Rajesh devraj (37 Ergebnisse)

Zustand: very_good.

Paperback. Zustand: Very Good. No Jacket. May have limited writing in cover pages. Pages are unmarked. ~ ThriftBooks: Read More, Spend Less.

Paperback. Zustand: Very Good. No Jacket. May have limited writing in cover pages. Pages are unmarked. ~ ThriftBooks: Read More, Spend Less.

Zustand: Very Good. Zustand des Schutzumschlags: 8060954. 1793199688. 10/28/2026 3:01:28 PM.

Zustand: very good. Gut/Very good: Buch bzw. Schutzumschlag mit wenigen Gebrauchsspuren an Einband, Schutzumschlag oder Seiten. / Describes a book or dust jacket that does show some signs of wear on either the binding, dust jacket or pages.

Paperback. Zustand: Very Good. It's a well-cared-for item that has seen limited use. The item may show minor signs of wear. All the text is legible, with all pages included. It may have slight markings and/or highlighting.

paperback. Zustand: Very Good. Connecting readers with great books since 1972! Used books may not include companion materials, and may have some shelf wear or limited writing. We ship orders daily and Customer Service is our top priority.

Paperback. Zustand: Used; Good.

Zustand: New. pp. 124.

Zustand: New. pp. 386. Geetanjali Rao; Priyanka Kumar (illustrator).

Zustand: New. pp. 386. Geetanjali Rao; Priyanka Kumar (illustrator).

Zustand: New. pp. 386. Geetanjali Rao; Priyanka Kumar (illustrator).

Hardback. Zustand: Very Good. The book has been read, but is in excellent condition. Pages are intact and not marred by notes or highlighting. The spine remains undamaged.

Zustand: Very Good.

Zustand: very good. Gut/Very good: Buch bzw. Schutzumschlag mit wenigen Gebrauchsspuren an Einband, Schutzumschlag oder Seiten. / Describes a book or dust jacket that does show some signs of wear on either the binding, dust jacket or pages.

Hardcover. Zustand: Near Fine. Zustand des Schutzumschlags: Near Fine. Near fine condition, top of spine slightly bumped, otherwise no faults. The Art of Bollywood digs deeper into the original art in its true glory, from seldom-seen posters to rare images of street publicity and cinema displays.

Zustand: New. pp. 191.

Zustand: New. pp. 191.

Paperback. Zustand: Fair.

Zustand: New. pp. 191.

Paperback. Zustand: New. In shrink wrap. Looks like an interesting title.

Zustand: New. Print on Demand pp. 124.

Quarto, black heavy boards, white lettering to spine & front board, frontispiece, illus prelims, 192pp, illus, VG+ (light bruising to spine extrems, light chafing & soiling to boards) in d/w, VG+ (light creasingto edges, sl chafing, prev. bookseller's label to rear).

192 S. : zahlr. Abb. Sprache: Deutsch. Sehr gutes Exemplar. Sprache: Deutsch Gewicht in Gramm: 1425 4°, Hardcover/Pappeinband m. Schutzumschl.

Hardcover. Zustand: New.

Zustand: Sehr gut. Zustand: Sehr gut | Sprache: Englisch | Produktart: Bücher | Keine Beschreibung verfügbar.

Encuadernación de tapa dura. Zustand: Muy Bien. Zustand des Schutzumschlags: Muy Bien. ilustrado color,192 p.

Zustand: New. PRINT ON DEMAND pp. 124.

Zustand: very_good. Gently read. May have name of previous ownership, or ex-library edition. Binding tight; spine straight and smooth, with no creasing; covers clean and crisp. Minimal signs of handling or shelving. 100% GUARANTEE! Shipped with delivery confirmation, if you're not satisfied with purchase please return item! Ships USPS Media Mail.…

Soft cover. Zustand: New. Contents: Preface. Introduction. I. The Moviegoer: 1. My first encounter with cinema. 2. A close encounter with cinema. 3. My most moving movie moments. 4. Mehboob as I know him. 5. The neglected projectionist. II. The Archivist: 6. Yesterday s films for tomorrow. 7. Film preservation in India. 8. The ten I miss most. III. The Film Historian: 9. A National cinema takes root in a colonial regime. 10. Actual facts: a study of the birth of actuality film in India. 11. Towards a better understanding of a unique national cinema. 12. It s regional, It s real. 13. Malayalam cinema: in search of an identity. 14. The evolution of film in India, seen through posters. IV. The Film Critic: 15. Notes in the dark. 16. The song in Indian cinema. 17. The Devdas syndrome in Indian cinema. 18. Partition in cinema. 19. Some memorable moments in Adoor s films. 20. Amma Ariyan: the imperfect cinema of John Abraham. V. The Columnist: 21. What price entertainment? 22. Training future filmmakers: new approaches. 23. Are the days of Cellulose film over? Editor s note. Index. Picture credits. Known as India's 'Celluloid Man', P. K. Nair (1933-2016) was a passionate film-lover and archivist who dedicated his entire life to saving the country's cinematic heritage. From the films of Phalke to the classics of the studio era, much of our film history would have been reduced to blank pages, but for his efforts. Here are Nair's evocative memories of movie-going in the 1940s, and working with Mehboob, the legendary director of Mother India, as well as a first-person account of how Phalke's Kaliya Mardan and several other lost films were salvaged. Opinion pieces present views on the need to preserve films and the threats posed by the digital age, while a section on Indian film history provides fascinating insights into the silent era. Other highlights include an illustrated survey of poster art, and Nair's 'notes in the dark': his essays on themes ranging from regional cinema to the use of song in Indian cinema and Devdas' many avatars, drawn from a lifetime of watching movies. Absorbing and informative, Yesterday's Films for Tomorrow is a book for everyone who loves cinema, and cares about its past and its future.…