preface by herbert read (13 Ergebnisse)

Hardcover. Zustand: Good. No Jacket. 1st Edition. First printing. 71pp. Original cloth faded to the spine and rubbed to the edge of the top board. Neat contemporary name and date to the front free endpaper. Internally fine. An uncommon war-time collection covering a wide spectrum of neo- Romantic and other lyric poetry by 25 contemporary poets, including, inter alia, Nicholas Moore, Wrey Gardiner, Francis Scarfe and the mysterious Surrealist F.T.M. Smith or E.T.M. Smith.

Paperback. Zustand: Fine. Zustand des Schutzumschlags: No Jacket as issued. 1st Edition. First printing in this format. Very slight age related toning otherwise a fine copy. Appears unread.

Hardcover. Zustand: Fair. No Jacket. Former library book; Missing dust jacket; Readable copy. Pages may have considerable notes/highlighting. ~ ThriftBooks: Read More, Spend Less.

Hard Cover. Zustand: Very Good. Zustand des Schutzumschlags: Very Good. First Edition. Editorial and prefatory notes by Eva van Hoboken, Sazo Idemitsu, Basil Gray and Herbert Read. Handsomely bound book published by the New York Graphic Society. Grey buckram covered boards with title in a red spine panel outlined in gilt. 191 pages printed on a thick glazed paper stock. Sengai was one of the great Japanese Zen masters. Daisetz Suzuki considered his explanatory notes and texts on Sengai's scrolls as the summing-up of his work. Reproductions of 127 ink drawings and calligraphies with Suzuki's commentaries. No name or other markings. The dustjacket is price-intact with slight browning along the edges. Size: 4to - over 9¾" - 12" tall.

Zustand: Very Good. Large format paperback in publisher's original illustrated card wrap covers (soft back). 8vo. 8½'' x 6''. Contains 396 pp with 500 illustrations, 118 in colour. In Very Good condition, no dust wrapper as issued. Member of the P.B.F.A. PAPERBACKS.

Hardback. Zustand: Very Good Plus. Zustand des Schutzumschlags: Very Good Plus. New Edition, Revised. 1966. Second edition, "revised and partially rewritten". xxiv, 297pp. 134 illustrations in B&W and colour. Publisher's tan cloth with gilt titles to spine. Light to moderate foxing to edges. The book is otherwise in excellent condition with no inscriptions. The unclipped dust jacket has the Oxford clear plastic protective cover (adhering to the rear of the jacket) and is in excellent condition. PLEASE NOTE: Heavyish book so extra may be needed for shipping to non-UK customers. "This book was first published in the United States and the United Kingdom in 1949 and became a standard work on the techniques of gravure, which encompasses all forms of art that involve incising a groove on some resistant material. After being out of print for some years, though still much in demand, it has now been revised and partially rewritten, with the author contradicting some of his original conclusions. S. W. Hayter founded, and still runs, the famous Atelier 17 in Paris. Here, since 1927, artists from all parts of the world, including such great names as Picasso, Miró, Dalí, Matta, Max Ernst, Chagall, and Masson, have worked together, using, and in some cases inventing, the techniques described and illustrated in the book. In addition to thus reviving the workshop conception of the artist, Hayter is also the exponent of a philosophy. He believes that the artist must pursue reality rather than objects, combining immediate experience with the experience of the imagination, and that his success depends on how he exploits the instruments and materials available. The author illustrates this philosophy from contemporary practice and also outlines the history of engraving from the fifteenth century onward. This is a companion volume to the same author's About Prints, published in 1962".

Soft cover. Zustand: As New. Zustand des Schutzumschlags: As New. 1st Edition. 1st edition. Limited edition of 125 copies, no. 34. Preface by Graham Greene. Caramel wrappers with folding flaps with printed paper label. protected by a glassine cover,

paperback. Zustand: Very Good. Very Good. Dust Jacket may NOT BE INCLUDED.CDs may be missing. SHIPS FROM MULTIPLE LOCATIONS. book.

Paperback. Zustand: Fine. First Edition. Wraps. 8vo. pp 24. Original publisher's brown textured wraps, lettered black on the front cover. Limited edition of 125 copies, this being no. 48. Preface by Graham Greene. Greene contributes the preface, in which he explains how he came to invite Read to write reviews of crime fiction for Night and Day, of which Greene was literary editor. Read wrote five reviews, all of which are reprinted here. Fine.

Soft cover. Zustand: Fine. No Jacket. 1st Edition. 24pp. Printed on paper made by Amatruda of Amalfi in a limited edition of 135 copies. This is copy #47. Light brown embossed wrapped-around card covers with cream title plate tipped to front. Preface by Graham Greene (pp2/3). No inscriptions. Appears unread.

Soft cover. Zustand: Fine. No Jacket. 1st Edition. 24pp. Printed on paper made by Amatruda of Amalfi in a limited edition of 135 copies. This is copy #49. Light brown embossed wrapped-around card covers with cream title plate tipped to front. Preface by Graham Greene (pp2/3). No inscriptions. Appears unread.

8vo. 24, [1]pp. Original wrappers, printed paper label on front cover. A fine copy. FIRST SEPARATE EDITION, ONE OF 15 ADDITIONAL COPIES for the use of Graham Greene. The regular edition was of 135 copies, of which 25 were on better paper.

Country Life Ltd., London / Charles Scribner's Sons, New York - 1937 - In-8, cartonnage toilé écru, sans sa jaquette - 67 pages - Illustrations en N&B hors texte - Ouvrage en anglais Bon état - Sans sa jaquette - Menus frottements sur le cartonnage - Infimes rousseurs sur les tranches - Intérieur propre.