Schenk kim (25 Ergebnisse)

Paperback. Zustand: Very Good. 1. It's a well-cared-for item that has seen limited use. The item may show minor signs of wear. All the text is legible, with all pages included. It may have slight markings and/or highlighting.

Hardcover. Zustand: New copy in shrinkwrap. Cloth with color pictorial dustjacket. 408 pp., profusely illustrated in color and bw. Many patrons of the arts in nineteenth-century America built collections of paintings and sculpture imported primarily from England or Italy. Collectors in Baltimore-William Walters, George Lucas, the famous Cone sisters, among others-stand out in this milieu for having developed a strikingly different aesthetic for their homes and newly founded public institutions. These collectors looked to France for models of culture and, acting upon a remarkable understanding of the educational needs and working methods of artists, assembled extensive collections of drawings by French masters, from David to Daumier, Degas, and Cézanne. The Essence of Line offers the first comprehensive discussion of the formation of these collections and their significance for the history of French art. The book begins with essays by Jay M. Fisher, William R. Johnston, and Cheryl K. Snay that trace the history of collecting in Baltimore and afford new insights into the acquisition, display, and interpretation of drawings. In her essay, conservator Kimberly Schenck bridges the worlds of the collector and of the artist by examining the production and the use of drawing materials in an epoch of radical changes as much in technique as style. This book also provides a fully illustrated, scholarly catalogue for one hundred of the most important of the nineteenth-century French drawings now held by The Baltimore Museum of Art, The Walters Art Museum, and the Peabody Art Collection. Published on the occasion of an exhibition jointly organized by The Baltimore Museum of Art and The Walters Art Museum, this book presents a brilliant panorama of sketches, watercolors, and presentation drawings, many of them little known outside a small circle of experts. It is correlated with an online archive of the entire corpus of nineteenth-century French drawings in the holdings of these Baltimore museums. This volume has been published in conjunction with the exhibition The Essence of Line: French Drawings from Ingres to Degas, organized by The Baltimore Museum of Art and the Walter Art Museum, Baltimore, Maryland, and held at: The Baltimore Museum of Art, 19 June-11 September 2005. Uncommon in hardcover, this copy is NEW. BASEMENT (illustrator).…

Softcover. Zustand: Fine. No jacket.

Softcover. Zustand: new. Color pictorial wraps. 408 pp., profusely illustrated in color and bw. Many patrons of the arts in nineteenth-century America built collections of paintings and sculpture imported primarily from England or Italy. Collectors in BaltimoreWilliam Walters, George Lucas, the famous Cone sisters, among othersstand out in this milieu for having developed a strikingly different aesthetic for their homes and newly founded public institutions. These collectors looked to France for models of culture and, acting upon a remarkable understanding of the educational needs and working methods of artists, assembled extensive collections of drawings by French masters, from David to Daumier, Degas, and Cézanne. The Essence of Line offers the first comprehensive discussion of the formation of these collections and their significance for the history of French art. The book begins with essays by Jay M. Fisher, William R. Johnston, and Cheryl K. Snay that trace the history of collecting in Baltimore and afford new insights into the acquisition, display, and interpretation of drawings. In her essay, conservator Kimberly Schenck bridges the worlds of the collector and of the artist by examining the production and the use of drawing materials in an epoch of radical changes as much in technique as style. This book also provides a fully illustrated, scholarly catalogue for one hundred of the most important of the nineteenth-century French drawings now held by The Baltimore Museum of Art, The Walters Art Museum, and the Peabody Art Collection. Published on the occasion of an exhibition jointly organized by The Baltimore Museum of Art and The Walters Art Museum, this book presents a brilliant panorama of sketches, watercolors, and presentation drawings, many of them little known outside a small circle of experts. It is correlated with an online archive of the entire corpus of nineteenth-century French drawings in the holdings of these Baltimore museums. This volume has been published in conjunction with the exhibition The Essence of Line: French Drawings from Ingres to Degas, organized by The Baltimore Museum of Art and the Walter Art Museum, Baltimore, Maryland, and held at: The Baltimore Museum of Art, 19 June11 September 2005.…

Paperback. Zustand: As New. Softcover. Good binding and cover. Minor shelf wear. Clean, unmarked pages. This is an oversized or heavy book, which requires additional postage for international delivery outside the US.

Soft cover. Zustand: Fine. 1st Edition. Catalogue accompanying the exhibit. Text is clean and unmarked, binding tight, but slight wear at the top and bottom of the spine. No indications of previous ownership.

Zustand: New. Brand New.

Zustand: Good. Good condition. A copy that has been read but remains intact. May contain markings such as bookplates, stamps, limited notes and highlighting, or a few light stains. NOT AVAILABLE FOR SHIPMENT OUTSIDE OF THE UNITED STATES.

Zustand: Very Good. Very Good condition. A copy that may have a few cosmetic defects. May also contain light spine creasing or a few markings such as an owner's name, short gifter's inscription or light stamp. NOT AVAILABLE FOR SHIPMENT OUTSIDE OF THE UNITED STATES.

Zustand: New.

Zustand: New.

Paperback. Zustand: new. Paperback. Many patrons of the arts in nineteenth-century America built collections of paintings and sculpture imported primarily from England or Italy. Collectors in Baltimore - William Walters, George Lucas, the famous Cone sisters, among others - stand out in this milieu for having developed a strikingly different aesthetic for their homes and newly founded public institutions. These collectors looked to France for models of culture and, acting upon a remarkable understanding of the educational needs and working methods of artists, assembled extensive collections of drawings by French masters, from David to Daumier, Degas, and Cezanne. The Essence of Line offers the first comprehensive discussion of the formation of these collections and their significance for the history of French art. The book leads off with essays by Jay M. Fisher, William R. Johnston, and Cheryl K. Snay that trace the history of collecting in Baltimore and afford new insights into the acquisition, display, and interpretation of drawings.In her essay, conservator Kimberly Schenck bridges the worlds of the collector and of the artist by examining the production and the use of drawing materials in an epoch of radical changes as much in technique as style. This book also provides a fully illustrated, scholarly catalogue for 100 of the most important of the nineteenth-century French drawings now held by the Baltimore Museum of Art, the Walters Art Museum, and the Peabody Art Collection. Published on the occasion of an exhibition jointly organized by the Baltimore Museum of Art and The Walters Art Museum, this book presents a brilliant panorama of sketches, watercolors, and presentation drawings, many of them little known outside a small circle of experts. It is correlated with an on-line archive of the entire corpus of nineteenth-century French drawings in the holdings of these Baltimore museums. Many patrons of the arts in 19th-century America collected paintings and sculpture from England or Italy. Collectors in Baltimore looked to France for models of culture and assembled extensive collections of drawings by French masters. This is a discussion of the formation of these collections and their significance for the history of French art. Shipping may be from multiple locations in the US or from the UK, depending on stock availability.…

Zustand: New.

Zustand: As New. Unread book in perfect condition.

Paperback. Zustand: Brand New. 389 pages. 11.50x9.75x1.50 inches. In Stock.

Zustand: New. In English.

Zustand: New. Num Pages: 360 pages, 195 colour illustrations. BIC Classification: ACV; AFF. Category: (P) Professional & Vocational; (UP) Postgraduate, Research & Scholarly; (UU) Undergraduate. Dimension: 304 x 255 x 35. Weight in Grams: 2428. . 2005. Paperback. . . . .

Zustand: As New. Unread book in perfect condition.

Zustand: As New. Like New condition. A near perfect copy that may have very minor cosmetic defects. NOT AVAILABLE FOR SHIPMENT OUTSIDE OF THE UNITED STATES.

Zustand: New. Num Pages: 360 pages, 195 colour illustrations. BIC Classification: ACV; AFF. Category: (P) Professional & Vocational; (UP) Postgraduate, Research & Scholarly; (UU) Undergraduate. Dimension: 304 x 255 x 35. Weight in Grams: 2428. . 2005. Paperback. . . . . Books ship from the US and Ireland.…

Paperback. Zustand: Brand New. 389 pages. 11.50x9.75x1.50 inches. In Stock.

Zustand: New. Many patrons of the arts in 19th-century America collected paintings and sculpture from England or Italy. Collectors in Baltimore looked to France for models of culture and assembled extensive collections of drawings by French masters. This is a discussion .

Taschenbuch. Zustand: Neu. Neuware - Many patrons of the arts in nineteenth-century America built collections of paintings and sculpture imported primarily from England or Italy. Collectors in Baltimore--William Walters, George Lucas, the famous Cone sisters, among others--stand out in this milieu for having developed a strikingly different aesthetic for their homes and newly founded public institutions. These collectors looked to France for models of culture and, acting upon a remarkable understanding of the educational needs and working methods of artists, assembled extensive collections of drawings by French masters, from David to Daumier, Degas, and Cézanne. The Essence of Line offers the first comprehensive discussion of the formation of these collections and their significance for the history of French art. The book begins with essays by Jay M. Fisher, William R. Johnston, and Cheryl K. Snay that trace the history of collecting in Baltimore and afford new insights into the acquisition, display, and interpretation of drawings. In her essay, conservator Kimberly Schenck bridges the worlds of the collector and of the artist by examining the production and the use of drawing materials in an epoch of radical changes as much in technique as style. This book also provides a fully illustrated, scholarly catalogue for one hundred of the most important of the nineteenth-century French drawings now held by The Baltimore Museum of Art, The Walters Art Museum, and the Peabody Art Collection.Published on the occasion of an exhibition jointly organized by The Baltimore Museum of Art and The Walters Art Museum, this book presents a brilliant panorama of sketches, watercolors, and presentation drawings, many of them little known outside a small circle of experts. It is correlated with an online archive of the entire corpus of nineteenth-century French drawings in the holdings of these Baltimore museums.This volume has been published in conjunction with the exhibition The Essence of Line: French Drawings from Ingres to Degas, organized by The Baltimore Museum of Art and the Walter Art Museum, Baltimore, Maryland, and held at: The Baltimore Museum of Art, 19 June-11 September 2005The Walters Art Museum 19 June-4 September 2005Birmingham Museum of Art, 19 February-14 May 2006Tacoma Art Museum, 9 June-17 September 2006.…

Hardcover. Zustand: New.

Paperback. Zustand: New. T-BMAWALTERS; Essence Of Line: French Drawings From Ingres To Degas Pennsylvania State Univ Pr , University Park, Pennsylvania, U.S.A.; ISBN: 0271026928.