richard lingner (14 Ergebnisse)

Hardcover. Zustand: Good. No Jacket. Pages can have notes/highlighting. Spine may show signs of wear. ~ ThriftBooks: Read More, Spend Less.

Softcover. 104 pp. Softcover. Very good condition; touches of wear on edges of covers and of papers.

Zustand: Poor. Book is Poor condition. Good for reading, not pretty to look at! The pages and cover are soiled and/or yellowed, worn throughout.

Zustand: Very Good. Pages intact with possible writing/highlighting. Binding strong with minor wear. Dust jackets/supplements may not be included. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good.

Zustand: good. The book is in good condition with all pages and cover intact, including the dust jacket if originally issued. The spine may show light wear. Pages may contain some notes or highlighting, and there might be a "From the library of" label. Boxed set packaging, shrink wrap, or included media like CDs may be missing.

Softcover. Zustand: Very good condition. 104 pp. Softcover.

Zustand: As New. Like New condition. Very Good dust jacket. NOT AVAILABLE FOR SHIPMENT OUTSIDE OF THE UNITED STATES.

Hardcover. Zustand des Schutzumschlags: Near Fine. 240 pages. 9 by 11-1/2 inches. Illustrated mostly in color. Near fine in a near fine dust jacket. A large, heavy book. A very nice copy. The official companion book to the Isabella Stewart Gardner Museum's hundredth anniversary celebration During her lifetime (1840-1924) Isabella Stewart Gardner was at the heart of Victorian Boston's liveliest salon. Henry and William James, Henry Adams, Oliver Wendell Holmes, John LaFarge, James McNeill Whistler, Bernard Berenson, and John Singer Sargent all gathered at Fenway Court, in the company of works by Giotto, Fra Angelico, Titian, Raphael, Rubens, and Rembrandt. One hundred years after its completion, the Isabella Stewart Gardner Museum remains as intrepid and idiosyncratic as its creator. The embodiment of one woman's vision, the Venetian palazzo turned inside out and its wildly eclectic collection of twenty-four centuries of paintings, sculpture, furnishings, and books nonetheless speak very personally to all who enter. At once grand and intimate, the garden courtyard and the terrazzo galleries invite discovery: every visitor (and there have been literally hundreds of thousands), it seems, has a secret corner of the Gardner. In celebration of its centenary, the Gardner Museum has asked artists and thinkers of our own time to go public with their private visions of the Gardner. In this book, filled with 120 color plates, their voices are joined and juxtaposed with those of Mrs. Gardner's contemporaries, allowing readers to see the Gardner's most beloved works through the eyes of such nineteenth- and twentieth-century thinkers as William James and Bill T. Jones, T. S. Eliot and Henry Louis Gates Jr., Julia Ward Howe and Sister Wendy. Robert Campbell takes as his subject the museum's architecture, while Wayne Koestenbaum offers a homoerotic reading of works in the collection. Beautifully designed and extravagantly illustrated, Eye of the Beholder offers a richly textured exploration of one of the world's great art collections.

hardcover. Zustand: As New. Used, hardcover like new with original dust jacket. Sharp, square, clean, fresh & serviceable copy. No highlighting, marginalia or tears.

Hardcover. Zustand: Fine. 1st Edition. Qto., 479 pages, illustrated with photographs taken during her travels around Asia. Looks unused, a Fine copy in decorated black cloth hardcovers.

Soft cover. Zustand: Very Good. No Jacket. 1st Edition. English text.; Paperback.; 0.4 kg.; 17.5 x 22 cm.; 112 pages with colour illustrations.; Used with minor signs of wear. The exterior shows minor edge wear, scuffs and scratches on the front cover, spine and back cover. Interior with minor signs of wear.; The delicacy, purity, and exotic beauty of Chinese and Japanese porcelain captivated all of Europe, where it was imported in large quantities during the seventeenth and eighteenth centuries. Porcelain's allure inspired quests to unlock the secrets of its manufacture. European potters strove to imitate and adapt these Asian imports. This impact on European ceramics is superbly illustrated by the collection donated to the Asian Civilisations Museum by Mr and Mrs Toshio Egawa. The collection formed by the Egawas, a Japanese couple with long ties to Singapore, highlights the confluence of East and West. The individual objects, of fascinating design, represent a slice of history and reveal the economic and artistic interactions of the period.

Hardcover. Zustand: new. New Copy. Customer Service Guaranteed.

Hardcover. Zustand: New.