Poisson jacques (94 Ergebnisse)

Zustand: New.

Zustand: As New. Unread book in perfect condition.

Zustand: good. Befriedigend/Good: Durchschnittlich erhaltenes Buch bzw. Schutzumschlag mit Gebrauchsspuren, aber vollständigen Seiten. / Describes the average WORN book or dust jacket that has all the pages present.

Zustand: very good. Gut/Very good: Buch bzw. Schutzumschlag mit wenigen Gebrauchsspuren an Einband, Schutzumschlag oder Seiten. / Describes a book or dust jacket that does show some signs of wear on either the binding, dust jacket or pages.

Zustand: New.

Zustand: New. In English.

GRENOBLE, Éditions Glénat - 1987 - C.28x21,5x1,9 cm - Cartonnage éditeur blanc au premier plat illustré en noir et jaune; 224 pages; iconographie en noir; texte sur 3 colonnes. (Collection Cahiers de la Bande Dessinée - CBD Hors série N° 4 - L'Année de la Bande Dessinée 87-88). Bon exemplaire. Français Revues. …

Zustand: New.

Zustand: As New. Unread book in perfect condition.

Paperback. Zustand: Very Good. 185 pages.

Hardback. Zustand: Very Good. Red cloth gilt, page-edges slightly toned, with small Pusey House stamps to prelims and shelf-number to base of spine. ~Robust packaging. All UK orders trackable, others on request. Used books are exempt from USA tariffs. Size: 472pp, frontis.

soft cover. Zustand: very good. IN-8 broché, 160 pages. Sommaire : Léon-Paul Fargue: Les quatre Journées d'Acajon Barogne : Confidences, Pages 801-807 --- Julien Benda: Délice d'Éleuthère (III), Pages 808-832 --- M. Saint-Clair: Il y a quarante ans, Pages 833-850 --- André Suarès: Vues sur l'Europe (II), Pages 851-865 --- Jean Schlumberger: Note sur la politique, Pages 866-871 --- Gérard Walter: La dictature des Anabaptistes à Munster, Pages 872-890 --- Alain: Propos, Pages 891-893 --- Albert Thibaudet: Les Partis politiques en France, Pages 894-900 --- Ramon Fernandez: À quoi sert la philosophie?, Pages 901-905 --- Marcel Arland: Pauline (Les Destinées sentimentales, II), par Jacques Chardonne, Pages 906-910 --- Marcel Arland: La Maison de Verre, par Robert Francis, Pages 906-910 --- Marcel Arland: Le Bateau-refuge, par Robert Francis, Pages 906-910 --- Marcel Arland: Journée, par Claire Sainte-Soline, Pages 906-910 --- Marcel Arland: Le Hameau de la solitude, par Yves Florenne, Pages 906-910 --- Ramon Fernandez: La Main passe, par Constance Coline (Flammarion), Pages 911-912 --- Jean-Roger Poisson: Le Sel sur la plaie, part Jean Prévost (Éditions de la N. R. F.), Pages 912-913 --- Jean Vaudal: Capitaine Conan, par Roger Vercel (Albin Michel), Pages 914-915 --- Benjamin Crémieux: Cavalerie, par André Sevry (Gallimard), Pages 915-916 --- Marcel Caster: Monts et merveilles, par Henri Pourrat (Albin Michel), Pages 916-918 --- Julien Lanoë: Portrait de jeune fille, par Yvonne Chabas (Flammarion), Pages 918-919 --- Julien Lanoë: Le Corps, par Catherine Bakounine (Stock), Pages 919-919 --- Henri Pourrat: Une mesure pour rien, par Josette Clotis (Éditions de la N. R. F.), Pages 920-921 --- Henri Lefebvre: Madame 60 bis, par Henriette Valet (Grasset), Pages 921-923 --- Henri Fontenoy: Encore un instant de bonheur, par Henry de Montherlant (Grasset), Pages 923-925 --- Antonin Artaud: La vie, l'amour, la mort, le vide et le vent, par Robert Gilbert Lecomte (Cahiers Libres), Pages 925-927 --- Charles Mauron: Characteristics of French Art, by Roger Fry (Chatto and Windus), Pages 927-929 --- Denis Meriel: Le Chef, de Pierrre Drieu la Rochelle (Théâtre des Mathurins), Pages 929-931 --- Adrienne Monnier: Le Soldat, de Paul Terrace, Pages 932-934 --- Jean Grenier: Esprit, Pages 934-936 --- Jules Romains, Albert Thibaudet, Jean Thomas: À propos du Plan du 9 juillet, Pages 936-939 --- Maurice Sachs: Une lettre, Pages 939-940 --- Tristan Derème: Les propos de M. Polyphème Durand, Pages 941-943 --- Jean Grenier: Le sentiment de culpabilité, Pages 943-943 --- Pierre Hamp: Classiques Chaix, Pages 943-945 --- Jacques Audiberti: Poincaré, Pages 945-946 --- Julien Benda: Devoir de morale, Pages 946-946 --- Hyacinthe Benjamin: Inauguration, Pages 946-947 --- Claudine Chonez: Jeunesse bouleversée, Pages 947-948 --- André Lhote: La lutte contre la pornographie, Pages 948-948 --- Charles-Albert Cingria: Aria del Mese, Pages 948-949 --- René Daumal: La pataphysique du mois, Pages 949-950 --- Henri Pourrat: Novembre, Pages 950-951.…

soft cover. Zustand: very good. first edition. In-8° broché, exemplaire dé-relié, 18 pages.

soft cover. Zustand: very good. first edition. In-4° broché, 16 pages.

Zustand: New.

in-8 - br. 188 pp., papier jauni.

Zustand: New.

Zustand: Bon. Merci, votre achat aide à financer des programmes de lutte contre l'illettrisme.

Zustand: Assez bon. Attention: Ancien support de bibliothèque, plastifié, étiquettes. Merci, votre achat aide à financer des programmes de lutte contre l'illettrisme.

Couverture rigide. Zustand: Neuf. Zustand des Schutzumschlags: Neuf. Parmi les hommes les plus illustres de la capitale, parmi les monuments les plus beaux de Paris se comptent ceux qui célèbrent son Armée. Outre maréchaux, généraux et amiraux illustres, hommes politiques, écrivains, historiens, musiciens, architectes, peintres et sculpteurs ne cessent, depuis deux mille ans, de bâtir ou de rebâtir l'image grandiose d'un passé où se confondent Paris et sa Défense. Le patrimoine militaire de la capitale comprend donc non seulement les hauts faits dont la Ville a été l'acteur - ou le spectateur - mais également les bâtiments et les oeuvres d'art qui ont servi à sa défense ou à ses célébrations militaires. Publié à l'occasion de l'exposition présentée par l'Hôtel de Ville de Paris du 6 avril au 7 mai 2005. 25,2 x 28,2 cm. …

Sehr seltener Kupferstich aus der Serie "Suite d'Estampes gravees par Madame la Marquise de Pompadour d'apres les Pierres gravées de Guay" (ca. 1775). -- Blatt-Maße: ca. 18 x 15,5 cm. Platte: ca. 13 x 10,5 cm. -- teils etwas fleckig, sonst gut erhalten. || Very rare engraving from the series "Suite d'Estampes gravees par Madame la Marquise de Pompadour d'apres les Pierres gravees de Guay" (c. 1775). -- partly somewhat stained, otherwise in very good condition. || Madame de Pompadour, born Jeanne Antoinette Poisson (1721 1764), was a prominent member of the French court during the 18th century. She served as King Louis XV's official mistress from 1745 to 1751, and maintained her influence as a court favorite until her death. Despite facing political opposition and struggling with poor health, Pompadour took charge of the king's schedule and acted as a valuable aide and advisor. She also secured titles of nobility for herself and her relatives, while cultivating a network of clients and supporters that notably included the Queen, Marie Leszczynska. In the 1750s, Madame de Pompadour's role in the French court evolved from that of the King's mistress to that of his trusted confidante, although she still maintained significant influence over the king, acting often as an advisor as well. She relocated to the ground floor of the Palace in 1751 and focused on patronizing the arts and overseeing new construction projects. In 1756, she played a pivotal role in the establishment of the royal porcelain factory at Sèvres and the creation of Place Louis XV (Place de la Concorde). She also convinced the King, with the help of her brother, to build the Petit Trianon. Madame de Pompadour enjoyed nurtureing her intellect and supported the publication of the first two volumes of Diderot and d'Alembert's Encyclopaedia in 1751. In 1753, Louis XV purchased the Hôtel d'Evreux (now the Elysée Palace) for Madame de Pompadour to use as a residence during her visits to Paris. She split her time between the capital and the Palace of Bellevue in Meudon until her death from tuberculosis at the age of 42 in Versailles in 1764. The King was deeply affected by her death. As a patron of the arts, Pompadour supported architecture, decorative arts, and porcelain. She was also a prominent patron of Enlightenment philosophers like Voltaire. Despite criticism from some of her contemporaries who viewed her as a malevolent political influence, modern historians generally view her more positively, highlighting her successes as a champion of French pride and as a woman who rose to power and influence despite not being born into the aristocracy. Some historians argue that Pompadour's critics were motivated by a fear of the social and gender hierarchies she challenged. // Wir, das Antiquariat Steffen Völkel, kaufen und verkaufen alte Bücher, Handschriften, Zeichnungen, Autographen, Grafiken und Fotografien. Wir sind stets am Ankauf von kompletten Bibliotheken, Sammlungen und Nachlässen interessiert. Sprache: Französisch Gewicht in Gramm: 10.…

Sehr seltener Kupferstich aus der Serie "Suite d'Estampes gravees par Madame la Marquise de Pompadour d'apres les Pierres gravées de Guay" (ca. 1775). -- Blatt-Maße: ca. 18 x 15,5 cm. Platte: ca. 13 x 10,5 cm. -- teils leicht fleckig, sonst gut erhalten. || Very rare engraving from the series "Suite d'Estampes gravees par Madame la Marquise de Pompadour d'apres les Pierres gravees de Guay" (c. 1775). -- partly slightly stained, otherwise in good condition. || Madame de Pompadour, born Jeanne Antoinette Poisson (1721 1764), was a prominent member of the French court during the 18th century. She served as King Louis XV's official mistress from 1745 to 1751, and maintained her influence as a court favorite until her death. Despite facing political opposition and struggling with poor health, Pompadour took charge of the king's schedule and acted as a valuable aide and advisor. She also secured titles of nobility for herself and her relatives, while cultivating a network of clients and supporters that notably included the Queen, Marie Leszczynska. In the 1750s, Madame de Pompadour's role in the French court evolved from that of the King's mistress to that of his trusted confidante, although she still maintained significant influence over the king, acting often as an advisor as well. She relocated to the ground floor of the Palace in 1751 and focused on patronizing the arts and overseeing new construction projects. In 1756, she played a pivotal role in the establishment of the royal porcelain factory at Sèvres and the creation of Place Louis XV (Place de la Concorde). She also convinced the King, with the help of her brother, to build the Petit Trianon. Madame de Pompadour enjoyed nurtureing her intellect and supported the publication of the first two volumes of Diderot and d'Alembert's Encyclopaedia in 1751. In 1753, Louis XV purchased the Hôtel d'Evreux (now the Elysée Palace) for Madame de Pompadour to use as a residence during her visits to Paris. She split her time between the capital and the Palace of Bellevue in Meudon until her death from tuberculosis at the age of 42 in Versailles in 1764. The King was deeply affected by her death. As a patron of the arts, Pompadour supported architecture, decorative arts, and porcelain. She was also a prominent patron of Enlightenment philosophers like Voltaire. Despite criticism from some of her contemporaries who viewed her as a malevolent political influence, modern historians generally view her more positively, highlighting her successes as a champion of French pride and as a woman who rose to power and influence despite not being born into the aristocracy. Some historians argue that Pompadour's critics were motivated by a fear of the social and gender hierarchies she challenged. // Wir, das Antiquariat Steffen Völkel, kaufen und verkaufen alte Bücher, Handschriften, Zeichnungen, Autographen, Grafiken und Fotografien. Wir sind stets am Ankauf von kompletten Bibliotheken, Sammlungen und Nachlässen interessiert. Sprache: Französisch Gewicht in Gramm: 10.…

Sehr seltener Kupferstich aus der Serie "Suite d'Estampes gravees par Madame la Marquise de Pompadour d'apres les Pierres gravées de Guay" (ca. 1775). -- Blatt-Maße: ca. 18 x 15,5 cm. Platte: ca. 13 x 10,5 cm. -- gut erhalten. || Very rare engraving from the series "Suite d'Estampes gravees par Madame la Marquise de Pompadour d'apres les Pierres gravees de Guay" (c. 1775). -- in very good condition. || Madame de Pompadour, born Jeanne Antoinette Poisson (1721 1764), was a prominent member of the French court during the 18th century. She served as King Louis XV's official mistress from 1745 to 1751, and maintained her influence as a court favorite until her death. Despite facing political opposition and struggling with poor health, Pompadour took charge of the king's schedule and acted as a valuable aide and advisor. She also secured titles of nobility for herself and her relatives, while cultivating a network of clients and supporters that notably included the Queen, Marie Leszczynska. In the 1750s, Madame de Pompadour's role in the French court evolved from that of the King's mistress to that of his trusted confidante, although she still maintained significant influence over the king, acting often as an advisor as well. She relocated to the ground floor of the Palace in 1751 and focused on patronizing the arts and overseeing new construction projects. In 1756, she played a pivotal role in the establishment of the royal porcelain factory at Sèvres and the creation of Place Louis XV (Place de la Concorde). She also convinced the King, with the help of her brother, to build the Petit Trianon. Madame de Pompadour enjoyed nurtureing her intellect and supported the publication of the first two volumes of Diderot and d'Alembert's Encyclopaedia in 1751. In 1753, Louis XV purchased the Hôtel d'Evreux (now the Elysée Palace) for Madame de Pompadour to use as a residence during her visits to Paris. She split her time between the capital and the Palace of Bellevue in Meudon until her death from tuberculosis at the age of 42 in Versailles in 1764. The King was deeply affected by her death. As a patron of the arts, Pompadour supported architecture, decorative arts, and porcelain. She was also a prominent patron of Enlightenment philosophers like Voltaire. Despite criticism from some of her contemporaries who viewed her as a malevolent political influence, modern historians generally view her more positively, highlighting her successes as a champion of French pride and as a woman who rose to power and influence despite not being born into the aristocracy. Some historians argue that Pompadour's critics were motivated by a fear of the social and gender hierarchies she challenged. // Wir, das Antiquariat Steffen Völkel, kaufen und verkaufen alte Bücher, Handschriften, Zeichnungen, Autographen, Grafiken und Fotografien. Wir sind stets am Ankauf von kompletten Bibliotheken, Sammlungen und Nachlässen interessiert. Sprache: Französisch Gewicht in Gramm: 10.…

in-8, relié sous jaquette éditeur, 678p. Jaquettes présentant des déchirures. marginales. Reliure et intérieurs en très bon état.

Couverture rigide. Zustand: Bon. Un volume in-8 (23 cm x 14,5 cm), 678 pp. Plans in texte des différentes localités. Relié sous jaquette illustrée. Pour accéder à la totalité de notre offre, consultez notre site et notre blog Paris-Libris.

Couverture rigide. Zustand: Très bon. Zustand des Schutzumschlags: Moyen. Jacquette usée, voir photos. [ARTS DECORATIFS] LES PORCELAINIERS DU XVIIIe SIECLE FRANCAIS - Beau Livre 1964 31 cm 332 PAGES.

16 septembre 1964, album relié avec sa jaquette, 336pp avec de nombreuses photographies en noir et en couleurs, collection Grands artisans d?autrefois / Connaissance des Arts - très bon état.

Zustand: Very Good. First Edition. Hardback. Dust Jacket. 8vo. pp 678. Illustrated throughout with maps. French text. No. 44 of 50 'le tirage de Luxe.' Fine in near fine slightly tanned and internally re-inforced dust wrapper in fine slip-case. Tres bon etat.

in-8, 188 pp., quelques surcharges manuscrites au crayon de bois, broché. Seconde édition (la première est de 1931) de cette thèse complémentaire pour le doctorat ès lettres présentée devant la Faculté des lettres de l'Université de Poitiers. - - VENTE PAR CORRESPONDANCE UNIQUEMENT - LIEN DE PAIEMENT, NOUS CONSULTER.…

Cartonnée toilée beige. Zustand: Très bon. Zustand des Schutzumschlags: Jaquette état d'usage. Collection: Connaissance des Arts, grands artisans d'autrefois. Préface de Serge Gauthier, Directeur de la Manifacture Nationale de Sèvres, Conservateur du musée municipal de Limoges. Très nombreuses illustrations noir et blanc et couleur dans le texte et hors-texte. Chapitres rédigés par des experts renommés retraçant l'histoire et les productions des manufactures de Rouen, Saint-Cloud, Chantilly, Mennecy, Vincennes, Sèvres, Strasbourg, Niderviller, Limoges et Paris. Signatures et marques de fabriques. Ouvrage de référence.…