Remi labrusse (116 Ergebnisse)

Zustand: very_good. Book is in very good condition and may include minimal underlining highlighting. The book can also include "From the library of" labels. May not contain miscellaneous items toys, dvds, etc. . We offer 100% money back guarantee and 24 7 customer service.

Zustand: very_good. Fast Free Shipping â" Very Good condition book with a firm cover and clean pages. Shows normal use and some light wear or limited notes markings. A solid, nice copy to enjoy.

Hardcover. Zustand: Very Good. No Jacket. May have limited writing in cover pages. Pages are unmarked. ~ ThriftBooks: Read More, Spend Less.

Zustand: Very Good. Zustand des Schutzumschlags: 14234719. 1780594897. 6/4/2026 5:41:37 PM.

paperback. Zustand: Good. Minor Wear on edges and corners.Clean pages with no markings. Ships same day in most cases!Any queries, just ask for photos. Your satisfaction matters.

Zustand: very_good. This book is in Very Good condition. The cover and pages have minor shelf wear. Binding is tight and pages are intact.

No Binding. Zustand: Very Good. Softcover, 143 pgs. Text in French. Some age-toning to pages, light cover wear.

Paperback. Zustand: New. In shrink wrap. Looks like an interesting title.

Zustand: very good. Gut/Very good: Buch bzw. Schutzumschlag mit wenigen Gebrauchsspuren an Einband, Schutzumschlag oder Seiten. / Describes a book or dust jacket that does show some signs of wear on either the binding, dust jacket or pages.

paperback. Zustand: Very Good. Modest shelfwear to cover, clean pages and sound binding.

Zustand: As New. Unread book in perfect condition.

Soft cover. Zustand: Near Fine. 1st Edition. Royal Academy of Arts, London, 2004. Paperback. Condition: Near Fine. 212 page paperback exhibition catalog with many illustrations. The exhibition traveled to several locations in 2004-2005. Several contributors and many color illustrations. Previous owner's name on FFEP., tight and clean. Size: 10 x 11.…

Soft Cover. Zustand: Near Fine. First Softcover Edition. wrappers/folded card-covers, sewn binding. two minute abrasions to exterior. no other flaws - clean, no writing or markings, tightly bound.; 212pp., 145 plates and figures, plus numerous details, mostly in color., four essays, catalogue, reference material. begins with an examination of the fabrics and textiles used by henri matisse in his paintings and other artworks as a door into the works themselves. Size: 4to - over 9¾" - 12" tall. Exhibition Catalogue. …

Zustand: very good. Gut/Very good: Buch bzw. Schutzumschlag mit wenigen Gebrauchsspuren an Einband, Schutzumschlag oder Seiten. / Describes a book or dust jacket that does show some signs of wear on either the binding, dust jacket or pages.

Soft cover. Zustand: Fine. In fine condition; slight rubbing tip of top outside corner front cover; faint toning to wraps and clean interior; faint scuffing to wraps; otherwise, as new. 104 pages. 10 x 8 7/8 in.

Hardcover. Zustand: Fine. Zustand des Schutzumschlags: Fine. First Edition. cloth, hardcover in dust jacket., clean, no markings, no bumps, tears, or flaws. strong binding.; 212pp., 145 plates and figures, plus numerous details, mostly in color., four essays, catalogue, reference material. begins with an examination of the fabrics and textiles used by henri matisse in his paintings and other artworks as a door into the works themselves. Size: 4to - over 9¾" - 12" tall. Exhibition Catalogue.…

Zustand: New.

Couverture souple. Zustand: Très bon. In-8. 327 pages. Coll. "Beaux-Arts Histoire".

Hardcover. Zustand: Good. Zustand des Schutzumschlags: Very Good. 1st Edition. Book has lost a single blank preliminary page (to remove a dedication?), but is otherwise clean, unmarked and complete. An excellent reading copy in otherwise great condition. Please note if ordering from abroad that if an extra customs charge is made, this is the responsibility of the buyer. All proceeds of sale go to LOROS, a Hospice Charity serving Leicestershire and Rutland.…

Cloth - Hard Cover. Zustand: Fine. Zustand des Schutzumschlags: Near Fine. First Edition. 212 pages. Dust jacket is now in a clear Brodart protective sleeve. Due to size and weight, additional charges may apply for Priority and/or International shipping.

Hardcover with dustjacket, 212 pages, very good condition; except library sticker to dj bottom of spine and 2 internal pages; no other internal marks. Foreign shipping may be extra.

Zustand: New.

Rustica (tapa blanda). Zustand: New. Zustand des Schutzumschlags: Nuevo. 01. LIBRO.

Paperback. Zustand: As New. Livre grand format Absolument comme neuf, ouvrage jamais ouvert. Posté avec grands soins le jour de l'achat, satisfait ou remboursé.

Zustand: Fine. NEW/UNUSED - some outer edges have minor scuffs. Cover has light scratches. Book content is in new condition.

Cloth. Zustand: Near Fine. Near Fine. 260 pages 353 illustrations 150 in color. Minor rubbing and wear to the cover and edges. The Metropolitan Museum of Art, New York NY December 4, 2012-March 17, 2013. Works in the Exhibition. Bibliography and Index. Book.

Cloth. Zustand: Fine Condition. Fine Condition. 128 pages 80 illustrations in color. Text is in German and English. Preface by Chris Dercon, León Krempel and Avinoam Shalem. Published on the occasion of the exhibition from the Haus der Kunst München 17 September 2010-9 January 2011. Book.

Zustand: Nuevo. COLECCIÓN: ARTE Y ARQUEOLOGIA ARTE Y ARQUEOLOGIA - ANTROPOLOGIA | CONSERVACION, RESTAURACION Y CUIDADO DE OBRAS DE A | HISTORIA | HISTORIA DEL ARTE / ESTILOS DE ARTE Y DISEÑO.

Rústica. Zustand: Nuevo. Zustand des Schutzumschlags: Nuevo. ZONUNIV.

Rústica. Zustand: New. En "El Jarrón árabe del Reino de Suecia", Rémi Labrusse recorre de modo fascinante la historia de uno de los escasos jarrones monumentales nazaríes conservados. Del Reino de Granada a Chipre, y de ahí a Istanbul, Viena y Estocolmo, el jarrón realizará entre los siglos XV y XIX un largo viaje que lo llevará a cruzar fronteras tanto físicas como culturales. En el trayecto, se verá transformado en su significación e incluso en su materialidad, convirtiéndose en lo que Labrusse llama un "Objeto frontera". De este modo, el relato minucioso de la vida de un objeto que aquí se nos ofrece revela asimismo una necesidad historiográfica apremiante: la de dar cuenta del papel las fronteras culturales a la hora de escribir una Historia del Arte que requiere del diálogo con la Antropología.…