priya jaikumar (76 Ergebnisse)

Paperback. Zustand: Very Good. No Jacket. Former library book; May have limited writing in cover pages. Pages are unmarked. ~ ThriftBooks: Read More, Spend Less.

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Paperback. Zustand: Very Good. Very Good - Crisp, clean, unread book with some shelfwear/edgewear, may have a remainder mark - NICE PAPERBACK Standard-sized.

Paperback. Zustand: Good. Good - Bumped and creased book with tears to the extremities, but not affecting the text block, may have remainder mark or previous owner's name - GOOD PAPERBACK Standard-sized.

Zustand: Very Good. Pages intact with possible writing/highlighting. Binding strong with minor wear. Dust jackets/supplements may not be included. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good.

paperback. Zustand: Good. Good. Used with wear and/or markings but is still in solid reading condition. Pasadena's finest new and used bookstore since 1992.

Paperback. Zustand: Very Good+. Text clean and tight; 8vo 8" - 9" tall; 416 pages.

Hardcover. Zustand: New. Brand new. Pristine, unmarked. Orange cloth boards; no jacket as issued. Postmodern analysis of British colonial-themed films and the early development of film production in India. The British films mentioned are principally those from the Korda organisation, e.g., The Drum, The Four Feathers, The Jungle Book, also the Powell-Pressburger classic Black Narcissus, although no mention is made of Cardiff's cinematography. Illustrated with 34 b&w stills and other materials. // Shipped carefully packed in a sturdy box.

Paper Back. Zustand: Acceptable.

Soft cover. Zustand: As New. Contents: List of illustrations. Acknowledgements. Introduction. 1. Film policy and film aesthetics as cultural archives. I. Imperial governmentality 2. Acts of transition the British Cinematography Films Acts of 1927 and 1938. 3. Empire and embarrassment colonial forms of knowledge about cinema. II. Imperial redemption 4. Realism and empire. 5. Romance and empire. 6. Modernism and empire. III. Colonial autonomy 7. Historical romances and modernist myths in Indian cinema. Notes. Bibliography. Index of films. General index. How did the imperial logic underlying British and Indian film policy change with the British Empire's loss of moral authority and political cohesion. Were British and Indian films of the 1930s and 1940s responsive to and responsible for such shifts. Cinema at the End of Empire illuminates this intertwined history of British and Indian cinema in the late colonial period. Challenging the rubric of national cinemas that dominates film studies Priya Jaikumar contends that film aesthetics and film regulations were linked expressions of radical political transformations in a declining British Empire and a nascent Indian nation. As she demonstrates efforts to entice colonial film markets shaped Britain's national film policies and Indian responses to these initiatives altered the limits of colonial power in India. Imperially themed British films and Indian films envisioning a new civil society emerged during political negotiations that redefined the role of the state in relation to both film industries. In addition to close readings of British and Indian films of the late colonial era Jaikumar draws on a wealth of historical and archival material including parliamentary proceedings state sponsored investigations into colonial filmmaking trade journals and intra and intergovernmental memos regarding cinema. Her wide ranging interpretations of British film policies British initiatives in colonial film markets and genres such as the Indian mythological film and the British Empire melodrama reveal how popular film styles and controversial film regulations in these politically linked territories reconfigured imperial relations. With its innovative examination of the colonial filmarchive this richly illustrated book presents a new way to track historical change through cinema. 320 pp.

paperback. Zustand: VeryGood. A copy that may have been read, very minimal wear and tear. May have a remainder mark.

paperback. Zustand: Near Fine. Condition Notes: Excellent, unmarked copy with little wear and tight binding. We ship in recyclable American-made mailers. 100% money-back guarantee on all orders.

Paperback. Zustand: Fine. Zustand des Schutzumschlags: No Dustjacket. First Edition. ISBN 0822337932. Trade Paperback. Very good to near fine condition, with slight shelfwear to cover corners. Tight, bright, attractive copy with no markings to the book. No statement of later printing on copyright page. No Signature.

Zustand: Good. This is an ex-library book and may have the usual library/used-book markings inside.This book has soft covers. In good all round condition. Please note the Image in this listing is a stock photo and may not match the covers of the actual item,600grams, ISBN:9780822337935.

Soft cover. Zustand: New. In Where Histories Reside Priya Jaikumar examines eight decades of films shot on location in India to write a magisterial history of the nation s filmed spaces. A broad idea of the space created by a camera s interaction with real places underlies this history, which accounts for the spatiality of a film s screen fashioned by camera angles and edits, in conjunction with the socio-political dynamics of territory and geography. Whether discussing Jean Renoir s The River (1951), which portrays a universal human condition through particular landscapes in Bengal, or Films Division documentaries about India s mountainous borderlands, or Bollywood films today that are changing the look of background actors and settings, Jaikumar demonstrates that filming a location always involves competing assumptions, experiences, and visual practices. In so doing, she writes a bold spatial film historiography, outlining factors that have shaped India's filmed locations and architectures, from state bureaucracies and commercial infrastructures to aesthetic styles and neoliberal policies. She also shows why the study of cinema, whether celluloid or digital, must account for an aesthetics and politics of space. This book will interest scholars of film and media studies, history, film theory, visual and spatial studies, architecture and urban studies, geography, comparative studies, and postcolonial studies.

Zustand: Like New. Used - Like New. Your purchase helps support Sri Lankan Children's Charity 'The Rainbow Centre'. Our donations to The Rainbow Centre have helped provide an education and a safe haven to hundreds of children who live in appalling conditions.

Zustand: As New. Unread book in perfect condition.

PAP. Zustand: New. New Book. Shipped from UK. Established seller since 2000.

Zustand: New.

Paperback. Zustand: New. In Where Histories Reside Priya Jaikumar examines eight decades of films shot on location in India to show how attending to filmed space reveals alternative timelines and histories of cinema. In this bold "spatial" film historiography, Jaikumar outlines factors that shape India's filmed space, from state bureaucracies and commercial infrastructures to aesthetic styles and neoliberal policies. Whether discussing how educational shorts from Britain and India transform natural landscapes into instructional lessons or how Jean Renoir's The River (1951) presents a universal human condition through the particularities of place, Jaikumar demonstrates that the history of filming a location has always been a history of competing assumptions, experiences, practices, and representational regimes. In so doing, she reveals that addressing the persistent question of "what is cinema?" must account for an aesthetics and politics of space.

Zustand: new.

Soft cover. Zustand: As New.

Zustand: new.

Zustand: As New. Unread book in perfect condition.

Paperback. Zustand: new. Paperback. In Where Histories Reside Priya Jaikumar examines eight decades of films shot on location in India to show how attending to filmed space reveals alternative timelines and histories of cinema. In this bold "spatial" film historiography, Jaikumar outlines factors that shape India's filmed space, from state bureaucracies and commercial infrastructures to aesthetic styles and neoliberal policies. Whether discussing how educational shorts from Britain and India transform natural landscapes into instructional lessons or how Jean Renoir's The River (1951) presents a universal human condition through the particularities of place, Jaikumar demonstrates that the history of filming a location has always been a history of competing assumptions, experiences, practices, and representational regimes. In so doing, she reveals that addressing the persistent question of "what is cinema?" must account for an aesthetics and politics of space. Priya Jaikumar examines seven decades of films shot on location in India to show how attending to filmed space reveals alternative timelines and histories of cinema as well as the myriad ways cinema constructs India as a place. Shipping may be from multiple locations in the US or from the UK, depending on stock availability.

Zustand: New. pp. 416.

Zustand: New. 2019. Paperback. . . . . .