Preimesberger (46 Ergebnisse)

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Zustand: Good. Former library copy. Pages intact with minimal writing/highlighting. The binding may be loose and creased. Dust jackets/supplements are not included. Includes library markings. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good.

Zustand: New. Brand New.

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Zustand: New.

Hardback. Zustand: New. This title provides an intelligent and illuminating exploration of the rivalry that existed between the artists of the Renaissance and Baroque eras. The paragon - the notion of competition and rivalry among the arts - has been a topic of debate for centuries. It erupted with great force in the Renaissance: sculptors vying with painters for superiority, modern artists competing with the ancients, and painting challenging poetry. If the traces of this lively conversation are most evident in the literature, the remarkable scholarship presented here demonstrates how the paragone was rendered visible also in works of art. The essays on Renaissance and Baroque art reveal the paragone to be a crucial motive and key to the interpretation of some of the most celebrated works of art such as Van Eyck's Ghent Altarpiece and Michelangelo's Pieta in St. Peter's Basilica.…

Zustand: new.

Zustand: As New. Unread book in perfect condition.

Zustand: New. pp. xi + 144 45 Illus. (25 Col.).

Hardcover. Zustand: Brand New. 1st edition. 200 pages. 10.80x7.80x0.70 inches. In Stock.

Hardcover. Zustand: new. Hardcover. The paragonethe notion of competition and rivalry among the artshas been a topic of debate for centuries. It erupted with great force in the Renaissance, with sculptors vying with painters for superiority, modern artists competing with the ancients, and painting challenging poetry. If the traces of this lively conversation are most evident in the literature, the remarkable scholarship presented here demonstrates how the paragone was rendered visible also in works of art. The essays on Renaissance and Baroque art reveal the paragone to be a crucial motive and key to the interpretation of some of the most celebrated works of art such as Van Eycks Ghent Altarpiece and Michelangelos Pieta in St. Peters Basilica. The authors incisive and erudite analysis of social history, biography, rhetoric, art theory, wordplay, and history illuminates these works anew, thus affording a modern audience a better understanding of the subtleties of their composition and meaning. Readers will find surprising insights and unsuspected drama in works of art they may have thought they knew. Provides an exploration of the rivalry that existed between the artists of the Renaissance & Baroque eras. This title features essays on Renaissance and Baroque art that reveal the paragone to be a crucial motive and key to the interpretation of some of the most celebrated works of art such as Van Eyck's Ghent Altarpiece and Michelangelo's Pieta. Shipping may be from multiple locations in the US or from the UK, depending on stock availability.…

Hardcover. Zustand: As New. Originalverpackt. Kein Reisemarkt wachst so schnell wie die Hochsee-Kreuzfahrt. Unter den schwimmenden Hochhausern gibt es welche, die 5.000 Passagiere und mehr uber die Meere der Welt befordern. Alle Gaste mussen sich wohlfuhlen und bestens betreut werden. Dafur sind die Crew und das Dienstleistungspersonal zustandig - auch Arzte. Die medizinische Verantwortung fur die Passagiere tragt der diensthabende Schiffsarzt allein, er ist rund um die Uhr fur die Gesundheit aller Menschen an Bord zustandig. Der Osterreicher Jurgen Preimesberger war sechs Jahre einer von ihnen. In seinem Buch erzahlt er vom vollig anderen Leben am Schiff. Der Leser erfahrt von den herrlichen Seiten der Kreuzfahrten, vom Publikum, das Abenteuer erleben und unvergessliche Eindrucke gewinnen will. Preimesberger schildert aber auch, welche grossen medizinischen Herausforderungen der Schiffsarzt allein bewaltigen muss. Notfalle stehen an der Tagesordnung: Herzinfarkte, Lungenentzundungen und Lungenodeme sowie Knochenfrakturen waren fur Preimesberger medizinischer Alltag. Er wurde auch mit keinesfalls alltaglichen Situationen konfrontiert: So war eine Passagierin wegen eines Elefantenbisses zu behandeln, ein Angestellter wegen Leprakrankheit und 160 Passagiere auf einmal, weil der Noro-Virus ausgebrochen war.…

Zustand: New. In English.

Zustand: New.

Zustand: New. pp. xi + 144.

Zustand: As New. Unread book in perfect condition.

Hardback. Zustand: New. New copy - Usually dispatched within 4 working days.

Zustand: New. Provides an exploration of the rivalry that existed between the artists of the Renaissance & Baroque eras. This title features essays on Renaissance and Baroque art that reveal the paragone to be a crucial motive and key to the interpretation of some of the most celebrated works of art such as Van Eyck's Ghent Altarpiece and Michelangelo's Pieta. Num Pages: 200 pages, 25 colour & 24 b&w illustrations. BIC Classification: ACND; ACQB. Category: (G) General (US: Trade). Dimension: 270 x 199 x 17. Weight in Grams: 768. . 2011. 1st Edition. Hardcover. . . . .…

Zustand: New. Provides an exploration of the rivalry that existed between the artists of the Renaissance & Baroque eras. This title features essays on Renaissance and Baroque art that reveal the paragone to be a crucial motive and key to the interpretation of some of the most celebrated works of art such as Van Eyck's Ghent Altarpiece and Michelangelo's Pieta. Num Pages: 200 pages, 25 colour & 24 b&w illustrations. BIC Classification: ACND; ACQB. Category: (G) General (US: Trade). Dimension: 270 x 199 x 17. Weight in Grams: 768. . 2011. 1st Edition. Hardcover. . . . . Books ship from the US and Ireland.…

Hardcover. 01. 263 S. : zahlr. Ill. ; 28 cm Hardcover-Ausgabe! Ungelesenes Buch. Sehr guter Zustand. Leseseiten sind sauber und ohne Markierungen. Buch weist leichte Lagerspuren auf. Eine Ecke minimal bestossen. Sonst sehr gutes Exemplar. 9783775714808 Sprache: Deutsch Gewicht in Gramm: 1501.

Zustand: Good. Subsequent. Former library copy. Pages intact with minimal writing/highlighting. The binding may be loose and creased. Dust jackets/supplements are not included. Includes library markings. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good.…

Hardcover. Zustand: Very Good. 2018 OUP hardcover reprint edition. Unread copy in very good condition. CONTENTS: Introduction: Visual Representations of the State as Propaganda and Legitimation: Allan Ellenius The Baroque Stage The Rhetoric of Images PART I The Rhetoric of Images and the Spell of Metaphors 1. The Portrait of the Prince as a Rhetorical Genre: Kurt Johannesson 1.1 To Teach and Persuade with Examples 1.2 The Instruction of Princes 1.3 Princely Portraits 1.4 Epilogue 2. From the exemplum virtutis to the Apotheosis. Hercules as an Identification Figure in Portraiture. An Example of the Adoption of Classical Forms of Representation: Friedrich Polleross 2.1 Introduction 2.2 Identification in Portraiture 2.3 Hercules after the Revolution 3. The Orb as the Symbol of the State in the Pictorial Cycle Depicting the Life of Maria de' Medici by Rubens: Matthias Winner 3.1 Consignment of the Regency 3.2 Coronation of Maria de' Medici 3.3 Apotheosis of Henry IV and the Proclamation of the Regency 3.4 Council of the Gods 3.5 Felicity of the Regency PART II Agents of Fame-Making 4. Monarchic Liturgies and the 'Hidden King': The Function and Meaning of Spanish Royal Portraiture in the Sixteenth and Seventeenth Centuries: Fernando Checa Cremades 4.1 The Beginnings of an Image: From the World of Burgundy to the Defining Iconography of Maximilian I 4.2 Art, Architecture, and the Establishment of Power under Charles V: Limits and Symbols of Authority 4.3 The Purposes and Functions of Court Portraits 4.4 Philip II and the Ritual Concept of the Image 4.5 The 'Realistic Portrait' and Images of the Kings and Queens of Spain, 1500-1800 4.6 The Hidden King and Funeral Images 4.7 The Extension and Transformation of Seventeenth-Century Art 5. Propaganda and Legitimation in Castile: Religion and Church 1250-1500: Jose Manuel Nieto Soria 5.1 Apparent Secularization 5.2 Ideology and Government 5.3 Resources of Propaganda and Legitimation 5.4 Popular and Courty Devotion 5.5 A Christian King for a respublica christiana PART III Medieval Legacy and Renaissance Imagery 6. Rex et sacerdos: The Holiness of the King in European Civilization: Sergio Bertelli 7. Visual Images of Papal Power: The Legitimation of Papal Power in the Thirteenth and Fifteenth Centuries: Gunnar Danbolt 7.1 Introduction 7.2 The SS Quattro Coronati Frescoes from 1246 7.3 From SS Quattro Coronati to the Stanza dell' Incendio in the Vatican 7.4 The Stanza dell' Incendio in the Vatican 7.5 A New Political Situation for the Church 7.6 The Internal Political Situation 7.7 Significance and Presentation 7.8 Conclusion 8. Visual Ideas of Papal Authority: The Case of Bologna: Rudolph Preimesberger PART IV Rituals and Ceremonies 9. Ceremonial Space: Juliusz Chroscicki 9.1 Terminology 9.2 Church 9.3 Residence 9.4 Town 9.5 Country 9.6 Routes in Four Areas of Ceremonial Space 9.7 The Iconography of the Modern State and Ceremonial Space 9.8 Conclusion 10. Beneath the Ceilings of Versailles: Towards an Archaeology and Anthropology of the Use of the King's 'Signs' during the Absolute Monarchy: Gerard Sabatier 10.1 The Functional Issue 10.2 Descriptive Approaches PART V The Demise of Time-Honoured Mythologies 11. The Demise of Royal Mythologies: Peter Burke 11.1 The Crisis of Representation 11.2 The Decline of Correspondence 11.3 New Mythology 12. Republican Virtues and the Free State: Conceptual Frame and Meaning in Early Modern Europe and North America: Thomas Froschl.…

Gr.-8°, gebundene Ausgabe. Band 15.. 272 Seiten. SU etwas berieben und an SU-Rändern minimal geknickt; 9783786123934 Sprache: Französisch Gewicht in Gramm: 927.

Hardcover. Zustand: new. Hardcover. The paragonethe notion of competition and rivalry among the artshas been a topic of debate for centuries. It erupted with great force in the Renaissance, with sculptors vying with painters for superiority, modern artists competing with the ancients, and painting challenging poetry. If the traces of this lively conversation are most evident in the literature, the remarkable scholarship presented here demonstrates how the paragone was rendered visible also in works of art. The essays on Renaissance and Baroque art reveal the paragone to be a crucial motive and key to the interpretation of some of the most celebrated works of art such as Van Eycks Ghent Altarpiece and Michelangelos Pieta in St. Peters Basilica. The authors incisive and erudite analysis of social history, biography, rhetoric, art theory, wordplay, and history illuminates these works anew, thus affording a modern audience a better understanding of the subtleties of their composition and meaning. Readers will find surprising insights and unsuspected drama in works of art they may have thought they knew. Provides an exploration of the rivalry that existed between the artists of the Renaissance & Baroque eras. This title features essays on Renaissance and Baroque art that reveal the paragone to be a crucial motive and key to the interpretation of some of the most celebrated works of art such as Van Eyck's Ghent Altarpiece and Michelangelo's Pieta. Shipping may be from our Sydney, NSW warehouse or from our UK or US warehouse, depending on stock availability.…

Hardback. Zustand: New. This title provides an intelligent and illuminating exploration of the rivalry that existed between the artists of the Renaissance and Baroque eras. The paragon - the notion of competition and rivalry among the arts - has been a topic of debate for centuries. It erupted with great force in the Renaissance: sculptors vying with painters for superiority, modern artists competing with the ancients, and painting challenging poetry. If the traces of this lively conversation are most evident in the literature, the remarkable scholarship presented here demonstrates how the paragone was rendered visible also in works of art. The essays on Renaissance and Baroque art reveal the paragone to be a crucial motive and key to the interpretation of some of the most celebrated works of art such as Van Eyck's Ghent Altarpiece and Michelangelo's Pieta in St. Peter's Basilica.…

Hardcover. Zustand: Fine. Zustand des Schutzumschlags: Fine. 1st. Cloth, xii, 420 pages, illustrations (chiefly colour), map; 29 cm. Firm binding, clean inside copy. Dust jacket protected in a mylar cover. OVERSIZE! Additional shipping charges may be requested for international & priority orders. A massive coffee-table book. Richly illustrated with colour plates. *** "The Renaissance Portrait,' which accompanies a landmark exhibition at the Bode-Museum, Berlin, and The Metropolitan Museum of Art, New York, provides new research and insight into the early history of portraiture in Italy, examining in detail how its major art centers -- Florence, the priestly courts, and Venice -- saw the rapid development of portraiture as closely linked to Renaissance society and politics, ideas of the individual, and concepts of beauty. Essays by leading scholars provide a thorough introduction to Renaissance portraiture, while individual catalogue entries illustrate and extensively discuss more than 160 magnificent examples of painting, drawing, manuscript illumination, sculpture, and medallic portraiture by such artists as Donatello, Filippo Lippi, Botticelli, Verrocchio, Ghirlandaio, Pisanello, Mantegna, Antonello da Messina, and Giovanni Bellini." - Publisher. Size: 4to. Collectible.…

Gewebe. Zustand: Sehr gut. 272 S. : Ill. ; 25 cm Schutzumschlag mit leichten Lagerspuren, sonst sehr gut erhalten. Sprache: Französisch Gewicht in Gramm: 783.

Erste Auflage. 24,5 x 18 cm. 272 S. OLeinen mit illustriertem OUmschlag. Umschlag mit minimalen Randbereibungen. Sonst sehr gutes Exemplar. Berliner Schriften zur Kunst Band XV. Herausgegeben vom Kunsthistorischen Institut der Freien Universität Berlin. Mit Textabbildungen versehen.

Hardcover. Zustand: New. The paragoneâ"the notion of competition and rivalry among the artsâ"has been a topic of debate for centuries. It erupted with great force in the Renaissance, with sculptors vying with painters for superiority, modern artists competing with the ancients, and painting challenging poetry. If the traces of this lively conversation are most evident in the literature, the remarkable scholarship presented here demonstrates how the paragone was rendered visible also in works of art.The essays on Renaissance and Baroque art reveal the paragone to be a crucial motive and key to the interpretation of some of the most celebrated works of art such as Van Eyck?s Ghent Altarpiece and Michelangelo?s Pietà in St. Peter?s Basilica. The author?s incisive and erudite analysis of social history, biography, rhetoric, art theory, wordplay, and history illuminates these works anew, thus affording a modern audience a better understanding of the subtleties of their composition and meaning. Readers will find surprising insights and unsuspected drama in works of art they may have thought they knew.…