Ruth ansel (51 Ergebnisse)

Soft cover. Zustand: Good. Pages are very clean and bright with no markings. Binding is good. Moderate roughing and shelving wear.

Hardcover. Zustand: Good. Worn with minor edge wear. FOURTH EDITION 1970. The book is in good condition with a dust jacket showing minor edge wear. The binding is intact, and pages are clean and free of inscriptions or library markings. The cover retains its visual appeal, highlighting Ansel Adams' striking photography. Maps drawn by Edith Hamlin (illustrator). …

Zustand: New.

Soft cover. Zustand: Fair. paperback, 4to, 68pp, numerous photo illustrations, internal binding has failed, several sections loose within the pictorial card wraps, otherwise clean and complete, Fair condition.

Zustand: New.

Zustand: New. Print on Demand. Ansel, Ruth (illustrator).

Zustand: New. In English.

Zustand: New. Ansel, Ruth (illustrator).

Stapled Wraps. Zustand: Near Very Good. Presumed First. Presumed first printing w/NAP, stapled wraps with Robert Brown cover, book has light bumps to the spine ends and corners with creasing at the upper fore corner of the covers and pages, rubbing with areas of smudging to the covers, faint sunning to the covers along the spine and edges, and a faint musty scent to the bookblock. Overall, a solid, Near Very Good copy.…

Hardback. Zustand: New.

Hardcover. Zustand: Very Good. Zustand des Schutzumschlags: Good. 1st Edition. 329 pp. SIGNED BY AUTHOR and warmly inscribed by the author! Solidly bound copy with minimal external wear, crisp pages and clean text. Pencil markings on back-end page. Dj shows cuts and tears around places. Ruth Ansel (Jacket Design); Bernard Hoffman (Jacket Photo) (illustrator). SIGNED BY AUTHOR!!! With Inscr.…

Zustand: New. In English.

Hardcover. Zustand: Very Good. Classic photobook first published in 1965. In 1961 Peter Beard settled in Kenya, on land adjoining the farm of Karen Blixen. Thus began a special relationship, not only with Blixen, but with the wildlife and people of the continent. In this book Beard documents the history and future prospects of African Wildlife. Unpaginated : illustrations ; 28 cm. Illustrated boards, minimal shelf wear to edges, no inscriptions, tight and square binding. Photographs available on request. All books dispatched same or next working day in robust packaging.…

Paperback. Zustand: Good. Prompt Shipment, shipped in Boxes, Tracking PROVIDEDGood condition, some wear to edges, minor wear to covers and spine, 56 pages, 12 in height.

Paperback. Zustand: Good.

Soft cover. Zustand: Good. First Edition. Oblong. Under the direction of Andre Gregory. Missing top inch of spine. Interior break in spine.

paperback. Zustand: Very Good. First Edition. Light shelf wear. Else clean and tight. Stated first edition. Sticker residue on front cover. Former owner's name on front endpaper.

Paperback. Zustand: Very Good. First Edition. First Edition, First Printing. Not price-clipped. Published by Dutton, 1973. Quarto. Paperback. Book is very good with light shelf/edgewear and tape repair to front cover along spine and inner lining. Great copy of this art book with photos by Richard Avedon.100% positive feedback. 30 day money back guarantee. NEXT DAY SHIPPING! Excellent customer service. Please email with any questions. All books packed carefully and ship with free delivery confirmation/tracking. All books come with free bookmarks. Ships from Sag Harbor, New York.…

Hardcover. Zustand: Very Good. Zustand des Schutzumschlags: Very Good. Classic photobook. In 1961 Peter Beard settled in Kenya, on land adjoining the farm of Karen Blixen. Thus began a special relationship, not only with Blixen, but with the wildlife and people of the continent. In this book Beard documents the history and future prospects of African Wildlife. 274, [6] p. ; ill. ; 29 cm. First UK edition, first printing. Grey cloth boards, unclipped dust jacket (now in a removable protective sleeve). Shelf wear to edges, light spotting to top edge, signature of 'L. Morley' on half title page, tight and square binding. Photographs available on request. All books dispatched same or next working day in robust packaging.…

Hardback. Zustand: New.

Hardcover. Zustand: Good. 1st Edition. Oversized oblong hardcover. First edition, first printing as stated, the uncommon issue in hardcover, lacking dust jacket. Soiling and puckering to covers, neat previous owner's name and old "sticker shadow" to front pastedown, no other markings. Internally a clean copy of this increasingly uncommon title, most notable for Avedon's full page and double page photographs throughout. Lacking dust jacket, not ex-library. Uncommon especially in hardcover.…

Hardcover. Zustand: Good.

Hardcover. Zustand: Fine. No Dust Jacket. First Edition; First Printing. First printing hardcover inscribed to the half title page by Maria Cooper Janis. Fine condition in about fine slipcase. ; 7.94 X 1.25 X 10.62 inches; 200 pages; Signed by Author.

Soft cover. Zustand: Fine. First Edition. Softcover. First (And Only) Printing. Fine. B/W Plates (illustrator).

Single Issue Magazine. Zustand: Near Fine. First Edition. San Francisco: Sierra Club, 1935. First Edition. February, 1935 [Vol XX, No. I]. Original printed wrappers, tall octavo. Near Fine - and in this case, the near fine is just about as near to fine as it can get. No salient flaws; faint cover dust (scan) and - that's it. No other flaws. Very, very high grade example. Binding is, of course, sturdy. See scans. 118 numbered pp.(with some illustrations) + 24 black and white photographic plates. Nine photographs are by the great Ansel Adams; other contributors from the posse of photographic talent in this issue were: Lewis F. Clark, Joel H. Hildebrand; Marjory Dickieson; Marjory Bridge Farquhar; Walter A. Starr; W.E. James; and George Shochat. Several topical sketches sprinkled throughout, as well. Articles (see scan of contents page) byJoel H. Hildebrand; Dan De Quille; Francois E. Matthes; Joseph Grinnell; Cedric Wright; Ruth R. Currier; Louise Hildebrand; Doris F. Leonard; Elmo A. Robinson; Walter A. Starr; David R. Brower; Angus E. Taylor; and editor Francis P. Farquhar. And as always a variety of regular and special departments. Please review all scans. l-sc2. Ansel Adams, Lewis F. Clark, Joel H. Hildebrand; Marjory Dickieson; Marjory Bridge Farquhar; Walter A. Starr; W.E. James; George Shochat (illustrator).…

Single Issue Magazine. Zustand: Very Good. First Edition. Yosemite National Park Naturalist's copy. Very Good. See scans and description. San Francisco: Sierra Club, 1935. First Edition. February, 1935 [Vol XX, No. I]. Original printed wrappers, tall octavo; 118 numbered pp.(with some illustrations) + 24 black and white photographic plates. Binding is gray, as opposed to the medium russet of some other examples of the same issue; see comparable scans at item # 61204. Very Good; rubber stamp saying "Park Naturalist - Yosemite National Park, Calif." appears twice at front cover, and there is some sunning at and near the spine; no other flaws. Contents bright and clean, binding very firm. Nine photographs are by the great Ansel Adams; other contributors from the posse of photographic talent in this issue were: Lewis F. Clark, Joel H. Hildebrand; Marjory Dickieson; Marjory Bridge Farquhar; Walter A. Starr; W.E. James; and George Shochat. Several topical sketches sprinkled throughout, as well. Articles (see scan of contents page) byJoel H. Hildebrand; Dan De Quille; Francois E. Matthes; Joseph Grinnell; Cedric Wright; Ruth R. Currier; Louise Hildebrand; Doris F. Leonard; Elmo A. Robinson; Walter A. Starr; David R. Brower; Angus E. Taylor; and editor Francis P. Farquhar. And as always a variety of regular and special departments. Please review all scans. LSC2. Ansel Adams, Lewis F. Clark, Joel H. Hildebrand; Marjory Dickieson; Marjory Bridge Farquhar; Walter A. Starr; W.E. James; George Shochat (illustrator). …

Soft cover. Zustand: Near Fine. 1st Edition. Near Fine - very. See scans and description. San Francisco: Sierra Club, 1941. The February, 1941 issue of the Sierra Club Bulletin, that being Volume XXVI, Number 1. Tall octavo (9 1/4"), printed perfect-bound wraps, 193 pp. (158 pp. numbered, 34 plates, one onionskin). Quite Near Fine, with in fact no salient flaws to point to; this example is, in all likelihood, in the same condition in which it was originally received in 1941. See all scans. This issue feature a 16-plate section of majestic photos of the King's Canyon National Park by Cedric Wright (as well as two other Wright plates elsewhere); a fold-out reproduced map of the San Joaquin Valley, originally created by Lieutenant Jose Maria Estudillo in 1819; and onionskin foldout map of the Mt. Whitney Region, executed by the Sierra Club itself, new for this issue; an 1875 article on the King's River Valley by John Muir, originally published in The Daily Evening Bulletin; two 1875 photos by W.E. James which may be the first photographs ever taken in the King's Canyon National Park; sketch-illustrated pieces on climbing and camping; and a lot more. See scan of contents page. Photographers: Cedric Wright; David R. Brower; Weldon F. Heald; Henry E. Timby; David Burd; Raffi Bedayan; Spencer Austin; Richard M. Leonard; Thomas Morley; W.E. James. Writers of the above-mentioned pieces and others on Mountain Wind, King's River Sierra, Mount Avon, End of the Rope, High and Dry, Little Gem Company, Snowpatch, the legislative history of Sequoia and King's Canyon National Park, Botany, Mountain Photography, and Mountaineering Notes include: Francis P. Farquhar; John Muir; Ansel Adams; Joseph N. LeConte; Norman Livermore; Charlotte E. Mauk; Weldon F. Heald; Blanche Stallings; Fritz Lippmann; John Thomas Howell; May Pridham; Cedric Wright; Bestor Robinson; Leland Curtis; John D. and Ruth Mendenhall; Arthur B. Johnson; Braeme Gigas; Howard Koster. Ships in a new, sturdy, protective box - not a bag. LSC2. Cedric Wright; David R. Brower; Weldon F. Heald; Henry E. Timby; David Burd; Raffi Bedayan; Spencer Austin; Richard M. Leonard; Thomas Morley; W.E. James (illustrator). …

Soft cover. Zustand: Very Good. 1st Edition. First edition of the landmark April 1965 Harper's Bazaar magazine--The "Now" issue, published in 1965 by Hearst. Folio (12.25" x 9.75"), pictorial wrappers, b/w and color illustrations, 250 pages, complete. Signed by Richard Avedon in blue ink at the lower right of the front cover. With the exceptionally scarce original thermoplastic lenticular eye intact and fully functional, changing distinctly between open and closed states as the viewing angle shifts. The celebrated all-Avedon issue, guest-edited and photographed throughout by Avedon to mark his twentieth year at Harper's Bazaar, with art direction by Ruth Ansel and Bea Feitler. Pushing boundaries, the issue reads as an extended Pop-era composition, moving between portraiture, fashion, optical graphics, serial imagery, illustration, celebrity, race, youth culture, and space exploration. Jean Shrimpton appears on the famous cover and in its "Galactic Beauty" sequences; other subjects include Donyale Luna, Paul McCartney in an astronaut suit, Bob Dylan, Roy Lichtenstein, Jasper Johns, Robert Rauschenberg, and the young Ferdinand Lewis Alcindor Jr., later Kareem Abdul-Jabbar. The lenticular device belongs to the issue's larger visual language of masks, repeated faces, optical instability, and mechanically altered vision. Avedon's signature is unusually well placed, beginning across Shrimpton's shoulder and extending into the pale lower-right field without disturbing the face, masthead, typography, or applied eye. Its scale and position read less as a celebrity autograph than as an artist signing a completed work, transforming the cover—already a synthesis of photograph, Day-Glo collage, typography, and kinetic device—into a signed mixed-media composition. Provenance: the collection of a New York City graphic designer who acquired numerous signed and inscribed books through personal contact with the photographer; the collection also included contemporary Warhol and Lichtenstein gallery ephemera. Photography historian Vince Aletti, who has located only a handful of lenticular copies, has described his own signed example as his "Holy Grail." No signed or lenticular copy is presently apparent in commerce. Binding somewhat shaken. Front hinge weakened; rear wrapper detached. Some bumping and chipping to extremities. Moderate rubbing to front wrapper, with mild damp staining to upper half; 1/8" open tears to top corner and at spine tail, additional discreet closed tears to edges. Contents clean and bright. Much of the apparent waviness in the cover photographs is caused by the clear protective sleeve. The original lenticular eye remains firmly attached and fully functional, passing convincingly between open and closed states. A singular survival of Avedon's most celebrated magazine project in its intended kinetic form—and a copy whose compositionally integrated signature transforms an icon of editorial design into a signed work by the artist.…

Hardcover. Zustand: Sehr gut. ZW : Art Edition No. 251-2500 Limited to 2,250 individually numbered copies, each signed by Peter Beard. This is number 2134. Comes in a clamshell box with a wood book stand. XXL format: 200 pages of diaries and 300 pages of collages. Original essay by photo critic Owen Edwards. Companion volume, image index with captions for all images from main book, personal photos and early work of the artist, interview with the artist, a facsimile reprint of Beard's 1993 handwritten essay from the sold-out first issue of Blind Spot magazine, extensive bibliography, filmography and list of exhibitions. All color illustrations are color-separated and reproduced in Pan4C, the finest reproduction technique available today, which provides unequalled intensity and color range.…

Hardcover. Zustand: New. Dressed up like a million-dollar trouper/ Tryin? hard to look like Gary Cooper/ Super duperâ"?Puttin? on the Ritz,? Irving Berlin (revised lyrics, 1946) In 1946, when Irving Berlin revised the lyrics to his 1928 ?Puttin? on the Ritz? to include those memorable lines, Gary Cooper had been a star for over 15 years, and it would have been hard for most men to look as super duper. He conveyed a straightforwardness and an honest, American handsomeness that seemed to both ignore and rise above the contrived glamour and studied posturing that had characterized so many other film heroes of those early years. No matter what costume he put on, he looked like he owned it. The camera loved him, and so did the box office. But costume is one thing, and clothes are another. In his private life, and in those many early films where he wore contemporary clothes, he had devised and perfected his own debonair style that combined a perfectly tailored European wardrobe with all-American casual sportswear to produce the first, and still finest example of elegant, international, masculine style rooted in an American ideal of the everyman as hero. From the most casual sports clothing to the most formal white tie and tails, Cooper carried himself with uncontrived conviction. Gary Cooper: An Enduring Style is the first ever monograph focused on the timeless fashion and allure of this leading man who was a fashion inspiration to his Hollywood peers, clothing designers then and now, and generations of stylish men of every social strata, across the globe. Compiled of unpublished, never-before-seen personal photographs, shot primarily by his wife Rocky, Gary Cooper captures the cars, the mansions and ranches, the guns and gear, and of course the endless outfits for every occasion that this Hollywood icon ensconced himself in throughout the years. Whether hunting with close friend Ernest Hemingway, lounging with Cary Grant, horseback, poolside, or on the beach, on-set or after-hours, in the company of royalty or cowboys, Cooper had the perfect outfit for every occasion, embodying a type of refined masculinity rarely seen and in high demand to this day.…