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Paperback. Zustand: new. Paperback. Robert Irwin Knight, bank clerk, left Downpatrick for Army service, initially as a sergeant with the British Expeditionary Force in France, surviving its chaotic retreat and subsequent evacuation from Dunkirk. Thereafter as a Commissioned Officer he served in the defence of the UK. Finally he took part in the Normandy campaign.After retirement from a post-war career as an English teacher at Banbridge Academy, he wrote of his war-time service, a memoir notable for its wit and self-deprecation. He gives charming, penetrating descriptions of his fellow officers and men, of the people among whom they moved, the liberated and the conquered.This humane and intelligent man has written the least militaristic account possible of his hopes and fear, his exhilaration and anxiety, during six years of service.Written some forty years after the event, the memoir is enlivened with literary references, the fruit of his subsequent university study and of his teaching; and enlivened too with many hilarious anecdotes. No reader is likely ever to forget his account of the incident at Manchester station. The WWII memoir of Robert Irwin Knight, a bank clerk from Downpatrick who saw service in France as a Commissioned Officer. With wit and self-deprecation he gives a charming account of his time at war and penetrating descriptions of his fellow officers and men and of the people among whom they moved. Shipping may be from multiple locations in the US or from the UK, depending on stock availability.
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Paperback. Zustand: new. Paperback. Robert Irwin Knight, bank clerk, left Downpatrick for Army service, initially as a sergeant with the British Expeditionary Force in France, surviving its chaotic retreat and subsequent evacuation from Dunkirk. Thereafter as a Commissioned Officer he served in the defence of the UK. Finally he took part in the Normandy campaign.After retirement from a post-war career as an English teacher at Banbridge Academy, he wrote of his war-time service, a memoir notable for its wit and self-deprecation. He gives charming, penetrating descriptions of his fellow officers and men, of the people among whom they moved, the liberated and the conquered.This humane and intelligent man has written the least militaristic account possible of his hopes and fear, his exhilaration and anxiety, during six years of service.Written some forty years after the event, the memoir is enlivened with literary references, the fruit of his subsequent university study and of his teaching; and enlivened too with many hilarious anecdotes. No reader is likely ever to forget his account of the incident at Manchester station. The WWII memoir of Robert Irwin Knight, a bank clerk from Downpatrick who saw service in France as a Commissioned Officer. With wit and self-deprecation he gives a charming account of his time at war and penetrating descriptions of his fellow officers and men and of the people among whom they moved. Shipping may be from our Sydney, NSW warehouse or from our UK or US warehouse, depending on stock availability.
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Taschenbuch. Zustand: Neu. Neuware - The WWII memoir of Robert Irwin Knight, a bank clerk from Downpatrick who saw service in France as a Commissioned Officer.With wit and self-deprecation he gives a charming account of his time at war and penetrating descriptions of his fellowofficers and men and of thepeople among whom they moved.
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Verlag: Frederick R. Weisman Art Foundation Santa Monica, CA, 1990
Anbieter: Specific Object / David Platzker, New York, NY, USA
5 vol.: vol. 1: 57 pp. ; vol. 2: 58 pp. ; vol. 3: 42 pp.; vol. 4: 66 pp. ; vol. 5: 50 pp.; 5 vol.: 23.2 x 14.6 cm. (each); glue bound; black-and-white; edition size unknown; unsigned and unnumbered; offset-printed Volumes I-V of "Summary of a Workshop," a biannual series of symposiums on contemporary art sponsored by the Frederick R. Weisman Foundation and held at various North American locations. Each symposium was accompanied by a catalogue which summarized the conversations that took place. Volume I: "The Relationship Between Art and Architecture," held in Santa Monica, CA, January 21-22, 1989. Participants included: Frank O. Gehry, Daniel Buren, Jean-Louis Cohen, Cesar Pelli, Donald Judd, Irving Lavin, Germano Celant, Henry N. Cobb, Christopher Knight, Mildred Friedman, John Chamberlain, Peter Eisenman, Robert Irwin, Michael Graves, Nancy Wexler, Henry T. Hopkins, and Michael Rotondi. Volume II: "Art + Architecture + Society," held in Toronto, Canada, July 22-23, 1989. Participants included: Henry T. Hopkins, Michael Rotondi, Diana Agrest, Lynda Benglis, Scott Burton, Adele Freedman, April Greiman, Alanna Heiss, Craig Hodgetts, Walter Hopps, Catherine Ingraham, Eric Owen Moss, Matt Mullican, Larry Richards, David Ross, Alexis Smith, and Leon Whiteson. Volume III, "Art Fairs : Plans and Process," held in Los Angeles, CA, December 5-6, 1989. Participants included: O. Kelley Anderson Jr., Brian Angel, Dr. Alberto Anfossi, Rosina Gómez Baeza, Dr. Emil Bammatter, Thomas P. Blackman, Van Deren Coke, Michelle De Angelus, Milton Esterow, Anita Kaegi, Claudio Bruni Sakraischik, Allan Schwartzman, Leif Ståhle, Tamara Thomas, Robert Thomson. Volume IV, "Conservation and Contemporary Art," held in Richmond, VA, June 4-5, 1990. Participants included: Henry T. Hopkins, Billie Milam, Albert Albano, James Bernstein, Sharon Blank, Victoria Blyth Hill, Tom Branchick, William Leischer, Carol Mancusi-Ungaro, Ross Merill, Roy De Forest, Tim Ebner, George Herms, Duane Hanson, Rotraut Klein-Moquay, Ida Kohlmeyer, Miriam Shapiro, Paul Brach, Zora Sweet Pinney, and Nora Halpern Brougher. Volume V, "Support for the Arts in Unsupportive Times," held in Los Angeles, CA, December 4-5, 1990. Participants included: Nora Halpern Brougher, Henry T. Hopkins, Cee Scott Brown, Marie Cieri, Pamela Clapp, Gary Garrels, Stanley Grinstein, David Ireland, Steven D. Lavine, Bella Lewitzky, Lisa Lyons, Anne MacDonald, Peter Norton, Max Palevsky, Claire Peeps, Dr. Thomas Reese, Joy Silverman, Tina Summerlin, Ella King Torrey, Joel Wachs, and Frederick R. Weisman. "Twice each year the Frederick R. Weisman Art Foundation conducts workshops dealing with issues of importance to those involved in the creation, exposition, collection, conservation and education of international contemporary art in all of its manifestations. These workshops bring together approximately eighteen experts in closed session for two days. The topic is determined by the Foundation but the direction that conversation takes is determined by the participants. There is no agenda. The workshops are taped, transcribed, edited, published in the present form and distributed to participants, interested parties, museums and libraries." -- Henry T. Hopkins, director. Very Good / Fine. Set of 5 volumes. Light rubbing and yellowing of cover edges and light yellowing of pages, otherwise Fine. Contents clean and unmarked.