Rigoletto (133 Ergebnisse)

Paperback. Zustand: Very Good. 1st. 36 clean, unmarked pages; stapled wraps; includes items by/about: Opera; Rigoletto at the Met (Photos, Stories),glenn Loney (Byways of Europe #4, Bohemia), Peter Elvins (designer Nicola Benois at La Scala), Wuaintance Eaton (Americans in Mantua Morris Springer (Victor Hugo and the Librettists), Walt Wilcover, Actor's Studio, Book & Record Reviews, Etc. B/W Illus; James Mcmullen Cover Art of Rigoletto (illustrator).…

siehe Artikelbeschreibung. Zustand: siehe Artikelbeschreibung. ; o. J. (um 1890 ?); 18 x 11,5 cm; OBr; 24 S:; Heftstreifenbroschur ; Rücken mit Abrieb; etwas fleckig / angestaubt; an den Rändern mit Knickspur; Biliotheks - Ex mit Aufkleber.

Paperback. Zustand: New. Italian cinema has traditionally used the trope of an inadequate man in crisis to reflect on the country's many social and political upheavals. Masculinity and Italian Cinema examines how this preoccupation with male identity becomes especially acute in the 1970s when a set of more diverse and inclusive images of men emerge in response to the rise of feminism and gay liberation. Through an analysis of the way Italian films explore anxieties about male sexuality and femininity, the book shows how such anxieties also intersect with particular preoccupations about national identity and political engagement. This is an essential study-tool to understand the multiple constructions of masculinity in Italian cinema, helping students and researchers to understand the work of some of Italy's most provocative filmmakers.Key Features* Re-examines key Italian films, including Bernardo Bertolucci's The Conformist, Ettore Scola's A Special Day, Pier Paolo Pasolini's Theorem and Lina Wertmüller's The Seduction of Mimì, in the light of gender and queer theory.* Covers the major thematic concerns, genres and stylistic traits of 1970s Italian political cinema* Analyses the broader cultural context of 1970s Italy, including sections on Italian feminism, Gay liberation and the post-'68 social movements.…

Paperback. Zustand: new. Paperback. Italian cinema has traditionally used the trope of an inadequate man in crisis to reflect on the country's many social and political upheavals. Masculinity and Italian Cinema examines how this preoccupation with male identity becomes especially acute in the 1970s when a set of more diverse and inclusive images of men emerge in response to the rise of feminism and gay liberation. Through an analysis of the way Italian films explore anxieties about male sexuality and femininity, the book shows how such anxieties also intersect with particular preoccupations about national identity and political engagement. This is an essential study-tool to understand the multiple constructions of masculinity in Italian cinema, helping students and researchers to understand the work of some of Italy's most provocative filmmakers. A study of how Italian films re-envisage male identity in response to sexual liberation. Shipping may be from multiple locations in the US or from the UK, depending on stock availability.…

Zustand: new.

Zustand: New.

Zustand: New. 2026. paperback. . . . . .

Zustand: BUONO. Firenze, Libreria Editrice Fiorentina cm.15x21, pp.229, brossura macchietta in cop., altrimenti ottimo esempl.

Zustand: New.

Zustand: New.

Zustand: New. 2026. paperback. . . . . . Books ship from the US and Ireland.

paperback. Zustand: Good. Paperback. Cover and spine in good condition. Spine is tight. Some writing on front cover, otherwise the pages are clean, no markings, notes or stains. Ships from Friends bookstore to benefit Beaverton (Oregon) library.

Paperback. Zustand: Brand New. 176 pages. 6.14x2.00x9.21 inches. In Stock.

Zustand: New.

Paperback or Softback. Zustand: New. Popular Italian Cinema. Book.

Taschenbuch. Zustand: Neu. Neuware - Italian cinema has traditionally used the trope of an inadequate man in crisis to reflect on the country's many social and political upheavals. Masculinity and Italian Cinema examines how this preoccupation with male identity becomes especially acute in the 1970s when a set of more diverse and inclusive images of men emerge in response to the rise of feminism and gay liberation. Through an analysis of the way Italian films explore anxieties about male sexuality and femininity, the book shows how such anxieties also intersect with particular preoccupations about national identity and political engagement. This is an essential study-tool to understand the multiple constructions of masculinity in Italian cinema, helping students and researchers to understand the work of some of Italy's most provocative filmmakers.Key Features\* Re-examines key Italian films, including Bernardo Bertolucci's The Conformist, Ettore Scola's A Special Day, Pier Paolo Pasolini's Theorem and Lina Wertmüller's The Seduction of Mimì, in the light of gender and queer theory.\* Covers the major thematic concerns, genres and stylistic traits of 1970s Italian political cinema\* Analyses the broader cultural context of 1970s Italy, including sections on Italian feminism, Gay liberation and the post-'68 social movements.…

Zustand: New.

Hardback or Cased Book. Zustand: New. Popular Italian Cinema. Book.

Zustand: Good. This is an ex-library book and may have the usual library/used-book markings inside.This book has hardback covers. In good all round condition. Library sticker on front cover. Please note the Image in this listing is a stock photo and may not match the covers of the actual item,500grams, ISBN:9780230300163.…

Zustand: New.

Zustand: New.

Paperback / softback. Zustand: New. New copy - Usually dispatched within 4 working days.

Zustand: As New. Unread book in perfect condition.

Zustand: As New. Unread book in perfect condition.

Zustand: Fair. This is an ex-library book and may have the usual library/used-book markings inside.This book has hardback covers. In fair condition, suitable as a study copy. No dust jacket. Please note the Image in this listing is a stock photo and may not match the covers of the actual item,500grams, ISBN:9780230300163.…

In 16°, bross. ill. (Alfredo?), pp. 36+ 4 pubbl. editoriale. Disponiamo di alcuni esemplari con i seguenti timbri a secco: 2/06 - 11/07 - 3/08 - una con timbro illeggibile. CADAUNO.

Paperback. Zustand: New. Italian cinema has traditionally used the trope of an inadequate man in crisis to reflect on the country's many social and political upheavals. Masculinity and Italian Cinema examines how this preoccupation with male identity becomes especially acute in the 1970s when a set of more diverse and inclusive images of men emerge in response to the rise of feminism and gay liberation. Through an analysis of the way Italian films explore anxieties about male sexuality and femininity, the book shows how such anxieties also intersect with particular preoccupations about national identity and political engagement. This is an essential study-tool to understand the multiple constructions of masculinity in Italian cinema, helping students and researchers to understand the work of some of Italy's most provocative filmmakers.Key Features* Re-examines key Italian films, including Bernardo Bertolucci's The Conformist, Ettore Scola's A Special Day, Pier Paolo Pasolini's Theorem and Lina Wertmüller's The Seduction of Mimì, in the light of gender and queer theory.* Covers the major thematic concerns, genres and stylistic traits of 1970s Italian political cinema* Analyses the broader cultural context of 1970s Italy, including sections on Italian feminism, Gay liberation and the post-'68 social movements.…

Zustand: New. In English.

hardcover. Zustand: Good. Volume cartonato rigido di pagine 171 con numerose illustrazioni in bianco e nero e a colori, sovrfaccoperta con restauri, Opera in buone condizioni. Spedizione in 24 ore dalla conferma dell'ordine. Book.

Zustand: New. Exciting new critical perspectives on popular Italian cinema including melodrama, poliziesco, the mondo film, the sex comedy, missionary cinema and the musical. The book interrogates the very meaning of popular cinema in Italy to give a sense of its complexity and specificity in Italian cinema, from early to contemporary cinema. Editor(s): Bayman, L; Rigoletto, S. Num Pages: 262 pages, biography. BIC Classification: APF; APFN. Category: (G) General (US: Trade). Dimension: 216 x 140. . . 2013. Paperback. . . . .…