Rothohler simon (66 Ergebnisse)

paperback. Zustand: Very Good. Connecting readers with great books since 1972! Used books may not include companion materials, and may have some shelf wear or limited writing. We ship orders daily and Customer Service is our top priority.

paperback. Zustand: Good. Most items will be dispatched the same or the next working day. A copy that has been read but remains in clean condition. All of the pages are intact and the cover is intact and the spine may show signs of wear. The book may have minor markings which are not specifically mentioned. Ex library copy with usual stamps & stickers.…

Zustand: Very Good. Former library copy. Pages intact with possible writing/highlighting. Binding strong with minor wear. Dust jackets/supplements may not be included. Includes library markings. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good.

Zustand: very good. Gut/Very good: Buch bzw. Schutzumschlag mit wenigen Gebrauchsspuren an Einband, Schutzumschlag oder Seiten. / Describes a book or dust jacket that does show some signs of wear on either the binding, dust jacket or pages.

Zustand: As New. Unread book in perfect condition.

Zustand: As New. Unread book in perfect condition.

Taschenbuch. Zustand: Gut. 1. Aufl. 79 S. ; Der Erhaltungszustand des hier angebotenen Werks ist trotz seiner Bibliotheksnutzung sehr sauber und kann entsprechende Merkmale aufweisen (Rückenschild, Instituts-Stempel.). Einband folienkaschiert. Sprache: Deutsch Gewicht in Gramm: 110.

Zustand: New.

Paperback. Zustand: New. From moving images on the Internet to giant IMAX displays: The number of screens in the public and private sphere has increased significantly during the last two decades. While this is often taken to indicate the "death of cinema," this volume attempts to reconsider the limits and specifics of film and the traditional movie theater. It analyzes notions of spectatorship, the relationship between cinema and the "uncinematic," the contested place of installation art in the history of experimental cinema, and the characteristics of the high definition image. Further contributions discuss the ways in which cinema interacts with other arts and media such as theater and television. Contributors include Raymond Bellour, Victor Burgin, Vinzenz Hediger, Tom Gunning, Ute Holl, Ekkehard Knörer, Thomas Morsch, Jonathan Rosenbaum and the editors.…

Paperback. Zustand: new. Paperback. From moving images on the Internet to giant IMAX displays: The number of screens in the public and private sphere has increased significantly during the last two decades. While this is often taken to indicate the "death of cinema," this volume attempts to reconsider the limits and specifics of film and the traditional movie theater. It analyzes notions of spectatorship, the relationship between cinema and the "uncinematic," the contested place of installation art in the history of experimental cinema, and the characteristics of the high definition image. Further contributions discuss the ways in which cinema interacts with other arts and media such as theater and television. Contributors include Raymond Bellour, Victor Burgin, Vinzenz Hediger, Tom Gunning, Ute Holl, Ekkehard Knoerer, Thomas Morsch, Jonathan Rosenbaum and the editors. Shipping may be from multiple locations in the US or from the UK, depending on stock availability.…

PAP. Zustand: New. New Book. Shipped from UK. Established seller since 2000.

Zustand: new.

Paperback. Zustand: New. From moving images on the Internet to giant IMAX displays: The number of screens in the public and private sphere has increased significantly during the last two decades. While this is often taken to indicate the "death of cinema," this volume attempts to reconsider the limits and specifics of film and the traditional movie theater. It analyzes notions of spectatorship, the relationship between cinema and the "uncinematic," the contested place of installation art in the history of experimental cinema, and the characteristics of the high definition image. Further contributions discuss the ways in which cinema interacts with other arts and media such as theater and television. Contributors include Raymond Bellour, Victor Burgin, Vinzenz Hediger, Tom Gunning, Ute Holl, Ekkehard Knörer, Thomas Morsch, Jonathan Rosenbaum and the editors.…

Zustand: as new. Wie neu/Like new.

PAP. Zustand: New. New Book. Shipped from UK. Established seller since 2000.

Zustand: New. Num Pages: 208 pages, Illustrations (some col.), ports. (some col.). BIC Classification: APF. Category: (P) Professional & Vocational. Dimension: 174 x 199 x 23. Weight in Grams: 390. . 2012. Paperback. . . . .

Zustand: New. pp. 208 Illus.

Paperback. Zustand: Brand New. 208 pages. 7.80x6.69x0.87 inches. In Stock.

Zustand: New. Num Pages: 208 pages, Illustrations (some col.), ports. (some col.). BIC Classification: APF. Category: (P) Professional & Vocational. Dimension: 174 x 199 x 23. Weight in Grams: 390. . 2012. Paperback. . . . . Books ship from the US and Ireland.

Zustand: As New. Unread book in perfect condition.

Hardcover. Zustand: Brand New. 328 pages. German language. 10.50x6.75x1.00 inches. In Stock.

Zustand: New.

Zustand: New. In English.

Zustand: New. pp. 208.

Paperback. Zustand: Brand New. German language. 6.69x4.72x0.70 inches. In Stock.

Zustand: New.

Broschur-Tb. / Softcover. 1. Aufl. Das Filmbild, von Serge Daney einst als Sonderfall des Bildes bezeichnet, ist heute unter den Bedingungen der post-kinematografischen Diffusion des Films mit multiplen Identitäten ausgestattet. Eine davon hört auf das Label High Definition und steht nicht nur für einen im Industriekonsens verabredeten Produktionsstandard, sondern zugleich für eine spezifische ästhetische Differenz im visuellen Feld der Gegenwart. Mit Blick auf einzelne HD-Filme wie u.a. Collateral, Leviathan, Holy Motors soll das hochaufgelöste Bild als Sonderfall digitaler Filmästhetik untersucht werden. - // Simon Rothöhler ist wissenschaftlicher Mitarbeiter am Seminar für Filmwissenschaft an der FU Berlin und leitet das DFG-Projekt Streaming History. Verteiltes Gedächtnis, vernetzte Bildordnung: Filmische Dokumente der Shoah im Web 2.0. Mitgründer und Herausgeber der Zeitschrift CARGO Film/Medien/Kultur. (Original-eingeschweisstes Ex. - verlagsfrisch! / new - in original wrapping) Sprache: Deutsch Gewicht in Gramm: 300.…

Zustand: As New. Unread book in perfect condition.

Taschenbuch. Zustand: Neu. Neuware -Bei der Serie handelt es sich um ein modernes Phänomen - manche sagen auch: um ein 'Signum der Moderne'. Seit dem 19. Jahrhundert erlebt Serialität als Prinzip eine Konjunktur: in der Fabrik, im Labor der Experimentalwissenschaften, in der Kunst, im Fernsehen und heute auch im Digitalen. Aber wie sieht es mit der Theoriefähigkeit der Serie aus Diese Einführung nähert sich der Vielfalt serieller Phänomene aus medien- und kulturwissenschaftlicher Perspektive und stellt die theoretische Reflexion industrieller Serien (Charles Babbage, Karl Marx, Sigfried Giedion, Theodor W. Adorno), epistemischer Serien (Hans-Jörg Rheinberger, George Kubler), ästhetischer Serien (Katharina Sykora, Umberto Eco) und des seriellen Formenreichtums im - und 'nach' dem - Fernsehen (Raymond Williams, Stanley Cavell, Lorenz Engell) vor. 196 pp. Deutsch.…

Zustand: New.