the original book was published in multiple volumes then this reprint is of only one volume, not the whole set. Sewing binding for longer life, where the book block is actually sewn (smythe sewn/section sewn) with thread before binding which results in a more durable type of binding. Pages: 682 Volume 523 (1954) - 544 (1956).