Rosenberg leonce (11 Ergebnisse)

Agrafé. Zustand: Bon. Edition originale. EDITION ORIGINALE en plaquette. Ces notes avaient parues succéssivement au cours de l'année 1920 dans les revues De Stijl, de Leyde, et Sélection de Bruxelles. Introduction d'Emerson. 12 pp.

Paris, Galerie Charpentier 1959. 25,5 : 21,5 cm. LX Tafeln mit Abb. Farb. illustr. Orig.-Leinen. Schönes Ex. Sprache: fr.

Soft cover. Zustand: Very Good. 1st Edition. Sm.8° - 12pp - First edition , text by Leonce Rosenberg (1879-1949)art historian, art collector, publisher and one of the most influential French art dealers of the 20th century. Original wrappers and glassine. In Very good condition.

Soft cover. Zustand: Very Good. 1st Edition. Sm.8° - 15pp - First edition , text by Leonce Rosenberg (1879-1949)art historian, art collector, publisher and one of the most influential French art dealers of the 20th century. Original wrappers and glassine. In Very good condition.

Softcover. Zustand: Very good condition. First edition. Octavo. 16pp. and 16 plates each. Original wraps with decorative color design on cover, rendered lithographically, with white, black, orange and blue lettering on covers; protected by modern mylar. Wraps designed by the French painter Georges Valmier. After phases as a impressionistic and cubist painter Valmier turned to Abstractionis in 1921, as is obvious in the cover design. He had a solo exhibition at Rosenberg's gallery in 1921. Valmier also designed sets and costurmes for theater and ballet. Collection of sixteen issues of the Bulletin de L'Effort Moderne including Nos. 4 through 20, 1924 and 1925, with only No. 11, January 1925, missing. The publication was divided equally into text and reproductions of artwork, the latter printed to white paper. The text contributions include luminaries like J. J. P. Oud, Fernand Leger, Théo van Doesburg, Maurice Raynal, Henri van de Velde, F. T. Marinetti, Albert Gleizes, Vinició Paladini, Gino Severini, David Kakabadzé, Theo v. Doesburg, among others, and the artist works reproduced on recto and verso of sixteen heavy white paper include Léger, Picasso, Braque, van Doesburg, Severini, Czaky, Delauney, Gris, Herbin, Derain, Metzinger, Cornet, Marcel Breuer, Beaudin de Chirico, Max Ernst, Matisse, de Vlaminck, Chagall, Baumeister, Csahy, Lipchitz, Ozenfant, Zak, among others, with usually two pages depicting interior or architectural designs. The majority of contributors of text and artwork were regularly published in the magazine. Rosenberg got started in his father's antique business with his brother Paul. In 1906 the brothers took over the business specializing in 20th-century art. In 1910 they parted commercially and Léonce took an interest in avant-garde art and started to acquire Cubist art, many of them from the dealer Daniel-Henry Kahnweiler. By the end of 1916 he contracted artists like Lipchitz, Diego Rivera, Juan Gris and George Braque. In 1921 Rosenberg was able to establish himself as an "expert" in the auctioning of Kahnweiler's artwork which had been seized by the French government during the war. Though Kahnweiler managed to reacquire works by Gris and Braque Rosenberg also was able to acquire a number of works at knockdown prices. Kahnweiler, however, did acknowledge that Rosenberg "assumed during the war-and this will be his lasting honor-the task that I could no longer fullfill: the defense of Cubism." Rosenberg had renamed his gallery to Galerie de L'Effort Moderne in 1918 to focus on avant garde, especially Cubism. The gallery became an umbrella for avant garde artists and with the establishment of the journal of the same name in 1924 a number of the artist Rosenberg worked with contributed to the periodical. Text in French. Some light wear along edges and some light staining, mostly on back covers, and some light, occasional chipping along edges. Centerfold of No. 4 loose but present. Laid into No. 20 a printed order form for the magazine.…

40 vols. 8vo. (c.238 x 156 mm). Each issue with drop-head title, 'Sommaire' and 16 pages of printed text in French and illustrated throughout with 8 leaves of glossy paper with monochrome reproduction photographs (nos. 1 -20, nos. 21 - 30 with 8 pages of text and 4 leaves of glossy paper, nos. 31 - 40 as for the first 20 numbers) illustrating paintings, costume designs, sculpture, theatre and ballet sets and mise en scène, architecture, furniture and so on by various artists and designers &c. Original publisher's printed colour wrappers with titles and elaborate decorative design by Georges Valmier to front covers (nos. 1 - 27 with design in red, blue, black and white; nos. 28 - 40 with a different design in black, cream, pink and grey), advertisements to rear covers and wrapper interiors. A scarce complete set of Léonce Rosenberg's 'Bulletin de 'L'Effort Moderne' with all the wrappers by Georges Valmier. 'Est-ce que le Créateur, lui-même, ne serait pas le premier Cubiste?' (Maurice Raynal). Léonce Rosenberg (1879 - 1947), like his brother Paul (1881 - 1959), was a major dealer in art during the early years of the twentieth century. When Daniel-Henry Kahnweiler, the pre-eminent dealer in Cubism in Paris, was barred as a German from owning a business in France and had his collection seized by the French state, it was Léonce Rosenberg who was the primary beneficiary. Encouraged, at least initially, by Picasso as well as André Level and Juan Gris, Rosenberg began to buy Cubist paintings and by the end of the war in 1918 had contracts with many of the foremost Cubists including Gris, Georges Braque, Herbin, Metzinger, Léger, Laurens, Severini and others. His gallery 'Haute Epoque' (founded after Léonce and Paul separated commercially in 1910) was renamed 'Galerie de l'Effort Moderne' and the focus was altered to the avant-garde in general and Cubism in particular. The 'Galerie de l'Effort Moderne' from 1918 began a concerted campaign to promote Cubism - its first year included solo exhibitions for Auguste Herbin, Henri Laurens, Jean Metzinger, Fernand Léger, Georges Braque, Juan Gris, Gino Severini and Pablo Picasso - as an active movement with a theoretical framework, a firm tradition with historical roots and, perhaps of most importance, a future. One aspect of Rosenberg's planning was publishing and intellectual support for his project was provided by a series of books, Rosenberg's 'Cubisme et Tradition' and 'Cubisme et Empirisme', Piet Mondrian's 'Le Néo-Plasticisme', the 'Les Maîtres du Cubisme' series with their singular focus on a single artist (Gris, Braque, Picasso, Léger et al), but also by the review he founded, the 'Bulletin de l'Effort Moderne'. The 'Bulletin' with its striking covers by Georges Valmier provided a literary and intellectual forum both for Cubism and the wider world of art and provided perhaps most importantly a very extensive corpus of illustration not only of painting but of all of the arts. Each issue features 8 leaves of monochrome images (for nos. 21 - 30 four leaves only were included) of work by all of the most important artists - a full list would include almost everyone of note and in every field - of the day. Significant literary contributions were by Maurice Raynal, Henri van de Velde, Gino Severini, Albert Gleizes, Jean Metzinger, Pierre Reverdy, J.-J.-P. Oud on architecture, Fernand Léger, Léonce Rosenberg himself, Florent Fels, Piet Mondrian and many others. The 'Bulletin' ran to 40 numbers, recovering midway from a reduction in text and image content (nos. 21 - 30), surviving several changes of printer (the final issues were printed by companies overseen by Rosenberg's daughter Lucienne), a lessening of advertising revenue but never by a decline in quality of text or illustration. A cynic might point to the fact that much of the text consisted of the serialisation of books published by Rosenberg's Editions de l'Effort Moderne but that would be to misconstrue and underestimate the scope of. …

Editions de "L`effort moderne", Paris 1921. 8:o. 12 pp. Publisher`s printed wrappers. Sewn as issued. Cover torn. 24,5 x 15 cm. [#\117284].

Leatherbound. Zustand: NEW. BOOKS ARE EXEMPT FROM IMPORT DUTIES AND TARIFFS; NO EXTRA CHARGES APPLY. Leather Binding on Spine and Corners with Golden leaf printing on spine. Bound in genuine leather with Satin ribbon page markers and Spine with raised gilt bands. A perfect gift for your loved ones. Reprinted from 1921 edition. NO changes have been made to the original text. This is NOT a retyped or an ocr'd reprint. Illustrations, Index, if any, are included in black and white. Each page is checked manually before printing. As this print on demand book is reprinted from a very old book, there could be some missing or flawed pages, but we always try to make the book as complete as possible. Fold-outs, if any, are not part of the book. If the original book was published in multiple volumes then this reprint is of only one volume, not the whole set and contains approximately 26 pages. IF YOU WISH TO ORDER PARTICULAR VOLUME OR ALL THE VOLUMES YOU CAN CONTACT US. Resized as per current standards. Sewing binding for longer life, where the book block is actually sewn (smythe sewn/section sewn) with thread before binding which results in a more durable type of binding. Language: French. …

plaquette in 8 agrafée de 14 pages Edition en volume du texte paru en préface au catalogue de l'exposition de la jeune peinture française à Genève (1920). Couverture un peu poussiéreuse. Bon exemplaire.

Staplebound. Large Octavo. Staplebound booklet. Deco illustrated wraps by G. Valmier. 16 pages, 16 pages of plates : illustrations ; 25 cm. he Bulletin de l'Effort Moderne does not propose to tell its readers all the little stories that cannot be written in time, nor to draw them into the mysteries of a nebulous metaphysics, nor, above all, to engage in polemics about anyone or anything. It has set itself the sole task of showing curious minds and bringing to their attention the truly modern productions of the architects, painters, sculptors, engravers, and artisans of our time, of exposing the intentions of the latter, and finally, of informing its readers about all the things that seem to it to be the most worthy of interest in the great current artistic movement. Not claiming infallibility, the Bulletin de l'Effort Moderne asks its readers to grant it, for its beginnings, along with all their sympathetic indulgence, their precious and very active collaboration with a view to its improvement and dissemination Taking care not to imitate the conscious and unconscious enemies of Evolution, who, for reasons more or less avowable or beyond their control, attempt to assassinate the present for the greater glory of the past, the Bulletin of the Modern Effort, respectful of Tradition which alone allows us to continue and endure, intends to rally only to the single slogan: Thank you, the dead, long live the living! VG. Light wear around edges. French language.…

Paris, Editions "L'Effort Moderne", 1920. Plaquette in 8 agrafée de 14 pages, édition originale. Petit manque en bas de la couverture, intérieur frais. Peu courant.- ET, Paris, Editions "L'Effort Moderne", 1921. Plaquette in 8 agrafée, Introduction d'Emerson. 12 pages., édition originale. Infimes manques en couverture.…