philllips john (26 Ergebnisse)

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Zustand: New. Editor(s): Phillips, John; Parkin, John. Series: European Connections. Num Pages: 256 pages. BIC Classification: DSBD; DSBF; DSBH; JM. Category: (G) General (US: Trade). Dimension: 157 x 264 x 16. Weight in Grams: 398. . 2006. 1st Edition. Paperback. . . . .

Paperback. Zustand: new. Paperback. Laughter and power are here examined in a variety of contexts, ranging from the satires of Renaissance Humanism through to the polemics of contemporary journalism. How do the powerful use laughter as a cultural weapon which reinforces their position? How do the powerless use laughter as a last resort in their self-defence? Sixteenth-century intellectuals applied their satires to a campaign against intolerance. Seventeenth-century absolutism demanded of comedy that it serve its interests. Yet subversive humour survived, even at the court, and led through the Enlightenment to its apogee in the black humour of Sade. Twentieth-century experimental fiction owes that trend a conscious debt. Meanwhile an aesthetic tradition, represented here by Flaubert, Beckett and Queneau, incites a laughter which releases tension rather than raising awareness. As humour theorists, Bergson, Freud and Koestler help focus these concerns. Shipping may be from multiple locations in the US or from the UK, depending on stock availability.

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Zustand: New. Editor(s): Phillips, John; Parkin, John. Series: European Connections. Num Pages: 256 pages. BIC Classification: DSBD; DSBF; DSBH; JM. Category: (G) General (US: Trade). Dimension: 157 x 264 x 16. Weight in Grams: 398. . 2006. 1st Edition. Paperback. . . . . Books ship from the US and Ireland.

Buch. Zustand: Neu. Druck auf Anfrage Neuware - Printed after ordering - Breaking new ground in Sarraute studies, John Phillips reads the novels and plays of Nathalie Sarraute in a hitherto largely neglected critical perspective. Through a detailed analysis of textual metaphors, he demonstrates that Sarraute's writing is informed and inspired by an intensely personal set of desires. Unlike previous criticism, which has stressed the formal aspects of the writing to the exclusion of the psychological, this study exploits contemporary psychoanalytic and feminist theory to expose an unconscious feminine dimension which the author herself has never recognized.

Taschenbuch. Zustand: Neu. Druck auf Anfrage Neuware - Printed after ordering - Laughter and power are here examined in a variety of contexts, ranging from the satires of Renaissance Humanism through to the polemics of contemporary journalism. How do the powerful use laughter as a cultural weapon which reinforces their position How do the powerless use laughter as a last resort in their self-defence Sixteenth-century intellectuals applied their satires to a campaign against intolerance. Seventeenth-century absolutism demanded of comedy that it serve its interests. Yet subversive humour survived, even at the court, and led through the Enlightenment to its apogee in the black humour of Sade. Twentieth-century experimental fiction owes that trend a conscious debt. Meanwhile an aesthetic tradition, represented here by Flaubert, Beckett and Queneau, incites a laughter which releases tension rather than raising awareness. As humour theorists, Bergson, Freud and Koestler help focus these concerns.

Paperback. Zustand: New.

Taschenbuch. Zustand: Neu. Laughter and Power | John Philllips (u. a.) | Taschenbuch | Kartoniert / Broschiert | Englisch | 2006 | Peter Lang | EAN 9783039105045 | Verantwortliche Person für die EU: Libri GmbH, Europaallee 1, 36244 Bad Hersfeld, gpsr[at]libri[dot]de | Anbieter: preigu.

Paperback. Zustand: new. Paperback. Laughter and power are here examined in a variety of contexts, ranging from the satires of Renaissance Humanism through to the polemics of contemporary journalism. How do the powerful use laughter as a cultural weapon which reinforces their position? How do the powerless use laughter as a last resort in their self-defence? Sixteenth-century intellectuals applied their satires to a campaign against intolerance. Seventeenth-century absolutism demanded of comedy that it serve its interests. Yet subversive humour survived, even at the court, and led through the Enlightenment to its apogee in the black humour of Sade. Twentieth-century experimental fiction owes that trend a conscious debt. Meanwhile an aesthetic tradition, represented here by Flaubert, Beckett and Queneau, incites a laughter which releases tension rather than raising awareness. As humour theorists, Bergson, Freud and Koestler help focus these concerns. Shipping may be from our Sydney, NSW warehouse or from our UK or US warehouse, depending on stock availability.

Buch. Zustand: Neu. This item is printed on demand - it takes 3-4 days longer - Neuware -Breaking new ground in Sarraute studies, John Phillips reads the novels and plays of Nathalie Sarraute in a hitherto largely neglected critical perspective. Through a detailed analysis of textual metaphors, he demonstrates that Sarraute's writing is informed and inspired by an intensely personal set of desires. Unlike previous criticism, which has stressed the formal aspects of the writing to the exclusion of the psychological, this study exploits contemporary psychoanalytic and feminist theory to expose an unconscious feminine dimension which the author herself has never recognized. 284 pp. Englisch.

Taschenbuch. Zustand: Neu. This item is printed on demand - it takes 3-4 days longer - Neuware -Laughter and power are here examined in a variety of contexts, ranging from the satires of Renaissance Humanism through to the polemics of contemporary journalism. How do the powerful use laughter as a cultural weapon which reinforces their position How do the powerless use laughter as a last resort in their self-defence Sixteenth-century intellectuals applied their satires to a campaign against intolerance. Seventeenth-century absolutism demanded of comedy that it serve its interests. Yet subversive humour survived, even at the court, and led through the Enlightenment to its apogee in the black humour of Sade. Twentieth-century experimental fiction owes that trend a conscious debt. Meanwhile an aesthetic tradition, represented here by Flaubert, Beckett and Queneau, incites a laughter which releases tension rather than raising awareness. As humour theorists, Bergson, Freud and Koestler help focus these concerns. 260 pp. Englisch.

Kartoniert / Broschiert. Zustand: New. Dieser Artikel ist ein Print on Demand Artikel und wird nach Ihrer Bestellung fuer Sie gedruckt. Laughter and power are here examined in a variety of contexts, ranging from the satires of Renaissance Humanism through to the polemics of contemporary journalism. How do the powerful use laughter as a cultural weapon which reinforces their position? How do.

Zustand: New. Dieser Artikel ist ein Print on Demand Artikel und wird nach Ihrer Bestellung fuer Sie gedruckt. Breaking new ground in Sarraute studies, John Phillips reads the novels and plays of Nathalie Sarraute in a hitherto largely neglected critical perspective. Through a detailed analysis of textual metaphors, he demonstrates that Sarraute s writing is informe.

Buch. Zustand: Neu. This item is printed on demand - Print on Demand Titel. Neuware -Breaking new ground in Sarraute studies, John Phillips reads the novels and plays of Nathalie Sarraute in a hitherto largely neglected critical perspective. Through a detailed analysis of textual metaphors, he demonstrates that Sarraute's writing is informed and inspired by an intensely personal set of desires. Unlike previous criticism, which has stressed the formal aspects of the writing to the exclusion of the psychological, this study exploits contemporary psychoanalytic and feminist theory to expose an unconscious feminine dimension which the author herself has never recognized.Lang, Peter GmbH, Gontardstraße 11, 10178 Berlin 300 pp. Englisch.

Taschenbuch. Zustand: Neu. This item is printed on demand - Print on Demand Titel. Neuware -Laughter and power are here examined in a variety of contexts, ranging from the satires of Renaissance Humanism through to the polemics of contemporary journalism. How do the powerful use laughter as a cultural weapon which reinforces their position How do the powerless use laughter as a last resort in their self-defence Sixteenth-century intellectuals applied their satires to a campaign against intolerance. Seventeenth-century absolutism demanded of comedy that it serve its interests. Yet subversive humour survived, even at the court, and led through the Enlightenment to its apogee in the black humour of Sade. Twentieth-century experimental fiction owes that trend a conscious debt. Meanwhile an aesthetic tradition, represented here by Flaubert, Beckett and Queneau, incites a laughter which releases tension rather than raising awareness. As humour theorists, Bergson, Freud and Koestler help focus these concerns.Lang, Peter GmbH, Gontardstraße 11, 10178 Berlin 260 pp. Englisch.

Buch. Zustand: Neu. Nathalie Sarraute | Metaphor, Fairy-Tale and the Feminine of the Text | John Philllips | Buch | Englisch | 1995 | Peter Lang | EAN 9780820423661 | Verantwortliche Person für die EU: Libri GmbH, Europaallee 1, 36244 Bad Hersfeld, gpsr[at]libri[dot]de | Anbieter: preigu Print on Demand.