Sami khatib (172 Ergebnisse)

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Paperback. Zustand: New. Critique is a form of thinking and acting. Since the end of the 18th century, there has been a dynamization and fluidization of the understanding of form, as concepts such as the break, marginalization, tearing, and opening indicate. As a philosophical problem, the question of form arises in critical theory from Marx to Adorno. Since the 1960s, literary practices have proliferated that generate critical statements less through traditional argument and more through the programmatic use of formal means. At the same time, the writing self, along with its attitudes, reflections, affects, and instruments, visibly enters the critical scene. This volume examines how the interdependence of critique, object, and form translates into critical stances, understood as learnable, reproducible gestures, which bear witness to changing conditions and media of critical practice.…

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Paperback. Zustand: new. Paperback. Critique is a form of thinking and acting. Since the end of the 18th century, there has been a dynamization and fluidization of the understanding of form, as concepts such as the break, marginalization, tearing, and opening indicate. As a philosophical problem, the question of form arises in critical theory from Marx to Adorno. Since the 1960s, literary practices have proliferated that generate critical statements less through traditional argument and more through the programmatic use of formal means. At the same time, the writing self, along with its attitudes, reflections, affects, and instruments, visibly enters the critical scene. This volume examines how the interdependence of critique, object, and form translates into critical stances, understood as learnable, reproducible gestures, which bear witness to changing conditions and media of critical practice. Shipping may be from multiple locations in the US or from the UK, depending on stock availability. …

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Taschenbuch. Zustand: Wie neu. Gebraucht - Wie neu Ungelesen, vollständig, sehr guter Zustand, leichte Lagerspuren, als Mängelexemplar gekennzeichnet -Die Wahrnehmung von Räumen ist stark durch die architektonischen Gegebenheiten geprägt. Oft bleiben ganze Bereiche ausgeblendet. Mit diesen räumlichen Leerstellen beschäftigt sich Anne Gathmann (geb.1973) anhand ihres Eingriffs in der Elisabethkirche Kassel, eine Ausstellung der Katholischen Kirche anlässlich der Documenta 14. Die Künstlerin schafft hierfür ein Band aus mehreren Tausend Aluminiumelementen, das den Kirchenraum durchmisst und den Blick auf die räumlichen Strukturen der Kirche lenkt. Durch diese Intervention von minimalistischer Materialität, entsteht eine Erweiterung der sichtbaren Räumlichkeit.Die Publikation dokumentiert Gathmanns raumgreifende Installation und eröffnet einen Einblick in ihre künstlerische Arbeitsweise. 104 pp. Englisch, Deutsch.…

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Zustand: New. pp. 375.

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Taschenbuch. Zustand: Neu. Neuware - Critique is a form of thinking and acting. It is determined by its objects, yet never accesses them immediately but is always mediated through its own forms of (re)presentation. Since the end of the 18th century, there has been a dynamization and fluidization of the understanding of form, as topoi such as the break, the marginalization, the tearing and opening indicate. However, these multifarious attempts to 'build on the structure through demolition' (Benjamin) testify to the dependence of all articulation on the forms of (re)presentation ['Darstellung']. As a philosophical problem, the question of form arises in critical theory from Marx to Adorno. Since the 1960s, literary practices have proliferated which generate their critical statements less argumentatively than through the programmatic use of formal means. At the same time, the writing self, along with its attitudes, reflections, affects and instruments, visibly enters the critical scene-whereas the theatrical scene as a stage of critique has been contested intensively during the 20th century. This volume examines how the interdependence of critique, object, and form translates into critical stances, understood as learnable, reproducible gestures, which bear witness to changing conditions and media of critical practice.…