Richard maunder (89 Ergebnisse)

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Zustand: Used - Very Good. VG paperback. 1989 vocal score edition - soloists and SATB choir with piano accompaniment (orchestral reduction); spine and cover uncreased, apart from little creases to corners; a clean, tidy, unmarked copy. Used - Very Good. VG paperback.

Sheet music. Zustand: Brand New. 40 pages. Latin language. 10.79x8.19x0.47 inches. In Stock.

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Zustand: Good. Pages intact with minimal writing/highlighting. The binding may be loose and creased. Dust jackets/supplements are not included. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good.

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Paperback. Zustand: Brand New. 64 pages. Latin language. 12.05x10.32x0.32 inches. In Stock.

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Sheet music. Zustand: Brand New. 136 pages. Latin language. 10.79x8.43x0.39 inches. In Stock.

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Hardback. Zustand: New. The sequel to Richard Maunder's The Scoring of Baroque ConcertosIn the baroque era most concertos were - in the modern sense of the term - chamber music, to be played by a small group of musicians each reading from an individual printed or manuscript part. Indeed, composers often expected thesoloist to be accompanied by just a string quartet with a harpsichord or organ continuo. But over the thirty years from 1750, as the classical style was being developed, numbers began to rise slowly. This did not happen at a uniform rate throughout Europe, however, for many concertos continued to be played one-to-a-part, and even by 1780 an ensemble with more than eight or nine strings would have been unusual. The nineteenth-century notion that a concertopitted a lone soloist against a full symphony orchestra still lay some years in the future. At the same time ideas about form were changing, as the Vivaldian ritornello pattern metamorphosed into the concerto-sonata form usedby Mozart and his contemporaries; some unconventional variants appeared as composers strove to keep abreast of latest developments. It was a fascinating period of innovation, in which many hundreds of concertos were written. To be sure, not all of them can be described as "forgotten masterpieces", but among them there are some very fine works that certainly ought to be revived. It is hoped that readers of this book may be encouraged to explore this comparatively neglected repertoire. The late RICHARD MAUNDER was a Fellow of Christ's College, Cambridge. His previous book, The Scoring of Baroque Concertos, was published by The Boydell Press in 2004. He has also published books on Mozart's Requiem, Keyboard Instruments in Eighteenth-Century Vienna and numerous editions of seventeenth- and eighteenth-century music.…

Zustand: New.

Soft cover. Zustand: Fine. viii, 280 pages : illustrations ; 24 cm ; ISBN 9783540198994, 9780387198996, 3540198997, 0387198997 ; OCLC 32821150 ; LCCN 95032988 ; LOC No QB63 .O27 1995 ; Dewey 520 ; stiff paper wrappers ; Patrick Moore has pulled together a group of professional and amateur astronomers, each an expert in a particular field, to describe how to observe every category of object that is within reach of an astronomical telescope of modest size. ; Contents: The sun in white light / Bruce Hardie -- The sun in hydrogen-alpha / Bob Turner -- Eclipses / Michael Maunder -- The moon / Jeremy Cook -- Mercury and Venus / Richard M. Baum --Mars / Patrick Moore --Jupiter / Terry Moseley --Saturn / A.W. Heath --The asteroids and telescopic planets / Andrew J. Hollis --Meteors / Neil Bone --Comets / Jonathan Shanklin --Occultations / Alan Wells --Auroræ and noctilucent clouds / David Gavine --Variable stars / Melvyn D. Taylor --Supernovæ / R.W. Arbour --Deep sky observing / Bernard C. Abrams --Artificial satellites / Howard Miles --Annotated drawings / Paul Doherty . Book.…

Size: 8vo. 300pp. Publisher's printed hardback. Music examples and illustrations.

HRD. Zustand: New. New Book. Shipped from UK. Established seller since 2000.

Soft cover. Zustand: Very Good. 180 pages. Illustrated. New Light on Robert Cambert in London, and His "Ballet et Musique" (pp. 198-202+205-206+208-210+212-214+217-220) John Buttrey Music and Musicians of Early Tudor Westminster (pp. 223-228+231-240) Fiona Kisby Domenico Scarlatti and the Florentine Piano (pp. 243-246+249-256) David Sutherland The Earliest Paintings of the Clarinet (pp. 258-266) Eric Hoeprich 'Gallimaufry' at Covent Garden: Purcell's "The Fairy-Queen" in 1946 (pp. 268-284) Michael Burden Mozart's Pedal Piano (pp. 287-296) Richard Maunder and David Rowland Sense and Sensibility in Late-Medieval Music: Thoughts on Aesthetics and 'Authenticity' (pp. 298-304+306-308+310-312) Rob C. Wegman.…

Zustand: New. In English.