Rick wester (18 Ergebnisse)

Zustand: Good. Former library copy. Pages intact with minimal writing/highlighting. The binding may be loose and creased. Dust jackets/supplements are not included. Includes library markings. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good.

hardcover. Zustand: Very Good. HARDCOVER Very Good - Crisp, clean, unread book with some shelfwear/edgewear, may have a remainder mark - NICE Oversized.

Hardcover. Zustand: Near Fine. 1st Edition. Presumed first printing of the first edition. Inscribed, signed and dated in a neat ink hand by the photographer on the front pastedown. Printed in Germany. 12 x 9.5 inches. Olive drab cloth hardboards, with color pictorial pastedown to the front board. Unbumped spine head and tail, and sharp corners. A clean binding. With unnumbered pages on semi-glossy stock. Featuring numerous color photo prints, mostly half-page. Exceptionally clean interior. No dust jacket, as issued. A Near Fine copy. 2 lbs. 5 oz. From the library of noted photography collector and dealer Terry Etherton and inscribed to him by the photographer. Fifield, Sandi Haber (illustrator). Inscribed by Illustrator(s). …

Zustand: As New. Unread copy in mint condition.

Zustand: New. Brand New.

Hardcover without dustjacket as issued, unpaginated; very good condition; 1/2-inch crease to upper right corner of covers and most pages; no internal marks. Foreign shipping may be extra.

Exhibition Announcement Cards. This is not a book. The original announcement card for a group exhibition of photography titled "Six from the Seventies: The Last Years of Modern Photography" and held at Howard Greenberg Gallery, NYC, June 18 - August 28, 2004. The show was curated by Rick Wester and included Michael Bishop, Frank Gohlke, William Larson, Michael Martone, Joel Meyerowitz, and Bea Nettles. Stiff card, printed both sides; unillustrated; 8 x 5.5 inches. Condition: Fine. Laid-in is the 2-page illustrated gallery press release. Will be sandwiched securely between stiff layers of cardboard and shipped the next business day. International postage may be less than quoted.…

Hardback. Zustand: New.

Hardcover. Zustand: VG. Gray cloth boards with inlaid color illustration and purple stamped lettering. 96 unnumbered pages. Color illutrations. Includes an essay by Vicki Goldberg called "Memory, Mood, and Life's Disjunctions.".

Hardcover. Zustand: Very Good. No Jacket. Signed & inscribed by Sandi Haber Fifield to the previous owner on the title page. Hard bound, no dust jacket. Inscribed by Author(s).

Hardcover. SIGNED. First edition. Fine clothbound hardcover with a color plate mounted to the front with a bump to one tip; no dj as issued. BOOKS SHIP THE NEXT BUSINESS DAY, WRAPPED IN PADDING, IN A BOX. "Throughout her career, fine art photographer Sandi Haber Fifield has worked with multiple images to create narrative pieces that transcend the formal elements of photography confined to a single moment. The associations she makes result in composites of four, sometimes three images, often rendered in soft focus, which are like visual poems reconstructed from memory or dreams." Photographs by Sandi Haber Fifield; essay by Vicki Goldberg. SIGNED BY FIFIELD on the title page and dated in the year of publication; no inscription. Unpaginated [96 pages]; 40 works, each 4 color photographs; 9.75 x 12 inches. Biography.…

Hardcover. Zustand: New.

Buch. Zustand: Neu. Neuware - In ihrer neuen Monografie After The Threshold verfolgt Sandi Haber Fifield ihre Arbeit mit mehrteiligen Bildern weiter. Die aktuellen Werke bestehen aus jeweils drei oder vier Bildern aus dem reichen Archiv der Ku¿nstlerin, die, zu Sequenzen zusammengestellt, wunderscho¿ne, traumartige Erza¿hlun- gen ergeben und den Betrachter zum Verweilen und Interpretieren anregen. »Mein Werk entsteht aus Zusammensto¿ßen und Angleichungen. Von einem Blick aus dem Busfenster in einer unvertrauten Stadt bis zu dauerhafteren Beobachtungen durch meine eigenen geo¿ffneten Vorha¿nge kombiniere ich Momente des Sehens, die sowohl die verwirrende Zufa¿lligkeit unserer ge- meinsamen Welt spiegeln als auch die beruhigenden perso¿nlichen Verbin- dungen enthu¿llen, die uns geerdet halten. Ich suche nach den kleinen Tei- len, aus denen das Ganze besteht. Mein Studio ist der Ort, an dem visuelle Assoziationen einsetzen, vibrieren, scheppern und sich auflo¿sen. Wenn man das U¿bersehene untersucht, sieht man das Vertraute und durchsucht die Randbereiche nach den Bedeutungen, die sich dort sammeln.«Sandi Haber Fifield lebt als zeitgeno¿ssische Fotoku¿nstlerin in Connecticut. Ihre Arbeiten wurden in wichtigen Museen ausgestellt, darunter das Art In- stitute of Chicago; das Museum of American Art, Washington, D. C.; das Museum of Contemporary Photography, Chicago; das Museum of Modern Art, New York; das Oakland Museum und das St. Louis Art Museum. …

hardcover. Zustand: Very Good. Condition Notes: Clean, unmarked copy with some edge wear. Good binding. Dust jacket included if issued with one. We ship in recyclable American-made mailers. 100% money-back guarantee on all orders.

Gebunden. Zustand: New. In ihrer neuen Monografie After The Threshold verfolgt Sandi Haber Fifield ihre Arbeit mit mehrteiligen Bildern weiter. Die aktuellen Werke bestehen aus jeweils drei oder vier Bildern aus dem reichen Archiv der Kuenstlerin, die, zu Sequenzen zusammengestellt.

Hardback. Zustand: New.

hardcover. Zustand: Very Good. Condition Notes: Clean, unmarked copy with some edge wear. Good binding. Dust jacket included if issued with one. We ship in recyclable American-made mailers. 100% money-back guarantee on all orders.

Hardcover. Zustand: New. South Africa has seen dramatic recent changes in its history, so that in today's post-apartheid society, where division is still evident but now set primarily along economic lines, it is a country with which both Third and First Worlds can identify. In Enter Exit Pierre Crocquet de Rosemond, born in 1971 in Cape Town, has recorded the daily life of a rural community in his native South Africa. His black-and-white images are largely portraits of individuals, both single and grouped, but always posed and portrayed existentially rather than culturally, so that their common qualities are emphasized over and above their differences. These individuals are mostly photographed facing the camera in direct dialogue, although some images depict people otherwise engaged in various labors; occasionally a flash of humor will jolt the sobriety of the scene. Enter Exit is Crocquet's tender tribute to South African character.…