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  • Zustand: Gebraucht - Gut

    EUR 27,55

    EUR 11,58 Versand 
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    Anzahl: 1 verfügbar

    Hardcover. Zustand: VG. Quarto. Hardcover. Navy cloth boards in illustrated paper jacket. 252 pages : illustrations (some color) ; 27 cm. "Published to accompany an exhibition at the Grolier Club, 18 September-23 November 2002."/ Designed by William Drenttel, Rob Giampietro, and Kevin Smith--AIGA Design Archives./ Includes bibliographical references (pages 242-243) and index. "This catalog accompanies an exhibition on medical quackery, tracing its prevalence from the itinerant seller of nostrums four centuries ago to unsolicited spam on the Internet today. Prints by William Hogarth, Honore Daumier and others highlight the theatrics of the quack at work; posters by Jules Cheret, Maxfield Parrish and their contemporaries illustrate the remarkable artistry with which proprietary medicines were once advertised; and works by H.G. Wells, Weir Mitchell and other writers offer a delightful look at the elaborate language once used to promote the quack's wares. The quack doctor's lavish pronouncements and excessive postures were matched only by similarly exalted promises of therapeutic cure. Quacks dressed elaborately, inflated their credentials, and embraced a particularly extravagant vocabulary to market their panaceas, at times claiming their pills and salves would cure all disease. Some wryly observed that the quacks' nomadic nature was necessary to enable them to avoid the inevitable reprisals of dissatisfied customers. They were later succeeded by the makers of proprietary medicines, many of whom adopted quackery's promotional methods while, at the same time, introducing new ones of their own. These vendors advertised widely (often with celebrity testimonials), publishing broadsides, posters, pamphlets and manifestoes to further amplify the popular reach of their product claims. Until the mid-nineteenth century, both physicians and quacks relied upon certain standard agents - including opium, quinine and antimony (which worked) and a great many others (which did not)."--BOOK JACKET.…

  • Sprache: Englisch

    Verlag: Power Plant Contemporary Art Gallery, Toronto, 2016

    1894212398 / 9781894212397

    • Softcover

    Anbieter: 2Wakefield, Wakefield, QC, Kanada2Wakefield

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    Zustand: Gebraucht - Sehr gut

    EUR 36,73

    EUR 25,85 Versand 
    Versand von Kanada nach USA

    Anzahl: 1 verfügbar

    Soft cover. Zustand: Fine. No Jacket. 163 pages. 26.5 cm. Pictorial card covers. Illustrations (full-page b/w and color photographies of artist's works). Biographies. Colopon. 'This book was published in conjunction with the exhibition ''Micah Lexier : One, and Two, and More Than Two'', curated by Gaëtane Verna and presented by The Power Plant Contemporary Art Gallery, 21 September 2013 - 5 January 2014 . An unmarked, tight and crisp catalog.…

  • Zustand: Gebraucht

    EUR 68,87

    EUR 7,58 Versand 
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    182 pp.; 23.4 x 16.5 cm.; sewn bound; black-and-white & color; edition size unknown; unsigned and unnumbered; offset-printed; Issue number 13 of the periodical Dot Dot Dot, a predecessor to the publication "Bulletins of The Serving Library." Edited by Stuart Bailey. Contents include: "Editorial (1)," by G.K. Chesterton; "Editorial (2)," by Benjamin Franklin; "Editorial (3)," by Lewis H. Lapham; "Scanned in Situ," by David Reinfurt; "Royal Itineraries: An interview with Sven Augustijnen," by Raimundas Malasauskas; "I.U. (2)," by David Greene, Samantha Hardingham & John Morgan Studio; "The Bloody Latte," by Ian Svenonius; "Greetings from Bhutan," by Alex Klein; "Hanging Up Moholy," by Louis Kaplan; "1984 and Beyond," by Gerard Byrne; "The Search for the Fountain of Prosperity," by Michael Stevenson; "Life After Life And After: An Interview with George Maciunas," by Raimundas Malasauskas through David Magnus; "Décor Holes," by Seth Price; "Guaranteed Disappointment," by Neil Mulholland; "End of Play: Chapter 1," by Heman Chong, Melissa Lim & Leif Magne Tangen, cover illustration by Chris Evans; "Review," by Valentinas Klimaauskas; "Tourette''s Syndrome," by John Russell; "Semantic Translation of John Russell''s ?Tourette''s Syndrome'' (after Stefan Themerson)," by Stuart Bailey, Louis Lüthi, John Morgan and Will Holder; "Inaugurating the Pleasuredome," compiled by Jan Verwoert; "On 1984 and Beyond," by Emily Pethick; "Form-giving," by Rob Giampietro; "0?9, A?Z, YES/NO," by Paul Elliman; "MITIM (Gamma)," by Radim Pesko & Louis Lüthi and "The Middle of Nowhere: chapter 2 (continued)," by Will Holder. Very Good. 2 mm. yellow stain to recto. Rubbing of cover edges and light bumping of corners. Contents clean and unmarked.…

  • Sprache: Englisch

    Verlag: Distributed Art Pub Inc, 2011

    0935640983 / 9780935640984

    • Softcover

    Anbieter: Magers and Quinn Booksellers, Minneapolis, MN, USAMagers and Quinn Booksellers

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    Zustand: Gebraucht - Gut

    EUR 91,82

    EUR 3,56 Versand 
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    Anzahl: 1 verfügbar

    paperback. Zustand: Very Good. Condition: Very Good; Very Good Copy. No tears, very slight edgewear.

  • Sprache: Englisch

    Verlag: Art Center; Et Al, 2011

    0935640983 / 9780935640984

    • Softcover

    Anbieter: BWS BKS, Ferndale, NY, USABWS BKS

    Verkäufer/-in mit 2 Sternen
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    Zustand: Neu

    EUR 1.814,41

    EUR 2,67 Versand 
    Versand innerhalb von USA

    Anzahl: 1 verfügbar

    Paperback. Zustand: New. Graphic design has broadened its reach dramatically over the past decade, expanding from a specialized profession to a widely deployed skill. The rise of user-generated content, new methods of publishing and systems of distribution, and the wide dissemination of creative software have opened up new opportunities for design. More designers are becoming producers--authors, publishers, instigators and entrepreneurs--actively employing their creative skills as makers of content and shapers of experiences. Featuring work produced since 2000, Graphic Design: Now in Production explores the worlds of design-driven magazines, newspapers, books and posters; the entrepreneurial spirit of designer-produced goods; the renaissance in digital typeface design; the storytelling potential of film and television titling sequences; and the transformation of raw data into compelling information narratives. The catalogue features important original essays by leading designers that tackle themes such as the changing roles of reading and writing within the context of new technologies and self-publishing; the nature of design labor and production, from blue-collar handcraft and making to white-collar design thinking and strategy; and the impact and influence design programs and schools have had on shaping the direction of contemporary graphic design. Co-organized by Walker Art Center and Cooper-Hewitt National Design Museum, Graphic Design: Now in Production is conceived as a visual compendium in the spirit of the Whole Earth Catalogue. It features posters, info graphics, fonts, books, magazines, film titles, logos and more, interspersed with a variety of small texts delving into specific project details, excerpted artists' statements, interviews and published manifestos, technical details, and new and old technologies and tools.…